?

6. 3D in Photoshop---3-2.Postcard Symmetry

P59 - 00:00?

Let me show you another design driven 3D scene in photoshop. Again, we're gonna use postcards.?

P59 - 00:113D空間內(nèi)設(shè)計驅(qū)動的明信片。?

So let me just quickly draw something very simple. And we will go to layers making you layer. And we will create a postcard, ?

P59 - 00:22圖層內(nèi)創(chuàng)建明信片。 ?

So if I rotate around like let's create a new infinite light.?

P59 - 00:28旋轉(zhuǎn)-創(chuàng)建太陽光。?

So you can see we've got a really nice postcard, so now we gonna to 3D options, select I will plain and instance this object, And we will rotate it 180 degree, using y axis. and then we also will offset moves.?

P59 - 00:52實例拷貝-Y旋轉(zhuǎn)-抽拉。?

So they barely touch each other, something like this. So now I will go and overhear press right click, go to front.?

P59 - 01:05移動到前面。?

So i've got these guys and centre, So I will extend my according to this. so now what we gonna do? We going to remove the diffuse map. Remove the diffuse map,?

P59 - 01:28裁剪線居中-漫射-移除材質(zhì)。 ?

and we will go to opacity map.?

P59 - 01:31不透明度-編輯材質(zhì)。?

And we will swallow it. So now if we go back to our, let's click this diffuse map like this. ?

P59 - 01:43回到漫射圖。?

So basically what we're having right now. It is painting system, projection.?

P59 - 01:503D-繪制系統(tǒng)-投射。?

and paint in opacity map.?

P59 - 01:543D-繪制目標(biāo)材質(zhì)-不透明度。?

Now let's go and fill this layer with white.?

P59 - 01:59給圖層填充成白色。?

So guys, what we have right now?? I think we need to go back to texture. It's not a perfect demo. Why doesn’t? now we have a nice real time symmetry painting.?

P59 - 02:32平行對稱繪制，畫一邊出兩邊。?

So basically, if you're doing a character design, you know that painting a character in photo shop in symmetry mode is impossible.?

P59 - 02:44平行繪制角色很難實現(xiàn)。?

But now with this method, you can actually go and do it. It's a bit lucky because we are trying to paint not the diffuse map,?

P59 - 02:52沒有繪制漫射。?

but we are trying to paint, what do you call a opacity map??

P59 - 02:58繪制不透明圖。?

So it is constructing the geometry as we go. So it's very useful if you want to have a transparency layer,?

P59 - 03:06有透明層非常管用。?

look for example, if you want to have, let's say like this. And because once we rotate.?

P59 - 03:15一旦開始旋轉(zhuǎn)。?

It will have a shadow.?

P59 - 03:20旋轉(zhuǎn)時出現(xiàn)陰影。?

So it's very useful if you want to have that because let's see, if you're doing a character and even though its silhouette, but you still want to have a shadow that character.?

P59 - 03:29哪怕剪紙輪廓也需要有剪影。?

Also what we can do, we can go on remove all objects ground plane. No, but we can select those. And move it right here. ?

P59 - 03:52選中兩個下移到地面。?

So I want to design a character and also on came to be a part of story, So now what I have, for example, imagine if this was a giant colossus verses like a painter other small guy over here, ?

P59 - 04:13比如這是巨人。我再繪制小人。?

And now I can design this guy. select the white color.?

P59 - 04:30小人看大人。設(shè)計大人輪廓陰影。?

And I can still see the shadow. So I can put like, for example, horns. How cool is that??

P59 - 04:41可以給大輪廓和陰影加上頭角。?

So you're basically designing this guy over here and seeing him in the background, you see his shadow and stuff like that. So that's one way to do it. ?

P59 - 04:51這就是方式之一。?

So you can, for example, make him evil treats of spikes.?

P59 - 05:02可以加入刺突，設(shè)計的像反面角。?

Or he could be friendly and it's up to you. But I know it's very flat. But afterwards you can go and make him not flat.?

P59 - 05:13稍后把平面的繪制成不平面立體。?

you can do some really cool things. But because you're having this and you can doing your environment as well.?

P59 - 05:22可以處理環(huán)境。?

Like this. So that's one way to do it. ?

P59 - 05:30前圖層-繪入大氣。?

Let’s make it v1. It's a big lack though, because it is trying to construct the geometry will go on to v2 in the V2. We will actually go and delete all these guys.?

