國(guó)際環(huán)保藝術(shù)家王馨曼個(gè)人藝術(shù)作品展近日在美國(guó)隆重展出

“Life and Hope” - Sophia Xinman Wang

A solo art exhibition to promote biodiversity and conservation has been presented in the U.S.

藝術(shù)家王馨曼在展覽現(xiàn)場(chǎng)

國(guó)際環(huán)保藝術(shù)家王馨曼在美國(guó)圣地亞哥展覽現(xiàn)場(chǎng)2021年12月9日

2021年12月9日-2022年1月9日，”生命與希望-王馨曼保護(hù)生物多樣性個(gè)人藝術(shù)作品展”在美國(guó)圣地亞哥市全球自然與藝術(shù)聯(lián)盟總部展出。此次中展覽主要展出了國(guó)際生態(tài)環(huán)保藝術(shù)家王馨曼近期創(chuàng)作的20幅保護(hù)生物多樣性主題藝術(shù)作品，展覽由全球自然與藝術(shù)聯(lián)盟、美國(guó)野生動(dòng)物基金會(huì)主辦。王馨曼個(gè)人藝術(shù)作品展榮幸的邀請(qǐng)到中國(guó)獨(dú)立策展人蕭煌先生做為總策劃，美國(guó)圣地亞哥州立大學(xué)美術(shù)學(xué)院院長(zhǎng)JOYCE GATTAS做為策展人。20幅作品圍繞因全球氣候變暖導(dǎo)致瀕臨滅絕的野生動(dòng)物形象展開(kāi)，以啟發(fā)觀看者審視過(guò)去和現(xiàn)在的人文生態(tài)，并引發(fā)人類(lèi)社會(huì)關(guān)于自然、科技、環(huán)境的關(guān)系反思。

From December 9 to January 9,2022, "Life and Hope - Sophia Xinman Wang's Solo Art Exhibition for the Conservation of Biodiversity" will be exhibited at the headquarters of the Global Nature and the Arts Alliance in San Diego, USA. The exhibition is 20 works of art on the theme of biodiversity conservation recently created by international ecological and environmental protection artist Sophia Xinman Wang, and the exhibition is sponsored by the Global Nature and Art Alliance and the Wildlife Forever Fund of America. Xinman Wang's solo art exhibition is honored to invite Mr. Xiao Huang, an independent curator in China, as the chief curator, and JOYCE GATTAS, Dean of the Academy of Fine Arts at San Diego State University, as this exhibitions curator. The 20 works revolve around the images of wild animals that are endangered due to global warming, inspire viewers to examine the past and present human ecology, and to trigger human society's reflection on the relationship between nature, science and technology, and the environment.

“王馨曼這些年從“人與自然共生關(guān)系”、“保護(hù)生物多樣性”和“低碳生活方式”三個(gè)方面展開(kāi)對(duì)環(huán)保公共議題的藝術(shù)實(shí)踐活動(dòng)。她用獨(dú)特的藝術(shù)語(yǔ)言和環(huán)保材料，融合藝術(shù)、環(huán)保、公教、時(shí)尚、設(shè)計(jì)為一體，打造出集美與內(nèi)涵于一身、震懾人心又有深刻意義的藝術(shù)作品。

王馨曼創(chuàng)作的中國(guó)當(dāng)代水墨與丙烯材料融合的藝術(shù)作品令人深思。畫(huà)面中動(dòng)物身上使用了中國(guó)云南的東巴文字，一種兼?zhèn)浔硪夂捅硪舫煞值膱D畫(huà)象形文字，距今1000多年，至今仍在使用。東巴文被稱之為目前世界唯一存活著的象形文字，被譽(yù)為文字的“活化石”。2003年，東巴古籍被聯(lián)合國(guó)教科文組織列入世界記憶名錄，并進(jìn)行數(shù)碼記錄。與東巴文圖形文字并存的還有量子力學(xué)公式符號(hào)作為背景紋飾，共同形成時(shí)間和空間的維度對(duì)比，以啟發(fā)觀看者審視過(guò)去和現(xiàn)在的人文生態(tài)，并引發(fā)人類(lèi)社會(huì)關(guān)于自然、科技、環(huán)境的關(guān)系反思。

