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作品：兩把二泉琴《二·胡》
作曲：劉健
演奏：代潔、陳曉雁
錄音：王波
獲獎：2012年“TMSK劉天華獎中國民樂室內(nèi)樂作品比賽”優(yōu)秀獎；2014年第十八屆全國音樂作品（民樂）評獎優(yōu)秀獎
作品簡介
? ? ? “二?胡”有三重喻義：一、這是一首二胡重奏作品；二、作品為兩把“二泉琴”而作；三、音樂素材源于兩首經(jīng)典二胡名曲——《二泉映月》與《賽馬》。
? ? ? 《二泉映月》與《賽馬》是創(chuàng)作思維、風(fēng)格迥異的兩首樂曲。正是基于這種“迥異”，《二?胡》把兩首曲子的“素材”設(shè)為兩個“端點”，讓音樂由此及彼地行運展開。其中，二胡特有的拉奏弓法既是不同“素材”的嫁接橋梁，也是樂曲延綿展開的貫穿因素，更是二重奏的互動基礎(chǔ)。作曲者試圖彰顯中國古典的音樂思維模式并對其重構(gòu)，又竭力保留中國音樂的五聲調(diào)性及特有的旋法，以使作品兼具時代氣息、民族特色，以及音樂的可聽性。
Brief introduction
? ? ? ‘Er·Hu’has three meanings: first, this piece is an ensemble for erhu, second, it iscomposed for two ‘erquan fiddles’, third, the musical materials of this piece derivefrom two classical pieces of erhu music-‘The Moon Over a Fountain’ and ‘horserace’.
? ? ? ‘TheMoon Over a Fountain’ and ‘horse race’ are two totally different pieces.According to this difference, ‘Er·Hu’ sets up two extreme points by separatelyusing the musical materials from those two pieces. The music is developingbetween the two points. The particular bowing of erhu, which is the foundationof the duet , builds a bridge across those different materials. In order toobtain the flavour of the times and national characters, the composer is tryingto reconstruct the mode of Chinese traditional thinking, meanwhile, however, keepthe charm of pentatonic scale and the particular method of melody going.
? ? ? ?二泉琴定弦：
? ? ? ?The?erquanfiddle should be tuned up as follow:? ?
? ? ? g-d1
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謝詞：
? ? ? 隴菲先生有關(guān)中國古典音樂“空中起步”的闡釋直接啟發(fā)了《二?胡》的創(chuàng)作，他還參與了作品的排練并提出了“切終成曲”的修改意見。特此表示衷心感謝！
Acknowledgment:
? ? ? Longfeidirectly inspired me to create this piece by his interpretation of Chineseclassical music. He had ever participated in the rehearsal and tabled aproposal. I am very grateful for all the things he had done for me.
