?27 Lesson 5 - Photobashing Basics Part 3 - The Basic Tools PT2

P27 - 00:01如何讓角色融入環(huán)境？?

?Tackle the question. How do we make our little bird feel like he truly belongs in this world? Well, first of all, i've got all of my things separated once again, just like our vision development piece deleting whatever I don't need. So recap, i've got this guy, I got my hat! I've got my bird! I got my bid! Got my table and my pancakes. You see how every single one of these is completely separated. This is really important. But the steps are going to be really similar to what we do for our vision development stuff, as well as the color adjustment that we did for our demo. You see how all of those things step by step by step by step, all become related at the end. 所有需要的元素羅列在不同圖層，上一節(jié)技能給下一節(jié)課做鋪墊。Basically, all of the previous lessons that i've taught you, prepare you for the next one and the next one and the next one.?

P27 - 00:54光和閾值。?

If you remember, in our demo, we first go into our adjustment layers and we go to levels. Everything is at a light and value. So that we have a good base to start off of. 右下角調(diào)節(jié)層面 選擇光和閾值。One thing I'm actually going to do is remove this guy from this because again our sky is pretty much already perfect. We don't need to do anything else to our sky. So I removed my sky from the group. ?

P27 - 01:15從天空中移除不需要的。?

And let me show you really quickly the levels layer. I right click and I click create clipping mask, everything that levels layer is impacting, only included inside my group.右擊 創(chuàng)建剪切板，只需要包含在組內(nèi)，組所有圖層中水平都會(huì)受到影響。如果我選關(guān)閉，都變暗，打開，都變亮。只有鳥變亮，背景沒有變亮，因?yàn)楸尘安辉诮M中。 If I turn it off, you can see that everything turns darker. If I turn it on, things turn lighter. But only my bird turns lighter. background does not, because it isn't included in the group. ?

P27 - 01:49這是剪切蒙版的用處。?

This is what the idea of a clipping mask does. 額外矩形放在上面，右鍵選剪切蒙版，無論我繪制什么都是在正方形里。If I have a rectangle, I have an additional layer on Top of it. I right click create clipping mask. Whatever I draw will only be inside the square.?

P27 - 02:05不在矩形內(nèi)繪畫，你看不到。?

If I draw here, you won't be able to see it. 但是如果我移除掉“剪切蒙版”，這樣你就可以看到了。But If I release my clipping mask, then you'll see that it actually keeps everything that I originally had on the layer. It even kept this ball that I drew up here. If I click create clipping mask that it only adheres to my rectangle.?

P27 - 02:17回到鳥。?

天空光景提示夕陽西下， Now back to the bird. Looking at the sky, we can tell that it is somewhat at a beginning sunset stage of daylight. 因?yàn)橄﹃栁飨?，光線變得越來越暖和。Since we know our times of the day, we know that the sun sets, the light gets warmer and warmer and warmer. 建立新圖層，選多重層模式。I'm going to take a new layer, select the multiply layer. I'm going to try to use a warm light to color him so that he feels like he belongs into the piece a little bit more.?

P27 - 02:44鳥被暖光籠罩，融入夕陽。?

So I just use my paint bucket tool and I drop on the pink. However, because it affects everything. I don't want it to affect everything.比如油漆桶工具粉色夕陽影響了圖片的一切，?

P27 - 02:51不想被影響一切。?

點(diǎn)擊“剪切蒙版”這樣暖光只影響鳥。 I click create clipping mask and now it only affects my bird, already by using the multiply layer. 因?yàn)闉V鏡給作品平添和諧。Because it filters over everything is starting to bring harmony to my piece.?

P27 - 03:07不是我想要的顏色。?

However, this is definitely not the color that I want. So I can go into here a judgments, brightness contrast, hue saturation, or color balance, and adjust whatever I need to my color. 菜單欄調(diào)節(jié)圖層 亮度對(duì)比 色相飽和度 平衡顏色。?

P27 - 03:15調(diào)節(jié)顏色的工具。?

Now my birds definitely feels a little bit more in place. Let's compare it to when It didn't have any of these items. You can see that the bird struck out terribly. 前后對(duì)比，暖光中的鳥融入夕陽。沒有暖光的鳥不融入背景。?

