莫光頭談《天地大重奏》與DC漫畫宇宙的變化。
轉(zhuǎn)自正聯(lián)吧。2015年的外網(wǎng)新聞，IGN對dc漫畫編劇光頭莫里森的一次采訪，大概講的就是莫光頭通過寫《天地大重奏》事件給dc設(shè)定了無限個(gè)不同體系的多元宇宙，而大boss虛空之手設(shè)定是讀者。下面是采訪內(nèi)容:
- IGN: Multiversity is kind of a continuation of some of the themes and ideas you were working with in Final Crisis. How soon after finishing Final Crisis did you start planning this book?
IGN:【天地大重奏】是你在【最終危機(jī)】玩的某些主題和主意的延續(xù)，大概你完成【最終危機(jī)】多久后就開始準(zhǔn)備此刊？
Morrison: I actually started planning it before Final Crisis. It came directly from the end of 52, where me and Mark [Waid] and Greg [Rucka] and Geoff [Johns] brought back the DC multiverse with the 52 universes. So it kind of started there, you know? We talked about doing something more with it but didn't. I had a bunch of ideas in my notebook, and I just kept coming back to the project. I was really fascinated by the notion. It's really been since 2008 or something. In fact, longer than that. 52 was 2007. So it's been a long time coming. And yeah, Final Crisis kind of played into it, and it played out of Final Crisis. But it also plays into everything I've done, even going back to Animal Man. That's just something I like to do - to link up all the stuff I've done for DC.
莫里森:事實(shí)上我在【最終危機(jī)】前就開始準(zhǔn)備此刊了。在【52】后就直接產(chǎn)生的主意。Mark Waid，Greg Rucka，Geoff Johns和我一起帶回了52個(gè)宇宙，DC的多元宇宙。所以那就是開始。
我們探討了做些什么，但是最終沒寫。我在小本子里有一對注意，又不斷回到這個(gè)項(xiàng)目上。我對這個(gè)項(xiàng)目著迷，其實(shí)是從2008年開始。事實(shí)上比那更久，【52】是2007年的。所以是很長時(shí)間。所以確實(shí)【最終危機(jī)】是涉及了其中，然后它由【最終危機(jī)】而出。但是實(shí)際上它涉及了所有我寫的東西，甚至早到動(dòng)物俠時(shí)期。那就是我想干的，去聯(lián)系起所有我在DC的作品。 - IGN: There have been a couple stories lately that have been tackling the multiverse concept in one form or another. You had Convergence earlier this spring, and now Geoff is covering that ground with his Darkseid War story. Have you been in contact with those writers and trying to make these stories work together?
IGN:最近有不少故事都涉及多元宇宙的概念，比如【多元聚合】，現(xiàn)在Geoff Johns在搞【達(dá)克塞德戰(zhàn)爭】，你跟他們討論了什么保證不互相吃書么？
Morrison: Well, no, because the Multiversity story was written so long ago. The best I've done is, yeah, I've spoken to Geoff about what he was doing with the Darkseid stuff and his take on the multiverse. I've adapted things so that they fit. It's Geoff's version of Earth-3 that finally made it into Multiversity. But because it started so long ago, most of the issues were actually written back then. In the intervening time it's just about working on them and making new drafts and adding in new information. The series kind of existed on its own, and the best I could do was keep it up to date with what was happening, because things were happening. When I started this there wasn't such an idea as the New 52 or any of the stuff that's happened subsequently.
莫里森:沒有。因?yàn)椤咎斓卮笾刈唷康墓适率呛芫靡郧?。我做過的頂多就是問了Geoff 他在怎么搞達(dá)叔，以及他是怎么寫多元宇宙。我把這些東西揉進(jìn)了我的故事，所以最后是Geoff 的地球-3最后進(jìn)入了【天地大重奏】。
但是因?yàn)槲覍懙木拊?，所以大部分故事都是早年間寫的。這之后主要就是在他們上下功夫以及加入新稿以及新信息。這系列基本是獨(dú)立存在的。我頂多讓它跟上現(xiàn)在的版本，因?yàn)槭虑樵诓粩喟l(fā)生。當(dāng)我開始寫的時(shí)候并沒有【新52】以及后面那些東西。 - IGN: You had that Guidebook issue that showed the scope and makeup of the multiverse, but there were several worlds that remained a mystery. Was that you trying to leave the door open for stories like Forever Evil, or do you have more of a specific plan for those unidentified worlds?
