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23 Lesson 4 - Classic VisDev Painting Part 6 - Recap

P23 - 00:01?

?This is going to be a very quick summary over how we were able to take just an idea, a verbal prompt, all the way into a completely finished painting, because you just saw the steps.?

P23 - 00:13如何把想法繪制成一幅圖。?

But let's zoom out and look at the bigger picture. This is to emulate exactly something that an art director might give you for an assignment. Or if you simply have an assignment for yourself. If you think about, well, today I want to paint something about little red riding hood or art director says, hey, I want you to do a painting of little red riding hood. We begin first with references.?

P23 - 00:34比如繪制一話題，從參考圖開始。?

We look into what little red riding hood is about. We think about the time era we want. So gathering a bunch of references that will help us accurate our piece.?

P23 - 00:46回憶故事發(fā)生的年代。收集素材。?

The stronger our reference is, the stronger our piece is going to be in the less noodling around and decision making we have to do later on.?

P23 - 00:53參考越是清晰，此后調(diào)整越容易。?

Then we start with our canvas and our composition, knowing that this is going to be something for a animated feature.?

P23 - 01:01繪制動畫特征。?

because it's a visual development piece. We understand our canvas should be around either 1.85 or 2.39 aspect ratio.?

P23 - 01:08從1.85-2.39橫寬比率。?

So we go for a long rectangle like shape. When it comes to composition. I think about what kind of composition I want to go for.?

P23 - 01:16我想用什么樣的合成。?

So for me, it was an arrival shot. So something that's more environment focused with a little bit of character. I thought about what kind of emotion I want to convey in this piece.?

P23 - 01:26想作品要傳遞什么情感。?

And I wanted to convey something uplifting. The start of a journey. Therefore I chose a very low camera angle to give our main character red kind of like a stage light present.?

P23 - 01:37歡快的旅途，低視角。?

So he's up on the screen and to help me decide even more were to actually place him. I opened up my rule of thirds and I plug him right on the intersection.?

P23 - 01:44角色放在三分線右側(cè)。?

using the references that I gathered and using that as a visual library. I sketched out my entire piece. now is the part will be considered about black and white values.?

P23 - 01:54開始考慮黑白圖。?

I very quickly do a mid ground for ground background, three value structure.?

P23 - 02:00前景 中景 背景。?

And this is now setting up back down. Then I go ahead and lasso tool and paint every single little aspect out.?

P23 - 02:08套索把必要元素圈出來。?

So I painted in little red. I've painted the goat. I painted in the bridge, I painted the grass, I painted the shrubs, I painted the rocks, I painted the water, I painted into the sky. I probably didn't have to list all of that out for you.?

P23 - 02:22小紅帽 山羊 橋清單上需要的。?

But that is exactly what you're going to be doing In this case. You're separating each little element out. Then I look at my color preference and I ask myself, how can I get my piece in this flat neutral lighting zone into the same colors as the reference that is presented to me??

P23 - 02:39如何上色和參考圖一樣的顏色？?

After playing around in photoshop, I'm able to get my piece very close to my original reference image.?

P23 - 02:45取樣，拖動到草圖上。?

I now have a backbone piece that is going to serve as the structure of the piece that I want to do on Top of it.?

P23 - 02:55有主圖，可以在上面調(diào)節(jié)。?

From here on, I can either render it to a really high finish. Or I can render it to a medium level of finish.?

P23 - 03:03完整度高低的繪制。?

Essentially, your piece is here unless they are making some absolutely crazy changes.?

P23 - 03:09除非你做瘋狂的修改。?

This is your piece, like at its core, essentially the soul of the pieces right here. And this stage is so versatile.?

P23 - 03:17主圖可以按照不同方向改寫。?

I go in and I do a light rendering on Top. I paint on Top of it and whatever I'm confused as to what colors to use, whenever I'm confused as to what I should tackle next. I look at my reference image and I also rely on the Information that I know about the time of day,?

P23 - 03:31參考圖的顏色，不同光景的顏色。?

about how light works at that specific time of day. For example, sunrise means a very warm environment, long shadows and a little bit of mist,?

