中文：

探索之旅中的歌手

xingwen報(bào)道，華晨宇擁抱創(chuàng)新，帶著他的粉絲們前往激動(dòng)人心的目的地。

周六，在持續(xù)到深夜的細(xì)雨中，北京國家體育場(chǎng)（也稱為鳥巢）的宏偉并未因籠罩的薄霧和昏暗的云層而減弱。

來自全國各地的近9萬名觀眾聚集在這個(gè)標(biāo)志性的場(chǎng)地，履行了與中國創(chuàng)作歌手華晨宇十年來的承諾。

華晨宇在2013年的選秀節(jié)目《快樂男聲》中獲得總冠軍，登上中國流行音樂舞臺(tái)已經(jīng)十年了。

如今，33歲的他策劃了一場(chǎng)紀(jì)念這一里程碑的演唱會(huì)，共有33首歌曲，以紀(jì)念他十年以來的音樂之旅。

華晨宇恰如其分地將其命名為“十年匯報(bào)演出”，他表達(dá)了自己的意圖。他說：“這是我十周年演唱會(huì)，我希望每個(gè)人都能見證我在過去十年中的成長?！?。

黃昏降臨時(shí)，鳥巢變成了一片發(fā)光的紅色光棒海洋。在觀眾刺耳的尖叫聲和歡呼聲中，華晨宇用一個(gè)空靈的咒語為舞臺(tái)增光添彩，為2023火星演唱會(huì)編織了一種神秘而神圣的氛圍。

華晨宇畢業(yè)于武漢音樂學(xué)院，他的前衛(wèi)作品為他贏得了“火星男孩”的稱號(hào)。這個(gè)稱號(hào)證明了他獨(dú)特的精神世界和藝術(shù)天賦。值得注意的是，他以《無字歌》（Wordless Song）驚艷了比賽評(píng)委，這首原創(chuàng)作品沒有歌詞，但充滿了深刻的情感。

華晨宇的歌迷一直被稱為“火星人”，他的所有個(gè)人演唱會(huì)都使用了“火星演唱會(huì)”這個(gè)名字。

“‘火星’這個(gè)詞是我和我的支持者之間的一種特殊紐帶，”他說。

自出道以來，這位年輕的創(chuàng)作型歌手一直在進(jìn)行創(chuàng)新和探索的創(chuàng)作之旅，發(fā)行了五張專輯。

他說：“只要一個(gè)新的想法生根發(fā)芽，無論我是在鋼琴旁，還是在繁華的城市街道上行走，我都會(huì)不由自主地賦予它生命?！??！叭绻袖撉僭谖颐媲埃揖脱葑?；如果看不到，我就哼著旋律，在手機(jī)上錄音。”

在創(chuàng)作表達(dá)的熔爐中，華晨宇詩意地將自己的歌曲創(chuàng)作之旅比作一場(chǎng)與自己的對(duì)弈。在這個(gè)隱喻的舞臺(tái)上，他努力實(shí)現(xiàn)自己的藝術(shù)，駕馭了一系列戰(zhàn)略支點(diǎn)、回聲和突破。

近年來，隨著他的作品越來越多地深入到尖銳的社會(huì)主題，他的曲目發(fā)生了變化。例如，他在鳥巢演唱會(huì)上演唱的《好想愛這個(gè)世界啊》試圖激勵(lì)那與抑郁癥作斗爭(zhēng)的人走出陰影。

?“在我剛出道時(shí)，我的音樂表達(dá)是個(gè)人熱情的表現(xiàn)，”他回憶起這段變革之旅時(shí)說道?！暗F(xiàn)在，當(dāng)我步入30歲后，我注意到我的觀眾跨越了不同的年齡段，甚至包括年幼的孩子。這種不斷擴(kuò)大的影響力在我身上點(diǎn)燃了一種深刻的社會(huì)責(zé)任感。我發(fā)現(xiàn)自己在思考，我的作品是否可以作為一種慰藉，幫助他人在逆境中度過情感風(fēng)暴，解決困境?！?/p>