IGN:你用【指南】展現(xiàn)了多元宇宙的范圍和構(gòu)成。但是有七個(gè)宇宙依舊是謎團(tuán)。你是為了給像【邪惡永恒】這樣的故事留后門么？還是你對這些宇宙有另外的計(jì)劃？
Morrison: No, I always wanted to leave a bunch of them there in case other writers wanted to come in and do something like that. I secured like 40 universes or something like that, so it only seemed fair to leave 7 or so. I also left the gateway open for the idea of a larger multiverse, which is kind of where we're going with it now. The Orrery of Worlds, as we call it - the DC Multiverse - is only one of millions, potentially infinite bubble universes. Bubble multiverses, even which is kind of consistent with current multiverse theories. It was kind of trying to tie it into all of that. The idea was to leave holes so people could fill them in. And even the bottom of the multiverse map has an empty space where Dan [Didio] asked me to leave a strange bubble, which turned out to be the Blood Moon from Convergence and Futures End. I did try to keep up to date and incorporate as much as possible. But yeah, those gaps were left for other writers.
莫里森:沒有。我就是想挖一堆坑。萬一有別人想來填坑做類似的故事。我自己搞定了大概40個(gè)宇宙，所以留下7個(gè)大概是公平的。我實(shí)際上還挖了更大的多元宇宙的坑，也正是我們現(xiàn)在走的方向。
【萬天儀】也就是現(xiàn)在的DC多元宇宙實(shí)際上是百萬之一，甚至可能是無數(shù)泡沫宇宙之一。
泡沫多元宇宙，大概也跟現(xiàn)在的多元宇宙學(xué)說相符。大概就是想跟這些都聯(lián)系起來。
主意就是留一堆坑這樣后來的編劇可以填坑。我確實(shí)努力跟上現(xiàn)在的版本，不過確實(shí)，那些坑都是留給別人填的。 - IGN: I know one of your goals with Multiversity was to have each issue look like it came from a different universe in terms of the art style and presentation. Ho much work went into planning each issue and then finding the right artist to bring that world to life?
Morrison: I worked on the covers pretty early on and had the idea that the Society of Super-Heroes, for instance, would look like a pulp cover inspired by stories from those 1930's pulp magazines. The Just issue was going to look like a celebrity magazine because that universe was inspired by The Hills. Pax Americana was going to look like a Watchmen thing, following the same rules of design and composition. And so on.
And then it just became a case of figuring out, like with Pax Americana, I really wanted Frank Quitely to draw that. The stuff we've done together - we tend to operate at the peak of high efficiency. That one in particular I wanted to be tight. And Ben Oliver seemed perfect for The Just because he does this beautiful, photo-realistic kind of... beautiful people, you know? [laughs] Gorgeous men and women are done in this lovely style. And because it was about '90s heroes and legacy stuff, as well. That evoked Alex Ross and Kingdom Come. So each of the artists was chosen carefully.Chris Sprouse does these retro, deco set pieces and the clean-jawed heroes. There's that great Howard Chaykin version of the Immortal Man that he did. So again, all the artists were picked because they could bring something specific to the book.
