搬運自：微信公眾號【評論搬一堆】（在原文基礎上添加了英語原文與排版調(diào)整）

翻譯：Joonly EC

審譯：Emma.Z

排版：Ryan-Chopin

Say this for?Ariana Grande,?Lana Del Rey, and?Miley Cyrus?on “Don’t Call Me Angel”—they?do?sound independent. As in, on different continents. Their single for the new?Charlie’s Angels?movie arrives with glitterbomb hype and blockbuster production—and a video that lets Lana achieve her final form of literally throwing knives at The Man—but its glossy execution comes at the expense of any chemistry between the singers. They arrive sequentially to give cursory verses, sounding variably comfortable in these anodyne pop surroundings—this is Ariana’s playground, and possibly Lana’s Bad Place—then drift on to more interesting endeavors. There’s no interplay, joy, or friction between them. They barely even stick around to harmonize.

不得不說“Don't Call Me Angel”中的Ariana、Lana和Miley聽起來根本不像在合唱，更像是在各自的領域自嗨。這首新版《Charlie's Angels（霹靂嬌娃）》的主題曲以華麗酷炫地宣傳粉墨登場——并且配上了一支讓Lana圓夢女刺客的mv（mv中打雷姐分別向兩個人形立牌的正中心和襠部扔中了一把匕首）——但這一切都沒能讓三人產(chǎn)生化學反應，所以顯得有點惡心地畫蛇添足了。她們仨排著隊走馬觀花地各唱了一段，聽起來就和其他的流行樂一樣nbcs——這更像是A妹的主場，打雷的短板——然后飄向了“更有趣”的嘗試。她們之間感受不到合作、快樂、火花。她們甚至沒有試著去合唱！

The big-budget single is a difficult needle to thread; the usual idea is to assemble an Avengers of talent du jour and hope they’re greater than the sum. Love or hate?Moulin Rouge, its vampy soundtrack rendition of “Lady Marmalade” with Christina Aguilera, Mya, Lil Kim, and Pink reached far more ears than Ewan McGregor scream-singing along to “Roxanne” onscreen. The pop stars of “Don’t Call Me Angel” meet at a lower creative common denominator than they’ve enjoyed lately; from the PG bedroom lyrics to the lightly hip-hop-infused production, this song has the distinct flatness of being created by committee. Their verses dance around the idea of autonomy, making a binary argument about self-sufficiency. All three have offered more interesting statements about womanhood in the past year. Miley’s lightly sneering lines are most overt: “I make my money and I write the checks/So say my name with a little respect,” she insists, in what feels like a nod to Destiny’s Child and their catchier?Charlie’s Angels?hit of 2000, “Independent Women, Pt. 1.” Ariana flutters around in her comfortable falsetto range, coquettish yet stern: “Don’t you know that I bite when the sun set?” she trills, tossing in the melisma she could sleepwalk through.

動作電影的主題曲一直都很難把控；普遍想法就是一時興起召集一堆天賦異稟的復仇者，然后默默祈禱他們能夠1+1+1＞3。不管你喜不喜歡《Moulin Rouge（紅磨坊）》這電影，它那由Christina Aguilera、Mya、Lil Kim和P!nk演唱的“Lady Marmalade（果醬女郎）”原聲大碟吸引了比Ewan McGregor在屏幕上尖聲高唱“Roxanne（紅磨坊中另一首插曲)”多得多的觀眾?！癉on 't Call Me Angel”這首歌跟三位主唱最近的作品比起來掉價很多；從PG級（Parents Guide家長輔導級）的歌詞到略帶嘻哈氣息的制作，這首歌簡直是明明白白的單調(diào)。她們的歌詞圍繞著自主權(quán)創(chuàng)作，同時對于自給自足提出了一個二元論點。在過去的一年里，這三位diva都對女性身份做了更有趣的闡釋。Miley那略帶嘲諷的幾句歌詞最為明顯:“老娘自己掙錢消費/所以請給我放尊重點?！?她這樣唱到，不禁讓人想起Destiny's Child演唱的2000年版《霹靂嬌娃》的更好聽的大熱單曲“Independent Women, Part 1”。Ariana在她舒適的假聲音域里飄動著，魅惑又不失嚴謹:“你不知道我在日落時咬人嗎?”她縹縹緲緲地吟唱著，這些花腔與轉(zhuǎn)音對她來說簡直小菜一碟，她夢游的時候都能做到。

Lana is at least a confounding presence; she delivers her own tepid lines with typically breathy monotone, pulling the clichés like taffy until they feel grotesque. “I appreciate the way you want me, I can’t lie/I drop it down, I pick it up,” she intones, unhurried by the beat scrambling beneath her. Her voice slips by like scratchy polyester; the charitable interpretation of the disconnect in her delivery would be “ironic,” but her lackluster strutting in the music video suggests apathy. (Also, as the Victoria’s Secret-lite clip hammers home: a movie so quick to?trumpet its diversity in casting?couldn’t do the same with its soundtrack’s marquee single?) Charlie, your girl has gone rogue.

Lana的那一段真的讓人哈不到腦殼；她用著極具個人特色的性冷淡腔調(diào)唱著讓人性冷淡的歌詞，就像老太太的裹腳布一樣又臭又長?！皭勰轿覜]關(guān)系，我也很OK/但我就想玩弄你”，她不緊不慢地伴著緩慢爬行的節(jié)奏如此吟誦到。她的聲音像在從一件皺皺的滌綸衫上溜走；她這次友情參唱的部分聽起來脫節(jié)又“諷刺”，但她在mv中那無趣的傲慢已經(jīng)表達出“老娘真的不在乎”的態(tài)度。（同時，mv中的維密天使走秀般的片段再三強調(diào)：一部著急著吹噓自己的演員陣容多么五光十色的電影不可能有一首跑馬燈般酷炫的主題曲。）