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Renewal-Zone：有溫度的北歐設(shè)計(jì)︱鋼木車(chē)庫(kù)的可持續(xù)協(xié)奏

2023-03-14 16:23 作者:REARD銳地星設(shè)計(jì) 0人讀過(guò) | 我要投稿

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這座獨(dú)特的自行車(chē)庫(kù)建筑，坐落于瑞典烏普薩拉中央車(chē)站旁，優(yōu)美的設(shè)計(jì)將功能性與堅(jiān)固性融合，并兼顧了環(huán)境和社會(huì)的可持續(xù)性。建筑呈獨(dú)特的三角形，木制結(jié)構(gòu)清晰可見(jiàn)，外側(cè)覆以黑色鋼框的玻璃立面。整個(gè)車(chē)庫(kù)可停放1200輛日常通勤的自行車(chē)，內(nèi)部?jī)蓪又g由木質(zhì)坡道相連，便于自行車(chē)的通行。

Photographer: Felix Gerlach

Photographer: Felix Gerlach

在建筑內(nèi)部，木梁底部增加了照明。通過(guò)數(shù)字化編程可調(diào)節(jié)燈光顏色，并模擬出北極光的氛圍。室內(nèi)燈光透過(guò)玻璃立面揮灑到室外，建筑的存在仿若燈塔，讓原本昏暗的周邊區(qū)域更加安全。

Photographer: Felix Gerlach

Photographer: Felix Gerlach

項(xiàng)目委托帶來(lái)了一些挑戰(zhàn)，城市核心的區(qū)位需要在整個(gè)項(xiàng)目期間與城市建筑師密切合作。考慮到周?chē)ㄖ亩鄻有?，如何讓建筑與周邊環(huán)境有機(jī)融合的研究也非常必要。

Photographer: Felix Gerlach

項(xiàng)目的建筑師 Cecilia ?berg 表示：“為了突顯木結(jié)構(gòu)的美感，我們盡力減少所使用材料的類(lèi)型和色彩，讓建筑在沒(méi)有任何干擾元素或附屬結(jié)構(gòu)的狀態(tài)下保持清晰的幾何形狀”。

Photographer: Felix Gerlach

Photographer: Felix Gerlach

建筑材料的選擇非?？酥?，從可持續(xù)性和美學(xué)角度出發(fā)確定了混凝土、黑鋼、玻璃和木材，營(yíng)造出種輕盈的簡(jiǎn)潔感，并賦予了建筑獨(dú)特而簡(jiǎn)約的表達(dá)。木材是一種在多方面具有可持續(xù)性的材料，混凝土因其耐用和持久性被選為底座基材。玻璃和鋼鐵都無(wú)需大量的維護(hù)工作，構(gòu)建出的立面通透感更強(qiáng)調(diào)了木結(jié)構(gòu)的象征意義。建筑僅采用了幾種簡(jiǎn)約材料，每個(gè)部分以單一材料打造，未來(lái)便于建筑的拆除或回收再利用。

Photographer: Felix Gerlach

Photographer: Felix Gerlach

此外，屋頂覆蓋以太陽(yáng)能電池和景天植物，能夠吸收多余的降水。從周?chē)脑S多高層建筑中都可以觀看到這個(gè)作為建筑第四立面的屋頂。在地面層，建筑的三面均朝向?qū)Ρ葟?qiáng)烈的空間，分別是站臺(tái)、高架橋和公交車(chē)站。周?chē)木爸露挤瓷湓诓ＡЯ⒚嫔?，從某些角度?lái)看，巨大的建筑體量仿佛消失在視野之中。盡管使用了鋼材和玻璃的反轉(zhuǎn)使用，車(chē)庫(kù)也通過(guò)天窗的反射和幾何表達(dá)與相鄰的車(chē)站大樓呼應(yīng)。

Photographer: Felix Gerlach

The bicycle garage by the central station in Uppsala, Sweden, combines functionality with a robust yet graceful design that takes both environmental and social sustainability into account. It has a unique triangular shape and the exposed wooden framework is clad in glass fa?ades with black steel moulding. The garage can hold up to 1200 of the daily commuters' bicycles at once, with the two floors connected by a wooden ramp, making it possible to ride your bike between floors.

Photographer: Felix Gerlach

Photographer: Felix Gerlach

Inside the building, lighting effects have been added to the soles of the wooden beams: programmed to change colours, they give the illusion of northern lights. With the lights passing through the glass fa?ades, the building also comes to serve as a beacon that makes the rather dark local area a safer place.

Photographer: Felix Gerlach

The assignment offered some challenges; the central location required close collaboration with the city architect during the entire project, and the variety in the surrounding architecture also made it necessary to look at how the building would correspond to the existing environment.

"We have strived to use as few materials and colours as possible, in order to enhance the beauty of the wood construction and to let the building keep its clear, geometric shape without any disturbing elements or additions", says commissioned architect Cecilia ?berg.

Photographer: Felix Gerlach

Photographer: Felix Gerlach

The restrained materials – concrete, black steel, glass and wood – have been selected both from a sustainability perspective, and also from an aesthetic one: they provide a sense of lightness and simplicity that gives the building a distinct but uncomplicated expression. Besides wood, a sustainable material in several aspects, concrete has been picked for the base with regards to its durability and longevity. Glass and steel on the other hand are materials that don't require a lot of maintenance, and the transparency of the fa?ades emphasizes the symbolic value that lies in the wood structure. Few and simple materials, with just one material for each component, also makes it possible to easily dismantle the building for recycling or re-use.

Photographer: Felix Gerlach

Photographer: Felix Gerlach

Additionally, solar cells are placed on the sedum covered roof which absorbs excess water from heavy downpour. The roof functions as a fourth fa?ade that can be seen from the many tall buildings that surround the bicycle garage. At ground level, the building faces contrasting spaces on all three sides: the platform, a viaduct and a bus station. All are mirrored in the glass fa?ades, causing the large volume to seemingly disappear from view at certain angles. The garage also relates to the station building next door through the mirroring of its lantern roof and geometric expression, though with an inverted use of steel and glass.