IGN：我知道【天地大重奏】的一個(gè)目標(biāo)就是讓每本看起來像是來自不同的宇宙，就藝術(shù)風(fēng)格和表現(xiàn)而言。你花了多少時(shí)間去規(guī)劃每一刊，然后找到合適的藝術(shù)家將這個(gè)世界變?yōu)楝F(xiàn)實(shí)？
莫里森：我很早就搞了封面，并且有過這樣的想法，比如說【超級(jí)英雄會(huì)社】封面看起來像是1930年的流行雜志?！境繉⒖雌饋硐衩穗s志，因?yàn)檫@個(gè)宇宙靈感來自【The Hills】。按照相同的設(shè)計(jì)和組合規(guī)則，【美利堅(jiān)治世團(tuán)】將看起來像守望者的。
然后成了搞清楚哪個(gè)畫師在哪刊，
就像【美利堅(jiān)治世團(tuán)】，我真的想讓Frank Quitely來畫這個(gè)。我們以前合作過 - 我們傾向于在高效運(yùn)作。那一刊我希望緊湊。而Ben Oliver對【超二代】來說很完美，因?yàn)樗L(fēng)格寫實(shí)逼真，像照片一樣。
華麗的男人和女人都以這種可愛的風(fēng)格完成。而且因?yàn)樗顷P(guān)于90年代的英雄和遺產(chǎn)。也就是啟發(fā)Alex Ross和【天國降臨】的那套。
所以每個(gè)藝術(shù)家都是經(jīng)過精心挑選的。Chris Sprouse做這些復(fù)古裝飾套件和干凈下巴的英雄。
因?yàn)樗氵^Howard Chaykin版本的【不朽眾】。
所有的藝術(shù)家被挑選出來，是因?yàn)樗麄兛梢詭硪恍┨囟L(fēng)格。 - IGN: Multiversity has an interesting structure in that most of the issues stand alone, but they also fit together in this larger tapestry. Do you think the series reads any differently now that it's all collected in one place?
Morrison: Yeah, I think it's a bit tighter than I realized. They were all written as very specific issues. Some of the parts are really quite complete, even though they suggest other stories. Others, like The Master Men, are a little bit more open. But they were all intended to be like the pilots of series that could potentially go on. And if they never went on, there was always this pilot season. That was the idea. I just wanted to do them all as first issues that you wouldn't necessarily see the second issues of. Or maybe some other writer might pick up those stories.
IGN：Multiversity有一個(gè)有趣的結(jié)構(gòu)，因?yàn)榇蠖鄶?shù)刊都是獨(dú)立的，但它們也同時(shí)在更大的版圖上契合。你認(rèn)為現(xiàn)在這個(gè)系列的閱讀方式有什么不同嗎？當(dāng)它們都集合在一起？
莫里森：是的，我覺得比我意識(shí)到的要緊密一點(diǎn)。
他們都寫成非常特別的刊。有些部分是非常完整的，盡管埋下了了其他的故事的伏筆。其他的，比如【帝國興亡錄】，則更加開放。但他們都打算像可能繼續(xù)下去的系列首刊一樣。
如果他們從來沒有繼續(xù)連載，那么總有這個(gè)系列首刊。就是這么個(gè)主意。我只是想把它們?nèi)孔鳛榈谝豢瘉韺?，而并不一定有第二本?；蛟S別人會(huì)來填坑。 - IGN: Do you think having all these issues together now will help readers find connections between the chapters they didn't see before?
Morrison: Oh, definitely. It's much more of a single piece, I guess in answer to your last question. It's much more together. The very first page and the very last page mirror each other. There are threads that pick up that maybe weren't as noticeable in the individual issues that become more noticeable in the collection. I'm really pleased with the collection. I've been waiting for it for a while. It seems to be the perfect form for the book.
IGN：你認(rèn)為現(xiàn)在將所有這些單刊結(jié)合在一起可以幫助讀者找到他們以前從未見過的章節(jié)之間的聯(lián)系嗎？
莫里森：哦，當(dāng)然?，F(xiàn)在更像一個(gè)整體，我想這回答你最后一個(gè)問題，各刊之間的聯(lián)系更多。第一頁和最后一頁相互鏡像。有些線索可能會(huì)在單刊中不那么明顯，而作為整體讀時(shí)會(huì)引人注目。我對這個(gè)系列非常滿意。我一直在等待它。它是這本書的完全體。 - IGN: Do you know if the reading order in the hardcover is the same as it was for the monthly releases? I'm specifically curious about the Guidebook issue and where that's being inserted.
