2022年初冬, 首位中國生態(tài)環(huán)保藝術家王馨曼的保護生物多樣性主題系列藝術作品在德國開姆尼茨工業(yè)博物館展出。該展覽主要展出了第八屆國際瑪麗安.勃蘭特藝術大賽的46位獲獎藝術家作品，該比賽和展覽每三年舉辦一次，展出作品主要來自于全球34個國家的參賽者，46位獲獎者由評審委員會評審獲勝。此次展覽藝術作品通過“連通性與自然建立新關系的實驗”展現藝術家探索和發(fā)現生物及棲息地和自然存在的合作、美學、詩意和隱喻相互關系。此次展覽計劃將在德國及歐洲各國巡回展出一年。

德國開姆尼茨工業(yè)博物館

德國開姆尼茨工業(yè)博物館

第8屆國際瑪麗安-勃蘭特藝術大賽提名獎作品- 王馨曼裝置藝術作品

The 8th International Marianne Brandt Art Competition Nomination Prize – Sophia Xinman Wang Installation Artwork

第8屆國際瑪麗安-勃蘭特藝術大賽提名獎作品-王馨曼裝置藝術作品

The 8th International Marianne Brandt Art Competition Nomination Prize – Sophia Xinman Wang Installation Artwork

第8屆國際瑪麗安-勃蘭特藝術大賽提名獎作品-王馨曼裝置藝術作品

The 8th International Marianne Brandt Art Competition Nomination Prize – Sophia Xinman Wang Installation Artwork

王馨曼/綜合材料繪畫/100*120cm/ 2021年

Sophia Xinman Wang/Mixed material painting/100*120cm/ 2021

王馨曼/消失的生命系列作品/綜合材料繪畫/100*120cm/ 2022年

Sophia Xinman Wang/Lost Life Series/Mixed Material Painting/100*120cm/ 2022

王馨曼/生命與希望系列作品/綜合材料繪畫/100*120cm/ 2021年

Sophia Xinman Wang /Life and Hope Series/Mixed Material Painting/100*120cm/ 2021

王馨曼/生命與希望系列作品/綜合材料繪畫/100*120cm/ 2021年

Sophia Xinman Wang/Life and Hope Series/Mixed Material Painting/100*120cm/ 2021

王馨曼/生命與希望系列作品/綜合材料繪畫/100*120cm/ 2022年

Sophia Xinman Wang/Life and Hope Series/Mixed Material Painting/100*120cm/ 2022

王馨曼/生命與希望系列作品/綜合材料繪畫/100*120cm/ 2021年

Sophia Xinman Wang/Life and Hope Series/Mixed Material Painting/100*120cm/ 2021

王馨曼/消失的生命系列作品/綜合材料繪畫/400*190cm/ 2022年

Sophia Xinman Wang / Lost Life Series / Mixed Material Painting / 400*190cm / 2022

王馨曼//消失的生命系列作品//裝置藝術//190*100CM//2020-2022

Sophia Xinman Wang // Lost Life Series // Installation Art //190*100CM // 2020-2022

生態(tài)藝術家王馨曼 攝于2022年10月 Ecological artist Sophia Xinman Wang in October 2022

生態(tài)環(huán)保藝術家王馨曼長年專注于保護生物多樣性主題的藝術作品，她善于采用回收的舊物材料創(chuàng)作：報紙、塑料袋、飲料瓶、易拉罐、鐵絲、不同材質的線、紙箱、雜志、塑料玩具和日常生活用品等材料創(chuàng)作綜合材料繪畫作品與裝置藝術作品。王馨曼作品表達了人類與時間、空間、地域的交集與碰撞。保護生物多樣性系列作品呈現了對動物失去棲息地后體內充斥著人類過度消費所丟棄的廢棄物的批判；隱喻對地球生物痛苦掙扎和煎熬的生命過程是由人類行為疊加造成的反思。

王馨曼具有藝術、人類學、管理學背景，獲得博士學位，國內外多所大學客座教授，熱衷于公益事業(yè)，通過藝術宣傳保護地球瀕危物種。馨曼曾經到美國斯坦福大學、紐約藝術學院交流學習，現擔任云南省美術家協會重彩畫及綜合材料藝術委員副主任；UNESCO聯合國教科文組織IMAJ“保護地球瀕臨滅絕物種全球藝術大賽”項目主任；云南高原生態(tài)環(huán)?；饡紫囆g家；自然與藝術基金會董事等職務。她結合人類對自然破壞行為的探索與反思，通過藝術引發(fā)大眾對遭受人類欲望和過度物質消費而嚴重受損的大自然的反思，倡導大眾參與保護自然，尊重一切生命，與自然和諧發(fā)展。

