?43 Lesson 7 - Painting Combined with Photos Part 4 - Cinderella - PT2

P43 - 00:01?

?And welcome back no additional intro. We’re going straight to it.?

P43 - 00:06開門見山。?

I’m continuing to go ahead and paint on Top of the two detectors I already added,?

P43 - 00:12在我新加入兩個(gè)設(shè)備涂抹。?

in order to give it that handcrafted look.?

P43 - 00:15或給出手工操作后的外觀。?

you see that I love to add my brush textures, especially over any areas that have a lot of photographic qualities,?

P43 - 00:23有照片質(zhì)感的我用刷子涂抹。?

because I only want some of the photographic qualities. I want them to be subtle. I don't want it to be a heavy amount.?

P43 - 00:30要輕微的照片質(zhì)感。?

Essentially, I am repainting the piece quite a lot to a degree. And you might ask, well, what's the point? Why are you just repainting a piece, If you could just paint a piece by itself.?

P43 - 00:40為什么重新繪制而不是一次繪制。?

while having this photographic base, allows me to be able to paint more leisurely. Because I don't need to think too heavily about what kind of texture that I want. It allows me to just paint and let my mind kind of rest and relax as I just go ahead and paint on Top. ?

P43 - 00:56我不需要思考質(zhì)地紋理了。?

Now I go in to paint our Cinderella. You can see that I'm adding in the shadows of her clothing, her face, her hair giving her actual features.?

P43 - 01:07給面部衣服繪制陰影給真實(shí)感。?

Since we haven't drawn a character who's face really shows off. Well, just yet. I will be sure to come back to her a little bit later, you'll see that the screen kind of zips back and forth. This is because while I'm working on Cinderella, I like to zoom in and I like to zoom out, just to ensure that she looks good from close. And she also looks good from far away.?

P43 - 01:26放大縮小，近觀可以遠(yuǎn)看也可以。?

Because ultimately people won't be viewing this piece at a super zoomed like what 150 to 200 percent.?

P43 - 01:34人很少放大150%以上去看。 ?

They're probably going to be viewing this at less than 100%. ?

P43 - 01:37人們選低于100%看角色。?

So just an image that takes up maybe half the screen at best. Therefore, we need to make sure that all of the elements are understandable from very far away distance.?

P43 - 01:48遠(yuǎn)處看也具備可讀性。?

But don't worry. The screen moves back and forth because we're going to zoom out, and i'll make sure that you can view the painting and a much more leisurely way like this.?

P43 - 01:57觀看繪畫教程的也養(yǎng)眼。?

There isn't much to explain here. ?

P43 - 03:35繪制三分鐘。?

because it's really just going over and painting on top of that we have whether that's the flower pot, the walls, or the desks.?

P43 - 03:44繪制花盆 墻 桌子。?

This is just like in our little red riding hood piece on the bridge. Or we are finally taking things to a bit more of a finished fidelity,?

P43 - 03:52完工的保真度。?

you see that for the doors. I'm trying to make sure I just keep a bit of the original photographic qualities. I don't want too much.?

P43 - 03:59門我保留部分照片質(zhì)感不是很多。?

So I put in some key shadows and that's it. And with that, sit tight and take a nice chill pill. As always, I will be sure to speak up whenever there is a very important aspect or something new that I would like you to learn. If I try to explain every single brush stroke, I think all of us will lose our minds. ?

P43 - 04:15沒有細(xì)致描述筆刷筆觸技巧。?

We were now at a point where I'm pretty satisfied with our base painting.?

P43 - 05:21繪制一分鐘。?

And so now I'm gonna run through the layers one more time with you guys. So here's my colors’ layer. This is my original image. So the photo bash image that I put in.?

P43 - 05:34原始照片拼接圖。?

the second one, I should say, since we lost our first one, sadly, due to corruption, what I'm going to do is I'm going to add this light layer of overlay right here as kind of my base lights.?

P43 - 05:44重疊 燈光層作為基本層。?

And then using the shadows layer that we did earlier, I'm gonna work starting from this and then basically molded into the kind of shadows I want.?

P43 - 05:56陰影層描繪我想要的陰影。?

So i'll be taking some inspiration from this image to be able to take the shadows. However, you can see that the green here isn't the best color for this piece. So either A, I might change my reference or B, even though I finished the shadows, i'll probably change the colors later on.?

P43 - 06:14換參考圖或者改陰影顏色。?

My main goal is to make sure that these shadows look understandable and accurate in black and white. ?

P43 - 06:19陰影在黑白圖里合理的。?

The first thing though that we need to tackle is the idea of the sunlight. So as you can see, we use a perspective grid for our entire interior,?

P43 - 06:30室內(nèi)裝潢用的視角線。?

but the sunlight also needs its own perspective grid. And let me show you how to do that. ?

