寫在前面！！非英語(yǔ)專業(yè)生手工翻譯?。?huì)有一些不準(zhǔn)確的地方??！會(huì)有一些完全不會(huì)翻譯的地方??！純粹為愛發(fā)電??！不要打我！！不要打我??！不要打我?。≡脑谥形暮竺妫?！謝謝看官們的厚愛！?。ǚg不易如果覺得這還算是人話的話麻煩支持一下）我會(huì)密切關(guān)注網(wǎng)站的更新（因?yàn)楠?jiǎng)項(xiàng)可能會(huì)有些許變化）原文來(lái)自網(wǎng)絡(luò)，侵刪。

格萊美獎(jiǎng)得主——丹尼爾·特里福諾夫——2019美國(guó)音樂(lè)年鑒年度藝術(shù)家獎(jiǎng)——作為一個(gè)獨(dú)奏家，協(xié)奏曲曲庫(kù)的王者，室內(nèi)樂(lè)和聲樂(lè)的伴奏者，和作曲家，他在古典音樂(lè)方面取得了驚人的成就。他將精湛的技術(shù)與罕見的敏感與深度相結(jié)合，他的表演永遠(yuǎn)讓人驚嘆?！八邆淞藫碛辛艘磺械囊磺?，他有既溫柔又如魔鬼般的觸鍵，我從來(lái)沒(méi)有聽過(guò)這樣的，”鋼琴家瑪莎·阿格里奇稱贊道。李斯特曲集超技練習(xí)曲專輯標(biāo)志著特里福諾夫擁有了第三個(gè)頭銜“德意志留聲機(jī)藝術(shù)家”，他獲得了2018年格萊美樂(lè)器獨(dú)奏最佳專輯獎(jiǎng)。正如倫敦時(shí)報(bào)所言，“他是我們這個(gè)時(shí)代毋庸置疑的最杰出的鋼琴家”。

在2021年10月，特里福諾夫在德意志留聲機(jī)上發(fā)行了專輯《巴赫：生活的藝術(shù)》其中包含了巴赫的《賦格的藝術(shù)》中按照自己的方式演奏的《13首對(duì)位賦格曲》（因?yàn)榘秃丈皼](méi)有規(guī)定以何種方式演奏13首對(duì)位賦格曲，可能是按照自己的處理方式吧），給安娜·瑪格達(dá)萊娜·巴赫曲集選，約翰·塞巴斯蒂安·巴赫的四個(gè)兒子創(chuàng)作的曲子，兩首被認(rèn)為巴赫家族最喜歡的曲子和很多其他的曲子。他在2021-2022樂(lè)季巡演中在歐洲表演了以《賦格的藝術(shù)》為核心的曲目，和第二個(gè)在美國(guó)的項(xiàng)目包括普羅科菲耶夫、希曼諾夫斯基（一位波蘭作曲家）、德彪西和勃拉姆斯的曲目。特里福諾夫的《勃拉姆斯第一鋼琴協(xié)奏曲》曾在法比奧·路易斯指揮的達(dá)拉斯交響樂(lè)團(tuán)與賈南德雷亞.諾塞達(dá)指導(dǎo)的蘇黎世愛樂(lè)樂(lè)團(tuán)亮相，并且他與安東尼尼奧·帕帕諾領(lǐng)導(dǎo)的圣切契利亞音樂(lè)學(xué)院管弦樂(lè)團(tuán)在一次歐洲巡演中合作了莫扎特第九鋼琴協(xié)奏曲。他也曾與8個(gè)不同的樂(lè)團(tuán)以不同的組合演出了全部5首貝多芬鋼琴協(xié)奏曲，這8個(gè)樂(lè)團(tuán)是：紐約愛樂(lè)樂(lè)團(tuán)，辛辛那提交響樂(lè)團(tuán)，新澤西交響樂(lè)團(tuán)，慕尼黑愛樂(lè)樂(lè)團(tuán)，馬林斯基樂(lè)團(tuán)，香榭麗舍管弦樂(lè)團(tuán)，布達(dá)佩斯音樂(lè)節(jié)樂(lè)團(tuán)和多倫多交響樂(lè)團(tuán)。平衡了這些曲目，特里福諾夫與費(fèi)城愛樂(lè)樂(lè)團(tuán)和雅尼克·涅杰-塞甘全球首演了麥森·貝茨在新冠大流行期間為他創(chuàng)作的一部新的鋼琴協(xié)奏曲，然后他和新澤西交響樂(lè)團(tuán)，以色列愛樂(lè)樂(lè)團(tuán)和舊金山交響樂(lè)團(tuán)再次演出了這首曲子。

