?48 Lesson 8 - Speedpainting Part 3 - Painting 1 - The Human

P48 - 00:02?

?So it just as a refresher. As we get into this a vertical painting, I will be painting a scene where Cinderella dress is transforming.?

P48 - 00:12灰姑娘的衣服在變化。?

And this is perfect segue because so far we've only been covering environments. And you're probably also thinking, Airi, I want to know how to draw a human being. Like so far we've only been doing like paintings of outside stuff. What about stuff that's more human focus or like a close up? ?

P48 - 00:27人物特寫的方法？?

Well, do not worry. because I am here for a full-proof class and we'll go over this. Yes. The question that has fooled artists for centuries. How does one draw a human being.?

P48 - 00:42流傳千年的問題如何繪制人。 ?

Now there is definitely a scientifically correct way to draw a human being. And I can certainly throw you all kinds of text books, anatomy tips, muscle groups, head proportions. But this is not an anatomy class. This is not a figure drawing class. This is a full proof class. ?

P48 - 01:01不是解剖學(xué)不是人物繪制學(xué)。?

And I will tell you the most foolproof way to draw any human being. You're going to need two items.?

P48 - 01:09你需要兩點。?

Listen carefully. Item number one is a friend or another fellow human being. ?

P48 - 01:18可以給你拍照擺姿勢的朋友。?

Item number two, a camera of any sort. Or if you don't have a camera, you can also use a sketchbook.?

P48 - 01:24攝像機或者素描本。?

At this point. You can probably figure out where I'm going with this. You just ask a person to help pose for you.?

P48 - 01:31找個模特。 ?

That's really it. And then you can probably draw on Top of it. If you don't have a camera to be able to capture photos, you can totally ask your friend to do a pose and you sketch the pose. And then you take it to a finish later.?

P48 - 01:42素描了姿勢，帶到完稿。?

That's how basically all the great masters have been doing their paintings for forever. People didn't really have cameras back then. So they had to rely on using their sketchbooks to capture a single moment.?

P48 - 01:52沒有攝像的年代，不斷素描寫生。 ?

You don't think in this piece. The dancer didn't just pose like this forever.?

P48 - 01:57因為舞蹈演員不會持續(xù)高難動作。?

For our amazing artist John singer sargent. And as amazing as John singer sargent is, he's also cannot break the laws of physics. And Complete an oil painting within a millisecond of seeing this image.?

P48 - 02:10每毫秒看到繪制下來。?

Therefore use references. So for my piece, I wanted to do something that was a little bit more challenging. I wanted to do a very low angle.?

P48 - 02:20有挑戰(zhàn)性的低視角的。?

And I wanted a Cinderella’s dress to be in the middle of a transformation with her arms outstretched as if she was in wonder at all.?

P48 - 02:28換新衣服胳膊伸展開心的樣子。?

And because this is a speed painting. So our goal here is speed with trying to do this as fast as we can.?

P48 - 02:32速寫是講究效率的。?

I simply called up a friend and one of my best friends, Janet was coming over for dinner that day. And I just said, hey, Janet, would it be cool if you helped me to be a pose. And because Janet is ever so generous, she said, of course. And so we went outside, we went to the closest tree that we could find a friend of any random house. And we just did it quick photo shoot.?

P48 - 02:52找附近的樹，聚餐的朋友擺姿態(tài)。?

I asked her, okay, pose was like this and move your arm like this until your head like this, and snap snap. And that was it.?

P48 - 02:59身體和胳膊這樣擺動，按下快門。?

If you don't have a friend within your vicinity or another human being, then you can also use yourself use as a mirror, use as a phone simple as pie.?

P48 - 03:07沒有人幫忙，用鏡子 手機拍照。?

So with my model and human being set in place, that's very strange. But with essentially the main course of my painting ready to go. I then think about what other aspects I want to bring into my painting.?

P48 - 03:18想想還有什么帶入到繪制中。?

So the original story of Cinderella is that Cinderella goes to a tree. And this tree has grown, because Cinderella goes there to cry all the time.?

P48 - 03:30灰姑娘在樹下哭泣，樹木瘋長。 ?

And it is literally a plant that has grown from her tears, because she's always been abused by her evil stepmother and her evil stepsisters.?

P48 - 03:38因為灰姑娘總被繼母和姐姐虐待。?