P23 - 03:41夕陽 溫暖 長影子 有點霧靄。?

just like I taught you, back in episode three. Then using the power of photoshop, I go in and add light using soft light layers, over layers and color dodge layers.?

P23 - 03:52柔光多重重疊高光。?

And because photoshop is ever so powerful, I'm also able to go in and essentially filter my piece to,?

P23 - 03:59濾鏡。?

to the exact finish and level that I want. I'm able to fine tune and adjust my colors so that if there's anything left that I wasn't very satisfied with, I can fix it in this stage,?

P23 - 04:11不合適地方及時處理。?

the entire time. I still have my reference to this side, so I don't go way off the deep end. But as you can see at the very end, my final picture doesn't look super close to my reference, which is a good thing.?

P23 - 04:21高仿的并不是完全模擬。?

Because now this piece is original and it's ready to be turned in just like that.?

P23 - 04:28這就是基本圖。?

So you see you don't need to just open a canvas and just stare at it for 20 minutes thinking, oh, god, how am I gonna draw this? Break it down into pieces and bring your process down into pieces.?

P23 - 04:40把作品分解成元素。分解步驟。?

This way, you will make sure that you have a foolproof method, just like making a pizza.?

P23 - 04:45無懈可擊如同做披薩一樣。?

You're basically making a recipe for a good piece of art.?

P23 - 04:48藝術(shù)菜譜。 ?

So are you ready to make your own?

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24 Lesson 4 - Classic VisDev Painting Part 7 - Practice & Improvement

P24 - 00:02?

So, You came here to practice. Heck. Yeah, let's get improving. I'd like you to again, picking a scene from either little red riding hood or Cinderella. I want you to make one fully finished Visual development painting for it, just like you saw me do.?

P24 - 00:23視覺化圖片繪制出來。?

I want you to show me each of the steps in between. So I want you to show me what your references are. As you can see, my references included the original story, little red riding hood.?

P24 - 00:32指出參考圖。比如我的是小紅帽。?

I talked about what the character has and where it's located. And also the time of day. be as creative as you would like. If you don't want to do little red riding hood in Europe, you can do it somewhere else. You can do it in China and Antarctic, in space.?

P24 - 00:48可以做全球文化的視頻。?

I'm not even sure if space would work. Life doesn't work the same as it does in space rather than earth. So maybe not space, but be creative with it. Have fun.?

P24 - 00:58發(fā)揮創(chuàng)作想象力。?

I wanna see your sketch what you're thinking processes and I wanna see what your Ideas are for compositions are.?

P24 - 01:05合成圖的思路。?

And then I wanna see how you separate the values.?

P24 - 01:09黑白灰三閾值 前中背三景。?

Are you able to separate them clearly? Can you see what the piece is about? Just by looking at it through black and white? Then do your flat colors? And this is completely OK. If it doesn't look to finish, because I just wanna make sure that, you know to separate each of your different items out from person to rock to water to bridge,?

P24 - 01:28圖層標(biāo)注不同的元素。?

then colour it to the time of day that you're looking for, it also don't forget to make sure the sky is not colored, that you color the sky yourself.?

P24 - 01:37不同圖層進(jìn)行上色。?

And finally, your finished piece is probably going to look a lot different than the black color that you turned in.?

P24 - 01:44每個步驟都檢測黑白灰閾值不同。?

But that's to be expected because art evolves and it changes.?

P24 - 01:48進(jìn)化中不斷的變化。?

And good design needs a lot of re iterations.?

P24 - 01:52好的設(shè)計需要反復(fù)迭代。?

So ultimately, this is a process that I'm expecting. If you are able to deliver me a piece at every single one of these stages.?

P24 - 02:01不同階段的作品。?

And that means that you're learning the process too. ?

P24 - 02:03說明你學(xué)會步驟了。?

Therefore I'm only asking for one painting, but I'm asking for your reference sketch value flat, colored flats on your final.?

P24 - 02:13素描三景上色光影平衡。?

So technically or deliverable would be six different pieces. So be sure that you really think about each of these individual steps,?

P24 - 02:21思考這六步。?

because you're basically combining everything that we've learned all together.?

P24 - 02:24學(xué)會的融會貫通了。?