最近樂(lè)季中的高光時(shí)刻包括特里福諾夫在梵志登領(lǐng)導(dǎo)下一場(chǎng)多方面的，長(zhǎng)達(dá)一個(gè)樂(lè)季任期擔(dān)任紐約愛樂(lè)樂(lè)團(tuán)2019-2020駐場(chǎng)藝術(shù)家的任期，完成了鋼琴家本人創(chuàng)作的鋼琴五重奏首演，和一個(gè)七場(chǎng)音樂(lè)會(huì)一個(gè)樂(lè)季的于卡內(nèi)基音樂(lè)廳的“視角”系列音樂(lè)會(huì)，其以這位鋼琴家自己的鋼琴協(xié)奏曲的演出為巔峰。特里福諾夫在芝加哥交響樂(lè)團(tuán)成立125周年的慶典上在里卡爾多·穆蒂的指揮下歷史性壓軸演出了柴可夫斯基的《第一鋼琴協(xié)奏曲》；開啟了與紐約愛樂(lè)樂(lè)團(tuán)合作的2018-2019樂(lè)季；在紐約愛樂(lè)樂(lè)團(tuán)的拉赫瑪尼諾夫音樂(lè)節(jié)和倫敦愛樂(lè)樂(lè)團(tuán)與慕尼黑愛樂(lè)樂(lè)團(tuán)演出了拉赫瑪尼諾夫鋼琴協(xié)奏曲全套；在柏林愛樂(lè)樂(lè)團(tuán)和維也納金色大廳駐留了一個(gè)樂(lè)季，并且在那里與維也納愛樂(lè)樂(lè)團(tuán)一起亮相首演了自己的鋼琴協(xié)奏曲；他在西蒙·拉特爾爵士執(zhí)棒的柏林愛樂(lè)樂(lè)團(tuán)的新年音樂(lè)會(huì)上演出。特里福諾夫自從2012年到2013年在卡內(nèi)基音樂(lè)廳，倫敦威格莫爾音樂(lè)廳，維也納金色大廳，日本三得利音樂(lè)廳，和巴黎普萊耶爾音樂(lè)廳第一次舉辦獨(dú)奏音樂(lè)會(huì)以來(lái)，特里福諾夫曾在華盛頓特區(qū)的肯尼迪音樂(lè)廳，Boston’s Celebrity Series（沒(méi)有找到合適的譯名），倫敦巴比肯藝術(shù)中心，皇家節(jié)日音樂(lè)廳，伊麗莎白女王音樂(lè)廳，阿姆斯特丹的音樂(lè)會(huì)堂樂(lè)團(tuán)（鋼琴大師系列），柏林愛樂(lè)音樂(lè)廳，Munich’s Herkulessaal，Bavaria’s Schloss Elmau（沒(méi)有找到合適的譯名），蘇黎世音樂(lè)廳管弦樂(lè)團(tuán)，琉森音樂(lè)節(jié)，布魯塞爾藝術(shù)宮，香榭麗舍劇院和巴黎盧浮宮禮堂，巴塞羅那音樂(lè)宮，東京歌劇城，首爾藝術(shù)殿堂和墨爾本演奏中心舉辦過(guò)獨(dú)奏會(huì)。

特里福諾夫憑借專輯《白銀時(shí)代》獲得了2021年德國(guó)古典音樂(lè)大獎(jiǎng)中的年度音樂(lè)家/鋼琴家獎(jiǎng)，這張專輯是由斯克里亞賓，普羅科菲耶夫和斯特拉文斯基創(chuàng)作的俄派的鋼琴獨(dú)奏和管弦樂(lè)團(tuán)與鋼琴合奏的曲目。緊隨著2019年發(fā)行的《終點(diǎn)拉赫瑪尼諾夫：歸宿》，專輯《白銀時(shí)代》發(fā)行于2020年的秋天，他獲得了格萊美獎(jiǎng)的提名?！稓w宿》這張專輯呈現(xiàn)了拉赫瑪尼諾夫第一和第三鋼琴協(xié)奏曲，這張專輯代表了與費(fèi)城愛樂(lè)樂(lè)團(tuán)和涅杰-塞甘繼被BBC音樂(lè)提名是2019年最佳協(xié)奏曲錄制的專輯《終點(diǎn)拉赫瑪尼諾夫：?jiǎn)⒊獭泛瞳@得2015年格萊美獎(jiǎng)提名的專輯《拉赫瑪尼諾夫：變奏曲》的第三次合作錄制。德意志留聲機(jī)公司還發(fā)行了《肖邦的召喚》這張專輯，將作曲家的作品與受到他影響的20世紀(jì)作曲家的作品進(jìn)行搭配，以及特里福諾夫作為德意志留聲機(jī)藝術(shù)家發(fā)行的首張專輯專輯《特里福諾夫：卡內(nèi)基獨(dú)奏會(huì)》，它錄制了特里福諾夫在2013年卡內(nèi)基音樂(lè)廳那場(chǎng)門票一售而空的首秀，他也因此得到了第一次格萊美獎(jiǎng)提名。

