下文人工翻譯自官方說明文檔。

現(xiàn)在已經(jīng)可以在Guitar Pro文件中添加音頻軌道了。這對(duì)扒譜（轉(zhuǎn)錄）工作很有幫助，或者可以給樂譜添加人聲軌道，甚至作為你的回放伴奏。你將會(huì)在專門的章節(jié)中詳細(xì)了解，這里只是個(gè)簡短的快速入門。

你可以通過點(diǎn)擊

按鈕來添加音頻文件，或使用菜單【音軌】-【添加音頻文件】，或直接拖放文件。

上圖中的窗口可以通過工具欄中的

按鈕打開，或通過菜單【預(yù)覽】-【顯示音軌】。

下文不再翻譯

The presence of a blue outline around the toolbar button indicates that your filecontains an audio track.

Guitar Pro’s Audio Track has a synchronization interface so that both your score and your audio file can be played perfectly together.

It contains a list of Sync Points that will adapt the playback of the score in order to match the audio file. It is the sync points that will be taken into account when playing the score. Tempo automations of the score will not be considered.

Once created, the Audio Track always contains a first synchronization point [ that?corresponds to the first tempo of the song.

If your score already contains tempo automations, you can import them into your Audio Track, which will then create the corresponding Sync Points.

Inversly, you can also import the Sync Points of the Audio Track into your score as tempo automations. These actions are available from the

menu.

Finally, it is possible to temporarily deactivate the Audio Track at any time using the

button, the audio file will no longer be played and the score playback will again be directed by its tempo automations.

Synchronizing an audio track

1/ Padding

The first step consists in adjusting the padding of the audio file, in order to make a first correspondence between the score and the audio file that will be used as a starting point for the synchronization process.

Most of the time, the goal is to try to make the beginning of the audio file coincide with the beginning of the score, but it is also possible to do it from any time of the file as long as it coincides with the same time of the score.

The main method is to move the waveform on the grid with the mouse while holding down the “Ctrl” (Windows) or “Cmd” (macOS) key. Alternatively, you can also move the grid on the waveform using the first synchronization point [.

2/ Placing the sync points

Once the starting point is established, you can now add sync points via the grid displayed on the waveform. This grid corresponds to the structure of the score: the plein vertical bars correspond to the beginnings of the bars, the dotted bars correspond to the beats of the bar (based on the key signature). You can visually match the grid with the waveform by moving the bar and time bars or via the sync points directly ▼.

Moving a sync point never affects the position of the other existing points. The tempo of the sync points is automatically calculated based on their position on the waveform and the structure of the score.

We recommend two methodologies for the synchronization process.

? Synchronize the beginning and end first, then adjust the middle of the song.

? Synchronize from the left to the right, by synchronizing the beginning first, then progressing in the song set by step.