If you're feeling really more challenge, you should do more than one. If you ever do run into really serious trouble, or you feel like the piece just isn't working out. Here's a really good piece of advice. Just start over, especially the earlier that you are the easier it is to start over, to start over.?

P24 - 02:40早期可以重做。晚期可以做出來。 ?

But if you're anywhere in like the last, like like the last step or like the 5th step, then I would say take it to a finish. But know that your piece is basically decided the moment that you have your black and white values done,?

P24 - 02:55黑白灰光影與景深。?

cause that's the core of your piece. So if that doesn't work, then your piece isn't going to work that well, therefore. Really focus on every single step. From now on, we will basically be doing this exact same process except next time we're going to be doing a lot of extra photoshop fancy footwork in such.?

P24 - 03:15更多有趣的腳本。?

It's going to be super fun. Let's get to it. Catch it there.

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16 Lesson 3 - Perfect Color and Light, Each Time Part 5 - Recap N Chat

P16 - 00:00?

?So I lied a bit. before we dive into practice and improvement. I want to quickly recap everything that we spoke about so far in the lecture and module.?

P16 - 00:10總結(jié)下在單元章節(jié)中學(xué)到的。?

And then I want to have a little heart to heart chat with you. Ok. just you and me. First we talked about the very basic terminology used in color and color theory.?

P16 - 00:21基本的顏色理論和術(shù)語。?

But important thing to note is that color is a supporting element in the painting. But black and white values will always reign as king when it comes to understanding and painting, more clearly overall,?

P16 - 00:32黑白是底圖，顏色是輔助。?

however, color is important because it literally helps us differentiate between different objects.?

P16 - 00:38顏色幫助我們區(qū)分不同事物。?

And it can also offer us a different kind of mood and feeling, depending on the color that is used.?

P16 - 00:44不同顏色傳遞不同的情緒和感覺。?

And essentially because light is what gives color, it's well color, light and color go hand in hand.?

P16 - 00:52亮度和顏色相互影響。?

Light is color and color is light. So knowing that we then examined all of the different times of the day that covers almost all of the different scenarios that you would ever see within sunlight.?

P16 - 01:04不同時間段的光不同。?

Next we discuss artificial light and how it only affects a small area. And it's never going to be as powerful as natural light.?

P16 - 01:11人造光源比不上太陽光的強烈。?

However, the important thing to note is that different coloured lights will always be there singing to a different color, almost like a filter, without this effect that things will look odd or out of place.?

P16 - 01:22潤色成屬于這個地方。?

And of course we ran over how you can change your colors with the cinnamon demo. ?

P16 - 01:26如何改變顏色。?

Now I want to have a quick heart to heart chat with you. Come on, look into my eyes, stare deep into this stock photo image of a raccoon.?

P16 - 01:38看著小熊深邃的眼睛說話。?

And let's just connect for a moment. I wanted to talk to you very quickly about the usage of color.?

P16 - 01:45探討下顏色的使用。?

And do you remember what I told you? Each color has kind of its own meaning, like blue with sadness or red with anger,?

P16 - 01:53藍(lán)色悲傷紅色生氣。?

such as how we associate colors with specific attributes.?

P16 - 01:56不同顏色傳遞不同情感。?

I really wanted to bring up some examples that completely break this rule.?

P16 - 02:01有些例子打破規(guī)則。?

Because at the end of the day, art is subjective.?

P16 - 02:05藝術(shù)是主觀的。?

It's not math where two plus two equals four, but rather everyone has a different way of looking at things.?

P16 - 02:11每個人看待藝術(shù)的方式不同。?

So blue doesn't need to be at piece or depression each and every time.?

P16 - 02:16并不是每一次藍(lán)色代表悲傷。?

It just represents that a lot of the time, and it's easy to understand, but I want to show you two examples that completely break the mold. ?

P16 - 02:26兩個案例打破常規(guī)。?

The first is midsummer, or as some people call it midsumma. It's a horror film, but it takes place in broad daylight.?

P16 - 02:35《仲夏夜之夢》用白天光源。?

The movie starts off incredibly dim and dark.?

P16 - 02:38從暗夜開始的。?

And then the main characters travel to Sweden during their midsummer festival,?