在2010-2011賽季，特里福諾夫在三項(xiàng)古典音樂(lè)領(lǐng)域久負(fù)盛名的比賽中斬獲獎(jiǎng)項(xiàng)，在2010年華沙肖邦國(guó)際鋼琴比賽中獲得第三名，在2011年特拉維夫的魯賓斯坦國(guó)際鋼琴比賽獲得金獎(jiǎng)，還有2011年在莫斯科柴可夫斯基國(guó)際音樂(lè)大賽中獲得金獎(jiǎng)和大獎(jiǎng)，大獎(jiǎng)是一項(xiàng)額外的授予所有樂(lè)器演奏參賽者中的最高榮譽(yù)。2013年，他被意大利最著名的音樂(lè)評(píng)論家授予著名的佛朗哥·阿比亞蒂最佳樂(lè)器獨(dú)奏獎(jiǎng)，2016年被評(píng)為留聲機(jī)年度藝術(shù)家，2021被法國(guó)政府授予“藝術(shù)與文學(xué)騎士”稱號(hào)。

在1991年出生于下諾夫哥羅德，特里福諾夫在他五歲的時(shí)候開始了音樂(lè)學(xué)習(xí)并且進(jìn)入莫斯科的格涅辛音樂(lè)學(xué)院師從塔蒂亞娜·澤利克曼，后來(lái)他在克利夫蘭音樂(lè)學(xué)院師從謝爾蓋學(xué)習(xí)鋼琴。同時(shí)，他也學(xué)習(xí)作曲，繼續(xù)為鋼琴，室內(nèi)樂(lè)和樂(lè)隊(duì)作曲。當(dāng)他首演自己的鋼琴協(xié)奏曲時(shí)，被稱贊道：“即使一個(gè)人親眼見到這一切，他也不敢完全相信。這就是鋼琴家兼作曲家丹尼爾·特里福諾夫的藝術(shù)所在?！?/p>

Grammy Award-winning pianist Daniil Trifonov– Musical America’s 2019 Artist of the Year – has made a spectacular ascent of the classical music world, as a solo artist, champion of the concerto repertoire, chamber and vocal collaborator, and composer. Combining consummate technique with rare sensitivity and depth, his performances are a perpetual source of awe. “He has everything and more … tenderness and also the demonic element. I never heard anything like that,” marveled pianist Martha Argerich. With Transcendental, the Liszt collection that marked his third title as an exclusive Deutsche Grammophon artist, Trifonov won the Grammy Award for Best Instrumental Solo Album of 2018. As The Times of London notes, he is “without question the most astounding pianist of our age.”

In October of 2021, Trifonov released Bach: The Art of Life on Deutsche Grammophon, including The Art of Fugue with the pianist’s own completion of the final contrapunctus, selections from the Notebook for Anna Magdalena Bach, music by four of Johann Sebastian’s sons, two pieces known to have been Bach family favorites, and more. He toured a recital program in the 2021-22 season centered on The Art of Fugue in Europe, and a second program in the U.S. of Prokofiev, Szymanowski, Debussy and Brahms.

Brahms’s First Piano Concerto served as the vehicle for appearances with the Dallas Symphony led by Fabio Luisi and Philharmonia Zurich under the direction of Gianandrea Noseda, and with Rome’s Orchestra dell’Accademia Nazionale di Santa Cecilia led by Antonio Pappano he performs Mozart’s Ninth “Jeunehomme” Piano Concerto on a European tour. He also performed all five of Beethoven’s Piano Concertos in various combinations with eight different orchestras: the New York Philharmonic, Cincinnati Symphony, New Jersey Symphony, Munich Philharmonic, Mariinsky Orchestra, Orchestre des Champs-élysées, Budapest Festival Orchestra and Toronto Symphony. Balancing out these staples of the repertoire, Trifonov gave the world premiere performances of Mason Bates’s new Piano Concerto, composed for him during the pandemic, with the co-commissioning Philadelphia Orchestra and Yannick Nézet-Séguin, before reprising the piece in the spring with the New Jersey Symphony, Israel Philharmonic, and the other co-commissioner, the San Francisco Symphony.

