pepe工作室設(shè)想了一個(gè)數(shù)字空間，在那里他們可以展示他們收藏的原型、獨(dú)一無(wú)二的作品、限量版和在整個(gè)研究過(guò)程中工作室喜歡收藏的物品?！斑@個(gè)物體是一面鏡子;它所映照的意象，是一個(gè)接一個(gè)的，沒(méi)有矛盾。鏡子是完美的，因?yàn)樗瓷涞牟皇钦鎸?shí)的影像，而是我們所期望的?！段矬w系統(tǒng)》——鮑德里亞著。

Studiopepe imagined a digital space where they could show their collection of prototypes, one-of-a-kind pieces, limited editions and objects that the studio love to collect throughout its research process.“The object is a mirror;?the images it reflects follow one another without contradiction.?The mirror is perfect, because it reflects not true images, but those desired.” 《The System of Objects》——J. Baudrillard.

作為知識(shí)和學(xué)習(xí)的行為，收集的傾向，對(duì)特殊任務(wù)的熱情，對(duì)文物和生產(chǎn)剩余物的熱愛(ài)，是解釋pepe工作室項(xiàng)目的關(guān)鍵。

The propensity for collecting, intended as the act of knowledge and study, the passion for the particularity of objets trouvés, the love for artifacts and production leftovers, are a key to interpret Studiopepe’s projects.

這個(gè)想象的空間，在泰爾佐鋼琴工作室創(chuàng)造的圖像中變得栩栩如生，是一個(gè)詩(shī)意的盒子，其中的建筑元素、材料和定義空間的形狀有助于創(chuàng)造一個(gè)復(fù)雜和當(dāng)代的容器。

This imaginary space, which comes to life in the images created by Terzo Piano studio, is a poetic box in which the architectural elements, the materials and the shapes that define the space contribute to create a sophisticated and contemporary container.

高絨地毯覆蓋在地板和墻壁上，與其他垂直應(yīng)用的水泥石膏的粗糙度形成對(duì)比。另一個(gè)對(duì)比是在不銹鋼架子的基本干凈線條和墻壁壁龕的柔軟有機(jī)輪廓之間創(chuàng)造的，這是受到Scheggi的作品的啟發(fā)。

High pile carpet covers the floor and walls and contrasts with the roughness of the cement plaster of the other vertical services.Another contrast is created between the essential clean lines of the stainless steel shelves and the soft organic contours of the wall niches, which are inspired by the work of Scheggi.

這個(gè)空間很像一個(gè)當(dāng)代的奇跡櫥柜，在那里雕塑的對(duì)象，藝術(shù)品和家具坐在一起創(chuàng)造意想不到的新的互動(dòng)。

The space is much like a contemporary cabinet-of-wonders where sculptural objects, works of art and furnishings sit together to create unexpected new interactions.

鮑德里亞肯定說(shuō):“這本集子的勝利之處在于它擁有了熱情和張力的情感，通過(guò)它，日常單調(diào)的物品變成了詩(shī)歌，一種無(wú)意識(shí)的、勝利的話語(yǔ)?！边@個(gè)系列遠(yuǎn)非消費(fèi)主義的邏輯。pepe工作室對(duì)材料和所收集元素的雕塑價(jià)值的熱情，推動(dòng)了這一動(dòng)人和感人的收藏。

“The collection is a triumph of the passionate tension towards possession, whereby the daily prose of objects becomes poetry, an unconscious and triumphant discourse”, affirms Baudrillard.This collection is far from the logic of consumerism.?It is a moving and emotional collection driven by Studiopepe’s passion for materials and for the sculptural value of the collected elements.