Morrison: It's in exactly the same spot as it was in the monthly version. I think it comes in after Thunderworld and before Master Men. It had to, because the story flows that way. The Thunderworld story flows from that issue into the Guidebook and back out of it.
IGN：你知道精裝書的閱讀順序是否與月刊發(fā)布的順序相同？我對“指南”問題以及插入的位置感到特別好奇。
莫里森：與月刊版本完全相同。我認(rèn)為它是在【雷霆世界】之后和【帝國興亡錄】之前。必須這樣，因?yàn)楣适率沁@樣進(jìn)行的。 【雷霆世界】的故事從單刊進(jìn)行到了【指南】里，然后又從中而出。 - IGN: Can you talk about what else is being included in the hardcover in terms of bonus material? Are there sketches or script excerpts or things like that?
Morrison: There's a ton of sketch stuff in the back. There's all my original sketches and drawings and notebook stuff. There's a huge section of original art and designs from all of the issues. And a bunch of other stuff - mostly art and covers and back-end stuff.
IGN：你能否談?wù)撛诟郊硬牧戏矫婢b書還包括哪些內(nèi)容？有草圖或腳本摘錄或類似的東西？
莫里森：書后有很多草圖。有我所有的原始草圖，畫和筆記之類的。每一刊都有一大堆原創(chuàng)藝術(shù)和設(shè)計(jì)。還有一些其他的東西 - 主要是畫作，封面和后來的東西。 - IGN: I was kind of surprised at how open-ended the conclusion was in Multiversity #2. One of the themes you've explored a lot in your previous DC work was the idea that these stories and these conflicts between good and evil never really end. Was that something you were trying to reinforce with this ongoing conflict between the Gentry and this new Justice Incarnate team?
Morrison: Always I've thought, and particularly now in the era of event-driven comics where characters are subjected to these absolutely life-ruining events in every story arc, I wanted to sum up what all these stories are. It's where the characters get to the end and they appear to have beaten the bad guy, and then an even bigger bad guy shows up and says, "I'll get you later." The real big bad guy at the end - he looks like the Ultra Comics character, but he's also the reader. The empty hand of the reader when he puts the comic down and everything ends. But like the bad guy, he can also come back in full force and say, "You'll meet me again."
I like my books to have multiple meanings. There's multiple ways of reading it. The big bad at the end represents all the big bads in every story. We just beat that villain, now here comes the Anti-Monitor. We just beat the Anti-Monitor, now here comes something that's bigger than big. That was my thinking - the ultimate bigger than big, the ultimate universe destroyer. It's the reader, who chooses to either participate or not.
IGN：我對【天地大重奏】的結(jié)局如此開放感到驚訝。
你在以前的DC作品中探索過的主題之一就是這些故事這些沖突在善惡交鋒中永不完結(jié)。
這是你企圖通過【惡念權(quán)貴】與這個(gè)【正義化身】團(tuán)隊(duì)之間持續(xù)不斷的沖突再次強(qiáng)調(diào)的東西嗎？
莫里森：我一直都在想，尤其是現(xiàn)在在大事件驅(qū)動(dòng)的漫畫時(shí)代，
人物在每個(gè)故事線里都經(jīng)歷了這些絕對毀滅人生的事件，所以我來總結(jié)一下這些故事。
主角們到了結(jié)局，他們似乎擊敗了那個(gè)壞人，然后一個(gè)更大的壞人出現(xiàn)并說：“我之后再來搞你?！?br/>最后一個(gè)真正的大反派 - 他看起來像【無量漫畫】那個(gè)角色，但他也是讀者。
當(dāng)讀者把漫畫放下來，一切都結(jié)束時(shí)，就會(huì)是空手。
但是像那個(gè)反派一樣，讀者也可以全力回歸，并說：“你會(huì)再次見到我的?！?nbsp;
我喜歡我的書有多重含義。有多種解讀方式。
最后的反派代表了每個(gè)故事中的所有大反派。我們只是打敗了那個(gè)反派，現(xiàn)在來了反監(jiān)大王。
我們剛打敗了反監(jiān)大王，現(xiàn)在這里出現(xiàn)了比大更大的什么。
所以這就是我的想法 - 終極的大反派，終極的宇宙毀滅者。
那就是讀者，因?yàn)樗麄兡苓x擇參與還是不參與。 - IGN: You mentioned how these issues were meant to serve as pilots for potential ongoing series, and now DC has announced Multiversity Too, so it sounds like you'll be picking up where you left off. Did you decide at some point that you weren't done with these worlds you had set up and you had more stories to tell?