P43 - 06:33太陽光也需要自己的視角線。?

Now to demonstrate sunlight perspective, let's take a really quick look at this image right here.?

P43 - 06:40這有光束的視角線參考圖。?

I'm gonna turn off my old perspective grids. You see when sunlight streams through a window, it also ray out in this ray like format this way this way this way. ?

P43 - 06:51太陽光漫射開來。?

Well, the sunlight actually has a specific perspective that it is flaring out.?

P43 - 06:57光線有平鋪的視角。?

The sunlight isn't exactly random. it’s quite organized.?

P43 - 07:01太陽光是有規(guī)律的不是隨機(jī)的。?

And it has its own set of perspective grids that might sound really daunting.?

P43 - 07:07聽起來令人生畏。?

Like, oh gosh, I have to do a new perspective for the sunlight. It's actually not that scary. Trust me, we're simply gonna do is just turn the image off when you delete them, banish from my life. ?

P43 - 07:18刪除掉參考圖。?

Let’s take a look at the shadows that we have so far. All we really need to do is to be able to hand out a perspective grid.?

P43 - 07:26需要交出視角線參考圖。?

And perspective is really just made of two lights.?

P43 - 07:30視角線兩束光構(gòu)成的。?

So I'm just gonna choose any two random lines. Let’s say that I want this line. And I want this one.?

P43 - 07:42比如這是我選擇兩點(diǎn)生成視角線。?

And I can follow this perspective grid to be able to create really accurate shadows. For me. This grid in particular doesn't really get me the feeling that I want. So I'm gonna be trying a different grid. So I want my perspective to be a little bit more wide.?

P43 - 08:00我想讓視角更寬闊一些。?

Let's just quickly erase this. Just so I can do a demonstration. But all you have to do is, first of all, I'm gonna add a shadow for my door base.?

P43 - 08:15我給門檻加上陰影。?

So this base right here is going to be casting a shadow first and foremost.?

P43 - 08:21門檻先有投射陰影。?

So I'm gonna make sure that I covered that. then let's say that I want my table here. So all I have to do, let's just say that I followed here. These shadows don't need to be the most accurate in the entire world,?

P43 - 08:34做桌子的陰影，未必契合大視角。?

but they should definitely at least follow the perspective. Thankfully, it's a painting and we don't need to be the ones to have to hyper worry or fixate on accurate shadows.?

P43 - 08:44但是不能破壞整體的視角線。?

If this was a more photo realistic piece, then yes, I would actually go in and calculate the shadows. ?

P43 - 08:51真人影視風(fēng)格的，調(diào)節(jié)陰影。?

But this is not a piece that we have to worry about that you bring this down over here. My door would have a shadow that goes this way.?

P43 - 09:00這是我門的陰影走向。?

And this is just one side of it. This is not the other side. And then this door down here would have a shadow going this way. And of course, we need to get this door. So by following these perspective lines, I'm basically able to cast very accurate shadows.?

P43 - 09:19開始精確的投射陰影。?

We'll get to that table a little later. Cinderella will also cast shadows that go this way, too. And you would have shadows for the sun light.?

P43 - 09:36主角和太陽的陰影都有了。?

Let’s say you don’t have the perspective tools. And you want to be able to create a perspective grid without these tools. Well then simply you would take the one point perspective brush.?

P43 - 09:44一點(diǎn)生成視角線刷子。?

So let's make it into red. I'm going to put it anywhere randomly, and then you simply move it to where you desire.?

P43 - 09:49位置移動(dòng)到位。?

So let's say that these shadows wanted to be here. And then I simply make it big enough so that it covers the screen. ?

P43 - 09:59陰影足夠大覆蓋整個(gè)屏幕。?

So as you can see, simply by using that one point perspective brush, and by popping it down, making it bigger, I'm able to pretty much get the exact same result as the perspective tools did. And it really did not take that much time. So you can't go wrong either way.?

P43 - 10:21想失敗都困難。?

Let's get right back into finishing this piece of shadows. So now, because I have finished my base painting, I am fully focused on making sure my shadows are as accurate as possible.?

P43 - 10:29確保陰影準(zhǔn)確的。?

I'm repainting in most of the shadows, making sure that I can differentiate between different objects, whether that's making them feel like they're more forward or pushing them more towards the back.?

P43 - 10:40陰影暗黑決定遠(yuǎn)近。?

And as you guys know, making something go front is making it darker. Typically. And if you want to make something go back, then you will make it lighter.?

P43 - 10:49近處的黑，遠(yuǎn)處的暗。?

You'll see that I'm trying to make sure I'm hyper accurate with the shadows are cast by objects.?

P43 - 10:55投射陰影的物體。 ?

And when I finished logging them out, I also blur them using motion blur ever so slightly.?

