翻譯：Nomanlandever

原文鏈接：https://pitchfork.com/features/lists-and-guides/the-200-best-songs-of-the-2010s/

“Monster” packs enough objectively insane moments to fill an entire episode of?Scooby-Doo: Kanye hiking up his?high-waters?to quote?Napoleon Dynamite, JAY-Z moaning “l(fā)ooooooove” like a mummified?Heathcliff on the moors, Rick Ross using a chunk of his 10-second prologue of a verse to refer to himself as a “fat motherfucker.” Yet the decade’s most opulent posse cut ends up far greater than the sum of its ridiculous parts. Over yawning synths and brusque, almost-industrial bass, these hip-hop hellions offer a quick peek into the vulnerabilities of the super rich and famous while allowing us to ride the wave of their incomprehensibly lofty egos. Of course, “Monster” is remembered most for the burgeoning star it made inarguable: Nicki Minaj, still a month away from releasing her debut album, slaughtering everyone in her path with 32 bars of demented Barbie BDE. Consider our brains eaten. –Stacey Anderson

“Monster”?集齊的瘋狂時(shí)刻足以塞滿一整部的《叔比狗》（動(dòng)畫片電影）：Kanye身穿露腳裸褲，引用電影《大人物拿破侖》里的經(jīng)典臺(tái)詞，JAY-Z如同《咆哮山莊》的男主在沼澤上呻吟?“l(fā)ooooooove”，Rick Ross的用了一大段10秒的詩歌序言來稱自己是?“fat motherfucker.”。然而，這個(gè)十年陣容最豪華的單曲做出的成果遠(yuǎn)比這堆荒謬的歌詞更有料。在令人瞠目的合成器和粗魯?shù)?、近乎工業(yè)搖滾的bass中，這群嘻哈惡棍讓我們得以一窺超級(jí)富豪和名人的脆弱，同時(shí)也讓我們得以一覽他們令人費(fèi)解的高傲自大。當(dāng)然，“Monster”?最無可置辯且令人難以忘懷的就是它塑造出當(dāng)紅新秀Nicki Minaj：距離首張專輯發(fā)行還有一個(gè)月，憑藉她“芭”氣側(cè)漏的三十二段小節(jié)過關(guān)斬將，獨(dú)占鰲頭。