P27 - 03:33通過切換到多重層。?

But by adding the multiply layer, by adding the levels adjustment, it feels a little bit more like he belongs.多重層和水平調(diào)節(jié)，讓鳥融入環(huán)境。?

P27 - 03:39檢車黑白底圖。?

Let's turn this quickly into black and white. You'll see that my bird has a wonderful silhouette against the sky. 天空中鳥的輪廓凸顯出來。But you see how this city here and the building here is so dark and because as we know from our atmosphere and our values lesson, things that are darker when a nature setting, feel like they're going to be closer to us. 天空中聳立城市很暗，越暗離著觀眾越近。So this is a problem. We need our buildings to feel lighter.?

P27 - 04:05需要城市樓層變亮。?

Let me introduce you to the lighten layer tool. 圖層變亮的工具。新建圖層，選擇增量。 I do a new layer and I select lighten and the idea of lighten and is that it only makes something brighter if the item that your painting over is darker than your selected colour. 適用環(huán)境是，如果你繪制的比選擇的顏色還要暗才會(huì)生效。?

P27 - 04:27點(diǎn)亮的適用條件。?

So let me explain what that means. You can see that this building is very dark and the sky is much lighter in comparison to the building.和天空比，建筑相對(duì)黑。比如我選擇淡粉色，在建筑上涂抹。 If I take a value, say I take a value like this, and I color on Top of it, because this value is lighter than the building, then I only paint on Top of the building. ?

P27 - 04:48亮的顏色只是涂抹在暗建筑表面。?

But because this value is not lighter than my sky, then it does not paint on Top of my sky. 這比樓亮的，不如天空亮，所以可以在樓上著色，不能在天空上呈色。You see, however, if I choose something that is lighter than my sky, let's say I choose the color of these clouds like this.?

P27 - 05:04選擇比天空亮的云彩。?

Then immediately it will start painting the sky as well. 云彩比天空和樓層都亮，所以可以涂抹天空和樓層。But this is fantastic for taking out anything that you feel like is a little bit too dark in your piece. But you don't want to color anything else in your piece. 這種方法適用于你拿走圖片中暗的，不會(huì)影響其它的。And it is also what I usually use. To be able to attract atmosphere.?

P27 - 05:25舉例子。?

You can see here, if I want to color only the windows, which are incredibly dark, much lighter,?

P27 - 05:30如何把樓層暗暗窗戶點(diǎn)亮？?

I go through and as long as the color I select in here, is lighter than my windows, then it only affects the windows. And it doesn't affect anything else. This is so useful. And I used this layer all the time. ?

P27 - 05:48背景樓被大氣層環(huán)繞遠(yuǎn)處隱約了。?

Now the buildings in the background have a nice little bit of atmosphere to them. very nice.?

P27 - 05:55但是鳥身上暗色如何處理？?

However, my bird still doesn't have any shadows on him. The best way to be able to affect the shadows and my personal opinion is I take my levels layer and I take my original bird layer.?

P27 - 06:09選擇級(jí)別圖層和鳥原始圖層復(fù)制。?

I'm going to copy paste it really quickly. You can see that when I copy pasted, it disrupted my multiply layers. 干擾多重圖層。So now is no longer affecting only my bird. And it's affecting everything. But that's okay.?

P27 - 06:18影響除鳥之外的一切。?

We'll get back to that later. I'm going to turn it off for now, cause we're just focused on the black and white values.?

P27 - 06:26專注黑白圖。?

I'm gonna go on here to my levels adjustment layer. ?

P27 - 06:29來到層級(jí)調(diào)節(jié)。?

And I turn this back down here. And I turned this all the way down like this. You can see now it is really dark.?

P27 - 06:41鳥變得非常暗。?

But I have a layer adjustment here. If I turn these two layers off beneath it is still my original layer of the bird that is a little bit lighter.如果把調(diào)節(jié)圖層放到鳥原始圖層下面，鳥變亮。 And now with these two layers on, I have a bird that is much too dark.?

P27 - 06:59影響陰影的圖層。?