P43 - 11:02加入動(dòng)態(tài)模糊。 ?

This is also the part where I realized that I really am not a fan of that green shadow color. So I choose a completely new reference image and I start to add a completely new colors in the shadows.?

P43 - 11:15新的參考新的色彩。?

The only reason that I'm able to do this at all in the first place is because of the fact that my shadows and my lights are on completely different layers.?

P43 - 11:23因?yàn)轱涟岛谠诓煌瑘D層。?

That allows me to easily change my colors to whatever I want.?

P43 - 11:27我可以輕易調(diào)節(jié)顏色。?

At this point, I also make sure that I have two different layer groups for both my lights and my darks,?

P43 - 11:34锃亮暗黑不同圖層組。?

as I previously showed in all of my other previous pieces, i'd change my colors finally to a brand new reference image and with my shadows in a solidified place, I begin now to add my light effects, before I move forward with some of the final touches also the painter overs,?

P43 - 11:51暗黑后锃亮，最后噴涂。?

because number one, we need to make sure that we give this area a lot more love than it is currently receiving. But I want to give off the illusion of light really quickly. ?

P43 - 12:02光的幻象。?

And let me show you a wonderful trip to do that. So going to the top of my layer, let's call this, I'm gonna call it light rays.?

P43 - 12:08頂層命名為光線。?

So you can also call it god beams. Because when you look at when the sunlight streams through a window, you will often be able to see this almost like holy light coming through the windows, like it's shining a beacon and sometimes, obviously, windows don't really show off the screen in sunlight.?

P43 - 12:29光線從窗戶透過來的，默默無聞。?

But when you have it in a painting, it just feels a lot more atmospheric. It feels nice. So we're going to add it in for affect.?

P43 - 12:40但是窗戶存在光線來源，氛圍感。?

This is one of those like little tricks like tips and tricks that just makes your painting feel a lot more finished. So what I simply do is, I try to see where the Top of my window is going to be.?

P43 - 12:51頂部窗戶來源。?

So assuming this door goes all the way up here, that my light would come probably somewhere here. But I want it so that it hits Cinderella at a bit of an angle.?

P43 - 13:04光打在主角上。?

So I guess I could actually let me just take this away and start from here and make sure that I really cast against Cinderella, because that way she'll be able to cast a slight shadow, which would be a fantastic effect later on. ?

P43 - 13:17從背面打過來，主角身上有陰影。?

So I'm just going to wrap all of the light ending here, going up here. Fill it up. I'll take my paint bucket and it's gonna cover a lot of stuff.?

P43 - 13:29噴涂可能覆蓋很多物體。?

But don't worry. We'll be able to take those things out. And just like just a blob of light, very attractive. And then I turn it to screen.?

P43 - 13:36一大束光變成屏幕模式。?

I also lowered the opacity. So maybe it's like around 40, 32%.?

P43 - 13:42不透明度降低百分三四十。?

Then I go to filter blur, motion blur.?

P43 - 13:47過濾 模糊 動(dòng)態(tài)模糊。?

I set the blur up to kind of the whichever direction. So let's say that your light is heading this direction. Then I will go in the opposite direction from my blur.?

P43 - 13:59模糊方向和光線的方向相反。?

I'm going to give it a pre fixed distance. And then here’s the magic starts. You take your eraser. You get really big super, super big and just gently erase out.?

P43 - 14:17很大的橡皮擦，輕柔的擦掉。?

And you have light. its so easy. I'm gonna remove a bit of the screen just wherever the light kind of isn't hitting.?

P43 - 14:27移除掉屏幕上不該被模糊的地方。?

But because light is streaming through all of this, it's kind of hard not to sunlight in because no matter where does light beams coming in, So I don't really need to worry too much about where to erase it, whatever you feel like, the effect is a little bit too heavy that you can feel free to erase it a bit.?

P43 - 14:42陽光太強(qiáng)了可以擦掉一點(diǎn)。?

But now light is coming through the window or I should say the door. It really is a door. ?

P43 - 14:49光從門透過來。?

But I'm gonna do the exact same thing. But to these windows over here. The one thing that you want to be sure though, is that you see how our light Ray came at an angle like this??

P43 - 14:59這是光束形成的三角面。?

Well, we want to make sure that these light rays also follow the exact same angle.?

P43 - 15:06視角要一樣。?

Let me just quickly get rid of these two, and roughly grabbed the same angle. Go to my window.?

P43 - 15:15兩條線勾勒出光到窗戶的視角。 ?

Let's so lowering down the opacity, turn it to screen.?

P43 - 15:23降低不透明度，改為屏幕模式。?

And you can do lighten as well. Or you could even honestly just do normal color.?

P43 - 15:29锃亮或者普通著色都可以。?

It's completely fine. Whichever you find works best for your piece. ?