2017年獲得25座博物館聯盟評選的美國藝術家獎；2017年作品參展美國舊金山MOMA藝術博物館新人線上藝術作品展；2018年作品參展美國“1968-2018新現實主義西方對東方藝術的影響”藝術作品展；2019年作品參展慶祝建國70周年和諧彩云南大型主題創(chuàng)作展；2019年綜合材料作品入選國家藝術基金推廣項目；2020年獲得聯合國教科文組織榮譽獎；2021年受聘歐洲聯盟資助項目云南低碳學校試點項目指導專家；2022年榮登美國華人雜志封面人物；2022年榮獲第八屆國際瑪麗安.勃蘭特藝術大賽提名獎。王馨曼的藝術作品被聯合國教科文組織藝術中心、法國國家自然歷史博物館、意大利當代藝術中心、云南美術館、中華文化中心等機構收藏。

The works of Chinese ecological artist Sophia Xinman Wang are exhibited at the Chemnitz Industrial Museum in Germany

Recently, in Chemnitz, Germany, Sophia Xinman Wang, a famous Chinese eco-environmental artist, exhibited a series of artworks on the theme of biodiversity conservation at the Chemnitz Industrial Museum in Germany. The exhibition mainly exhibited the 8th International Marianne. The 46 winning artists of the Brandt Art Competition, which takes place every three years and exhibits works mainly from 34 countries around the world, with 46 winners won by a jury. Through "Experimentation in Connectivity and New Relationships with Nature," the artworks in this exhibition show the artist's exploration and discovery of the cooperative, aesthetic, poetic, and metaphorical interrelationships between living things, habitats, and natural existence. The exhibition is scheduled to travel throughout Germany and Europe for one year.

Chinese eco-artist Xinman has been focusing on biodiversity conservation for many years, and she is good at using recycled materials: newspapers, plastic bags, beverage bottles, cans, iron wire, threads of different materials, cartons, magazines, plastic toys, woods, and daily necessities. Xinman's works express the intersection and collision of human beings with time, space, and region. The Biodiversity Conservation series presents a critique of the waste that animals discard from overconsumption after they lose their habitat; The metaphor reflects on the painful struggle and suffering of life processes on Earth's creatures because of the superposition of human actions.

Sophia Xinman Wang with a background in art, anthropology, and management, Xinman received a doctorate degree and is a visiting professor in many universities at home and abroad. Xinman has studied at Stanford University and the New York Institute of the Arts, and is currently the project director of UNESCO's IMAJ "Global Art Competition for the Protection of Endangered Species of the Earth"; Chief Artist of Yunnan Plateau Ecological Environmental Protection Foundation; Director of the Nature and Arts Foundation, etc. Combining human exploration and reflection on the destructive behavior of nature, she triggers the public's reflection on the nature that has been seriously damaged by human desire and excessive material consumption through art, and advocates public participation in protecting nature, respecting all life, and developing harmoniously with nature.

In 2017, Sophia Xinman Wang won the American Artist Award from the 25 Museums Alliance; In 2017, her works were exhibited in the MOMA Art Museum of San Francisco's online art exhibition; In 2018, her works were exhibited in the "1968-2018 Neorealist Western Influence on Eastern Art" art exhibition in the United States; In 2019, her works participated in the large-scale theme creation exhibition in Yunnan to celebrate the 70th anniversary of the founding of the People's Republic of China; In 2019, the mixed material works were selected as the promotion project of the National Arts Fund; received the UNESCO Honorary Prize in 2020; In 2021, Xinman was hired as a guiding expert for the Yunnan low-carbon school pilot project funded by the European Union; In 2022, she was featured on the cover of Chinese American magazine; In 2022, Xinam won the 8th International Marian Ann. Brandt Art Competition Nomination Award. Sophia Xinman Wang's artworks have been collected by UNESCO Art Center, French National Museum of Natural History, Italian Center for Contemporary Art, Yunnan Art Museum, Chinese Cultural Center, and other institutions.