Therefore, since we are now in the tang dynasty of China. I wanted to bring that same idea except now with the ginkgo tree.?

P48 - 03:44銀杏樹和灰姑娘。?

And in China there is really a gorgeous golden ginkgo tree, with leaves are yellow. And I think that that color palette is just so beautiful.?

P48 - 03:52銀杏樹的樹葉非常漂亮。?

So I went around to look for other places that have these yellow trees, yellow gingko leaves and just constructed this really small mood board.?

P48 - 04:01創(chuàng)建的情緒板文件。?

This will be where I take some colors, I can take their composition,?

P48 - 04:05選擇顏色和合成。?

I can see like how can the ginkgo leaves are structured,?

P48 - 04:10看到銀杏樹葉子如何構(gòu)造的。?

so that I have a reference to base off of. I am pulling a lot of the stuff my own imagination but also with these references and to decide on my painting always as I paint.?

P48 - 04:18創(chuàng)意加上參考素材。?

I'm going to be able to have a really clear course direction.?

P48 - 04:21清晰的思路。?

And as the nature of a speed painting goes, we start right away. That's all the preparation that I need. I begin by taking ginkgo photo as a base and straight away. I just draw on Top of the Janet original pose.?

P48 - 04:32在姿勢上直接繪制。?

in case you're wondering because I know everyone always wonders I am using the tapered hard round brush.?

P48 - 04:37有人喜歡用硬圓刷子。?

This sketch is meant to be fast and capture the overall gesture.?

P48 - 04:42素描首先迅速的捕捉到整體姿態(tài)。?

You'll see that I am not tracing her exact features. I'm moving things a little bit such as her arm. I changed the angle and position of her head. I also basically changed where her legs are standing.?

P48 - 04:57改變胳膊的姿態(tài)。?

But by drawing on top of the photo, I can't really screw up the anatomy, because this photo essentially gives me the proportions and helps keep me in check.?

P48 - 05:05不同比例有所控制的感覺。?

We had taken multiple photos and multiple angles. So I just take the background of another photo and I put it behind Janet.?

P48 - 05:12給人照片換了背景。?

And it using the techniques that we discussed in our photo bashing and texture lessons. I went ahead and just colored in the trees, with a nice golden yellow color of the ginkgo leaves.?

P48 - 05:21或者是把樹木顏色換成銀杏色。?

This is why it's so nice to use your own photos. You can use it however you like. And because you're the one who knows what you want, you can take the photographs that you want and you have the perfect reference and they're your own photographs. So you should not feel guilty or hesitant about using them whatsoever.?

P48 - 05:39用自己拍照的會感覺更加自如。?

You'll see that. I am using the rectangular ish, soft round brush, to cover in the leaves.?

P48 - 05:45長方形 軟圓刷 覆蓋樹葉。?

Just like how I mentioned on our brush demo that I like to use those soft brushes to gloss over everything to give it ever so slightly a bit of tooth.?

P48 - 05:55軟刷子涂抹光滑，不失質(zhì)感。?

You can tell by the pace I was talking. We're going to move through this painting pretty quickly because honestly, overall it's not that you already know, but I'm gonna make sure that I walk through most of the steps and give you kind of my two sense and thoughts.?

P48 - 06:06講出自己的感覺和想法。?

Now continuing with a hard round brush, I fill in the base colors of Cinderella and let me explain how I reach my decision for these colors.?

P48 - 06:15如何做出決定的。?

Within the tang dynasty, colors that represent power and status were red and turquoise.?

P48 - 06:19紅色綠色在唐代象征地位。?

These were very expensive dyes. And at the end of the tang dynasty, people started using purple. But I didn't want to use purple because that is a complementary colors to yellow.?

P48 - 06:29不用紫色因為和黃色是互補色。?

And it would make Cinderella stand out a little bit too much of a sore thumb. Purple and yellow is a pretty delicate combination. ?

P48 - 06:34紫色黃色是組合。?

I've changed her Top from red to turquoise, because the blue against the yellow will stand out better,?

P48 - 06:43藍色黃色會更好一些。?

as opposed to red against yellow.?

P48 - 06:44于紅色和黃色對比而言。?

And because her original rag, like a gun is like this pale bluish color, having her dress. The red color will make a really nice break between the red dress that's being transformed in her old drab grey garment.?

