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瓦哈卡美食中心位于一所殖民風格建筑中，該地前身是卡門埃爾阿爾托修道院，如今已被改造成為一個教育及多功能空間，烹飪傳統(tǒng)和可持續(xù)性在此營造出獨特的感官體驗。

? Lizet Ortiz

在RootStudio的重新定義下，位于瓦哈卡歷史城區(qū)中心的前卡門阿爾托修道院得到了改建和修復，瓦哈卡美食文化的過往、現(xiàn)在和未來在這里交匯，瓦哈卡美食中心是墨西哥這家多專業(yè)建筑實驗機構(gòu)規(guī)模最大的作品之一，設(shè)計靈感源于既有的修道院建筑、當?shù)刎S富的烹飪傳統(tǒng)和特有材料。

? Lizet Ortiz

項目的主要目標是創(chuàng)建一個促進社區(qū)融合，集合教育和展覽空間的多功能空間。原始的建筑結(jié)構(gòu)（可追溯至16世紀）得到了精心修復，并采用石灰、磚、木材和綠色坎特拉石等傳統(tǒng)建筑技術(shù)材料，最大化地尊重了原有的外觀和建筑布局。

? Lizet Ortiz

RootStudio的綜合方案保留了建筑的材質(zhì)和類型，在既有建筑和城市肌理間搭建對話，打造了一個由行政辦公室、教室和公共圖書館組成的學習中心。商業(yè)和娛樂設(shè)施并存于此，涵蓋了餐廳、廚房、雞尾酒和品酒室、畫廊、自助餐廳、多功能廳、禮堂、庭院、拱廊花園和零售場所。

? Lizet Ortiz

遵循國家人類學和歷史研究所 (INAH) 在瓦哈卡的導則，RootStudio將傳統(tǒng)與現(xiàn)代融為一體，保留了建筑的主要特征和歷史布局。

? Lizet Ortiz

? Lizet Ortiz

項目總占地面積為5000平方米，建筑面積7000平方米。來自瓦哈卡州文化研究所 (INPAC) 和瓦哈卡基礎(chǔ)設(shè)施建設(shè)教育研究所 (IOCIFED) 的20多名設(shè)計師和監(jiān)理團隊負責實施工作。

? Lizet Ortiz

? Lizet Ortiz

在整個項目的實施中，原始的墻壁、天花板、壁畫、拱形天花板和空間都恢復了往日的輝煌，墻壁上的窗戶也被打開。一條18 世紀的下水道被發(fā)掘出來，并被改造成一處可以品嘗祖?zhèn)鞯拿匪箍柧坪腕w驗烹飪的空間；其中一扇對角窗戶，與墨西哥城圣安赫爾同級修道院中的窗戶極為相似。此外，貨物裝卸場的拱廊也被修復并改造成戶外活動空間。

? Lizet Ortiz

曾由赤腳加爾默羅會管理的花園和庭院被打造為項目的戶外空間。在歷史更迭中，曾被用作瓦哈卡州民事登記處，瓦哈卡卡米諾斯和機場航空公司倉庫的古老建筑，在修復后恢復了本來的面貌。

? Lizet Ortiz

? Lizet Ortiz

為了詮釋過去與現(xiàn)在的對比，RootStudio以原鋼打造了一個架高的現(xiàn)代結(jié)構(gòu)，將工業(yè)廚房涵蓋其中。停車場中一座配有鋼柱和磚砌拱頂?shù)碾p層構(gòu)筑，容納了12個商業(yè)空間和一個公共活動大廳。置身這里，人們能夠欣賞到圣費利佩自然保護區(qū)的群山、圣多明各教堂和民族植物學花園的優(yōu)美風景。

? Lizet Ortiz

? Lizet Ortiz

Rootstudio由Joao Boto Caeiro領(lǐng)銜，該事務(wù)所因多學科的綜合可持續(xù)性設(shè)計廣受認可。這種設(shè)計理念將建筑融入周圍環(huán)境的同時，有利于降低對環(huán)境的影響，并采用凈零排放的產(chǎn)品和非化學解決方案，例如使用肥皂明礬類防水產(chǎn)品和太陽能系統(tǒng)。

? Lizet Ortiz

? Lizet Ortiz

為了促進就業(yè)，室內(nèi)空間中定制家具被委托給當?shù)氐臋还裰圃焐毯凸そ成a(chǎn)，他們使用的馬庫爾木材來自于一種俗稱palo de rosa（紅木）的樹木，其藥用特性頗受肯定。

