王馨曼保護生物多樣性個人藝術作品展在全球自然與藝術聯盟總部展出
國際環(huán)保藝術家王馨曼個人藝術作品展近日在美國隆重展出
“Life and Hope” - Sophia Xinman Wang
A solo art exhibition to promote biodiversity and conservation has been presented in the U.S.
環(huán)保藝術家王馨曼在展覽現場
2021年12月9日-2022年1月9日，”生命與希望-王馨曼保護生物多樣性個人藝術作品展”在美國圣地亞哥市全球自然與藝術聯盟總部展出。此次中展覽主要展出了國際生態(tài)環(huán)保藝術家王馨曼近期創(chuàng)作的20幅保護生物多樣性主題藝術作品，展覽由全球自然與藝術聯盟、美國野生動物基金會主辦。王馨曼個人藝術作品展榮幸的邀請到中國獨立策展人蕭煌先生做為總策劃，美國圣地亞哥州立大學美術學院院長JOYCE GATTAS做為策展人。20幅作品圍繞因全球氣候變暖導致瀕臨滅絕的野生動物形象展開，以啟發(fā)觀看者審視過去和現在的人文生態(tài)，并引發(fā)人類社會關于自然、科技、環(huán)境的關系反思。
From December 9 to January 9,2022, "Life and Hope - Sophia Xinman Wang's Solo Art Exhibition for the Conservation of Biodiversity" will be exhibited at the headquarters of the Global Nature and the Arts Alliance in San Diego, USA. The exhibition is 20 works of art on the theme of biodiversity conservation recently created by international ecological and environmental protection artist Sophia Xinman Wang, and the exhibition is sponsored by the Global Nature and Art Alliance and the Wildlife Forever Fund of America. Xinman Wang's solo art exhibition is honored to invite Mr. Xiao Huang, an independent curator in China, as the chief curator, and JOYCE GATTAS, Dean of the Academy of Fine Arts at San Diego State University, as this exhibitions curator. The 20 works revolve around the images of wild animals that are endangered due to global warming, inspire viewers to examine the past and present human ecology, and to trigger human society's reflection on the relationship between nature, science and technology, and the environment.
“王馨曼這些年從“人與自然共生關系”、“保護生物多樣性”和“低碳生活方式”三個方面展開對環(huán)保公共議題的藝術實踐活動。她用獨特的藝術語言和環(huán)保材料，融合藝術、環(huán)保、公教、時尚、設計為一體，打造出集美與內涵于一身、震懾人心又有深刻意義的藝術作品。
王馨曼創(chuàng)作的中國當代水墨與丙烯材料融合的藝術作品令人深思。畫面中動物身上使用了中國云南的東巴文字，一種兼?zhèn)浔硪夂捅硪舫煞值膱D畫象形文字，距今1000多年，至今仍在使用。東巴文被稱之為目前世界唯一存活著的象形文字，被譽為文字的“活化石”。2003年，東巴古籍被聯合國教科文組織列入世界記憶名錄，并進行數碼記錄。與東巴文圖形文字并存的還有量子力學公式符號作為背景紋飾，共同形成時間和空間的維度對比，以啟發(fā)觀看者審視過去和現在的人文生態(tài)，并引發(fā)人類社會關于自然、科技、環(huán)境的關系反思。
《生命與希望系列》是王馨曼具有典型性的重要作品，通過一些“無法控制”的偶然性色彩關系，在試圖構建一個具有沖突性的“處境”中，讓觀眾游歷于不同的情緒里，通過“心理雕塑”的藝術語言方式，為物種的生與滅雕刻出來自個體內心的紀念與追尋。王馨曼的作品試圖關注連接天地人的思考。黑白的色彩對比，象征悲傷與痛苦；而彩色，暗喻快樂與希望。在她的一些裝置作品中，她采用樹枝、剪紙、水粉、麻線、塑料等作為創(chuàng)作媒介，以人類學的視角去看待人類如何構建關系、社區(qū)和自然系統(tǒng)。這些嚴肅的主題在王馨曼的作品中均得以體現，并以藝術的符號形式新生。馨曼試圖模糊文化、身份、膚色、貧富這些所有的社會化差異，通過量子力學時間維度的思考，關注脆弱而又偉大的生命蛻化與變異，從而探討環(huán)境變化對地球生態(tài)系統(tǒng)的影響。
空氣污染、全球變暖、廢物堆積、無節(jié)制消費這些問題已關乎到每個人的現在與未來。在當下全球氣候變暖的危機時期，看得出藝術家馨曼通過畫面喻示的精神批判，從現實的當下全球生態(tài)環(huán)境危機中出發(fā)，引申到人類、動物生存的現實危機狀況，實現了物質與精神的雙重批判。作為一名國際環(huán)保生態(tài)藝術家，王馨曼十多年來一直用她對藝術的執(zhí)著，為全球氣候危機發(fā)聲。提示大家在工作的忙碌中善于發(fā)現自然之美，在低碳生活方式的實踐中發(fā)現生態(tài)之美，在內心的大愛感悟中擁抱生活之美。王馨曼的藝術實踐，在于喚醒現代人尋歸心靈的所在，回歸天地生靈萬物的和諧統(tǒng)一。- JOYCE GATTAS 博士 ”