P48 - 06:59原來破舊的褐色衣服變成紅腰帶。?

And now we're approaching the more monotonous parts, which is painting in the stuff, from a cloth folds to skin to hair. ?

P48 - 07:09就按部就班衣服皮膚頭發(fā)。?

I am using the Minnesota and the Hairy Minnesota for this piece specifically.?

P48 - 07:15用明尼蘇達兩把刷子。?

That's where you'll see a little bit of that colored Jitter in her dress.?

P48 - 07:19看到顏色的抖動蛻變。?

So my first round I go with a hard round brush. Then I paint in some general folds with my Minnesota brush.?

P48 - 07:27硬刷子刷出形狀明尼蘇達刷皺褶。?

And lastly I brush on Top of it and get it rush on Top of it with the hairy Minnesota brush.?

P48 - 07:33頂部用hairy明尼蘇達刷子。 ?

I have been painting this kind of stuff like skin folds hair for quit a while now. So as a speed painting. And at this stage, I'm just painting exactly what feels instinctual to me.?

P48 - 07:45我已經(jīng)訓(xùn)練到本能。?

However, if you feel like you're struggling at this stage to paint something then don't hesitate to use reference, especially the photograph that you base this piece off of.?

P48 - 07:56如果費力，不要畏懼用參考資料。?

There is no rule that says you can't grab your original photo and look at it to see how to paint.?

P48 - 08:00用原始照片去看看如何繪制。?

You also notice that as I paint, I am taking away the original sketch, erasing it as I go.?

P48 - 08:08我繪制的時候移除掉參考照片。?

Because I don't want this to be a line art based piece. I want this to feel like a finished painting on a semi finished painting, but something that doesn't have a lot of lines.?

P48 - 08:19有線條給人不是半成品的感覺。?

So whenever I feel like I'm done with that particular area, I just take away the line art and sketch. ?

P48 - 08:23所以我會移除掉草圖。?

Now I'm going to zoom in on the face so you can see what I'm up to more properly.?

P48 - 08:34進入面部，具體的繪制。?

Now I wield the Kyle t Webster lining brush. And you will notice that whenever I'm working on the face, I like to do a few strokes.?

P48 - 08:44粗重線條用Kylet筆刷。?

And then I zoom out a bunch. So when do you stroke, then zoom out. When you go into stroke, then zoom out. Faces are always the most delicate part. Therefore I want to make sure that they look good up close. And from far away, sometimes you will get really intense about noodling on a specific feature of the face. But then as soon as you zoom out, you go, oh, god, that looks awful.?

P48 - 09:06近處看遠處看都是非常精致的。 ?

Therefore, by zooming out every once in a while, I can make sure that no matter who looks at it, whether there are 100% magnification or at 10% magnification, my face reads as a face and it looks good. ?

P48 - 09:19近距離遠距離看都是精致的。?

Here I am approaching the line work for the hands, everyone's favorite part.?

P48 - 10:06繪制手的部分。?

now I totally recommend that you actually use reference for hands. here I felt confident enough to tackle them. And especially because the speed painting I wasn't very worried about how accurate it had to be. I know hands well enough that I can make something that feels like it looks like a hand but it has for you are not your forte by all means.?

P48 - 10:29畫手是我的長處，未必是你的。?

please use reference. reference is your best friend and you're gonna hear me talk about it like a broken record reference reference reference. Whenever my friends and I are painting our digital pieces and we encounter a very difficult pose or a hand position and we'll just tap each other on the shoulder and go hey can you grip this pencil as if you're about to murder someone for me.?

P48 - 10:51有時候經(jīng)常用手姿勢比劃來看。?

And even when I'm on call for work? sometimes whenever my co workers whose significant other works at marvel would often just get dragged away in the middle of work because their significant other wants them to pose for her. ?

P48 - 11:04有聚精會神工作時被拉去拍姿勢。?

It’s common for illustrators, splash artists, concept artists, artists in general. So when in doubt, use reference.?

P48 - 11:14不管什么類型藝術(shù)家用參考。?

You should also notice that as I'm going, I'm cleaning up any rough edges to her clothing and her skin to make sure that it doesn't look like she's spiky all over fuzzy which would feel like she's growing mold, which is not a good sign.?

P48 - 11:29如果展示角色憤怒表情，要調(diào)整。?