P16 - 02:43主角到瑞典開啟仲夏之旅。?

where the sun almost never sets at all.?

P16 - 02:45沒有日落的時候。?

And horrific atrocities take place, like murder suicide.?

P16 - 02:51恐怖的鏡頭就光天化日發(fā)生了。?

You know. You're a very typical day, average horror business. I love how it took something that we usually perceive as comforting, which is bright sunlight.?

P16 - 03:00明亮舒適的艷陽天。?

Lovely palates, with this strong sense of uncomfortable unease and ultimately a horror that is so much more powerful.?

P16 - 03:09太陽光照射不舒服同時悲劇上演。?

Then the stereotypical jump scare, the final scene, Sorry about spoilers here, but i'll keep it light as a character just bathed in flowers and a gorgeous colour and light, in the context for this is that she has just watched someone die a gruesome death. ?

P16 - 03:29剛剛目睹了某些人不幸的經(jīng)歷。?

But it's so gorgeous. And that's why it's so unsettling.?

P16 - 03:32很華麗但是不安分。?

And at the very end, she smiles, bathed in flowers.?

P16 - 03:37最后沐浴在花海里，微笑著。?

So I absolutely love this film, because it just straight is so far away from any horror film i've ever seen.?

P16 - 03:44和我看過的恐怖電影并不一樣。?

It is definitely the most beautiful one that i've seen in a long time.?

P16 - 03:48這是我看過的最美的電影。?

I think the first most beautiful will have to go to coraline but coraline still stuck to stereotypical horror pellets.?

P16 - 03:53《鬼媽媽》用的恐怖的素材。?

My second example is the movie Nanny McPhee, which is a master class of color story telling.?

P16 - 04:01另外一個影視色彩的故事。?

Typically that associate a lot of color or something bright and saturated with happiness and fulfillment.?

P16 - 04:07充滿幸福成就感的亮度飽和有關(guān)。?

Even just now in our case study of midsummer, the ending scene is so colorful and bright because the character in those flowers is happy.?

P16 - 04:17角色在鮮花叢中非常漂亮的。?

I mean happy that a man died, but whatever that's not important. However Nanny Mcphee completely turns this on its head. In this movie, color represents chaos.?

P16 - 04:30在這里，顏色代表混亂。?

It's about a single father who has all of these crazy children that he can't control at all.?

P16 - 04:34單身父親有一群調(diào)皮的孩子。?

So he hires a magical Nanny to make these kids behave.?

P16 - 04:40于是雇傭Nanny管教孩子。?

In the beginning, we see the father colored in this almost uncomfortably bright green, is that the tone of the movie to be friendly and fun and for kids. But in actuality, it's telling us that very stressed state of the father, the green is ever too bright.?

P16 - 04:56壓力很大的父親，綠色太明亮了。?

And then the Nanny arrives. You'll realize that she's the only person who dressed in complete black.?

P16 - 05:01主角是唯一穿黑衣服的。?

kind of like a pillar of dependent support.?

P16 - 05:04像是一個支柱。?

All the children are all coloured in a completely different articles of clothing. And then with the villain of the story comes she's dressed in this crazy outfit,?

P16 - 05:14惡棍角色穿的裝飾華麗奇怪。?

one that literally breaks all the rules of good color design. Like literally she is dressed as a bad design and is meant to be so uncomfortable to look at. ?

P16 - 05:24看起來非常不舒服。?

Usually we associate villains with bad guys and with black, but here we have a villain that is dressed in an ultra saturated down in a hideous yellow corn color for hair.?

P16 - 05:35頭發(fā)也是奇丑無比的黃色飾品。?

is just like her character, sweet and caring on the outside. But definitely evil on the inside.?

P16 - 05:43金玉其外，敗絮其中。?

the opposite is with Nanny Mcphee, who supposed to be very ugly and very strict. And she's dressed in black as a typical villain wood, but she's incredibly kind hearted and is essentially the savior of the family. ?

P16 - 05:55外表樸素?zé)o華，內(nèi)心善良。?

And finally the father remarries a very kindly lady. And banishes the crazy villain out of his life.?

P16 - 06:02最后再娶了善良的女士。?

And we have this brand new pallet. It's pure white. ?