P59 - 05:48打組V1-復(fù)制V2-刪除內(nèi)涵。 ?

And we will go to our change it to the front view.?

P59 - 06:02前視角。?

Go back to this one. And now we will remove opacity map and create a new texture for diffuse.?

P59 - 06:12移除不透明度-添加漫射材質(zhì)。?

So now we have this texture for diffuse map, which we will close.?

P59 - 06:22有漫射新材質(zhì)后關(guān)閉。?

and go back over here. And now I think, we're trying to paint in the past, we need to go back and go to a diffuse map. So now it's much more fluid. it's less lucky. And basically, but you we lost our transparency.?

P59 - 06:42繪制流暢-失去透明度。?

So it's purely for design. like for example, if you want create some creature using lasso tools. ?

P59 - 06:49比如繪制生物用套索工具。?

Who so it's purely for design purposes. And also what's cool about it? You can go and select any color you want. For example, if I use red. I will be painting use the red.?

P59 - 07:10單純?yōu)樵O(shè)計，紅色進(jìn)行設(shè)計。?

and. I wanna turn off the lights. So we don't have any shading Information like this. ?

P59 - 07:16關(guān)閉燈光-無遮蔽信息。?

So if you're doing a costume design, it's very powerful. So that instead of going through 3rd parties trying to design. We're staying inside photoshop and designing these things. How cool is that.?

P59 - 07:36量體裁衣-直接在PS不用三方。?

And you guys are very lucky because It's for Free. For now I'm gonna release this tool and make some good money with it.Also, it's a bit still lagging. I think it's because I'm recording normally, you wouldn't have those legs, Let's say you're doing like a costume design. How cool is that? You are inside photoshop. Dreams came true. Before that, I used to use alchemy for doing that. Now, having these tool really done alchemy? anymore, because alchemy doesn't support Like, for example, if I want to use smudge tool. I'm okay to do it because I'm inside photoshop. I can use whatever tool I want, like let's change it to 99.Using smudge tool. How cool is that. And you can use anything you want, like mixer brush,?

P59 - 09:2799%模糊工具-混合刷子。?

ink, like, let's say, select the mixer brush. I go to mixer brush control. So guys, so cool. And like you can actually start creating a shading if you want. ?

P59 - 10:15混合刷子-遮蔽。?

So it's not only about 3D. You can start painting your shading Information on this guy. Again, like use smudge tool whatever.?

P59 - 10:44遮蔽+模糊工具。?

the only limitation it has, we could not exceed the borders of the plains of make sure that like an ideal world, you probably let's try it.?

P59 - 11:30唯一問題是邊界限制。?

I've never tried it, but that's just, oh, no, it doesn’t allow me to move things around.?

P59 - 11:36不允許浮動移動。?

So it doesn't really matter. But make sure that. So you have the first real time symmetry tool in photoshop. That's it, guys. And let's move on.

?

6. 3D in Photoshop---3-3.Postcard Photos

P60 - 00:00?

So remember I kept saying like, I really don't want you to be perfect painter or drawer at this point because there are so many different ways to design stuff.?

P60 - 00:10設(shè)計水平和繪畫技術(shù)無直接關(guān)系。?

And even when I was using postcard, I would still go on paint, which is not something everybody can do.?

P60 - 00:17明信片上再繪制。?

So I will show you for example, use postcards on photos as well to get very nice results.?

P60 - 00:24明信片和照片結(jié)合。?

So let's use this photo, for example. And use our usual methods and create postcards.So we've got so if I zoom out a little bit.?

P60 - 00:39稍微退出來一點(diǎn)。?

So basically what we have is this card, So what we used to do, we would go and remove that one,?

P60 - 00:52漫射-移除材質(zhì)。?

Edit texture.?

P60 - 00:56不透明度-編輯材質(zhì)。?

An inverted.?

P60 - 00:58并反轉(zhuǎn)。?

So also, let's adjust contrast with not having. We have a simple silhouette,?

P60 - 01:08曲線對照-簡單的剪影。?

So now, or we can rotate that guy as we want. And actually start having really nice base to paint on.?

P60 - 01:26旋轉(zhuǎn)移動-很好的繪制基礎(chǔ)。?

So let's just quickly crop this guy over here like this. now you've got a very nice base to actually start painting.?