And of course because it's a speed painting, I'm trying to keep this really fast, giving her dress as little detail as possible. But at the same time I do want her dress to feel a little bit more decorative.?

P48 - 11:38讓服飾盡可能的精致。?

It's a little bit too plain at the moment. So I add some golden embroidery as well as some hair decorations. ?

P48 - 11:42我用了刺繡法和裝潢。?

And your PRO tip for hair, always add some loose strands.?

P48 - 11:49頭發(fā)經(jīng)常留出松散的幾綹來。 ?

I don't know why. It just always makes hair feel more finished. As you can see clearly, my hair is basically just a giant blob.?

P48 - 11:57頭發(fā)是巨大團的。?

But by adding those hair strands, it looks kind of like hair.?

P48 - 12:08束帶看起來還是像頭發(fā)。 ?

Using my original tree image that I took as a reference, I loosely lassoed out the branches and paint them in with my trusty and dandy Hairy Minnesota brush.?

P48 - 12:19套索樹干用hairy明尼蘇達。?

?I use it for trees. Now to make Cinderella stand out against the background, I use a multiply layer to make her darker and erase the lighter areas.?

P48 - 12:27陰影多重凸顯角色，擦去亮色。?

And using that same brush as an eraser, I erase out negative space for the trees in which afterwards I go in with the color dodge tool to add some light, right behind Cinderella. ?

P48 - 12:38擦除負空間，顏色減淡加身后光。?

So now she really stands out. And if you question why she stands out, that is because the tree behind her is a lighter value.?

P48 - 12:47身后樹木是淡色的給角色立體感。?

and Cinderella is a darker value. Black and white is everywhere. You cannot escape it.?

P48 - 12:53角色是黑色閾值。背景白色閾值。?

Just to prove that fact. I change my canvas of black and white while I'm working just to make sure this is apparent. ?

P48 - 12:59我工作時候?qū)崟r性檢測閾值。?

If you pause on the painting well as in black and white, I want you to take a good look and how Cinderella hair is the darkest thing on the entire piece.?

P48 - 13:06角色頭發(fā)是最黑的。?

That is one hundred percent intentional. that I want that her hair has strongest point of contrast.?

P48 - 13:14因為我想讓頭發(fā)百分百黑白分明。?

Therefore you’re naturally going to gaze at her face.?

P48 - 13:17你會自然的盯著面部看。 ?

Also take a look at her hands, there is slightly gradation from the tips of her fingers all the way down to her arms.?

P48 - 13:23指尖 手指 胳膊都有層次感的。?

This is also completely intentional. To be honest, this is normally lit, her hands shouldn’t be the start. But I had purposeful intention to make them darker so that they stand out well against the background.?

P48 - 13:36手指有意變黑尾了凸顯出來。?

Now as we inch closer to the finale of the scene, I’m using the color dodge tool to add in the extra glow and pop that you see.?

P48 - 13:44最后顏色減淡亮色襯托。?

That is magic that is transforming her dress at the bottom there. So of course, we got have that magic glow.?

P48 - 13:49充滿奇幻色彩的光芒。?

How dare we call this is Airi speed painting, if I don’t go in and play around with selective color and color look up.?

P48 - 13:57顏色選擇和查找。?

that filters my piece ever so slightly. And just to possess my piece a little bit more.?

P48 - 14:02輕微的過濾作品。?

I used color dodge to highlight the gold on a crown and hair accessory.?

P48 - 14:06顏色高光頭部的樹葉。?

To do that, all you have to do is draw a long line of color dodge and use the eraser using a soft round brush. And shape it down to a point. Super simple.?

P48 - 14:15高光 橡皮擦 調(diào)節(jié)形狀。?

To Top it off, you can see that I have a ginkgo leaf in the bottom right hand side of the canvas is supposed to be in the front.?

P48 - 14:23銀杏葉片在下擺裙前面。?

To give it an illusion of camera depth.?

P48 - 14:25為給到景深。?

I go to the filter. Blur gallery and select field blurred.?

P48 - 14:30模糊畫廊-區(qū)域模糊。?

Any setting is all right, to be honest and then just click Ok. Now the leaf is blurry and it is an ever so slight cinematic touch. And that is the final touch. to wrap everything up. I take my crop tool and crop away my references.?