P16 - 06:07圣潔的白顏色。?

All the color, all that chaos is gone. We just have harmony to represent This once chaotic family is now whole again,?

P16 - 06:17混亂不堪的家庭如今完整了。?

it's so gorgeous. And like I said again, this movie is just an absolute master class in color.?

P16 - 06:25所以顏色大師級別的課程。?

Ultimately, I brought these two examples to show you that again, there are no rules, only consequences.?

P16 - 06:31沒有規(guī)則，只有后果。?

A lot of these colors and lighting setups have classic meanings that most people associate them with.?

P16 - 06:37經(jīng)典的含義和大部分人有關(guān)聯(lián)的。?

But you can also change it up and have a horror movies in colorful daylight, or have a neutral monotone palette be the beautiful ending and represent happiness rather than sunlight. ?

P16 - 06:48最后用快樂代言太陽光。?

However, in order to break these conventions, we must first understand what the convention actually is.?

P16 - 06:54打破陳規(guī)前知道陳規(guī)是什么？?

And so the more you study the color and light in paintings and movies. And the more you carefully observe it in real life and the more that you practice and will lead you to fully understanding color and break convention and deliver something that people have never seen before,?

P16 - 07:10深刻的理解才會推陳出新。?

or at least something that people have not seen that much. But most importantly, know that there's always multiple ways of doing something. There is never a single answer.?

P16 - 07:19沒有單一答案，都是多元化的。?

I want you to have fun and experiment. with what makes you feel happy, sad, angry, or satisfied.?

P16 - 07:28歡樂開心憂愁充分調(diào)動情緒。?

Essentially, once you know how it works, the world is your oyster. So let's help you get there with your improvement assignment for this module.? ?

P16 - 07:35萬變不離其宗的創(chuàng)作。

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17 Lesson 3 - Perfect Color and Light, Each Time Part 6 - Practice and Im

P17 - 00:01?

So for your assignment, we're gonna have you do the exact same thing that I just showed you with the cinema painting.?

P17 - 00:09展示同樣的影視效果。?

first things first. I'm gonna hand you this neutral lighting piece to make it a little bit more fun.?

P17 - 00:15中性光的繪制。?

You get a little bird included in it. because the last thing I want you to do is to jump out your window or enduring apples and grapes and statues all day and hating your life. When we have perfectly usable photographs to use in the modern age. But anyways, snow is a perfect place to start off with, because typically snow occurs during cloudy days.?

P17 - 00:36雪天是多云天氣，中性光。?

So it's already a neutral lighting setup. And as you can see in this photo, it has a lot of white. So that makes it really easy to make adjustments.?

P17 - 00:44雪天很容易進(jìn)行調(diào)節(jié)。?

Don't even worry too much of the background. You can make it a flat color, or just lightly painted, and then blurt out the background.?

P17 - 00:50無景深 锃亮 填補背景。?

The main purpose of this assignment is the colour. But that's not to say that we're not going to forget everything that we've done so far.?

P17 - 00:57并不是摒棄過去理論。?

Even though this is a photograph and not really curator for composition or anything for a movie or film. I want you to look at it and ask yourself what the overall composition of this piece passed, and also where its black and white values lie.?

P17 - 01:15整體合成什么樣子的，黑白閾值。?

Truthfully, this piece is honestly quite simple. My three values would be here, the white and then here a medium level of grey and then here a level of black.?

P17 - 01:27白灰黑。?

And you can find this darker shade on other little parts of the piece.?

P17 - 01:33另一面找到背光陰影面。?

And in the background I would try to simplify more. But you can see that when you turn the piece into black and white and reads very clearly.?

P17 - 01:39黑白鮮明的。?

So make sure that when you're doing your peace, it reads clearly too. keep it in the back of your mind. I'd like you to do a painting study of this piece to a pretty finish Fidelity, similar to the level that I had with my cinimonal painting.?

P17 - 01:52力求保真性。?

And i'd like you to turn it into color specifically into these two times a day,?

P17 - 01:59顏色轉(zhuǎn)化成一天中這兩個時間段。?

sunset and night time.?

P17 - 02:02夕陽和午夜。?

