搬運(yùn)自：微信公眾號(hào)【評(píng)論搬一堆】（在原文基礎(chǔ)上添加了英語原文與排版調(diào)整）

翻譯：Ryan-Xiang

審譯：Ryan-Chopin

排版：Ryan-Chopin

After immersing herself in complex synthesizer compositions for her sophomore album, 2018’s?для FOR, the experimental pop artist Kate Shilonosova (aka?Kate NV) felt compelled to return to a more corporeal mode of creating music. “I spent almost a year and half sitting, at best, or bending over the table,” the Moscow producer?said. “My body rebelled, on some kind of physical level.” For the follow-up to?для FOR, her forthcoming LP?Room for the Moon,?she has reassessed the capabilities of her own voice, a careening and playful tool that previously fueled the Japanese city pop-inspired arrangements on her?debut?with heady dopamine rushes.

將自己沉浸于第二張專輯（2018年的《для FOR》）中復(fù)雜的合成器編曲后，實(shí)驗(yàn)流行樂歌手Kate Shilonosova（又名Kate NV）覺得必須要回到一種更具形態(tài)的音樂創(chuàng)作模式。這位莫斯科制作人說：“我花了將近一年半的時(shí)間，但最多只能坐下或俯于桌前?！?“我的肢體在行動(dòng)上發(fā)出抗議?！痹诩磳⑼瞥龅摹锭乍荮?FOR》 續(xù)篇《LP Room for the Moon（月光屋）》中，她重新審視了自己的聲音潛能：這是一種莽撞卻又令人愉悅的手段，在其初次亮相時(shí)就以令人興奮的多巴胺加速了日本城市流行風(fēng)格的形成。

While the chattering, spliced voices that bubbled up on?для FOR?between stretches of Buchla arrangements were more adornments than focal points, on “Sayonara,” the first single from her latest album, Shilonosova’s voice radiates brightly and takes surprising, sharp leaps that resemble a swooning Kate Bush. “Sayonara” is still cut through with Shilonosova’s precise touch, meticulously unfolding over angular guitar, tapping drums, and an imposing bassline. The mood is shadowy and slinky, building to a chorus where her vocals arc up as though they’re ascending a ladder. Shilonosova recenters her vocals and molds bold new shapes around them, crafting a languorous, dreamy take on synth-pop that’s her most hypnotic work yet.

雖然在專輯《для FOR》的歌曲中，電子合成樂片段間偶然出現(xiàn)的零碎細(xì)語更多地是作為裝飾而不是歌曲核心，但在她最新專輯的首支單曲“ Sayonara（再見）”中，Shilonosova的聲音散發(fā)出明亮光芒并完成了類似于Kate Bush（凱特·布什）般令人暈厥的驚喜轉(zhuǎn)變。Shilonosova的精準(zhǔn)樂感貫穿“ Sayonara”全曲，并在有角吉他、敲擊鼓和雄偉的貝斯琴伴奏中精心展現(xiàn)。整首歌的情感陰郁而柔弱，在和伴奏組成的合唱團(tuán)中，她的人聲仿佛登梯般逐漸上揚(yáng)；Shilonosova重新將其聲音置于歌曲核心，并在伴奏大膽創(chuàng)新，制作出一種沉郁而夢(mèng)幻的合成器流行樂，這是她迄今為止催眠效果最好的作品。