P48 - 14:44最后移除掉參考圖。?

I don't need these anymore. And you can see that towards the end of my piece certainly takes inspiration. But it isn't a copy of my references.?

P48 - 14:51參考圖只是提供靈感，并沒復(fù)制。?

That is the best way to use these references. Overall, this piece took just a little under three hours.3 - Painting 1 - The Human P48 - 14:57三小時以下。?

P48 - 14:57三小時以下。?

Faces in small details like hands always take quite a while. Therefore I do believe that this is one of my longest speed paints.for the next piece. However, we’re abandoning Cinderella, thank god. And we’re going to focus on making something even more magical and using more photo bashing tactics to start off a speed painting.?

P48 - 15:17用照片拼圖兵法繼續(xù)訓(xùn)練。?

See you there.

49 Lesson 8 - Speedpainting Part 4 - Painting 2 - Foxy Nature

P49 - 00:02?

?Already you. brand new painting brand new idea. You'll see that i've gathered my references so you can probably guess what it is I'm drawing already.?

P49 - 00:12你看到我收集的素材猜到繪制啥。?

using my handy dandy kelty Webster lining brush. I go in and immediately start sketching my idea, using the references on the left side as idea of fuel.?

P49 - 00:21用kelty刷子來繪制圖譜。?

This time I want to convey a little fox adventure stumbling upon a great holy magical sword.?

P49 - 00:29小狐貍探險記魔幻世界。?

And there is no better way to represent that kind of idea. Then the altarpiece composition in case you’ve forgotten what the altered piece composition is, it is super symmetrical composition with a focus in the middle.?

P49 - 00:44祭壇作品概念是聚焦點在中心。?

And of course it is almost always coupled with a nice sprinkle of gold raise.?

P49 - 00:50周邊點綴圣潔的光環(huán)。?

additionally I want to incorporate a little bit of that small versus big composition as well, by having a sword that is obviously way bigger than our fox.?

P49 - 00:59中間的劍明顯大于狐貍的。?

Perhaps that sword is meant for human. But now our fox hero must take it up to defend the forest perhaps, because humans are gone.?

P49 - 01:07但是狐貍要得到寶劍作森林防身。?

I don’t know. We’ll find out. But you’ll see that this time I’m taking a few different reference photos and bashing them together to start off as a base.?

P49 - 01:15照片拼圖在一起作為繪制的基礎(chǔ)。?

This takes like at Top 10 minutes. ?

P49 - 01:19照片拼圖花費10分鐘。?

And it's just a way for me to kind of have a better idea of what I'm working with. Some of these photos I'm using a photo bash are actually photos that my friends and I took when we were on a trip to go cave exploring.?

P49 - 01:30有的是樹洞探索旅途中拍攝的。?

Like I said, you always want to use your own reference photos whenever you can and take cool photos wherever you go. One of the best things I took from that photo was the leaves that I took out and placed on the Top right- hand corner. You don’t need to draw all of the stuff by hand.?

P49 - 01:48套索樹葉放在右上角，不全繪制。?

Work smarter, not harder. I am using the oil brushes number one and two to fill in this painting from my base colours.?

P49 - 01:57用油筆一二在拼圖基礎(chǔ)繪制紋理。?

as a speed painting. I certainly don't have time to go in and make a small little thumbnail for my black and white values.?

P49 - 02:03沒有時間給黑白圖做樣本的。?

I just go by instinct and keep it super simple. Dark for ground light background. I tell myself the sword has got to be darker than the background,?

P49 - 02:15前景黑背景白劍灰的。?

but lighter than our foreground, which makes it the perfect middle ground. Therefore, we have our 123 values. And as long as I stay within that sector, then I'm good to go.? ?

P49 - 02:23黑白灰三色閾值。?

I continue to use my oil painting brush and brush in the dark of the stairs and the rocks.?

P49 - 02:56油筆刷繪制巖石臺階。?

Once I'm ready to add some texture and tooth, I use a clipping mask and wheeled my Hairy Minnesota brush,?

P49 - 03:02材質(zhì) 剪貼蒙版 H明尼蘇達筆刷。?

coupled alongside my soft rectangular brush and I brush over everything.?

P49 - 03:08配合軟矩形刷子。?

And just the texture and the small minute color differences that you see, make the piece feel more alive, mossy and green.?