To give you a head start, in case you're kind of lost or if you're a little bit intimidated until you're gonna do that, just follow these simple steps, like you saw in the demo.?

P17 - 02:14模擬演示片中的步驟。?

First of all, you're going to lighten the overall piece.?

P17 - 02:16锃亮。?

And if we're doing the sunset piece that we're going to see what color the light is.?

P17 - 02:22夕陽西下的顏色。?

In this case, it's kind of a shade of pink.?

P17 - 02:24粉色的陰影。?

So we add a multiply layer and color are snow pink.?

P17 - 02:29多重層 雪粉色。?

And you can totally color pick from the photo and use the photo as a solid reference.?

P17 - 02:33作為參考圖。?

Next after that, we look at what color the shadows would be,?

P17 - 02:38顏色陰影什么樣的？?

which in this case is kind of more of a shade of blue.?

P17 - 02:41藍(lán)色的陰影。?

So we take our original lighten photo and we create a new image where it's blue.?

P17 - 02:46锃亮 藍(lán)色。?

And as you slowly paint away this blue layer or use a layer mask,?

P17 - 02:52圖層蒙版 午夜藍(lán)色。?

then super quick, just a disclaimer. This is done very, very quickly. This is just to show you the steps to not as if it's a finished piece,?

P17 - 02:59并非成品。?

but you can get something kind of like. This definitely not on the finnish side, a dictionary. If you see here our sunset has a beautiful blue sky over here.?

P17 - 03:11有漂亮的天空。?

So to make it more accurate, we should add that sky in as well, just so that the piece makes more cohesive sets.?

P17 - 03:20換上背景圖的天空色。?

So this would be the steps that you would take to create this piece. And you just repeat that process for night time. It's completely okay for you to struggle or slow down at the section because it's probably a new form of working for you.?

P17 - 03:30慢點但是保證質(zhì)量。?

Or maybe it is it. And your method is much faster than mine. in that case. Please let me take your class instead,?

P17 - 03:38如果你有更快的方案，分享出來。 ?

but take your time to really try and get the colours as accurate as the photo reference as possible.?

P17 - 03:44盡可能的精確。?

And once you're done, i'd like you to do one more piece, or you find a neutral lighting set up. And you re created into two different times of day or two different light scenarios.?

P17 - 03:53兩個光景 兩個光源。?

This can be from a movie, a photograph, or animated scene, as long as it's neutral. And in one of those two iterations, I want you to also Include an artificial light,?

P17 - 04:03加入人造光源。?

whether it's a lamp, light or candle, you don't need to actually draw the light source if you can't find a suitable way to incorporate it into the painting.?

P17 - 04:14用臺燈或者蠟燭。?

But if so, then you need to make it extra clear where that light is coming from. And as always, I encourage you to try even more.?

P17 - 04:22盡可能多的去嘗試。?

And most importantly, have fun with it. One of my favorite color artist would have to be WenJun Lin color.?

P17 - 04:30我最喜歡的作者筆下的顏色。?

something that is to be experimented with is one of my favorite things to experiment with it.?

P17 - 04:35試錯實驗是樂趣。?

So really go ahead with it, though, to be clear on what your base level of the liberals are.?

P17 - 04:41基本的步驟。?

They are number one. I want the bird house painting as a study.?

P17 - 04:45鳥屋繪制是個基礎(chǔ)。?

I want an iteration of it in sunset and one another iteration of it at night. Additionally, I want a painting study of something that you choose of your own. And then I want one iteration with an artificial light and then another iteration of any kind of lines. But you can choose and more and more and more if you choose to do so. Although at the very least, i'd like six base paintings.?

P17 - 05:10六種基本的步驟繪制。?

Take your time, have fun, go off and explore and see what you can do. And come up with as always, I cannot wait. I'll catch you guys in the next module.

?

10 Lesson 2 - Crash Course Composition Part 4 - Composition Summary

P10 - 00:01?

?Welcome to your second summary. Let’s go over some of the key points that we mentioned to freshen up everything and really cemented into our long term memory.?

P10 - 00:09我們回顧了橫寬比演變史。?

First and foremost, our composition begins with our canvas, the screen or paper that we're using,?

