完整版簡(jiǎn)介如下：

【復(fù)原唐樂合奏】撥頭 (拔頭) -- [Reconstructed Tang-period Ensemble Music] Bō-tóu (Bá-tóu)

https://m.youtube.com/watch?v=h6LVPa2HylQ

原視頻于2023年2月26日發(fā)布

0:00?標(biāo)題 Title

0:06?樂譜復(fù)原概要 Summary of the Restoration Process

0:51?復(fù)原樂曲演奏 Featured Performance

4:22?片末 End Credits

Bō-tóu (撥頭 or 鉢頭; also known as 拔頭 Bá-tóu) was a gē-wǔ-xì (歌舞戲) originated from Central Asia that was widely performed during the Táng dynasty. Gē-wǔ-xì was a type of dance drama with a simple plot conveyed through music, song and dance that is sometimes regarded as a prototype of Chinese opera (戲曲; xì-qǔ). The story of Bō-tóu tells of a sorrowful man in search of a tiger in the mountains that has wounded/slain his father for vengeance. The tortuous mountain roads was represented by repeating the music eight times and thus Bō-tóu was also known at the time as the "eight-fold drama (八疊戲; Bā-dié-xì)". The choreography was characterized with dramatic sweeping head movements of the dancer adorning a mask with long, unkempt faux hair in depiction of the main character in rage and distress. Notably, while earlier performance of Bō-tóu centered on the theme of vengeful heroism, it was later evolved to focus on the mourning of the main character for his slain father while in search for the body instead during the late Táng period (9th century).

?The pípá score of Bō-tóu found in the Biwa Shochoushi-fu (琵琶諸調(diào)子譜) is currently the earliest known surviving score for this piece. Scores for all major winds and strings as well as percussion have also survived. The music is set in Dà-shí diào (大食調(diào)) or Mixolydian mode on E and has 15 rhythmic units. This video features a rendition of Bō-tóu based primarily on the pípá score from the Biwa Shochoushi-fu. Scores for the other parts were also consulted for a final full-ensemble realization of this piece.

《撥頭》（又作《鉢頭》，《拔頭》）為唐代歌舞戲，由西域傳入?！焊栉钁颉皇钱?dāng)時(shí)一種集音樂、歌舞及戲劇於一體的表演形式，有簡(jiǎn)單的情節(jié)，現(xiàn)今常被視作中國(guó)戲曲的雛形，有史可依之例子除《撥頭》外，亦有《大面》（《蘭陵王》）、《踏謠娘》等?！稉茴^》講述一胡人因其父被虎所噬而上山將其尋獲及殺死，故事中山路迂迴有八折，以樂奏八疊來代表，所以《撥頭》亦稱作『八疊戲』。舞者以胡服打扮，戴披長(zhǎng)髮胡人假面，其舞蹈多有撥頭甩髮的動(dòng)作。值得一提，早期的《撥頭》表演以胡人殺猛獸報(bào)父仇為主題，但至晚唐時(shí)則變成主角哭啼著上山尋父屍行孝。

?現(xiàn)存《撥頭》樂譜以《琵琶諸調(diào)子譜》所載的琵琶譜為最早，同時(shí)亦有其他管弦及擊樂樂譜流傳，樂曲保存相對(duì)完整。其宮調(diào)為大食調(diào)（太簇商），有十五拍，同曲依舞奏若干遍。本片所錄《撥頭》為《琵琶諸調(diào)子譜》琵琶譜的復(fù)原本，再參考其餘聲部的樂譜補(bǔ)回其他樂器以復(fù)原樂曲全貌。

Reference?參考資料:

葛曉音，戶倉(cāng)英美 『"撥頭"考』，中華文史論叢，2013.1，總第109期，第329-399頁(yè) (Gé Xiǎo-yīn, Tokura Hidemi "Investigation of the Term Botou", Journal of Chinese Literature and History, 2013.1, Issue 109, pp. 329-399)

DOI:10.16837/j.cnki.1002-0039.2013.01.020