《生命與希望系列》是王馨曼具有典型性的重要作品，通過(guò)一些“無(wú)法控制”的偶然性色彩關(guān)系，在試圖構(gòu)建一個(gè)具有沖突性的“處境”中，讓觀眾游歷于不同的情緒里，通過(guò)“心理雕塑”的藝術(shù)語(yǔ)言方式，為物種的生與滅雕刻出來(lái)自個(gè)體內(nèi)心的紀(jì)念與追尋。王馨曼的作品試圖關(guān)注連接天地人的思考。黑白的色彩對(duì)比，象征悲傷與痛苦；而彩色，暗喻快樂(lè)與希望。在她的一些裝置作品中，她采用樹(shù)枝、剪紙、水粉、麻線、塑料等作為創(chuàng)作媒介，以人類(lèi)學(xué)的視角去看待人類(lèi)如何構(gòu)建關(guān)系、社區(qū)和自然系統(tǒng)。這些嚴(yán)肅的主題在王馨曼的作品中均得以體現(xiàn)，并以藝術(shù)的符號(hào)形式新生。馨曼試圖模糊文化、身份、膚色、貧富這些所有的社會(huì)化差異，通過(guò)量子力學(xué)時(shí)間維度的思考，關(guān)注脆弱而又偉大的生命蛻化與變異，從而探討環(huán)境變化對(duì)地球生態(tài)系統(tǒng)的影響。

空氣污染、全球變暖、廢物堆積、無(wú)節(jié)制消費(fèi)這些問(wèn)題已關(guān)乎到每個(gè)人的現(xiàn)在與未來(lái)。在當(dāng)下全球氣候變暖的危機(jī)時(shí)期，看得出藝術(shù)家馨曼通過(guò)畫(huà)面喻示的精神批判，從現(xiàn)實(shí)的當(dāng)下全球生態(tài)環(huán)境危機(jī)中出發(fā)，引申到人類(lèi)、動(dòng)物生存的現(xiàn)實(shí)危機(jī)狀況，實(shí)現(xiàn)了物質(zhì)與精神的雙重批判。作為一名國(guó)際環(huán)保生態(tài)藝術(shù)家，王馨曼十多年來(lái)一直用她對(duì)藝術(shù)的執(zhí)著，為全球氣候危機(jī)發(fā)聲。提示大家在工作的忙碌中善于發(fā)現(xiàn)自然之美，在低碳生活方式的實(shí)踐中發(fā)現(xiàn)生態(tài)之美，在內(nèi)心的大愛(ài)感悟中擁抱生活之美。王馨曼的藝術(shù)實(shí)踐，在于喚醒現(xiàn)代人尋歸心靈的所在，回歸天地生靈萬(wàn)物的和諧統(tǒng)一。- JOYCE GATTAS 博士 ”