Morrison: Well, no. The honest truth about that is that I had a Flash story that didn't really fit into any continuity. I suggested to Dan Didio to do it as Flash: Earth One. But Joe Straczynski is doing Flash: Earth One, so the question was how to place this Flash story. Dan suggested the idea, "Why not call it Multiversity Too? Let's have a framework. And if you want to do a story set in a world that's been untouched, you can do it. And if other writers want to do the same, they can do it".
It's almost like bringing back the Elseworlds books. So far, I'm just doing this Flash book ,and I don't have any big plans to revisit any of the multiverse worlds yet. In the future I may choose to go back to something that seems to be suggesting a really good story. But for now there's not going to be any ongoing series of books or me doing anything like what I just did in Multiversity.
IGN：你提到了這些刊是如何作為潛在的連載的起點(diǎn)，現(xiàn)在DC已經(jīng)宣布【天地大重奏 Too】了，所以聽起來你會(huì)繼續(xù)你的坑。你有沒有在某個(gè)時(shí)候決定關(guān)于這些世界還沒完，并且有更多的故事要講述？
莫里森：不。事實(shí)上是我有一個(gè)閃電俠的故事，并不適合任何連續(xù)性。我建議Dan Didio做【閃電俠：地球一】。但是Joe Straczynski正在做【閃電俠：地球一】，所以問題是如何安排這個(gè)閃電俠故事。
Dan提出了這樣一個(gè)想法：“為什么不把它稱為【天地大重奏Too】呢？我們來搞個(gè)框架，這樣你就可以寫在未涉及的世界中發(fā)生的故事。如果其他作者想要做同樣的事情，他們也可以。”
這幾乎就像帶回【異界系列】的書。到目前為止，我只是在做這本閃電俠，而且我暫時(shí)還沒有任何重大計(jì)劃去重新去搞任何多元宇宙世界。在未來，我可能會(huì)選擇回到某些能夠引發(fā)好故事的點(diǎn)子上。但現(xiàn)在不會(huì)有任何連載亦或【天地大重奏】那樣的書。 - IGN: Between that, the Wonder Woman: Earth One book you're doing with Yanick and the Batman: Black and White graphic novels they announced, it seems like you're really focusing on standalone graphic novels that aren't in the main DC continuity. Is that a structure you're just more interested in working with right now?
Morrison: Pretty much. I got kind of bummed out, because obviously I was doing the Batman Incorporated book and Action Comics, and it was just a lot of work for me. It got to the point where I didn't really want to do monthly books anymore. And I found myself wanting to do some stuff outside of comics - TV and film stuff - so the timing to do monthly comics wasn't really there anymore. It felt like it was an opportunity to diversify. I loved being able to spend so much time with Multiversity and do multiple drafts and re-drafts on it. It seemed a lot more fun than doing the improv stuff I was doing on the monthly books. So, yeah, it seemed like a different way to organize the work and still keep doing some work at DC. I always love to do the DC characters and come back to the universe, or the DC multiverse.