與胡奇坦出身的藝術(shù)家達米安·弗洛雷斯(Damián Flores)的合作，詮釋出瓦哈卡州的藝術(shù)財富。達米安·弗洛雷斯創(chuàng)作了壁畫“玉米人”，展示這一重要食材的不同植物品種。薩比諾·吉蘇 (Sabino Guisu) 創(chuàng)作的電梯壁畫連接起建筑的所有區(qū)域。

? Lizet Ortiz

? Lizet Ortiz

景觀花園的植物選用了可食用或與烹飪有關(guān)的品種，包括番石榴、絲蘭、薩波特斯和龍舌蘭等。

項目貫穿著無障礙和包容性原則，致力于通過為殘障人士提供便利，來實現(xiàn)個人與環(huán)境的互動。

? Lizet Ortiz

? Lizet Ortiz

位于Garcia Virgil街的瓦哈卡美食中心成為了RootStudio的新作代表，事務(wù)所過往作品包括非洲莫桑比克的Girl Move Academy（兩次榮獲了ArchDaily“年度建筑”和“教育建筑”的提名）以及位于瓦哈卡州的Hotel Sin Nombre、Flavia豪華酒店、Casa Mulata、San Agustin Etla高中、José F. Gómez和Gabriel López Chi?as圖書館以及Tlacolula de Matamoros的Rancho Cebu釀酒廠。

? Lizet Ortiz

? Lizet Ortiz

位于瓦哈卡市的RootStudio創(chuàng)立于2010年，是由Jo?o Boto Caeiro領(lǐng)銜的建筑、設(shè)計、繪圖、繪畫和雕塑的綜合性多學科事務(wù)所。經(jīng)過十余年的努力，RootStudio形成了獨特的辨識度，在墨西哥和其他緯度地區(qū)打造的作品受到矚目，脫穎而出，涵蓋住宅建筑、制造和教育中心、休閑和酒店場所等各種功能類型，展現(xiàn)出建筑與景觀的和諧融合以及對社會責任的全面承諾 。

步入RootStudio打造的作品空間，人們將感受到充滿活力的感性氛圍，簡約則是對當代建筑使命的深刻反思所呈現(xiàn)的。

? Lizet Ortiz

? Lizet Ortiz

The colonial architecture of the former convent of Carmen el Alto is transformed to house the Centro Gastronómico de Oaxaca, an educational and multidisciplinary space where culinary traditions and sustainability create a sensory experience.

? Lizet Ortiz

? Lizet Ortiz

An educational space where the past, present and future of Oaxacan gastronomic culture converge defines the most recent conversion and heritage recovery project of the RootStudio office in the former convent of Carmen Alto, in the historic center of Oaxaca.

? Lizet Ortiz

? Lizet Ortiz

The Oaxaca Gastronomic Center takes inspiration from the existing convent architecture, the rich local culinary legacy and endemic materials in one of the largest scale commissions in Mexico of this multidisciplinary architectural laboratory.

? Lizet Ortiz

? Lizet Ortiz

In this project-whose main objective is to create a multipurpose space that fosters community integration and harmonizes with areas for education and an exhibition area-a meticulous restoration of the original structure of the building (dating from the 16th century) has been carried out using traditional construction techniques and materials such as lime, brick, wood and green cantera stone, respecting both the original physical appearance and the architectural layout.

? Lizet Ortiz

? Lizet Ortiz

RootStudio's synthesis, which preserves the materiality and typology of the building, establishes a dialogue between the urban environment and the pre-existing building to create a study center consisting of a administrative office, classrooms and public library; which coexist with commercial and recreational facilities, such as a restaurant, kitchen, cocktail and tasting rooms, gallery, cafeteria, multipurpose rooms, auditorium, courtyards, arcade gardens and retail premises.

? Lizet Ortiz

? Lizet Ortiz

Tradition and contemporaneity merge in this meticulous restoration carried out by RootStudio that follows the guidelines of the Oaxaca department of the National Institute of Anthropology and History (INAH), in order to preserve the primary features and the historical layout of the building.

