“全斯坦威學(xué)院”辛辛那提大學(xué)音樂學(xué)院申請詳解!

辛辛那提大學(xué)音樂學(xué)院:
全美頂尖的公立大學(xué)
擁有來自115個國家的
超過4000名國際生
研究生總數(shù)超過11,000
來自89個國家,其中20%為國際生
許多學(xué)生在學(xué)習(xí)階段
就已在好萊塢、百老匯
以及著名的交響樂團(tuán)嶄露頭角

學(xué)院簡介
辛辛那提大學(xué)音樂學(xué)院(College-Conservatory of Music),簡稱辛辛那提音樂學(xué)院(CCM),被譽為“辛辛那提音樂之子”,位于美國俄亥俄州,辛辛那提市,是美國頂尖的音樂學(xué)院之一。辛辛那提音樂學(xué)院CCM是世界聞名的音樂學(xué)府,在U.S. News和World Report的美國音樂院校排名中,CCM名列第六,其中聲樂和指揮分別排在專業(yè)第三和第五位。
辛辛那提市擁有著全美三大音樂廳之一Cincinnati Music Hall,著名的辛辛那提交響樂團(tuán)Cincinnati Symphony Orchestra,和辛辛那提流行管弦樂團(tuán)Cincinnati Pops Orchestra,為音樂學(xué)院學(xué)生提供了優(yōu)秀的藝術(shù)環(huán)境。CCM作為”全斯坦威學(xué)院“ 是世界聞名的藝術(shù)圣地,優(yōu)異的學(xué)習(xí)環(huán)境激發(fā)了學(xué)生的潛能和表演魅力。

專業(yè)
設(shè)置
本科專業(yè)
BM,方向有:巴松、大提琴、單簧管、作曲、倍大提琴、次中音號、長笛、法國號、古典吉他、羽管鍵琴、圓號、爵士、音樂教育、音樂表演與教育、音樂史、雙簧管、打擊樂、鋼琴、薩克斯、長號、小號、大號、中提琴、小提琴、大提琴、聲樂
BA,藝術(shù)學(xué)士
研究生專業(yè)
Artist Diploma,演奏家文憑,方向有:銅管、羽管鍵琴、歌劇、打擊樂、鋼琴表演、弦樂、聲樂、木管
MM,方向有:巴松、大提琴、單簧管、鋼琴伴奏、作曲、指揮(合唱、樂隊)、倍大提琴、次中音號、長笛、法國號、古典吉他、羽管鍵琴、圓號、爵士、音樂教育、音樂史、音樂理論、雙簧管、管風(fēng)琴、打擊樂、鋼琴、薩克斯、音樂理論、長號、小號、大號、中提琴、小提琴、大提琴、聲樂、木管

申請要求
語言成績
本科:托福66(除聲樂)/雅思6
聲樂專業(yè)79/雅思
碩士:托福80(除作曲、樂理和歷史)/雅思6.5
作曲、樂理和歷史托福83/雅思6.5
博士學(xué)位(除鋼琴、聲樂、作曲、樂理、音樂史):托福90
博士學(xué)位(聲樂、作曲、樂理、音樂史):托福100
ACT或SAT要求
本科國際生申請者,如已在美國學(xué)習(xí)了一年,需提供ACT或SAT成績。
藝術(shù)簡歷、命題作文、成績單、推薦信、面試曲目、初審錄像
學(xué)校學(xué)制
本科:四年 ??碩士:兩年
報名截止時間:早申12月1日,常規(guī)申請3月1日
學(xué)費


作品集要求
鋼琴
本科
At least three solo pieces from contrasting style periods and must include a complete sonata of Haydn, Mozart, Beethoven (excluding Opus 49) or Schubert
All Sonatas, Variations, Suites, and other individual works written with multiple movements must be prepared in their entiretySets of pieces that are intended to be performed together must be prepared in their entirety (For example: Schumann Carnaval, Davidsbündlertanze, or Kreisleriana; Mussorgsky Pictures at an Exhibition; Franck Prelude, Chorale and Fugue)
Compositions should be performed by memory with the exception of extraordinarily prohibitive 20th and 21st century compositions
Etudes encouraged

研究生
At least three solo pieces from contrasting style periods and must include a complete sonata of Haydn, Mozart, Beethoven (excluding Opus 49) or Schubert
All Sonatas, Variations, Suites and other individual works written with multiple movements must be prepared in their entirety
Sets of pieces that are intended to be performed together must be prepared in their entirety (For example: Schumann Carnaval, Davidsbündlertanze, or Kreisleriana; Mussorgsky Pictures at an Exhibition; Franck Prelude, Chorale and Fugue).
Etudes are encouraged
Compositions should be performed by memory with the exception of extraordinarily prohibitive 20th and 21st century compositions.
The choice of repertoire should be indicative of the capacity to thrive artistically in graduate level piano study.
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小提琴
本科
One movement from Bach Solo Sonatas or Partitas
One movement from a standard concerto
One Paganini or Wieniawski caprice
研究生
One movement from Bach Solo Sonatas or Partitas
One movement from a standard concerto
One Paganini or Wieniawski caprice
Currently enrolled CCM students applying for a new graduate degree must submit a headshot and resume by December 1.
?

中提琴
本科
Two contrasting movements from a cello suite of J. S. Bach
First movement from a standard viola concerto
One movement from a work of your choice
研究生
Two contrasting movements from either a cello suite, violin partita or violin solo sonata of J.S. Bach
First movement from a major viola concerto by a composer such Walton, Bartok, Hindemith, etc.
One movement from a 20th/21st century composer written after 1960
?

大提琴
本科
One movement of a concerto
One movement of solo J. S. Bach
One etude by Piatti, Popper, Duport or Franchomme
研究生
One movement of a concerto
One movement of solo J. S. Bach
One etude by Piatti, Popper, Duport or Franchomme (required for MM applicants ONLY)
?

聲樂
本科
Two Art Songs (one in English, one in another language).
Note: Operatic or oratorio arias written after 1750 are not allowed. All other art songs written after 1750 that are not arias are acceptable.
研究生
Two art songs (one in English, one in another language)
One aria (from an opera or oratorio)
Current resume
Only DMA applicants must submit two writing samples:
One academic paper – papers written during MM academic tenure are acceptable. Topics should be historical and/or theoretical treatments of a musical subject. Papers shall be no less than 10 pages in length. Standard formatting and footnotes are required.
One essay – composed on current and future trends in classical vocal music. Submitted essays must be 1-2 pages in length in PDF format. Essays must address: the role of classical singing in contemporary American culture; changes that have occurred and/or should occur; and future possibilities for this art form. Considerations may include: resources of talent, finance, venue and medium; both new and standard repertoire; audience. DMA applicants need not address all of these elements. One or two topics of interest may be chosen and discussed.
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