Highlights of recent seasons include a multi-faceted, season-long tenure as 2019-20 Artist-in-Residence of the New York Philharmonic under Jaap van Zweden, featuring the New York premiere of Trifonov’s own Piano Quintet, and a seven-concert, season-long Carnegie Hall “Perspectives” series, crowned by a performance of the pianist’s own Piano Concerto. Trifonov played Tchaikovsky’s First under Riccardo Muti in the historic gala finale of the Chicago Symphony’s 125th-anniversary celebrations; launched the New York Philharmonic’s 2018-19 season; headlined complete Rachmaninoff concerto cycles at the New York Philharmonic’s Rachmaninoff Festival and with London’s Philharmonia Orchestra and the Munich Philharmonic; undertook season-long residencies with the Berlin Philharmonic and at Vienna’s Musikverein, where he appeared with the Vienna Philharmonic and gave the Austrian premiere of his own Piano Concerto; and headlined the Berlin Philharmonic’s famous New Year’s Eve concert under Sir Simon Rattle. Since making solo recital debuts at Carnegie Hall, London’s Wigmore Hall, Vienna’s Musikverein, Japan’s Suntory Hall, and Paris’s Salle Pleyel in 2012-13, Trifonov has given solo recitals at venues including the Kennedy Center in Washington DC; Boston’s Celebrity Series; London’s Barbican, Royal Festival and Queen Elizabeth Halls; Amsterdam’s Concertgebouw (Master Piano Series); Berlin’s Philharmonie; Munich’s Herkulessaal; Bavaria’s Schloss Elmau; Zurich’s Tonhalle; the Lucerne Piano Festival; the Palais des Beaux-Arts in Brussels, the Théatre des Champs élysées and Auditorium du Louvre in Paris; Barcelona’s Palau de la Música; Tokyo’s Opera City; the Seoul Arts Center; and Melbourne’s Recital Centre.

Trifonov received Opus Klassik’s 2021 Instrumentalist of the Year/Piano award for Silver Age, an album of Russian solo and orchestral piano music by Scriabin, Prokofiev and Stravinsky. Released in fall 2020, this followed 2019’s Destination Rachmaninov: Arrival, for which the pianist received a 2021 Grammy nomination. Presenting the composer’s First and Third Concertos, Arrival represents the third volume of the Deutsche Grammophon series Trifonov recorded with the Philadelphia Orchestra and Nézet-Séguin, following Destination Rachmaninov: Departure, named BBC Music’s 2019 Concerto Recording of the Year, and Rachmaninov: Variations, a 2015 Grammy nominee. Deutsche Grammophon has also issued Chopin Evocations, which pairs the composer’s works with those by the 20th-century composers he influenced, and Trifonov: The Carnegie Recital, the pianist’s first recording as an exclusive Deutsche Grammophon artist, which captured Trifonov’s sold-out 2013 Carnegie Hall recital debut live and scored him his first Grammy nomination.

It was during the 2010-11 season that Trifonov won medals at three of the music world’s most prestigious competitions, taking Third Prize in Warsaw’s Chopin Competition, First Prize in Tel Aviv’s Rubinstein Competition, and both First Prize and Grand Prix – an additional honor bestowed on the best overall competitor in any category – in Moscow’s Tchaikovsky Competition. In 2013 he was awarded the prestigious Franco Abbiati Prize for Best Instrumental Soloist by Italy’s foremost music critics, in 2016 he was named Gramophone’s Artist of the Year and in 2021 he was made a “Chevalier de l’Ordre des Arts et des Lettres” by the French government.

Born in Nizhny Novgorod in 1991, Trifonov began his musical training at the age of five, and went on to attend Moscow’s Gnessin School of Music as a student of Tatiana Zelikman, before pursuing his piano studies with Sergei Babayan at the Cleveland Institute of Music. He has also studied composition, and continues to write for piano, chamber ensemble, and orchestra. When he premiered his own Piano Concerto, the Cleveland Plain Dealer marveled: “Even having seen it, one cannot quite believe it. Such is the artistry of pianist-composer Daniil Trifonov.”