“Sophia Xinman Wang has been carrying out artistic practices on public issues of environmental protection for ten years, from the three aspects of “the symbiotic relationship between man and nature”, “protecting biodiversity” and “l(fā)ow-carbon lifestyle”. She uses unique artistic language and environmental protection materials, the integration of art, environmental protection, public education, fashion, design, to create a collection of beauty and connotation in one, shocking and profound significance of the work of art. Sophia’s work of art blends contemporary Chinese ink and acrylic materials is thought-provoking. The animals in the picture used Dongba text in Yunnan, China, a combination of phenotypic and phenotypic composition of the picture pictogram, more than 1000 years ago, is still in use today. Dongba is known as the world’s only surviving hieroglyphics, known as the “l(fā)iving fossil” of the text. In 2003, dongba ancient books were added to UNESCO’s Memory of the World Register and digitally recorded. Along with the Dongba graphic text, quantum mechanics formula symbols as background ornaments, together form a dimensional contrast of time and space, inspire viewers to examine the past and present human ecology, and trigger human society on the relationship between nature, science and technology, environment reflection. “Life and Hope” is an important work of Sophia’s typical character, through some “uncontrollable” accidental color relationship, in trying to build a conflicting “situation”, let the audience travel in different emotions, through the “psychological sculpture” of artistic language, for the birth and destruction of species carved from the individual’s inner memory and pursuit. Xinman’s work attempts to focus on the thinking of connecting people from heaven and earth. Black-and-white color contrast, symbolizing sadness and pain, and color, metaphorical happiness, and hope. In some of her installations, she uses branches, paper cuts, water powder, linen, plastic, etc. as a medium of creation to look at how humans build relationships, communities, and natural systems from an anthropological perspective. These serious themes are reflected in Sophia’s work and are reborn in the form of artistic symbols. Sophia tries to blur all the social differences between culture, identity, color, rich and poor, and to explore the effects of environmental change on the Earth’s ecosystem by thinking about the quantum mechanics time dimension and focusing on the transformation and variation of fragile and great life. Air pollution, global warming, waste accumulation and unconscionable consumption are all about everyone’s present and future. In the current crisis period of global warming, Sophia Xinman Wang through the picture of the spirit of criticism, from the reality of the current global ecological environment crisis, extended to the reality of human and animal survival crisis, the realization of material and spiritual double criticism. As an international environmental eco-artist, Xinman Wang has been using her dedication to art for more than a decade to speak out about the global climate crisis. Suggest that we find the beauty of nature in the busy work, in the practice of low-carbon lifestyle to find the ecological beauty, in the inner feeling of great love to embrace the beauty of life. Sophia’s artistic practice lies in awakening the modern people to find the soul, return to the harmony and unity of all things living in heaven and earth.

- Dr. Joyce Gattas ”

簡(jiǎn)歷

王馨曼 Sophia Xinman Wang 博士

聯(lián)合國(guó)教科文組織世界青年藝術(shù)學(xué)院主辦項(xiàng)目藝術(shù)大賽執(zhí)行主任；

美國(guó)野生動(dòng)物Wildlife Forever 基金會(huì)保護(hù)生物多樣性大使；

中國(guó)云南省美協(xié)綜合材料藝術(shù)委員會(huì)副主任；

中國(guó)云南高原生態(tài)環(huán)?；饡?huì)首席藝術(shù)家；

歐洲聯(lián)盟資助項(xiàng)目低碳學(xué)校指導(dǎo)專家；

法國(guó)文化中心特邀藝術(shù)家；

中法環(huán)境月特邀藝術(shù)家；

國(guó)內(nèi)外多所大學(xué)客座教授。

2017年作品入選舊金山MOMA現(xiàn)代藝術(shù)博物館線上新人藝術(shù)作品展；

2017年榮獲二十五座博物館聯(lián)盟評(píng)選美國(guó)藝術(shù)家獎(jiǎng)；

2017年意大利威尼斯國(guó)際藝術(shù)節(jié)入選藝術(shù)家；

2018年美國(guó)芝加哥“新現(xiàn)實(shí)主義西方對(duì)東方藝術(shù)的影響1968-2018年藝術(shù)展”特邀參展藝術(shù)家；2019年綜合材料藝術(shù)作品“百年征程”入選中國(guó)國(guó)家藝術(shù)基金傳播交流推廣項(xiàng)目；

2019年美國(guó)野生動(dòng)物基金會(huì)特邀藝術(shù)家；

2020年云南美術(shù)館舉辦生命與共存-王馨曼個(gè)人藝術(shù)作品展；

2020年10月參與ZSL英國(guó)倫敦動(dòng)物學(xué)會(huì)聯(lián)合舉辦的“國(guó)際雪豹日”公眾活動(dòng)，捐贈(zèng)作品版權(quán)獲得ZSL倫敦動(dòng)物學(xué)會(huì)頒發(fā)的感謝證書(shū)；

2020年法國(guó)文化中心特邀藝術(shù)家、中法環(huán)境月特邀藝術(shù)家；

2020年榮獲聯(lián)合國(guó)教科文組織頒發(fā)的國(guó)際藝術(shù)大賽榮譽(yù)證書(shū)；

2020年榮獲國(guó)家魚(yú)類(lèi)全球藝術(shù)大賽杰出成就獎(jiǎng)；

2021年受邀參加歐洲聯(lián)盟資助項(xiàng)目“全球生物多樣性與藝術(shù)生態(tài)文明的融合發(fā)展-王馨曼的環(huán)保藝術(shù)+”、“保護(hù)生物多樣性的藝術(shù)使命”系列講座活動(dòng)，并聘為項(xiàng)目指導(dǎo)專家。

