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【大師課】《使女的故事》瑪格麗特·阿特伍德 的創(chuàng)意寫作大師課(中英字幕)

2023-01-06 20:10 作者:FriedrichHaller  | 我要投稿
  1. Getting Started as a Writer
  2. Writing Process: start with characters, voices, scenes, objects -> stories. handwriting 50 ~ 60 pages -> structure
  3. Finding Your Own Process: immerse
  4. Getting Past the Fear
  5. Story and Plot
  6. Stories Are Patterns Interrupted: break the pattern
  7. What Makes a Strong Plot: threat from without, within and combination
  8. Draw From the Stories That Have Come Before: western cultures (Greek and Roman myths, folk tales, indigenous stories, Bibel)
  9. Know the Essential Stories in Order to Subvert Them (Chekov: If you put a gun on the desk in the first act, it has to go off in the third.) -> expand the frame of reference
  10. Structuring Your Novel: Layered Narratives and Other Variations:flashback, Rashomon, detective story, time jumps (where u start, what order), two endings
  11. Finding the Structure Takes Time
  12. Frame Stroytelling in One Thousand and One Nights
  13. Layers of Narrative in The Blind Assassin (Narrator - Novel - Story - News)
  14. Start Simple
  15. Who Tells the Story: Narrative Point of View
  16. Choosing Your Point of View
  17. You Can Use Multiple Points of View (films and cameras)
  18. You Can Always Change Your Mind
  19. What Does Your Narrator Know? (character knows more / no more than the reader?)
  20. An Exercise in Point of View
  21. Points of View Case Studies
  22. POV in Alias Grace
  23. Finding the Right POV inthe First Draft
  24. The First Person as Witness in The Handmaid's Tale (Witness literature)
  25. Bringing Characters to Life Through Detail
  26. Actions Reveal Character
  27. What You Should Know About Your Characters (Birthday, friends, hobbies, traumatic experiences, obsessions, love etc.)
  28. A Tool for Character Development (months on the lefe side, years across the top; character's birthday, important world events)
  29. Clues for Your Readers
  30. Get Expert Advice on Character Accuracy
  31. Creating Compelling Characters
  32. Defying Gender Norms With Your Characters (in which historical period, at which social level, age?)
  33. The Joys of a Devious Character in The Robber Bride
  34. Villains and Unlikable Characters (William Blake, the devil has got all the good lines.)
  35. Be Prepared to Be Interrupted
  36. Writing Is Problem Solving
  37. Illuminating the Dark
  38. Get Better by Doing the Work
  39. Be Kind to Yourself
  40. Crafting Dialogue
  41. Real Life Conversation vs. Dialogue (intention of talking?)
  42. Dialogue Is Subjective
  43. Know Your Characters' Vernacular
  44. Dialogue in Alias Grace (how people have said then?)
  45. Revealing The World Through Sensory Imagery
  46. Observe the Particular (generalize and abstract)
  47. Use All the Senses (sight, smell, taste, sound, touch)
  48. Description in The Handmaid's Tale
  49. Repeating Imagery (Flowers -> fertility, X harmless)
  50. Prose Style And Texture
  51. Think About the Sound of Your Prose (read your text out loud, repeat->purpose)
  52. Types of Prose Style (Plainsong, Baroque)
  53. Baroque Writing
  54. Plainsong Writing
  55. Style vs. Description
  56. Prose Style Assignment (Write the event in a plainsong / Baroque way, imitate the style of aother writer)
  57. Working With Time In Fiction (circular, linear)
  58. Keep Your Readers Oriented
  59. Make Your Flashbacks Compelling
  60. Use the "Meanwhile" Device
  61. Consider Your Motives
  62. The Importance Of The First Five Pages
  63. The First Page Is a Gateway
  64. Writing the Beginning of The Handmaid's Tale
  65. Writing The Middle And Ending
  66. Keeping Your Reader Engaged Through the Middle
  67. Changes Can Happen Along the Way
  68. Approaching the Ending (Revision)
  69. Open vs. Closed Ending
  70. An Open Ending in The Handmaid's Tale
  71. Revision: Seeing Your Work Anew
  72. Show Your Work to Select Readers
  73. Fine-Tuning (Texture, punctuation marks, grammer)
  74. The Final Proofing of Orxy and Crake
  75. The Novel And The Shifting Sands Of Genre
  76. Forget Genre, Make Me Believe It (plot + characters)
  77. Speculative Fiction
  78. Generating Ideas for Speculative Fiction
  79. Stick to Your Own Rules
  80. The Difference Between Utopias and Dystopias
  81. Creating a New Species in Orxy and Crake
  82. Speculative Fiction Case Study: The Handmaid's Tale
  83. The Premise
  84. The Inspiration
  85. The Research
  86. The Iconography
  87. Research And Historical Accuracy (Write first and then research the details)
  88. The Importance of Accuracy
  89. Sources for Research (cross check and use more than one reference)
  90. Historical Accuracy in Alias Grace
  91. Unearthing the Research
  92. Costume Accuracy
  93. A Note on the History of Underpants
  94. The Writer's Path
  95. Writing Is a Vocation
  96. The Gift
  97. Artistic vs. Commercial Success
  98. Don't Give Up
  99. Take Inspiration From Robert Louis Stevenson
  100. Your Letter to the World (time, space)
  101. Your Ideal Reader
  102. The Business Of Being A Writer
  103. Getting Published
  104. The Question of Agents
  105. Know How to Talk About Your Book
  106. Weathering Reviews
  107. A Note on Second Novels

【大師課】《使女的故事》瑪格麗特·阿特伍德 的創(chuàng)意寫作大師課(中英字幕)的評論 (共 條)

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