IGN：在這之間，你和Yanick一起做的【神奇女俠：地球一】和他們宣布的【蝙蝠俠：黑白】圖像小說，看起來你專注在不是主要DC連續(xù)性的獨(dú)立圖像小說。這是一個(gè)你現(xiàn)在更感興趣的結(jié)構(gòu)嗎？
莫里森：基本上是。我感覺很心塞，因?yàn)槲覍憽掘饌b群英會(huì)】和【動(dòng)作漫畫】，這對我來說太累了。已經(jīng)到了我不再想要做月刊的地步。我發(fā)現(xiàn)自己想做一些漫畫以外的東西 - 電視和電影 - 所以做每月漫畫的時(shí)間就沒有了。感覺這是一個(gè)多元化的機(jī)會(huì)。我喜歡能夠與【天地大重奏】一起度過這么多時(shí)間，并為此寫了很多草稿以及改稿。比我在月刊上做的即興創(chuàng)作更有趣。所以，是的，這似乎是一種不同的工作方式，并且仍然在DC寫些東西。
我喜歡寫DC角色并回到DC宇宙，或者DC多元宇宙。 - IGN: I was interested in hearing your thoughts on the Dark Knight III announcement. Just listening to some of your past interviews, you've been pretty supportive of The Dark Knight Strikes Again and the whole idea of continuing the original universe. I'm curious about your thoughts on this new sequel and even the possibility of writing one of those mini-comics they're including with the main issues.
Morrison: I'm certainly not doing any of those, but I'm looking forward to it. I love the original Dark Knight, like everyone else does. But the Dark Knight Strikes Again ,which divided everybody, I think it's a great book for completely different reasons, and it's a very different style. I really like it. So I'm kind of looking forward to the new one and seeing where Frank [Miller's] head's at right now. I'm definitely not involved at all with any of that series, but I'm really looking forward to it.
We tried to get a Dark Knight world into the Multiversity, but Frank actually didn't want it.
IGN：我想聽聽你對剛宣布的【DK3】系列的看法。只聽過你以前的一些采訪，你一直非常支持【DK2】和的整個(gè)繼續(xù)【黑暗騎士宇宙】的想法。我好奇你對這個(gè)新續(xù)集的想法，甚至?xí)粫?huì)有可能寫出其中包含在主刊里的短篇？
莫里森：我當(dāng)然沒有寫那些。
但我很期待。我喜歡最初的黑暗騎士，就像其他人一樣。但是【DK2】讓大家看法不同，我卻因?yàn)橥耆煌脑蚨J(rèn)為這是一本好書，這有一個(gè)非常不同的風(fēng)格。我很喜歡。所以我很期待看到新的一個(gè)，看看Frank Miller現(xiàn)在腦子里怎么想的。我絕對沒有參與任何該系列，但我非常期待。
我們試圖讓黑暗騎士的世界加入【天地大重奏】，但是Frank Miller實(shí)際上并不想。 - IGN: I was actually surprised that wasn't one of the 52 worlds in the Guidebook. But you say he didn't want to do that?
Morrison: It was originally. Originally there was a world that was kind of the Frank Miller world with the All-Star Batman and Robin. I imagined that going into The Dark Knight Returns. There was a whole kind of world there that would be his world. But I think he didn't want his take on all of that to be seen as just another parallel world.
IGN：我實(shí)際上很驚訝【黑暗騎士】不是【指南】中的52個(gè)世界之一。但是你說他不喜歡？
莫里森：原來【黑暗騎士】是52個(gè)世界中的。最初有一個(gè)【全明星蝙蝠俠和羅賓】的大概Frank Miller世界。我這么想著去接觸【黑暗騎士歸來】的。那里有一個(gè)完整的世界，那將是他的世界。但我認(rèn)為他不希望他的作品被看作僅僅另一個(gè)平行世界。 - IGN: Before we end off, I wanted to go back to one of your earlier points about DC possibly bringing back a larger multiverse. I'm happy to hear that, because I always found the idea of 52 universes, while obviously better than just the one, kind of arbitrary and limiting. Do you think we're shifting back to a sort of pre-Crisis state where there are unlimited worlds in the multiverse again?
Morrison: Pretty much. I think we announced as much at San Diego this year anyway. Certainly, I've talked to Dan about it and we both feel the same. All the current models of the multiverse from cosmologists and actual physics and science suggest that there are multiple bubble universes and they give birth to one another like how bubbles arise from bubbles. I suggested to Dan if you imagine like a champagne glass and you picture all these bubbles rising and giving form to each other, that's what the real multiverse looks like. It's a much bigger scale. It's infinite. These bubbles, there's so many of them out there that there's the Marvel multiverse and there's the DC multiverse and over there's the Archie multiverse. I figure it gives us a scope that every comics universe exists somewhere in there. But the DC Universe is the one we're familiar with - the Orrery of Worlds, as we've called it - and it's floating in this source with multiple multiverses.
