搬運(yùn)自：微信公眾號(hào)【評(píng)論搬一堆】（在原文基礎(chǔ)上添加了英語原文與排版調(diào)整）

翻譯：Kai-kaiyue

審譯：Whitney.L

排版：Ryan-Chopin

Equal parts reggaetón symphony and?perreo?megamix, it wouldn’t be hyperbole to say that “Safaera” is a technical masterpiece. Featuring mid-2000s juggernauts Jowell & Randy and ?engo Flow, the?Bad Bunny?track Appears well into El Conejo Malo’s new album?YHLQMDLG?(an abbreviation for?Yo Hago Lo Que Me Da La Gana,?or?I Do Whatever I Want). Appearing later on the 20-song album, “Safaera” proves Benito Antonio Martínez Ocasio still has a couple sucker punches left in him, even as he tries to sustain the record’s momentum.

這首歌將西班牙風(fēng)格的HIPPOP和舞曲完美結(jié)合，毫不夸張的講，這首“Safaera”?就是一首精巧的杰作。Bad Bunny曾（在2017）發(fā)行過專輯《El Conejo Malo》。而這首由2000年就開始活躍的超人氣組合Jowell & Randy和?engo Flow共同參與合作的歌則非常適合新專輯YHLQMDLG（這張專輯名是西班牙語Yo Hago Lo Que Me Da La Gana的縮寫，意思是隨心所欲“I do whatever I want”）。這張專輯總共包含20首歌。雖然他仍努力維持著如以往專輯的沖勁，可“Safaera”這首歌又一次證明了Bad Bunny還是有讓人出其不意的能力。

The five-minute track ventures through at least eight beat changes, five different rap flows, and 10+ years of references. A selected catalog of some of its citations: the one-stringed tumbi sample from?Missy Elliott’s?“Get Ur Freak On”; the bassline from?Bob Marley’s?“Could You Be Loved”; the siren-like synths from DJ Nelson and DJ Goldy’s?Xtassy Reggae?tape; the opening hook from Cosculluela’s “Pa’ La Pared” featuring Jowell & Randy; the?Jaws?sample from Alexis y Fido’s “El Tiburón”–the list goes on. Producers Tainy and DJ Orma select riddims and references that, for many of us, will evoke memories of denim stains on basement walls, transferred via?contra-la-pared perreo, or maybe humid summers spent dancing at?marquesina?parties when visiting our families back home.

這首5分鐘的歌曲，至少涵蓋了8種不同的節(jié)奏，5種rap flow，以及10多年中不同的歌曲元素。下面選擇性的羅列出一些該曲中引用的元素：Missy Elliott“Get Ur Freak On”中的單弦樂器Tumbi；Bob Marley的“Could You Be Loved”中的貝斯和弦；DJ Nelson汽笛的合成聲和DJ Goldy’s Xtassy的雷鬼風(fēng)格；Cosculluela和Jowell & Randy合作的“Pa’ La Pared ”中開頭引入的部分；從Alexis y Fido的“El Tiburón”取材的上下顎骨閉合產(chǎn)生的吧嗒聲等。制作人Tainy 和DJ Orma選擇的這些伴奏和元素，會(huì)讓我們?cè)S多人想起掛在地下室墻壁上的牛仔污漬，“contra-la-pared”的舞曲風(fēng)格就像是在濕熱的夏天，與家人一起在屬于西班牙的派對(duì)上跳舞。

“Safaera” harnesses this musical nostalgia and transforms it into an antidote for the most formulaic tendencies of the pop-reggaetón panorama. Tainy and DJ Orma bring out all their ammunition–the former as a genre-defining architect of some of the very sounds he’s sampling, and the latter as a tour DJ who understands the dynamism required for live mixing and performance. By melding these references, breathless sex moans, and Bad Bunny’s playground baritone, they produce a blast of effervescence. Meanwhile, Jowell & Randy and ?engo Flow interpolate lines by Blanco Flake from?The Noise Live-El Comienzo, adding additional layers of homage to the production. “Safaera” does not just display Bad Bunny’s capacity to produce pop supernovas, it highlights all of what makes?perreo?culture so electric—the dancing, the live mixing, the rApping, and the unbridled joy that all these things can spark.

“Safaera”的懷舊曲風(fēng)對(duì)于公式化的西班牙風(fēng)格流行樂就像是解毒劑一般。Tainy和DJ Orma都傾盡了全力制作這首歌。前者用他的風(fēng)格定義了許多音樂，可以說他本人就代表了一種音樂類型。而后者作為一名巡回演出的DJ，也非常明白現(xiàn)場打碟和表演的精彩。通過這些元素的融合，加上喘氣呻吟以及Bad Bunny的男中音，他們讓這首歌充滿了狂熱的色彩。另外，為了致敬，Jowell & Randy和?engo Flow也將Blanco Flake的The Noise Live中的El Comienzo添加進(jìn)了這首曲子。從“Safaera”這首歌中，我們可以不僅看出Bad Bunny制作火爆流行樂的能力，更可以品味出所有將西班牙舞曲轉(zhuǎn)換成電音的元素——比如舞蹈，現(xiàn)場打歌，說唱，以及可以讓一切都充滿活力的奔放的歡樂。