P43 - 15:34找到適合你的方式。?

moving it a little bit. Blurring it. motion blur. I also want to make sure Cinderella isn't affected. And now light is really streaming through everything.?

P43 - 15:51光束穿透一切的感覺。?

Of course, it's still not quite finished because I want my colors to feel a little bit more akin to my reference image here.?

P43 - 15:59顏色要類似于參考圖。?

So now here's the fun part where you get to go in and do touch UPS. Painter over and all of that possessed. super quick. I knew I was also touching my bucket here. Not a good thing. There we are. That's better.?

P43 - 16:12光觸碰到前景黑桶，修復(fù)一下。?

I also notice that there's a little bit of a dichotomy here which will be touched up in my paint over. So no problem.?

P43 - 16:19花開兩朵各表一枝，修復(fù)下。?

I also want to be able to add some light effects. You see how there's this really nice effects on the floor from this image here. I'm just gonna go ahead and actually photo bash some of those effects in.?

P43 - 16:31樹影斑駁的，用套索借來用。?

This is kind of you could totally make this by yourself. It's really not that hard.? But having a photo, I feel like the funner faster and a little bit easier. We have the technology. Why not use it? After fiddling around a bit with some more godly lights and adding some more of that atmospheric light in,?

P43 - 16:54加入一些氛圍感的微光。 ?

I do exactly what I said I was going to do, which is a photo bash in that light affect. Where is the trees casting a bit of a shadow onto the light portion??

P43 - 17:05樹陰影在光束里斑駁。?

So you have this dappled light effect. Turns out that the picture, the photograph itself wasn't doing the trick for me. So what I simply did was I picked out the light portions and then I repainted them and colour dodge to get that same double effect.?

P43 - 17:23套索 改繪 顏色減淡。?

But not in the same way the photo did. Essentially, I have to repaint it.? One of the things that I really want to repaint, as well as Cinderella’s face. This is because human faces don't look very good. If you have a more darker colored shadow. Human faces look the best when they are covered in a warm shadow. This is why the golden hour is so coveted in photography because the human faces just lit up with this warm glow.?

P43 - 18:15人臉在暖光陰影里。?

And all faces of all colours look fantastic in that color of sun. Therefore I go in to completely repaint pretty much all of Cinderella. I fixed her hair, her clothing, I give it more texture and accurate shading.?

P43 - 18:28衣服面部 紋理和陰影。?

And I also go in to fill out little details like her rags, her shoes, her hands on the part of her bucket. ?

P43 - 18:37手 鞋 抹布 木桶。?

She’s definitely looking so much better now. you'll notice that I do paint over stuff quite a lot. One of those things is painting in some additional sub surface scattering for our plants,?

P43 - 19:01繪制植物的細(xì)枝末節(jié)。?

because they are so close to us in the screen. I want them to have some more additional detail than simply being a pot there.?

P43 - 19:11前景的花盆需要一些細(xì)節(jié)。 ?

Don't be afraid of going in to repaint this stuff because the more detail and finesse and care that you put into a piece, the more that people will be able to sense it too. And that makes the painting feel more finished and feel more full.?

P43 - 19:24讓人物圓潤(rùn)飽滿。?

You'll see that I'm doing exactly that. When it comes to the windows. It was not fun to repaint over all the windows, but it was a complete necessity. And my piece feels better for it. Like I said, that place definitely needs some TLC.?

P43 - 19:42光線從鏤空窗戶射過來，重新繪制。?

I now re add the lights, said that turned them off originally to be able to do my color painting. And I use this overlay layer to add this nice orange glow that you see that sunlight creates on wood. ?

P43 - 19:50重疊 太陽光在地板。 ?

On Top of that, I'm just middling in some extra finesse and detail, such as a reflection on the table and a little bit of light streaming through on the side of the jar. ?

P43 - 20:12桌面漫射。一束光透過罐子側(cè)面。?

One thing I noticed that was in my reference piece was this really nice tree. Because the entire reason why we have this dappled light coming through the door is because it should be caused by tree leaves. ?

P43 - 20:23樹影斑駁，需要有樹葉。?

Therefore they made total sense for me to add in a little tree right outside the door.?

P43 - 20:28門外面有樹非常正常。?

After that, I go in to add some additional lights and additional dark with both screen and multiply.?

P43 - 20:35屏幕和多重模式。?

And finally we arrive at what is always my favorite part, which is color balance, color lookup and selective color, going in to filter out piece to the final destination that we really want.?

P43 - 20:48顏色平衡 查找 選擇。?

And even though we're so close to the finish line, there are still items in pieces that I want to draw on Top of and finesse with a little bit more.?

P43 - 20:57再稍微巧妙的處理。?

But other than that, my piece is at a finish. Let's take a look at the finished result in a next video. And do a recap of what happened.?