IGN：在我們結(jié)束之前，我想回到你之前關(guān)于DC可能會(huì)帶回一個(gè)更大的多元宇宙的想法。
我很高興聽到這個(gè)消息，因?yàn)槲矣X得了只有52個(gè)宇宙的想法，雖然明顯比只有一個(gè)更好，但是有些隨意和限制。
你是否認(rèn)為DC正在回到一種【無限地球危機(jī)】前的狀態(tài)，在多元宇宙中又有無限的宇宙了？
莫里森：基本上是這個(gè)意思。
反正我認(rèn)為我們今年在圣地亞哥宣布的就是大概這意思。
當(dāng)然，我已經(jīng)和Dan說過了，我們想法一樣。
宇宙學(xué)家的多元宇宙的所有現(xiàn)有模型還有物理和科學(xué)都表明，存在多個(gè)泡沫宇宙，它們互相產(chǎn)生，就像氣泡會(huì)產(chǎn)生新氣泡。我讓Dan想像一個(gè)香檳酒杯，并且想象所有氣泡升起又互相產(chǎn)生，這就是真正的多元宇宙的樣子。
這是一個(gè)更大的規(guī)模。這是無限的。
這些氣泡，有太多這樣的氣泡在那里，有【漫威多元宇宙】，還有【DC多元宇宙】，以及那里的【阿奇多元宇宙】。我想它給了我們一個(gè)大致概念，每個(gè)漫畫宇宙都存在于那里。
但是我們熟悉的【DC宇宙】也就是我們所熟悉的 - 我們稱作【萬天儀】 -它跟一大堆多元宇宙一起漂浮在這個(gè)源頭中。
以上是莫光頭采訪所說的內(nèi)容。
在17年DC新的大事件“黑暗金屬”中，引出了新的概念“黑暗多元宇宙”，黑暗多元宇宙存在于主多元宇宙地圖的背面。
DC也曾多次表明黑暗多元宇宙要遠(yuǎn)遠(yuǎn)大于主多元宇宙。主多元宇宙是漂浮在海上的浮塵，而黑暗多元宇宙則是無邊無際的海洋。
而黑暗多元宇宙中還出現(xiàn)了“世界熔爐”，世界熔爐是“鑄煉”宇宙的地方，巴巴托斯殺死了自己的主人便取代他占領(lǐng)了“世界熔爐”。
早期莫光頭也和其他編劇一起給DC創(chuàng)造了“超時(shí)間流”的概念，當(dāng)時(shí)此設(shè)定是用于寫dc漫畫“異世界”的故事，后來的新的52個(gè)宇宙也是從“超時(shí)間流”中抽取出來的?！俺瑫r(shí)間流”是處于DC多元宇宙之外的“時(shí)間洪流網(wǎng)”，連接著DC漫畫宇宙至今為止所有的故事，曾經(jīng)“無線地球危機(jī)”前的無限宇宙也只是其冰山一角的碎片。莫光頭給“超時(shí)間流”的設(shè)定是超時(shí)間流包括所有漫畫電視小說電影等等等等的一切的總和。和om的設(shè)定類似。
說到這個(gè)，超人刊中也曾出現(xiàn)過om，但作者并沒有詳細(xì)介紹。
《天地大重奏》中所提到的多元宇宙2至今仍是個(gè)迷團(tuán)，只知道這個(gè)多元宇宙是虛空之手“養(yǎng)兵”的地方。
DC漫畫宇宙的變化方面，先是擴(kuò)大，然后縮減，再擴(kuò)大，不變，再擴(kuò)大，總體上來說是擴(kuò)大了。莫光頭身為美漫優(yōu)秀的編劇之一，以其強(qiáng)大的腦洞和精彩的故事深受讀者喜愛，就是不知道他的天地大重奏二什么時(shí)候出來，不知要跳票多久，有生之年。 =========完========
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