P49 - 03:16讓巖石長滿苔蘚，充滿生命力。?

I noticed that none of the paintings i've done so far, have a lot of green in them. That's one of my habits that I like to check back and see what my pieces have been looking like so far.?

P49 - 03:26我習慣是檢測黑白閾值。?

And I want to try to push myself into a new direction with my new piece.?

P49 - 03:30作品進入全新的方向。?

Therefore, for this piece, I really wanted to make a fully green forest like palate. ?

P49 - 03:36全綠森林系列的。?

In fact, I know that every single October there is this event known as ink tober.?

P49 - 03:39每個十月都有彩墨畫節(jié)日。?

Typically you see it on social media such as instagram, where every single day of the month someone will draw something using ink or things like ink markers, basically like black and white drawing, So just basically a drawing a day. But there's also something in November called huge member where every single day of the month you paint something with a different hue of the color wheel.?

P49 - 04:02用水墨 馬克筆 顏色輪畫節(jié)日。?

And honestly that sounds like so much fun. I have always wanted to do that. Maybe i'll do it this year. Check back with me in November. See if I did it because this is definitely something that excites me more than ink tober. To be personally honest, I'm just a color person. I love color. ?

P49 - 04:17這活動本身讓人興奮不已。?

So speed paintings like this where I don't even have to think about anything. And I just go in and do like whatever I like. That is the most liberating feeling of all.?

P49 - 04:26這是無拘無束的感覺。?

Now for this sword. I’m imagine this sword to be like the sword of the woods, as if it was like a holy guardian and protector.?

P49 - 04:37木頭上的寶劍像是保護者。?

Maybe it has some kind of special powers, but it should be made from the woods. And to emphasize that I add a few twigs coming out of it, harrowed around the sword of this magical sword of way.?

P49 - 04:48寶劍上兩個細枝生長環(huán)繞寶劍。?

And I add a few leaves coming off the twigs.?

P49 - 04:50樹葉從樹枝上長出來。?

And I also make a note to myself to make it feel like the same root like material as my background tree. Before I go into the background.?

P49 - 04:57讓人感覺枝葉從背后樹木長出來。?

therefore I go into the background and i weave in and out with these gnarly twisty roots and fun little curve that my paintbrush kind of just dips around on the page.?

P49 - 05:07繪制出盤根錯節(jié)的樹根。?

If I'm ever feeling a little bit lost, then I always look down on my bottom left.?

P49 - 05:14左下是參考圖。?

And you can also see that to the direct left. I have a reference image of what normal traders already look like. Use this stuff to your advantage.?

P49 - 05:22善于運用參考圖。?

You can see that I'm clearly not making the tree look one for one exactly like it.?

P49 - 05:26樹木高仿參考圖但不是復(fù)制。?

But I am using it as a way to make sure that I can probably portray a gnarly twisty Wisteria tree and a gnarly, twisty root of sword, with some cool, magical emerald looking jewels in the middle that floated and globe because it's magical. And that's how everyone to pick magical things. ?

P49 - 05:45彎曲盤桓樹木纏繞寶劍有藍寶石。?

A sign painting and touching up the staircase that my little fox is climbing up.?

P49 - 05:56小狐貍拾級而上。?

You'll notice that there is a gradation from the bottom to the Top.?

P49 - 05:59底部到頂部有淺變的過程。?

For that I simply used a multiply layer for the decoration.?

P49 - 06:03多重圖層做裝飾鋪墊。?

And its purpose is to number one, make my little fox stand out.?

P49 - 06:07目標讓小狐貍凸顯出來。?

Because he is the main character. You can see that the bottom a little fox is a little bit bright so he can pop out.?

P49 - 06:14底部小狐貍發(fā)光的，凸顯出來。?

And number two, it is to draw attention to these sword so that our eyes get drawn up.?

P49 - 06:19人眼順著狐貍目光看到寶劍。?

Because while the little fox is the main character, the star of the show here is the sword. the place that my eyes should go to first and your eyes, hopefully when you look at the piece when it's finished.?

P49 - 06:31因為寶劍是這里的主角。?

That is the top location where the holy sword rests, that's why the background behind the sword is almost as pure white, similar to the how I handle the Cinderella’s hair, that was the darkest part of the entire painting.?