“Sophia Xinman Wang has been carrying out artistic practices on public issues of environmental protection for ten years, from the three aspects of “the symbiotic relationship between man and nature”, “protecting biodiversity” and “l(fā)ow-carbon lifestyle”. She uses unique artistic language and environmental protection materials, the integration of art, environmental protection, public education, fashion, design, to create a collection of beauty and connotation in one, shocking and profound significance of the work of art. Sophia’s work of art blends contemporary Chinese ink and acrylic materials is thought-provoking. The animals in the picture used Dongba text in Yunnan, China, a combination of phenotypic and phenotypic composition of the picture pictogram, more than 1000 years ago, is still in use today. Dongba is known as the world’s only surviving hieroglyphics, known as the “l(fā)iving fossil” of the text. In 2003, dongba ancient books were added to UNESCO’s Memory of the World Register and digitally recorded. Along with the Dongba graphic text, quantum mechanics formula symbols as background ornaments, together form a dimensional contrast of time and space, inspire viewers to examine the past and present human ecology, and trigger human society on the relationship between nature, science and technology, environment reflection. “Life and Hope” is an important work of Sophia’s typical character, through some “uncontrollable” accidental color relationship, in trying to build a conflicting “situation”, let the audience travel in different emotions, through the “psychological sculpture” of artistic language, for the birth and destruction of species carved from the individual’s inner memory and pursuit. Xinman’s work attempts to focus on the thinking of connecting people from heaven and earth. Black-and-white color contrast, symbolizing sadness and pain, and color, metaphorical happiness, and hope. In some of her installations, she uses branches, paper cuts, water powder, linen, plastic, etc. as a medium of creation to look at how humans build relationships, communities, and natural systems from an anthropological perspective. These serious themes are reflected in Sophia’s work and are reborn in the form of artistic symbols. Sophia tries to blur all the social differences between culture, identity, color, rich and poor, and to explore the effects of environmental change on the Earth’s ecosystem by thinking about the quantum mechanics time dimension and focusing on the transformation and variation of fragile and great life. Air pollution, global warming, waste accumulation and unconscionable consumption are all about everyone’s present and future. In the current crisis period of global warming, Sophia Xinman Wang through the picture of the spirit of criticism, from the reality of the current global ecological environment crisis, extended to the reality of human and animal survival crisis, the realization of material and spiritual double criticism. As an international environmental eco-artist, Xinman Wang has been using her dedication to art for more than a decade to speak out about the global climate crisis. Suggest that we find the beauty of nature in the busy work, in the practice of low-carbon lifestyle to find the ecological beauty, in the inner feeling of great love to embrace the beauty of life. Sophia’s artistic practice lies in awakening the modern people to find the soul, return to the harmony and unity of all things living in heaven and earth.
