「不忘初心」百年豐碑——時代人物劉弼男
「不忘初心」百年豐碑——時代人物劉弼男?
個人簡介：
劉弼男，女，1943年生于湖南攸縣。在家鄉(xiāng)中、小學(xué)任教三十余年?，F(xiàn)為國家一級美術(shù)師，中國職業(yè)美術(shù)家協(xié)會會員，香港美術(shù)家協(xié)會會員，中國新山水畫研究協(xié)會會員，廣州黃埔美術(shù)家協(xié)會會員，大中國畫院珠海分院院長，澳門傳統(tǒng)文化（藝術(shù)）交流學(xué)會名譽會長。自幼喜歡書畫，退休后進入廣州市老干大學(xué)繼續(xù)學(xué)習(xí)書畫，先后師從劉藝林，李東川，鄧志強等教授及著名畫家徐月紅老師，廣州畫院朱頌民院長等學(xué)習(xí)書法，山水畫，花鳥畫。2015年受清華美院劉宗漢教授破格錄取進入清華美院美術(shù)理論研究與新山水畫創(chuàng)作高級研修班學(xué)習(xí)，榮獲清華美院高研班教育部"學(xué)習(xí)進步獎"。學(xué)習(xí)期滿考核合格結(jié)業(yè)。2016年5月參加第五屆全國老年書畫展創(chuàng)作的作品《奇秀嶺南》及書法作品均入選入編《第五屆全國老年書、畫作品》集。
Personal Profile:
Liu Bi male, female, was born in 1943 in Remote County, Hunan. He has taught in primary and secondary schools for more than 30 years. Currently he is a national first-class artist, member of China Professional Artists Association, member of Hong Kong Artists Association, member of China New Landscape Painting Research Association, member of Guangzhou Huangpu Artists Association, president of zhuhai branch of the Great Chinese Painting Academy, honorary president of Macau Traditional Culture (art) exchange Society. I have been fond of painting and calligraphy since childhood. After retirement, I entered Guangzhou Laogan University to continue my study of painting and calligraphy. I have studied calligraphy, landscape painting, flower and bird painting under the tutored names of professors liu Yilin, Li Dongchuan, Deng Zhiqiang, famous painter Xu Yuehong, and president Zhu Songmin of Guangzhou Academy of Painting. In 2015, he was admitted by Professor Liu Zonghan of Tsinghua Academy of Fine Arts to study in the Advanced Training class of Theoretical Research of Fine Arts and New Landscape Painting creation of Tsinghua Academy of Fine Arts, and won the "Learning Progress Award" of the Ministry of Education of Tsinghua Academy of Fine Arts. Pass the examination and finish the course. In May 2016, his works "Qixiu Lingnan" and his calligraphy works were selected into the collection of "The fifth National Books and Paintings for the elderly".
2017年"江山頌“全國詩書畫大賽，囯畫作品《云嶺飛泉》獲一等獎。同年9月8日赴北京國家會議中心參加頒獎大會領(lǐng)取獎品。2018年參加全國第九屆老年書丶畫大賽評為一等獎。2018年6月在廣州越秀區(qū)文化活動中心舉辦個人畫展70多幅作品，同年7月廣東電視臺專題采訪，制作電視節(jié)目，在廣東電視臺連續(xù)播放數(shù)次。同年8月份在家鄉(xiāng)舉辦個人畫展以慰鄉(xiāng)親。11月份赴北京國家畫院參展30多幅作品。12月參加“2018大美中國第二屆中新馬書畫展。榮獲中新馬文化交流特使。并在馬六甲海峽寫生。
In 2017, Chinese painting "Yunling Feiquan" won the first prize in "Ode to Jiang shan" National Poetry and Calligraphy Competition. On September 8, the same year, he went to Beijing National Convention Center to attend the award ceremony to receive prizes. In 2018, he participated in the 9th National Book and painting Contest for the elderly and won the first prize. In June 2018, he held a personal exhibition of more than 70 works in The Cultural Activity Center of Yuexiu District, Guangzhou. In July of the same year, he conducted a special interview on Guangdong TV and produced a TV program, which was continuously broadcast on Guangdong TV for several times. In August of the same year, he held a personal art exhibition in his hometown to comfort the villagers. In November, more than 30 works were exhibited in Beijing National Academy of Painting. In December, 2018 Great Beauty China second Sino-Singapore Painting and Calligraphy Exhibition. He was honored as special Envoy for Cultural Exchange between Singapore and Malaysia. And painted in the Strait of Malacca.
