中華民族地大物博，擁有五千年古老的歷史文化，在這歷史長(zhǎng)河中先輩們創(chuàng)造出了無數(shù)的歷史奇跡：萬(wàn)里長(zhǎng)城、秦兵馬俑、北京故宮……這些奇跡讓炎黃子孫感到自豪，先輩們和我們都在靜靜地傾聽歷史發(fā)出的聲音。五千年前黃帝統(tǒng)一了炎黃部落，他發(fā)明了：舟車、指南車，為后世的衣食住行打下了基礎(chǔ)，他的部下發(fā)明了文字、樂譜……開啟了中華民族的歷史，這是最美妙的聲音。

The long-standing impression of national quintessence continues the hearts of intangible cultural heritage - the legend of Yang Jia Jiang (the legend of Yang Qilang's tomb).The Chinese nation is vast and has 5,000 years of old history and culture. In this long river of history, the ancestors have created countless historical miracles: the Great Wall, the Qin Terracotta Warriors and Horses, the Forbidden City in Beijing... These miracles make the descendants of Yan and Huang proud, and the ancestors and we are quietly listening to the voice of history. Five thousand years ago, the Yellow Emperor unified the Yanhuang tribe. He invented the boat cart and the guide cart, which laid the foundation for the clothing, food, housing and transportation of future generations. His subordinates invented words and music... It opened the history of the Chinese nation, which is the most beautiful sound.

?“人心所歸，惟道與義”各族人民在千百年的歷史進(jìn)程中，不僅創(chuàng)造了燦爛的中華文化，更是形成了以愛國(guó)主義為核心的民族精神，有著一脈相承的價(jià)值追求。天津非遺協(xié)會(huì)致力于天津市非物質(zhì)文化遺產(chǎn)保護(hù)與傳承，傳播中華文明，推動(dòng)社會(huì)進(jìn)步，啟迪人類智慧。楊家將傳說作為天津非遺文化的一顆明珠發(fā)揮著它的璀璨光芒，指引人們?nèi)ヌ剿鲗儆谒臍v史軌跡。

?In the course of thousands of years of history, the people of all ethnic groups have not only created a splendid Chinese culture, but also formed a national spirit with patriotism as the core, with the same line of value pursuit. Tianjin Intangible Cultural Heritage Association is committed to the protection and inheritance of intangible cultural heritage in Tianjin, spreading Chinese civilisation, promoting social progress, and enlightening human wisdom. The Yang family uses the legend as a pearl of Tianjin's intangible cultural heritage,spreading Chinese civilisation, promoting social progress, and enlightening human wisdom. The Yang family uses the legend as a pearl of Tianjin's intangible cultural heritage, giving full play to its brilliant light and guiding people to explore its historical trajectory.

楊七郎墓的傳說是普遍流傳于天津地區(qū)的民間口頭文學(xué)。傳說的起源可以追溯到北宋年間（986年），宋遼對(duì)峙時(shí)期，天津市寧河區(qū)潘莊地帶是兩軍交戰(zhàn)的拉鋸地區(qū)。距潘莊東南1公里的西塘坨村西，普濟(jì)河的河中問有一座士丘，土丘上有一座磚砌小廟，中間刻著：“楊七郎墓〞。當(dāng)?shù)厝朔Q〞七郎山”又稱〞“靈臺(tái)山”。相傳，北宋年間，楊繼業(yè)率眾兒郎抗擊遼兵入侵，寡不敵眾，命七兒楊延嗣找潘美搬救兵。誰(shuí)知潘美因楊七郎打擂曾打死潘豹，正欲公報(bào)私仇，非但拒不發(fā)兵，還將楊七郎亂箭穿身。楊七郎死后即葬身于靈臺(tái)山。當(dāng)?shù)匕傩諏?duì)忠臣良將世代敬仰懷念，自古至今，方圓數(shù)百里的人們均來祭祀，常年香火不斷。圍繞楊家將、楊七郎墓和楊七郎之死等民間傳說，反映的是誓死報(bào)效國(guó)家的悲壯情懷，折射出中華民族崇尚正義的傳統(tǒng)美德和百姓對(duì)愛國(guó)英雄的敬仰。然?，民間傳說，評(píng)書演義以及戲劇獵奇，雖有故事可以倚借的空間，卻缺少可靠的依據(jù)，許多情節(jié)和內(nèi)容不是歷史事實(shí)。