This layer will act as my shadows layer, because I don't really need any of these items anymore by photo bashing In terms of photos, it's pretty much locked down.其它的過程圖層已經(jīng)不需要了。 I'm just gonna go ahead and merge these layers, emerge group, and I'm going to put them into a group like this.融合到一個(gè)圖層，命名陰影。 So a folder name as it shadows. And now I apply a layer mask.?

P27 - 07:15應(yīng)用圖層蒙版。?

to explain to you a lot more directly about what a layer mask does.?

P27 - 07:20圖層蒙版干嘛用的？?

This means that on this mask, if I draw in black and it takes away what is on my original Top layer,在蒙版上，如果在黑色陰影里繪制，陰影從原始圖層上剝離。?

P27 - 07:30進(jìn)一步解釋。?

let's explain this a little bit more. I make a rectangle, and I color it orange. 做矩形，涂上橘色。給一個(gè)只做黑白的圖層蒙版。I give it a layer mask. This layer mask only works in black and white. 只是在本色范圍內(nèi)調(diào)節(jié)。You can see that I can run around in my colors hue cube.?

P27 - 07:51因?yàn)樵谥挥泻诨疑騼?nèi)調(diào)節(jié)。?

And the only color that it interprets is either in the grey zone, white or black. So even if I go all the way to red, it still gives me grey. So I go white. And this means that I get to keep the square. But if I go to black, this means that I take away the square.?

P27 - 08:06白色保留矩形，黑色剝脫矩形。?

If I go to grey, then I get to do a little bit of the squares, like an opacity filter almost,?

P27 - 08:14灰色剝脫橘色，留下透明色。?

go back to black, and I take away the entire square. This is really useful,?

P27 - 08:23用處是什么？?

because let's say that you want to erase part of your square. If I go into my original square layer is actually a rectangle. Yeah, I know.?

P27 - 08:36如果黃點(diǎn)繪制在橘色上。?

I'm gonna draw a yellow dot. Take my eraser gonna do it a Loop de loop in my yellow dot like that. But then I think to myself, oh, no shoot. I actually wanted to keep this entire section right here.?

P27 - 08:51繪制黑色時(shí)候，橘色消失，補(bǔ)救。?

So if I wanted to repaint this section, then I would have to go in and hand painted like this and painstakingly try to get this Top edge accurate. Drop down here. Take my yellow and painstakingly try to get the side of that circle accurate again. But you see, it's clearly not perfect. ?

P27 - 09:10手工補(bǔ)繪不完美。?

However, I'm just undoing this. I can go to my layer mask instead and do the exact same thing that I did, like a loop de loop.?

P27 - 09:19在蒙版圖層，重復(fù)上面操作。?

Well, I guess not exact same thing, but then I can go into my white and return whatever I wanted.?

P27 - 09:29來到白色恢復(fù)成任何想要的色彩。?

You see, it doesn't affect anything. I can change and not change and re change and reconstruct and de construct, all I want on my layer, by only using a layer mask in black and white. It is basically a much better tool for using the eraser essentially. ?

P27 - 09:47回到鳥。?

Okay to get back to my bird now I have my shadows later here and I have a clipping mask. What I'm going to do is I'm going to completely fill this clipping mask with black,?

P27 - 09:55給剪切板蒙版圖上黑色。?

which means that it basically erased all of my shadows. And it only leaves what’s below,?

P27 - 10:02移除陰影，留下陰影下面的。?

I take my white and I am able to go in and paint the shadows for my character or bird, typically for photographs. I only stick with hard round brushes. So the soft brush, the round brush, soft pressure size, your most basic photoshop brushes. 軟刷 圓刷 軟壓大小。?

P27 - 10:21基本的刷子。?

Because we're dealing with basically trying to paint hyper realistic photo real objects. And you want to be as subtle as you can.?

P27 - 10:29繪制逼真的照片風(fēng)格。?

If you had to ask me, what is the one thing that I can do to make my piece feel so much more realistic without doing like too much work, it would have to be ambient inclusion.?

P27 - 11:08環(huán)境遮蔽讓你逼真風(fēng)格事半功倍。?

When you look at a object that is placed onto any kind of surface. So let's say these spoons and knives wherever they touch the table, light is not able to hit where they touch.?