2021年在上海舉辦王馨曼個(gè)人生態(tài)環(huán)保藝術(shù)作品展。

2021年受聘云南高原環(huán)?；饡?huì)首席藝術(shù)家；

2021年榮獲美國(guó)野生動(dòng)物基金會(huì)保護(hù)生物多樣性杰出貢獻(xiàn)榮譽(yù)證書(shū)；

2021年榮獲美國(guó)野生動(dòng)物基金會(huì)保護(hù)生物多樣性形象大使；

2021年負(fù)責(zé)聯(lián)合國(guó)教科文組織世界青年藝術(shù)學(xué)院主辦項(xiàng)目-保護(hù)生物多樣性全球藝術(shù)大賽執(zhí)行主任；

2021年多幅作品被法國(guó)國(guó)家自然歷史博物館展出并永久收藏。

王馨曼Sophia Xinman WANG 主要通過(guò)綜合材料、裝置藝術(shù)、大眾參與式藝術(shù)和藝術(shù)事件的多種形式，創(chuàng)作以保護(hù)動(dòng)物、保護(hù)自然環(huán)境為主題的藝術(shù)作品和活動(dòng)，展現(xiàn)對(duì)生命的觀察與思考，激發(fā)大眾對(duì)全球保護(hù)生物多樣性、全球氣候問(wèn)題的關(guān)注和行動(dòng)。

ARTIST

Dr. Sophia Xinman Wang

Executive Director of the Project Art Competition hosted by the UNESCO World Academy of Youth Art, Ambassador for Biodiversity Conservation at the Wildlife Forever Foundation of the United States.

Deputy Director of the Art Committee of The American Association of

Yunnan Province, China. Chief Artist, Yunnan Plateau Ecological and Environmental Protection

Foundation, China.

European Union-funded project low-carbon school guidance experts. Invited artists from the French Cultural Centre.

Invited Artists for Sino-French Environment Month.

Visiting professor at many universities at home and abroad.

The 2017 “Expecting” oil on canvas work was selected for the online newcomer art exhibition at the MOMA Museum of Modern Art in San Francisco.

2017, awarded the American Artist Award from the 25

Museums Alliance. Selected artists for the 2017 Venice International Arts

Festival in Italy.

2018 Chicago, USA, “The Impact of The New Realism West on Oriental Art 1968-2018 Art Exhibition” invited participating artists.

2019 Invited Artist from the American Wildlife Foundation.

In 2020, Xinman’s personal art works were exhibited at the Yunnan Art Museum exhibition of life and coeXistence. In October 2020, participated in the “International Snow Leopard Day” public event jointly organized by the ZSL London Zoological Society, and donated the copyright of the work to obtain a certificate of thanks from ZSL London Zoological Society.

2020 French Cultural Center Invited Artist, China-France Environment Month. Invited Artist. Awarded the Honorary Certificate of the

International Art Competition by UNESCO in 2020.

In 2020 awarded the National Fish Global Art

Competition Outstanding Achievement Award.

In 2021, Ms. Wang was invited to participate in the European Union-funded project “The Integration and Development of Global Biodiversity and Artistic Ecological Civilization - Sophia’s

Environmental Art Plus” and “The Art Mission to Protect Biodiversity” series of lectures and was hired as a project guidance expert.

Sophia Xinman Wang’s personal

eco-friendly art exhibition will be held in Shanghai in

2021. 2021 appointed as the chief artist of Yunnan

Plateau Environmental Protection Foundation.

Awarded the U.S. Wildlife Fund’s Distinguished

Contribution to Biodiversity Conservation in 2021.

Awarded the U.S. Wildlife Fund’s Biodiversity Image

Protection Ambassador in 2021.

Executive Director of the UNESCO Global Art Competition for biodiversity

conservation, a project hosted by the UNESCO World Academy of Youth Art, 2021.