P10 - 00:16源自于畫布 屏幕 紙張。?

and it can be of any length, size and shape.?

P10 - 00:19不限制長度 大小 形狀。?

It could be an oval or be a leaf.?

P10 - 00:22卵形的或者樹葉的。?

But typically, since concept art as a job or hobby is made for the computer screen or media will be sticking with rectangles.?

P10 - 00:29計算機屏幕媒體標(biāo)準(zhǔn)長寬比。?

Therefore we went through history to understand how canvases and aspect ratios used to be a 4 to 3 format.?

P10 - 00:36過去4:3的長寬比。?

But with time they stretched out to a 1.85 ratio,?

P10 - 00:40變成1.85長寬比。?

whereas our average computer screen is a 1.78 ratio.?

P10 - 00:44計算機1.78長寬比。?

or the famous 16 by 9 ratio.?

P10 - 00:47最常見的16除以9比率。?

However, some cinema style goes even wider and some cinema go shorter.?

P10 - 00:52影視屏幕寬點，短點。?

Wider shots make the scene feel more epic and grand and are great for environment.?

P10 - 00:56寬景適合宏偉外景。?

While short scenes are great for intimate scenes with characters.?

P10 - 01:00短場景適合親密的角色。?

Next we went into fractions though,?

P10 - 01:04比例分配部分。?

and learned that we can typically divide the composition into 50 50, 2030 and 1030, which also technically should be 1020.?

P10 - 01:13五五二三一三一二。?

It's just that 1030 and 2030 just roll off the tongue so much more.?

P10 - 01:18一三二三最常見。?

But technically, yes, they are just 1/3, 2/3. Ok. And then 2080 and 1090.?

P10 - 01:23二八一九點分配。?

Each of these usually provide a different feeling. For example, 5050 is the most balanced and is good for censoring things or providing emphasis.?

P10 - 01:31五五分對比突出重點。?

But also it feels a little bit unnatural, a bit too perfect.?

P10 - 01:35太完美反而不自然。?

The most commonly used is the 1/3, 2/3, or wise, I like to call it 2030 and 1030,?

P10 - 01:43二三一三。?

where the subject isn't in the middle of the screen and it feels more natural.?

P10 - 01:48不居中反而正常。?

It can be used for absolutely everything from characters to environments. ?

P10 - 01:52適用于角色到環(huán)境。?

Then we have the 2080, which technically is the 1/4.?

P10 - 01:56二八一四。?

I know guys, I know my fractions don't worry. And it's more extreme counterpart. The 1090 typically used for big environment scenes.?

P10 - 02:06一九用于大環(huán)境。?

but the most classic fraction of them all is a combination of the 1/3 and 2/3, 1030, 2030.?

P10 - 02:14一三二三。?

into a grid known as the rule of thirds,?

P10 - 02:16三分原則。?

where important items should be placed on the intersection. ?

P10 - 02:21重要的放在三分交叉線上。?

However, we also know that these rules infractions are guidelines in order to help us decide how we want to separate our composition.?

P10 - 02:28如何布局謀篇。?

They are not absolute rules that we must follow to the bone or die if we defy them. And lastly, by combining everything that we've learned, we can create compositions that will truly make our audience members feel something.?

P10 - 02:40合成傳遞意義。?

Some of the most common examples of this are hiding from spying on the big versus small, the arrival shot, the altarpiece and the close up. ?

P10 - 02:51窺探大小抵達(dá)墓碑特寫。?

Each of these are classically used everywhere and they are all used to convey certain moods, because at the end of the day, composition is used to help us tell a story and keep things organized for us.?

P10 - 03:05講述故事，保持有組織性用的。?

It's like a schedule or a skeleton,?

P10 - 03:08時間表或者骨架。 ?

and keep things locked in and Guide our viewer to see what they should be seeing.?

P10 - 03:14指引觀眾的聚焦點。?

That's why when compare to a pizza, composition and black and white values which are really closely connected would be your dough.?

P10 - 03:22黑白閾值類似披薩的面團。 ?

Now, before we can go learn about how to make the source of our concept, our pizza, let's talk about how you can get better at compositions. ?

P10 - 03:30如何更好的構(gòu)圖。?

So let's do some practice and improvement.