P60 - 01:38裁剪成繪制基礎(chǔ)。?

Like for example, you can move it around and find a good angle that you want to paint.?

P60 - 01:46旋轉(zhuǎn)到適合再繪制的角度。?

You will probably ask me how is it different from squashing the using perspective warp on a single layer. It is very different. Because It's interactive. you don't need to readjust your surface.?

P60 - 02:03交互式的沒必要再調(diào)整表面。?

And also it's very cool because you bet you can double click, go say 10 miles camera.?

P60 - 02:13設(shè)置10相機(jī)。?

And you will have a very nice working stuff like that. like having ability to being able to instance things like an instance one of those drag it over. And I can possibly rotate it as well.?

P60 - 02:37實例拷貝-網(wǎng)面-旋轉(zhuǎn)。?

Like this. and move it around offset a little bit.?

P60 - 02:47移動-重新調(diào)整一點(diǎn)。?

And then ago, when I activate my light like this.?

P60 - 02:55加入并激活光源。?

It will give me some idea where really nice results. I can move things around. Like for example, like you be in between them, something like this, and find so many? very complicated ideas.?

P60 - 03:18打燈3D可以探索很多思路。?

Like, for example, if this was like some kind of factory or whatever it is. just like rotating things I can find so many different good stories. It will help me a lot. And once again, don't forget that you could still go anytime you want. And if you go to paint on opacity. Anytime you want, you can go to start modifying.?

P60 - 04:003D目標(biāo)材質(zhì)不透明-體系投射。?

So that's how you use photos. I'm not going to finish this one, but I think you've got the point. So I find a photo that you think is a very good look. For example, look at this angle, boom. So cool that you can change the light as well. ?

P60 - 04:19選照片-角度-燈光。?

let's hit render and see how it works. we didn't do this. And when I was doing fine examples. But you can actually rendering, you can get a lot of diversity. You can literally get some really true things.?

P60 - 04:40多變異的版本。?

Also you can change the light of these platforms. But let's stick with them. This guy over here.?

P60 - 04:50調(diào)節(jié)顏色。?

So just prior to each of those two guys, you can see so many things. And once again, you can offset as many copies as you want. And it will allow you to create a very controlled environment. ?

P60 - 05:19旋轉(zhuǎn)-創(chuàng)建可控的環(huán)境。?

now we have these guys standing on the ground, And then you can start introducing some verticals and stuff like that. Every time you do something, this will become more and more really, in terms of the spacing and stuff like that. But what it does gives you a very solid base. ?

P60 - 06:00畫入人仰視角度-垂直的立柱。?

All you need to do is think in terms of 3D space.?

P60 - 06:30用3D思維去思考。?

That's how you use photos. And instead of like mindlessly trying to work them and get something really cool. you using 3D. And it gives you much more design driven control rather than trying to get something really cool. And as you remember we started with the statement that photos will come as the last chapter because I really want you to explore the design aspect of things. instead of diving into very heavy photo bashing and just relying on single composition, when you use photos, you're very restricted by the photo, unless you have a very good design sense and know how to approach it properly.?

P60 - 07:35用照片需要設(shè)計直覺才能正確用。?

So I would say painting is always much more powerful, because it's all about designing ideas. it's not getting fully photo real drawing or painting, As you can see as separate things. And I'm just starting to shape together and stuff like that. So yeah, that's right. Let's move on. We've got plenty more to discuss and to talk about then. See you in the next one.

?

6. 3D in Photoshop---3-4.Postcard Blending

P61 - 00:00?

Postcards. And I believe it's going to be the last one. So we're going to combine it with our knowledge from previous lessons. So basically, I'm gonna take this guy over here and convert it to a postcard, So it did create a postcard, And I will do the same with the rest of the images. So I will take this one this one further. I will go 3D create postcard.?

P61 - 00:40輸出保存-創(chuàng)建明信片。?

So I will select another one. Maybe this one, create postcard. So what I do, actually I would use blending modes, but now I will be doing it in 3D space. So I will go press lighten overlay them. But because this one is a postcard, I can still go and rotate this around. Like for example. Let's do this. So basically, what it it does amazing. I’m having that layer. And I can zoom in, zoom out.?

P61 - 01:23锃亮 重疊，淡入淡出。?

and get those abstract shapes that I need. Look for different accidents and happy solutions. And like I can go on start cycling. that's a good one. ?