P27 - 11:21刀叉解除的桌子面光射不進(jìn)來。?

So you get this dark black outline. 你有深黑色輪廓。Wherever they're touching, you see, touching a dark black outline, or they're not touching a very light shadow.接觸深黑色輪廓或者不能接觸淺色陰影。 And then when they are touching against sharper and sharper back into that dark black outline, 銳利的淺色邊緣對(duì)應(yīng)黑色陰影輪廓。this area will be considered the shadow. Specifically, it would be a cast shadow.?

P27 - 11:45投射陰影。?

And here is this still cast shadow, but because it's so so tight that it is practically touching each other. And it's going to pure black. This is when it becomes ambient occlusion.?

P27 - 11:59環(huán)境遮蔽是緊貼的投射陰影。?

You can see that there's ever so slightly ambient occlusion right on the tips here. But this part here, this great outline, this would be considered more towards shadow.?

P27 - 12:10投射陰影對(duì)應(yīng)陰影輪廓。?

You can see here, if you zoom up really closely, you can see the black right underneath the spoon as ambient occlusion. ?

P27 - 12:19物體正背面的是環(huán)境遮蔽。?

This let me tell you right now, that is the secret ingredient to making things look realistic.?

P27 - 12:25這是讓事物真實(shí)的秘密所在。?

If you're able to add that little bit of black where things are touching, let me demonstrate to you.?

P27 - 12:32證明推理給你看。?

My shadows here are roughly done. I like them a lot, but they're not gonna be dark enough for me to get my ambient occlusion.?

P27 - 12:40陰影不夠深做環(huán)境遮蔽。?

So I do a new layer and I select overlap. 新建圖層選重疊或多重模式。You can also select multiply. But I just like to select overlay. That's just my own personal preference. They pretty much if you're doing ambient occlusion, they're pretty much the same thing.?

P27 - 12:55進(jìn)入暗色。?

I go into a pretty dark color. And because the light is warm, I stick around to a generally warm area because you're basically adding black to the piece.加入黑色調(diào)，表現(xiàn)為暖區(qū)域。 Don't worry about the specific color. That really does not matter.?

P27 - 13:08軟圓刷子。?

Go into my soft round brush. As you can see, brush is at this point almost truly do not matter. And I just paint in.?

P27 - 13:29現(xiàn)在環(huán)境遮蔽強(qiáng)一些。?

Now let's say that you feel that your ambient occlusion is a little bit too strong. I'm gonna introduce you now to the idea of preserve opacity.?

P27 - 13:38保留透明度。?

So you go into your ambient occlusion all the way over here. And let's say that, ? shoot, I made it way too dark because it's so dark.?

P27 - 13:47如果太黑矯枉過正了？?

You start off like this. And then you go up here. There's a little lock button, this check a Mark and use a lock of transparency. 小鎖按鈕，復(fù)選框，用的鎖定透明度。Now similar to a clipping mask,?

P27 - 13:55鎖定透明度類似剪切蒙版。?

you are only able to paint and draw whatever you already had on your original layer. You're not able to go outside of it.?

P27 - 14:04不能在原始圖層外涂抹。?

Now here's the thing, unlike a clipping mask， for. You still have whatever edits you have on a separate layer and separate mask.?

P27 - 14:12分開的圖層分開的蒙版。?

You cannot change what you've done or edit what you've done. You can only do undo redo because it's locked on to the layer.?

P27 - 14:21不能改變，只能做與重做。?

So use it with that in mind. But to do something as simple as just changing the color that I love to use preserve opacity, cause using a clipping mask is basically overkill. I just go up to a lighter grey, do a quick hit and bound.?

P27 - 14:36保存透明度改變顏色，?

Now my bird is feeling so much more realistic. So much more like it's in there in the scene. Let's find our colors back. However,?

P27 - 14:47顏色繪制回來。?

I'm going to group up all of my layers so far that i've done that included my bird. So that includes both my shadows which is here.?

P27 - 14:55包括鳥和陰影。?

I'm just gonna name this ambient occlusion really quickly. Take all of my layers, group them up into one big layer.?

P27 - 15:02打成一組命名為環(huán)境遮蔽。?

And yes, I use a lot of groups when I do photo bashing, then I'm just going to name it. Bird bash.?