2019年2月5日，山水畫作品及本人照片以東方藝木形象亮相美國紐約納斯達克大屏幕上，向全世界華人及其各族人民拜年。
On February 5, 2019, the landscape painting works and photos of myself were displayed on the big screen of NASDAQ in New York, the United States, to pay New Year's greetings to Chinese and people of all ethnic groups around the world.
大美中國第二屆中韓名家作品展
Great Beauty China the second Chinese and South Korean famous works Exhibition
大美中國第二屆中韓名家作品展
Great Beauty China the second Chinese and South Korean famous works Exhibition
2019年5月赴韓國參加"大美中國第三屆中韓名家作品展"。作品巜溪山春濃》為韓國國會委員長李明洙先生收藏。
In May 2019, he went to South Korea to participate in the third Great America China Exhibition of Chinese and South Korean Famous Artists. The work was collected by Mr. Lee Myung-soo, chairman of the National Assembly.
2019年12月參加慶祝中華人民共和國成立70周年，澳門回歸20周年，京津冀粵港澳大灣區(qū)"一帶一路"名人書畫展。受任命"澳門傳統(tǒng)文化（藝術(shù)）交流學(xué)會名譽會長。
多次參加國內(nèi)外書畫展，作品被多國政要，領(lǐng)導(dǎo)人、收藏家、企業(yè)家收藏。
December 2019 to celebrate the 70th anniversary of the founding of the People's Republic of China, the 20th anniversary of Macao's return to China, Beijing, Tianjin, Hebei, Guangdong, Hong Kong and Macao Greater Bay Area "Belt and Road" celebrity Painting and Calligraphy Exhibition. appointed "honorary president of Macau Traditional Culture (art) Exchange Society".
He has participated in many calligraphy and painting exhibitions at home and abroad, and his works have been collected by many politicians, leaders, collectors and entrepreneurs.
作品賞析：
appreciation of works:
《朝陽頌》
115cmx98cm
《春》
45㎝×68㎝
《夏》
45㎝×68㎝
《秋》
45㎝×68㎝
《冬》
45㎝×68㎝
《長江》
120cmx240cm
《長城》
120cmx240cm
《黃山》
120cmx240cm
《黃河》
120cmx240cm
《山青水秀大地歡歌》
240cmx120cm/32平尺
《海闊天空 人間仙境》
240cm×120cm/32平尺
《雲(yún)展輕沙隱洞天》
68cmx136cm
《雲(yún)涌青山動》
196cmx98cm/18平尺
《飛瀑下云中》
136cm×68cm/8平尺
《佳景入懷》
196cmx98㎝
《高山流雲(yún)江水滔滔》
196cmx98㎝
《溪山秋色》
196cmx98㎝
《天塹變通途》
196cmx98㎝
《春牛圖》
《荷韻》
卡紙50㎝Ⅹ50cm
《芙蓉國里 盡朝暉》
卡紙50㎝Ⅹ50cm
《嶺南春》
卡紙50㎝Ⅹ50cm
《冷艷》
卡紙50㎝Ⅹ50cm
巾幗不讓須眉
-淺談劉弼男的山水畫
讀劉弼男的山水畫作品，無疑是一種美好的精神享受。雖然我們從未謀面，但我卻從她的畫中讀出了寧靜心性，讀出了傳統(tǒng)神韻，也讀出了現(xiàn)代意味，還有獨特的審美取向。應(yīng)當(dāng)說，這在當(dāng)代七十歲以上的女畫家中并不多見。劉弼男山水畫的格調(diào)高雅、明秀、灑脫，而又不乏新穎、奇致。這是由以下三方面的因素所綜合構(gòu)成的。
其一，詩化的意境。意境是山水畫的靈魂，是畫家主體情思與客體自然美融為一體的結(jié)晶。劉弼男心中有詩情，故而善于將大自然中的山、水、樹、舟、屋等物象，巧妙地組合為一幅幅動人、感人的藝術(shù)境界，清遠幽靜、似真似幻、澄澈無塵，凈化著人們的心靈。她筆下的詩境，不是平常畫家那般刻意的堆砌擺布，而是充滿自然天成的真性情，這是人與大自然和諧相處的田園牧歌式的詩境。同時期中彌漫著溫馨的生活氣息，是人間顯示的可居可游之境。這種“拉近距離”式的審美方式，自有其獨到的審美價值。
其二，靈動的筆墨。劉弼男的筆墨語言具有明顯的嶺南特色，講究用筆運墨的法度、變化多端的韻味，尤其重視水分的把握。畫面上濃淡干濕有致，虛實輕重生情，充溢著“水暈?zāi)隆钡拿栏校∪缙浞值乇憩F(xiàn)出山水水氣氤氳的地域特征。整體上顯得空靈、輕松而率意，展示了中國水墨寫意畫的語言特質(zhì)。
其三，借古開今的氣度。劉弼男的畫顯然出之于傳統(tǒng)，但又不拘泥于傳統(tǒng)。她曾得到多名山水畫大家的指點，起點高，路子正。如此廣收博取，經(jīng)過多年的刻苦磨礪，她的藝術(shù)水平快速提高。加上在清華專修之后，視野更為開闊，作品中注入了更多的時代感，追求大氣勢，大格局，動靜相成，浩氣流蕩，審美取向有新的拓展。
在細細研讀劉弼男的作品后，我感慨萬千，同為對中華藝術(shù)的熱愛追求者，真是“巾幗不讓須眉”啊!