- Dr. Joyce Gattas ”
簡歷
王馨曼 Sophia Xinman Wang 博士
聯合國教科文組織世界青年藝術學院主辦項目藝術大賽執(zhí)行主任；
美國野生動物Wildlife Forever 基金會保護生物多樣性大使；
中國云南省美協綜合材料藝術委員會副主任；
中國云南高原生態(tài)環(huán)?；饡紫囆g家；
歐洲聯盟資助項目低碳學校指導專家；
法國文化中心特邀藝術家；
中法環(huán)境月特邀藝術家；
國內外多所大學客座教授。
2017年作品入選舊金山MOMA現代藝術博物館線上新人藝術作品展；
2017年榮獲二十五座博物館聯盟評選美國藝術家獎；
2017年意大利威尼斯國際藝術節(jié)入選藝術家；
2018年美國芝加哥“新現實主義西方對東方藝術的影響1968-2018年藝術展”特邀參展藝術家；2019年綜合材料藝術作品“百年征程”入選中國國家藝術基金傳播交流推廣項目；
2019年美國野生動物基金會特邀藝術家；
2020年云南美術館舉辦生命與共存-王馨曼個人藝術作品展；
2020年10月參與ZSL英國倫敦動物學會聯合舉辦的“國際雪豹日”公眾活動，捐贈作品版權獲得ZSL倫敦動物學會頒發(fā)的感謝證書；
2020年法國文化中心特邀藝術家、中法環(huán)境月特邀藝術家；
2020年榮獲聯合國教科文組織頒發(fā)的國際藝術大賽榮譽證書；
2020年榮獲國家魚類全球藝術大賽杰出成就獎；
2021年受邀參加歐洲聯盟資助項目“全球生物多樣性與藝術生態(tài)文明的融合發(fā)展-王馨曼的環(huán)保藝術+”、“保護生物多樣性的藝術使命”系列講座活動，并聘為項目指導專家。
2021年在上海舉辦王馨曼個人生態(tài)環(huán)保藝術作品展。
2021年受聘云南高原環(huán)?；饡紫囆g家；
2021年榮獲美國野生動物基金會保護生物多樣性杰出貢獻榮譽證書；
2021年榮獲美國野生動物基金會保護生物多樣性形象大使；
2021年負責聯合國教科文組織世界青年藝術學院主辦項目-保護生物多樣性全球藝術大賽執(zhí)行主任；
2021年多幅作品被法國國家自然歷史博物館展出并永久收藏。
王馨曼Sophia Xinman WANG 主要通過綜合材料、裝置藝術、大眾參與式藝術和藝術事件的多種形式，創(chuàng)作以保護動物、保護自然環(huán)境為主題的藝術作品和活動，展現對生命的觀察與思考，激發(fā)大眾對全球保護生物多樣性、全球氣候問題的關注和行動。
ARTIST
Dr. Sophia Xinman Wang
Executive Director of the Project Art Competition hosted by the UNESCO World Academy of Youth Art, Ambassador for Biodiversity Conservation at the Wildlife Forever Foundation of the United States.
Deputy Director of the Art Committee of The American Association of
Yunnan Province, China. Chief Artist, Yunnan Plateau Ecological and Environmental Protection
Foundation, China.
European Union-funded project low-carbon school guidance experts. Invited artists from the French Cultural Centre.
Invited Artists for Sino-French Environment Month.
Visiting professor at many universities at home and abroad.
The 2017 “Expecting” oil on canvas work was selected for the online newcomer art exhibition at the MOMA Museum of Modern Art in San Francisco.
2017, awarded the American Artist Award from the 25
Museums Alliance. Selected artists for the 2017 Venice International Arts
Festival in Italy.
2018 Chicago, USA, “The Impact of The New Realism West on Oriental Art 1968-2018 Art Exhibition” invited participating artists.
2019 Invited Artist from the American Wildlife Foundation.
In 2020, Xinman’s personal art works were exhibited at the Yunnan Art Museum exhibition of life and coexistence. In October 2020, participated in the “International Snow Leopard Day” public event jointly organized by the ZSL London Zoological Society, and donated the copyright of the work to obtain a certificate of thanks from ZSL London Zoological Society.
2020 French Cultural Center Invited Artist, China-France Environment Month. Invited Artist. Awarded the Honorary Certificate of the
International Art Competition by UNESCO in 2020.