P27 - 15:12回到多重圖層。?

Now I can go back to my multiply layer, attach it, select create clipping mask.?

P27 - 15:17選擇創(chuàng)建剪切蒙版。?

Now my bird is feeling like it's a lot more in the scene. It's still not quite there yet. And I think the reason why is because he doesn't have any bounce light or atmosphere, because as you can see, warm light is hitting him. But there's no light bouncing him back.?

P27 - 15:34有暖光但是沒有光。?

We should have some blue light reflecting off the right side. So I make a new layer. I go to overlay.?

P27 - 15:42新圖層，重疊。?

and I'm going to take my brush, have it on soft pressure opacity and ever so slightly brush in a little bit of bounce light. ?

P27 - 15:51軟壓刷出藍(lán)光。?

If this isn't enough for you, you can go into a new layer, create clipping mask and do lighten.?

P27 - 15:59剪切蒙版增強(qiáng)漫射光。?

Now he is feeling more and more and more in place. Very nice, very cool. Taking this as if it was a professional piece. I look to see my black and white values and double check.?

P27 - 16:15檢測(cè)黑白。?

And I can see that my bird, even though it's being distinct, he's still kind of blends in with the table. I want my table to be a little bit darker because right now if I had to do a black and white value. It would kind of look like this, where you can't really tell what's going on. I want it to look more like this. Here you are able to more clearly tell what is happening because the table is dark. And so I'm able to differentiate the pancakes and the bird.?

P27 - 16:56重新調(diào)節(jié)黑白對(duì)比。?

with that In my mind, I'm going to make this table darker, which is super easy, because all I have to do is go under here. Go all the way down to my table. Original table. image adjustments, brightness. Tone it down until I get to the brightness that I want. This is looking much better.?

P27 - 17:16原始桌子圖層 編輯調(diào)節(jié)明亮度。?

That to me feels so much better because would typically is polished on their tables. And so it's a little bit reflective. That means that my sky will actually reflect on the wood just a little bit,?

P27 - 17:34桌子可以反射光。?

because my light is coming from a direction that's coming in from the left. So like this, that means that my shadow will cast somewhat around this on the table. Knowing this, I go to my shadow layer right here. ?

P27 - 17:45光打在桌子上，對(duì)應(yīng)光影分界線。?

Wow! You can see that when I turn it off, it really looks so much more different than if I have it on. But I go to my shadow layer and I lightly brush in my shadow , then I go to my overlay.?

P27 - 18:04刷入陰影后 到重疊。?

And I brush in the sky highlight using a blue.?

P27 - 18:22藍(lán)天高光。?

?See now there's a hint of a reflection and it feels a lot more realistic. Really place him inside the canvas. I'm gonna adjust my sky as well to make it feel more in tune with my bird.?

P27 - 18:34調(diào)整天空和鳥一色。?

Now, to my favorite part, which is doing some minor touch UPS, I go up here, I do soft light, or you can do overlay. But this is the way that I would add a little bit of light into my piece,?

P27 - 18:50柔光 重疊 給作品寫入光。?

just like we saw for our original development piece, like a really really big brush and just dab on Top of it.?

P27 - 18:60大刷子輕輕的敷上。?

If you don't want it to affect your sky, you can still click here for, clicking a clipping mask. And now it only affects your birds. Bird is looking pretty professional.?

P27 - 19:09剪貼蒙版專注影響鳥。?

And also my second favorite thing ever to do. selective color go into my blacks. Because you see when someone is outside the shadows will always be colored a little bit no matter what, because of atmosphere. Just like that.?

P27 - 19:27陰影部分寫入顏色。?

Our bird is fully engrossed into our scene. If I took away each of these different adjustments.?

P27 - 19:43如果我移除不同的調(diào)節(jié)層。?

You can see that each one is integral to putting the bird into the scene and making it feel as if all of the images are cohesive.?

P27 - 19:56融入給渾然天成的銜接感。?

This is photo bashing. You can see that you still need a very strong understanding of art. Photo bashing is not cheating. At the end of the day. This is still a piece that you had to paint and fight for. In order to make everything look good. You still have to be the main artist and make things feel good.?