P49 - 06:45寶劍后背景如同灰姑娘頭部背景。?

therefore your eyes went immediately to Cinderella. Here obviously the darkest painting is the foreground at the very bottom, but because that’s the point of strongest contrast that the swords, your eyes will go to the sword first nevertheless.?

P49 - 06:59黑白對照最鮮明的吸引眼球。?

now I’m going in and adding those mingled tree roots to make it feel as if the forest is really taking over everything.?

P49 - 07:26繪制盤根錯節(jié)展示森林主人身份。?

And because you can’t see the bottom of this swords. It makes you kind of wonder. Maybe the sword of embedded so deep into the ground that it’s not the sword that you can even pull out anymore.?

P49 - 07:37看不見寶劍底部讓人浮想聯(lián)翩。 ?

Maybe the bottom of the swords is the curling tendril of roots, like this sentiment mass of tree roots. Who knows. Even I don’t now, I just the creator is just a speed paint, and I just want to have fun and throw colors around. And having the all the questions and keeping the viewer wondering is always something super fun. and to make sure that my fox doesn’t get lost in all the colors that I‘m throwing around.?

P49 - 08:02保證狐貍凸顯出來喚醒觀眾好奇。?

I give him a slight rim light, since everything in my foreground is really dark.?

P49 - 08:06前景很黑，狐貍輪廓光。?

And by adding that tiny little rim light and makes sure that his silhouette is highlighted.?

P49 - 08:12狐貍輪廓光是高光。?

Definitely one of my things I would say is to add rim light to almost everything. Because at the end of the day, it really works.?

P49 - 08:19萬物皆可輪廓高光。?

With that being said though, not everything in the world need rim light.?

P49 - 08:21并不是世界上所有事情要輪廓光。?

as you can see my Cinderella piece didn't have a rim lights. And it would look kind of weird if it did.?

P49 - 08:27灰姑娘有輪廓高光就奇怪了。?

here because the light is coming from the top, it makes a lot more sense that our little fox would have that rim light.?

P49 - 08:32光在上面，狐貍理所當然輪廓光。?

and just like the ginkgo leaves in my Cinderella piece, I take my Fern leaves on the top and field blur them, to give them that little cinematic touch.?

P49 - 09:04表面苔蘚 區(qū)域模糊 影視效果。?

I also add on god raised to the sword because how could this be an altarpiece composition without holy god raised.?

P49 - 09:12不沐浴在圣潔光不是墓碑效果。?

You can totally make an altarpiece composition without god rays. But just staple the cliche. Sometimes it just works by this point, it’s all stuff that already. Sometimes by working by this point. It’s all stuff that you know already come. Color dodge, some sparkles coming off the glowing emerald stones.?

P49 - 09:27給寶劍上綠寶石高光。?

play a bit with color selection. color look up for final filtering and another speed paint.?

P49 - 09:36顏色選擇 查找 濾鏡。?

This one was much faster because nature is always something that is very forgiving. When it comes to painting. The perspective of these stairs is definitely not that accurate. But as a viewer, you will probably forgive it unless you don't.?

P49 - 09:49自然界對視角線的要求不很嚴格。?

In that case, please forgive me because it's expected that nature is supposed to be lumpy and tippy and bumpy. And that these stairs are probably made of like rocks that have crumbled over time.?

P49 - 09:59有年代的石階陡峭的可能會崩塌。?

Tree roots have taken over. So it makes total sense for things to be out of perspective.?

P49 - 10:04所以不按照視角出現(xiàn)完全合理。?

wacky and superorganic in this shape.?

P49 - 10:08作品中古怪的有機物。?

And overall this piece took around two hours and 30 minutes of that was honestly just looking for references. ?

P49 - 10:14一個半小時繪制剩下找素材。?

Anything with rocks is usually pretty easy to paint. Just add some texture, give this a lumpy round shape, and with the right colors, they will feel like rocks, add some green moss on rocks. A very nice speed paint. Just about a little fox on a little adventure.?

P49 - 10:30巖石和樹木并不費功夫。?

Cute. Fun simple. A perfect topic for a speed painting to do when you're a little bit bored and just want something fun to do. But how about speed painting stuff with perspective? Like buildings.?

P49 - 10:44帶視角線的速寫如何做呢？?

Well, we're going to tackle that next for our first exterior and our final speed painting.?