P61 - 01:37找到不同解決方案，比如循環(huán)。?

And then then basically you can copy and merge everything, can go to a new layer and say, okay, I like it.?

P61 - 01:50重疊 融合 新建圖層。?

And then you will start refining it, You can start giving it a little bit more meaning.?

P61 - 01:58可以賦予更多的含義。?

What's the perspective? So I can make sure two different ideas. And you can start building it up, basically like this one. So that could be something that's going towards the frame.?

P61 - 02:25前景黑色斜柱。?

So there's so many different possibilities you can derive just from those happy. It sounds like happy accident, you still controlling them. it's not like just randomly doing things.?

P61 - 02:40可控制的隨機(jī)試錯。?

No, you looking for a picture, you're rotating your layer.but it’s very different. And also it helps you immediately. Like for example, I can put this one. I like this one. And you can go copy, merge everything and say, okay, and now all you need to do is to fix here and there, your composition. So you can completely go and say OK, I'm having this one flying. Maybe this isn't you don't need this one.?

P61 - 03:16旋轉(zhuǎn)-融合-重新繪制。?

So and this is a wall which is really good. It gives you a very nice foreground element.?

P61 - 03:25前景墻給到真實感。?

For example, imagine if there was something over here. that you're probably standing on one of these structures, ?

P61 - 03:32比如人站立在其中一個平面上。?

and you go and you just start refining the rest, maybe there is a just a platform. So that's another platform. maybe it's a bit lower than this one. That's some kind of device. Maybe you can copy this one, move it around.?

P61 - 04:01下遠(yuǎn)淡色-上近深色-復(fù)制移動。?

Used light dark again. Put them a little over here.?

P61 - 04:16近處增黑模式，因不是光影聚焦。?

So now you have a very definite sense of space going on there. And it looks completely different from what we had before.?

P61 - 04:30這樣有個視角延伸線和聚焦點(diǎn)。?

I'm not going to save it, but I definitely encourage you to experiment on those different layers in 3D mode, because like soft light. maybe not. where is everything. So what else do we have? Exclusion. ?

P61 - 05:01比如柔光-除外。?

It may be too harsh difference that is a good one.?

P61 - 05:07太硬朗了，除外改為差異模式。?

so you can find something very cool and also in terms of lighting scenarios like it's very difficult to come up with something out of your comfort zone. Like for example. And by using these methods, you can literally get out your comfort zone and it will give you so many different lighting options.?

P61 - 05:32給出很多燈光選項。?

What is this guy and then you start painting it over and going to come up with something really cool. maybe vivid light. you can dramatically changed the focal length as well.?

P61 - 06:06生動的光或焦距。?

and keep experimenting. Let's go to the back to darken mode. That's a good one.?

P61 - 06:15增黑模式效果不錯。?

So you see how different it is. There's so much more depth in there. And you could basically keep like playing with a zooming out zooming in, just placing it randomly here and there. And it looks like you've got one story, but using 3D and using blending modes, guys.?

P61 - 06:40用3D或混合模式。?

like literally can create so many different things.? Now you have a different setting with different things going on. So try those many modes. You will see how powerful it is. Like you can start mixing different things like, let's say let's overlay this guy on dark amount at some point, make sure it can get very messy. So you need to know where to stop. But overall, it can give you so many different ideas because what it does basically, it creates a composition for you without you actually like a physical painting process.?

P61 - 07:30比如混合合成圖-增黑。?

because straight away you can start seeing some shapes in different cool things and etc etc. I’m not going to save it. And I'm not going to make demo on this one because we already did the lesson five. But I think I hope you guys find it very useful. And make sure that you play with it. Because it’s a very powerful technique and stuff you can come up with.

?

6. 3D in Photoshop---3-5.Postcard Cross Design

P62 - 00:00?

So let me show you another very design driven example. So let's quickly sketch some kind of profile, Like a seal drawing of a spaceship or whatever.?

P62 - 00:20比如隨便繪制飛船。?

Be willing to do it right? It's a very quick one. Something that we do on a daily basis, something like this, So that's our main silhouette. That it could be a spaceship or whatever it is. and then the second one, I will go here. And I would just copy the same one. And I will do like a top view, Or it could be a bottom view.?

P62 - 00:59做一個頂層，拷貝層做底層。?