In 2020 awarded the National Fish Global Art
Competition Outstanding Achievement Award.
In 2021, Ms. Wang was invited to participate in the European Union-funded project “The Integration and Development of Global Biodiversity and Artistic Ecological Civilization - Sophia’s
Environmental Art Plus” and “The Art Mission to Protect Biodiversity” series of lectures and was hired as a project guidance expert.
Sophia Xinman Wang’s personal
eco-friendly art exhibition will be held in Shanghai in
2021. 2021 appointed as the chief artist of Yunnan
Plateau Environmental Protection Foundation.
Awarded the U.S. Wildlife Fund’s Distinguished
Contribution to Biodiversity Conservation in 2021.
Awarded the U.S. Wildlife Fund’s Biodiversity Image
Protection Ambassador in 2021.
Executive Director of the UNESCO Global Art Competition for biodiversity
conservation, a project hosted by the UNESCO World Academy of Youth Art, 2021.
In 2021 ten original oil on canvas paintings chosen and exhibited for the permanent
collection by the National Museum of Natural History of France.
Sophia Xinman Wang, through the comprehensive materials, installation art,
mass participation art and art events in various forms, promotes the creation of animal protection, protection of the natural environment as the theme of her art works and activities, to show the observation and thinking of
life, to stimulate public attention and
action on global biodiversity conservation, global climate issues.
Dr. Joyce Gattas是圣地亞哥州立大學專業(yè)研究與美術學院院長，在那里她領導著十所擁有中心和研究機構的學校，從視覺和表演藝術到傳播，公共事務，酒店管理和ROTC課程，其中包括5，000多個專業(yè)和近400名教職員工。在擔任院長之前，她曾擔任SDSU教師事務副校長，并在科羅拉多州立大學長灘分校和海沃德任教。
Dr. Joyce Gattas is Dean of the College of Professional Studies and Fine Arts at San Diego State University, where she leads ten schools with centers and research institutes, ranging from the visual and performing arts to communication, public affairs, hospitality management, and ROTC programs, which comprise more than
5,000 majors and nearly 400 faculty and staff. Prior to her role as
Dean, she served as the Associate Vice President for Faculty Affairs at SDSU and taught at CSU Long Beach and Hayward.
“生命與希望-王馨曼保護生物多樣性個人藝術作品展”展覽海報
藝術家王馨曼博士簡歷、策展人JOYCE GATTAS博士簡歷。
“生命與希望-王馨曼保護生物多樣性個人藝術作品展”展覽簡介
“生命與希望-王馨曼保護生物多樣性個人藝術作品展”展覽現場（圖1）
“生命與希望-王馨曼保護生物多樣性個人藝術作品展”展覽現場（圖2）
“生命與希望-王馨曼保護生物多樣性個人藝術作品展”展覽現場（圖3）
“生命與希望-王馨曼保護生物多樣性個人藝術作品展”展覽現場（圖4）
環(huán)保藝術家王馨曼在展覽現場（圖5）
“生命與希望-王馨曼保護生物多樣性個人藝術作品展”展覽現場（圖6）
“生命與希望-王馨曼保護生物多樣性個人藝術作品展”展覽現場（圖7）
“生命與希望-王馨曼保護生物多樣性個人藝術作品展”展覽現場（圖8）
“生命與希望-王馨曼保護生物多樣性個人藝術作品展”展覽現場（圖9）
“生命與希望-王馨曼保護生物多樣性個人藝術作品展”展覽現場10
“生命與希望-王馨曼保護生物多樣性個人藝術作品展”展覽現場（圖11）
“生命與希望-王馨曼保護生物多樣性個人藝術作品展”展覽現場（圖12）
“生命與希望-王馨曼保護生物多樣性個人藝術作品展”展覽現場（圖13）
“生命與希望-王馨曼保護生物多樣性個人藝術作品展”展覽現場（圖14）
“生命與希望-王馨曼保護生物多樣性個人藝術作品展”展覽現場（圖15）
展覽作品A （圖16）
展覽作品B（圖17）
責編：王建飛