In 2021 ten original oil on canvas paintings chosen and exhibited for the permanent

collection by the National Museum of Natural History of France.

Sophia Xinman Wang, through the comprehensive materials, installation art,

mass participation art and art events in various forms, promotes the creation of animal protection, protection of the natural environment as the theme of her art works and activities, to show the observation and thinking of

life, to stimulate public attention and

action on global biodiversity conservation, global climate issues.

Dr. Joyce Gattas是圣地亞哥州立大學(xué)專業(yè)研究與美術(shù)學(xué)院院長(zhǎng)，在那里她領(lǐng)導(dǎo)著十所擁有中心和研究機(jī)構(gòu)的學(xué)校，從視覺(jué)和表演藝術(shù)到傳播，公共事務(wù)，酒店管理和ROTC課程，其中包括5，000多個(gè)專業(yè)和近400名教職員工。在擔(dān)任院長(zhǎng)之前，她曾擔(dān)任SDSU教師事務(wù)副校長(zhǎng)，并在科羅拉多州立大學(xué)長(zhǎng)灘分校和海沃德任教。

Dr. Joyce Gattas is Dean of the College of Professional Studies and Fine Arts at San Diego State University, where she leads ten schools with centers and research institutes, ranging from the visual and performing arts to communication, public affairs, hospitality management, and ROTC programs, which comprise more than

5,000 majors and nearly 400 faculty and staff. Prior to her role as

Dean, she served as the Associate Vice President for Faculty Affairs at SDSU and taught at CSU Long Beach and Hayward.

藝術(shù)家王馨曼與策展人JOYCE GATTAS博士

“生命與希望-王馨曼保護(hù)生物多樣性個(gè)人藝術(shù)作品展”展覽海報(bào)

藝術(shù)家王馨曼博士簡(jiǎn)歷、策展人JOYCE GATTAS博士簡(jiǎn)歷。

“生命與希望-王馨曼保護(hù)生物多樣性個(gè)人藝術(shù)作品展”展覽簡(jiǎn)介

“生命與希望-王馨曼保護(hù)生物多樣性個(gè)人藝術(shù)作品展”展覽現(xiàn)場(chǎng)（圖1）

“生命與希望-王馨曼保護(hù)生物多樣性個(gè)人藝術(shù)作品展”展覽現(xiàn)場(chǎng)（圖2）

“生命與希望-王馨曼保護(hù)生物多樣性個(gè)人藝術(shù)作品展”展覽現(xiàn)場(chǎng)（圖3）

“生命與希望-王馨曼保護(hù)生物多樣性個(gè)人藝術(shù)作品展”展覽現(xiàn)場(chǎng)（圖4）

環(huán)保藝術(shù)家王馨曼在美國(guó)圣地亞哥展覽現(xiàn)場(chǎng)（圖5）

“生命與希望-王馨曼保護(hù)生物多樣性個(gè)人藝術(shù)作品展”展覽現(xiàn)場(chǎng)（圖6）

“生命與希望-王馨曼保護(hù)生物多樣性個(gè)人藝術(shù)作品展”展覽現(xiàn)場(chǎng)（圖7）

“生命與希望-王馨曼保護(hù)生物多樣性個(gè)人藝術(shù)作品展”展覽現(xiàn)場(chǎng)（圖8）

“生命與希望-王馨曼保護(hù)生物多樣性個(gè)人藝術(shù)作品展”展覽現(xiàn)場(chǎng)（圖9）

“生命與希望-王馨曼保護(hù)生物多樣性個(gè)人藝術(shù)作品展”展覽現(xiàn)場(chǎng)10

“生命與希望-王馨曼保護(hù)生物多樣性個(gè)人藝術(shù)作品展”展覽現(xiàn)場(chǎng)（圖11）

“生命與希望-王馨曼保護(hù)生物多樣性個(gè)人藝術(shù)作品展”展覽現(xiàn)場(chǎng)（圖12）

“生命與希望-王馨曼保護(hù)生物多樣性個(gè)人藝術(shù)作品展”展覽現(xiàn)場(chǎng)（圖13）

責(zé)編：王建飛