And it doesn't matter. so now what I'm I will do, I will go and create a postcard from this guy. I will go and create a postcard from this guy. I've got two postcards, and I will go and merge them. merge 3D layers.?

P62 - 01:26兩個3D明信片-融合在一起。?

Now what we got these two layers as postcards. And I will take this one. And I will rotate it 90 degrees. And to be more precise. I need to go to 3D. not that axis. So probably this one 90 degrees.?

P62 - 01:56旋轉(zhuǎn)-沿著X軸90度。?

So what I will do afterwards. I will bring it towards the center of this guy. And I will place it straight into the center. So basically, what we have now we have this guy.?

P62 - 02:11移動到中心。?

and one instance this. And I will go to and make you minus lighting.And then I was placing over here. I need to move on just in the middle.?

P62 - 02:32微光-移動到中間。?

So what we have right now is actually a very cool thing because basically we have to get 3D silhouette. spaceship or whatever it is.?

P62 - 02:503D飛船為什么是設(shè)計驅(qū)動的呢。?

But why is it so design driven is the fact that, for example, if I go and say, hey, can we paint opacity. And now when I paint on opacity. everything changes. Like I can start creating different very quick designs. And it will change as I go. How cool is that? Not only that.?

P62 - 03:153D-目標(biāo)材質(zhì)-不透明度。?

For example, I can start sculpting small details like, the spacecraft flying object has a lot of kind of sensors and stuff like that. I'm having full control of this guy,What’s that? Just delete that guy. Because I was painting over there and it was spreading it over.?

P62 - 03:54剛才繪制的機(jī)翼展開的部分。?

Now look at this. We introduced some light group is two guys. Let's group them and call them spaceship.?

P62 - 04:12打燈-打組-重命名。?

So now what we have? we've got, you should take this one. He just dragged over inside this group,?

P62 - 04:19圖層網(wǎng)眼復(fù)制1移動到飛船的組。?

just like photoshop layer. And now you have a very cool setup, which is in 3D space. So basically, it's like we're designing this spaceship, but we're also having a shadow. It's very powerful because we have this as a part of the setting, Look at a couple of guys standing over here. And then we've got like cables going on and machinery and stuff like that.?

P62 - 05:03比如飛船和陰影，下面有人和繩。?

So as we go, I can create like so many things. we probably have a docking area there and people are pouring good things. And all it could be construction. So you can like doing your design work. But then at any point, you can go back towards this guy and start refining silhouette.?

P62 - 05:24邊設(shè)計邊調(diào)節(jié)剪影。?

It's very very powerful. So let me just do a couple of more things before we move on and actually start creating something more complicated. Now what we can do basically look at this. We can go and start instance group.?

P62 - 05:44實例拷貝飛船整組。?

spaceship. So I can offset this guy. Zoom out. Just quickly change a couple of things. At any time. You can go and visit edit your texture.?

P62 - 06:11物質(zhì)透明度-編輯材質(zhì)。?

For example, I don't like a couple of those things. I basically go, and i press CTRL s. just changed everything. I can go and start offsetting these guys. Instance this subject.?

P62 - 06:33實例拷貝飛船二。?

Move him around. But you know what is cool? Check this out. Because this is photoshop, you can use your offset tools of any of these guys. You can basically go on even this evenly spaced them. You know what I mean? So it's very nice.?

P62 - 07:00拷貝后可以等間距排列。?

So let's go and keep instance in that. Instance Move, instance.?

P62 - 07:06繼續(xù)實例拷貝飛船。?

If this was some kind of docking area. Now they are only evenly spaced. ?

P62 - 07:31如果這是停靠的碼頭，等距?？?。?

Look at this. So cool. like let me group them all of the objects. spaceships. So I can move them together. I can offset them as much as I want.?

P62 - 07:56打組，依據(jù)需求移動。?

And change all my angles. Let's make a more dramatic one. Let's say 15. Zoom in.?

P62 - 08:08相機(jī)15視角。?

Let’s just tweak that on a little bit, opacity edit that texture.?

P62 - 08:23不透明度-編輯材質(zhì)。?

So now the set up is very cool. It's like you actually have a 3D space ship. It's actually 2D I know there is no light Information on Top of it, but you really don't need it at this point because we are just designing our shot.?

P62 - 08:51目前還不需要燈光。?

So basically what you can do? What else you can do? You can go and create a new geometry cube, so let’s just do this. And create cube.?