The legend of Yang Qilang's tomb is a folk oral literature widely spread in Tianjin. The origin of the legend can be traced back to the Northern Song Dynasty (986). During the confrontation between the Song and Liao Dynasties, the Panzhuang area of Ninghe District, Tianjin was a seesaw area between the two armies. To the west of Xitang Tuo Village, 1 kilometre southeast of Panzhuang, there is?a Shiqiu in the river of the Puji River. There is a small brick temple on the mound, engraved in the middle: "Yang Qilang's Tomb". The locals call it "Qilang Mountain" and also known as "Lingtai Mountain". According to legend, during the Northern Song Dynasty, Yang Jiye led his sons and men to fight against the invasion of the Liao army, and he was outnumbered. He ordered his seven sons, Yang Yans, to find Pan Mei to move the rescue soldiers. Unexpectedly, Pan Mei had killed Pan Bao because of Yang Qilang's fight and was about to avenge herself. She not only refused to send troops,but also pierced Yang Qilang's random arrows. Yang Qilang was buried in Lingtai Mountain after his death. The local people have admired and missed the loyal ministers and good generals for generations. Since ancient times, hundreds of miles of people have come to sacrifice, and the incense has been burning all year round. Focussing on folklore such as Yang Jia Jiang, Yang Qilang's tomb and Yang Qilang's death, it reflects the tragic feeling of vowing to repay the country to the death, reflecting the traditional virtues of the Chinese nation advocating justice and the people's admiration for patriotic?heroes. However, although there is room for stories to rely on in folklore, storytelling and drama hunting, it lacks a reliable basis, and many plots and contents are not historical facts.

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非遺保護(hù)日益重視人的作用。傳承人概念被提出并得到實(shí)際尊崇，讓這些不曾被關(guān)注的創(chuàng)造者走到文化建設(shè)舞臺(tái)中央，使他們有了榮譽(yù)感和自豪感，也有了自信心和責(zé)任擔(dān)當(dāng)。傳承、創(chuàng)造的主體得到尊重，有助于非遺這一經(jīng)受歷史鍛造的技藝和智慧煥發(fā)出旺盛生命力。楊家將（七郎墓）傳說在寧河流傳了千百年，目前只有50歲以上人群知曉。由于當(dāng)今各種傳媒介質(zhì)的出現(xiàn)，社會(huì)大的文化環(huán)境也發(fā)生了變化，過去那種口耳相傳的傳授方式已逐漸遺失。特別是現(xiàn)在，這一地區(qū)已開始城鎮(zhèn)化建設(shè)，原來的村落正在消失，世代積淀在那里的特有的民間傳說故事與習(xí)俗也在逐漸遺失。

The protection of intangible cultural heritage pays more and more attention to the role of people. The concept of inheritor has been put forward and actually respected, allowing these creators who have never been paid attention to to the centre of the cultural construction stage, giving them a sense of honour and pride, as well as self-confidence and responsibility. The main body of inheritance and creation is respected, which is conducive to the vitality of intangible cultural heritage, a skill and wisdom forged by history. The legend of Yang Jia Jiang (Qi Lang's Tomb) has been passed down in the Ning River for thousands of years.At present, only people over the age of 50 know about it. Due to the emergence of various media outlets today, the cultural environment of the society has also changed, and the word-to-mouth teaching method in the past has been gradually lost. Especially now, the urbanisation of this area has begun, the original villages are disappearing, and the unique folk tales and customs accumulated there for generations are gradually being lost.

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植根千年文化，擁抱數(shù)字時(shí)代，走入千家萬(wàn)戶，非遺的傳承保護(hù)迎來了更大的機(jī)遇，也必將為奮進(jìn)全面建設(shè)社會(huì)主義現(xiàn)代化國(guó)家新征程提供強(qiáng)大的精神力量。將非遺產(chǎn)品、非遺項(xiàng)目融入國(guó)家發(fā)展戰(zhàn)略，在活態(tài)傳承中有效保護(hù)、在有效保護(hù)前提下合理利用，能讓非遺散發(fā)出絢麗光彩，更好發(fā)揮服務(wù)當(dāng)代、造福人民的重要作用。非遺文化是我們民族的根，是我們民族的靈魂，是我們民族的文化自信。它不僅僅是一種文化的傳承，更是我們民族的獨(dú)特性和文化自信的體現(xiàn)。傳承非遺文化是我們民族的責(zé)任和擔(dān)當(dāng)，是對(duì)歷史的尊重和對(duì)未來的承諾。

Rooted in the millennium culture, embracing the digital era, and entering thousands of households, the inheritance and protection of intangible cultural heritage has ushered in greater opportunities, and will certainly provide a strong spiritual force for the new journey of striving for a modern socialist country in an all-round way. Integrating intangible cultural heritage products and intangible cultural heritage projects into the national development strategy, effectively protecting them in living inheritance and using them reasonably under the premise of effective protection can make intangible cultural heritage emit gorgeous brilliance and better play an important role in serving the present and benefiting the people. Intangible cultural heritage is the root of our nation, the soul of our nation, and the cultural self-confidence of our nation. It is not only a cultural inheritance, but also a reflection of our nation's uniqueness and cultural self-confidence. Inheriting intangible cultural heritage is the responsibility and responsibility of our nation, respect for history and commitment to the future.

撰稿：徐嘉璟

宣傳發(fā)布：戴璐璐