作者:李嵐清2019年國慶前期
Women are no match for men
A brief discussion on Liu Binan's landscape paintings
Reading Liu Binan's landscape painting works is undoubtedly a good spiritual enjoyment. Although we have never met, I have read the serenity, traditional verve, modern sense and unique aesthetic orientation from her paintings. It should be said that this is rare among contemporary female painters over the age of seventy. Liu Bi male landscape painting style is elegant, Ming xiu, free and easy, and there is no lack of novel, strange. This is a combination of the following three factors.
First, poetic artistic conception. Artistic conception is the soul of landscape painting, the crystallization of the painter's subjective sentiment and the object's natural beauty. Liu Bol male heart poetry, so good at the nature of the mountains, water, trees, boats, houses and other objects, cleverly combined for a moving, moving art realm, qingyuan quiet, like true like magic, clean and clean, purify people's minds. The poetic landscape under her pen is not deliberately stacked and manipulated by ordinary painters, but full of the true nature of nature, which is an idyllic poetic landscape in which man and nature live in harmony. At the same time, filled with a warm breath of life, is the world show can live can travel. This kind of "close the distance" aesthetic way has its own unique aesthetic value.
Second, clever brush and ink. The pen and ink language of Liu Binan has obvious Lingnan characteristics. He pays attention to the law of using pen to transport ink and the ever-changing charm, especially the grasp of moisture. The painting is full of the aesthetic feeling of "water halo ink chapter", appropriately showing the regional characteristics of dense landscape water. On the whole, it is ethereal, relaxed and spontaneous, showing the language characteristics of Chinese ink freehand brushwork painting.
Third, borrow the ancient open today's bearing. Liu Bi - nan's painting obviously out of the tradition, but not rigid tradition. She has been a number of landscape painting everyone's guidance, a high starting point, the way is right. So widely received, after years of hard work, her artistic level quickly improved. In addition, after studying in Tsinghua University, I have a broader vision and more sense of The Times are injected into my works. I pursue great momentum, great pattern, dynamic and dynamic, magnificent and flowing, and have a new expansion of aesthetic orientation.
In the careful study of Liu Phillip's works, I am filled with emotion, the same as the love of Chinese art pursuer, is really "women do not let men" ah!
Author: Li Lanqing 2019 National Day