P62 - 09:32飛船組里創(chuàng)建立方體。?

And now move this cube over here. Actually, now Instead of creating a cube What are we going to do? We will open our file. Postcard. And we will select this guy. So we will find out 3D layer. And we will duplicated to horror spaceships. And now what we will do, merge them together. ?

P62 - 10:45打開本地文件-復(fù)制融合到一起。?

we will go and merge them together. So our plane is distorted now. So we need to do is 19.?

P62 - 11:30融合組-x90其余歸零。?

So let’s merge them together. Select the plane. And go to this just reset everything. So zero okay. And now we probably insert like ninety. Now we have our docking platform,?

P62 - 11:36現(xiàn)在有停船塢的平臺。?

So as you can see, we've got our docking platform. So basically, at any time, you can take any one of those instance, make them bigger.?

P62 - 12:34其中一實例拷貝放大。?

Let’s just drag it over here. Let's say that this is like a big version of those guys, So now you have a very complicated scene.?

P62 - 12:57領(lǐng)頭大船。后面一字排的小船。?

And imagine I can keep going, i can keep changing it. For example, now we having these, be following this guy. And as I said,? we still have control over design of everything in this scene. you can go and change whatever we want, we will just go on In a very easy way to change those guys. and just give much more depth.?

P62 - 13:45隨時可以修改。給到景深。?

For example, I can do it for you there. And I can instance this guy. Once again. It's not this guy. Instance subjects. Select it. And creating a big guy over here. So all I need probably to see the shadow. Or like this I drag this shadow. Like we create very complicated space. ?

P62 - 14:23實例拷貝 復(fù)雜合成。?

And you still have control over the shadows over the lighting Information. That’s very priceless. because any time you want to hit the render. And start creating much better representation of the lighting.?

P62 - 14:45打燈-渲染看到燈效。?

Of course the spaceships are flat. It doesn't really matter because you can painted by seeing what's going on around,? let’s just pose this one.?

P62 - 15:02雖然是扁平，通過陰影烘托立體。?

And the other thing you can do. That's something we will do a lot in lecture seven, but you can take a photo, Because it just happened much more soft light.?

P62 - 15:30選一張柔光的照片。?

For example, you can set up your environment, then you will go on recharge this. So you can match this. what's going on? ?

P62 - 15:51照片燈光匹配，平面設(shè)計。?

So imagine if it was them like a CD or something different then everything you do with match. For example let’s drop it like this. Because you're seeing the horizon line, you can very easily to adjust those.?

P62 - 16:23看到水平線可以調(diào)節(jié)。?

like this. For example, let's get rid of this build over here, shift at five.? bottom is gone.?

P62 - 16:38去掉設(shè)計的底部。?

And now you have really nice setup with the spaceships. Or you can for example every inverted it. And play with it. Anyway, we will be doing a lot of that stuff in lesson seven. But for now you get a very powerful and still design driven. For example every time. I select one of this spaceships.?

P62 - 17:18比如選定其中一個飛船再設(shè)計。?

I can start changing the design of it. And you can see it just changes everything.?

P62 - 17:45比如選中飛船添加機(jī)翼故事變了。?

So literally I can take a spaceship and quickly converted to an 16 or f 18 or whatever it is going to be. So when I rotate around. It could actually be like in simple aircraft,?

P62 - 18:08旋轉(zhuǎn)就看到飛船陣勢了。?

so if i continue painting. It's not special. Like this, now it’s like not spaceships anymore. Could be aircraft construction factory.?

P62 - 18:35像是造船廠。?

it’s very powerful, but make sure you experiment with those. Make sure that you assemble something different like go crazy with the angles. that's what 3D gives you as an additional power.?

P62 - 18:54這就是3D賦予鷹架進(jìn)行改寫。?

Like the stuff you can create it. Having this in control of 3D space is very unique. And what I like about being in photoshop first. And I can change the design as I go. And plus it's still very graphic. it's not overkill by any textures or any lighting or very complicated geometry and stuff like that.?

P62 - 19:24沒有材質(zhì) 燈光 幾何復(fù)雜因素。?

So that's why I really like it. Like for example, this could be a shot with the platform raises, like with this raising platform. For example, I was on the beneath side of the shape. and then I go up and I see this very cool setting spaceships or whatever it is.?

P62 - 19:46比如這是飛船起飛的動態(tài)圖。?

That's pretty much it.?