? Lizet Ortiz

? Lizet Ortiz

A team of more than 20 designers and supervisors from the Instituto del Patrimonio Cultural del Estado de Oaxaca (INPAC), and the Instituto Oaxaque?o Constructor de Infraestructura Física Educativa (IOCIFED), were in charge of the execution of the work, which covers a total area of 5,000 square meters including 7,000 square meters of floor space.

? Lizet Ortiz

? Lizet Ortiz

Throughout the work, the splendor of the walls, ceilings, frescoes, vaulted ceilings, and the original levels of the spaces were recovered, while walled-up windows were opened. During the process, among the most important events was the discovery of an 18th-century sewer, which has been transformed into a space where tastings of ancestral mezcals and culinary experiences are held; and a diagonal window that resembles the one in the convent of the same order in San ángel, Mexico City. In addition, the arcades of the goods handling yard were also restored and converted into a space for outdoor events.

? Lizet Ortiz

The outdoor areas made use of the original gardens and courtyards formerly in the care of the Order of the Discalced Carmelites. These were restored to return the building to its original appearance, since it had been used at different times as the Civil Registry of the State of Oaxaca, as well as a warehouse for Caminos y Aeropistas de Oaxaca, among others.

? Lizet Ortiz

? Lizet Ortiz

In order to contrast past and present, RootStudio installed an elevated contemporary element in raw steel, containing the industrial kitchens. In the parking lot, a two-story pavilion with steel pillars and brick vaults houses 12 commercial spaces and a public events hall that offers a privileged panoramic view of the mountains of the San Felipe nature reserve, the Church of Santo Domingo, and the Ethnobotanical Garden.

? Lizet Ortiz

? Lizet Ortiz

Rootstudio, led by Joao Boto Caeiro, is recognized for its comprehensive sustainability signature, which allows buildings to be incorporated into their surroundings and reduce their environmental impact, used products with zero net emissions of carbon dioxide, CO2, and chemical-free solutions, such as waterproofing products based on soap and alum, and installed a solar energy system.

? Lizet Ortiz

? Lizet Ortiz

For the interiors, in a gesture that promotes the work of local talent, the production of custom-made furniture was entrusted to master cabinetmakers and artisans, who used macuil wood, a tree popularly known as palo de rosa (rosewood) and recognized for its medicinal properties.

? Lizet Ortiz

? Lizet Ortiz

The artistic wealth of Oaxaca is present in the form of collaborations with the Juchitán-born artist Damián Flores, who created the mural "Men of Corn" to illustrate the different endemic species of this important food plant, and with Sabino Guisu, who designed the murals for the elevators that communicate all areas of the building.

? Lizet Ortiz

? Lizet Ortiz

The landscaping principle for the garden involved plants that are either edible or associated with cooking, including guajes, yuccas, zapotes, and magueys.

Accessibility and inclusion are fundamental principles in this project, as it seeks the interaction of individuals with their environment through facilities for people who have some type of disability.

? Lizet Ortiz

? Lizet Ortiz

The Oaxaca Gastronomic Center, located on Garcia Virgil street, joins RootStudio's portfolio of buildings which includes Girl Move Academy in Mozambique, Africa—twice nominated by ArchDaily, in the "Building of the Year" and "Educational Architecture" categories—and Hotel Sin Nombre, Flavia Luxury Hotel, Casa Mulata, the San Agustin Etla High School, the José F. Gómez and Gabriel López Chi?as libraries, and the Rancho Cebú distillery in Tlacolula de Matamoros, all located in the state of Oaxaca.

? Lizet Ortiz

? Lizet Ortiz

Based in Oaxaca City and directed by Jo?o Boto Caeiro, RootStudio was founded in 2010 as a multidisciplinary studio that encompasses architecture, design, illustration, painting, and sculpture.

Over more than a decade of work, RootStudio has forged a unique signature that distinguishes it for its striking projects in Mexico and other latitudes. Its portfolio showcases its versatility when it comes to the most varied types of projects, such as residential buildings, productive and educational centers, sites for leisure and hospitality, whose common denominator lies in their harmonious integration with the landscape and a total commitment to social responsibility.

Entering a work by RootStudio means finding oneself in a dynamic, emotional atmosphere, where the pared-back simplicity is the result of a deep reflection on the mission of contemporary architecture.

? Lizet Ortiz

? Lizet Ortiz

Architects:?ROOTSTUDIO

Area:?7000?m2

Year:?2023

Photographs:?Lizet Ortiz

City:?Oaxaca de Juárez

Country:?Mexico

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