他公開承認(rèn)了自己曾患過抑郁癥。

在9月9日的演唱會(huì)上，在場(chǎng)的zhuxiaozhu說，華的音樂是一種精神上的支持。

“作為一個(gè)成年人，我經(jīng)常發(fā)現(xiàn)自己處于孤獨(dú)和焦慮的時(shí)刻。在那段時(shí)間里，我轉(zhuǎn)向了華晨宇的音樂。她說：“不僅僅是任何音樂讓我快樂，而是音樂讓我感到被理解，有人同情我。”。

這位歌手在很年輕的時(shí)候就成名了，他對(duì)自己眾多粉絲的喜愛和授予他的榮譽(yù)表示感謝。2020年，他獲得了令人垂涎的歌唱真人秀節(jié)目《歌手》的冠軍，成為該比賽有史以來最年輕的獲勝者。

掌握音樂的道路仍然是一段無休止的學(xué)習(xí)

之旅，以每年快速增長的階段為標(biāo)志。無論是作曲、編曲還是音樂會(huì)，華晨宇都堅(jiān)持在壓縮的時(shí)間框架內(nèi)“瘋狂思考，然后瘋狂學(xué)習(xí)”的原則。

此外，他還在演唱會(huì)的設(shè)計(jì)上突破了創(chuàng)新的極限。2021年，他在海南省?？谑型瞥隽艘环N創(chuàng)意音樂會(huì)形式，這是一場(chǎng)為期一天的盛會(huì)，反映了游樂園的活力，從下午一直持續(xù)到晚上。歌迷們不僅陶醉于他的旋律，還享受美食、飲料等健康的娛樂。

今年在鳥巢，華晨宇放棄了傳統(tǒng)的三面臺(tái)，改為四面臺(tái)（私心up：鳥巢首次四面臺(tái)加奧運(yùn)舞美的演唱會(huì)），這加劇了對(duì)表演者的要求。每一個(gè)手勢(shì)，每一個(gè)細(xì)微之處，都暴露在觀眾的視線中，沒有盲點(diǎn)的保護(hù)。他的音樂會(huì)還展示了一個(gè)由承重屋頂固定的照明裝置，該屋頂可支撐近200公噸。

但這位藝術(shù)家還有很多事情要做。他承認(rèn)，他在腦海中設(shè)想的演唱會(huì)還沒有完全實(shí)現(xiàn)。他說：“我會(huì)不遺余力地呈現(xiàn)我想象中的火星演唱會(huì)。我堅(jiān)信還有很大的改進(jìn)空間?！?。

英文：

探索之旅中的歌手

Embracing innovation, Hua Chenyu takes his fans with him to exciting destinations, Xing Wen reports.

On a Saturday, beneath a persistent drizzle that lasted well into the night, the grandeur of the Beijing National Stadium, also known as the Bird's Nest, was undiminished by the enveloping mist and somber clouds.

A throng of nearly 90,000 spectators from across the country converged upon this iconic venue to fulfill a decade-old pledge with the Chinese singer-songwriter Hua Chenyu.

Ten years have elapsed since Hua's ascent onto China's pop music stage, propelled by his victory in the sensational talent show, Super Boy, in 2013.

Today, at the age of 33, he orchestrated a concert to mirror this milestone, with an impressive repertoire of 33 songs to commemorate his musical journey.

Aptly christened a "reporting performance", Hua articulated his intent. "As this marks my 10th anniversary concert, I wish for everyone to bear witness to the growth I've undergone over the passing decade," he says.

As twilight descended, the Bird's Nest underwent a transformation into a sea of luminous red light sticks. Amid the cacophony of screams and cheers from the audience, Hua graced the stage with an ethereal incantation, weaving an enigmatic and sacred ambience for the 2023 Mars Concert.

A graduate of the Wuhan Conservatory of Music, Hua's avant-garde compositions earned him the affectionate moniker of "Little Brother From Mars" during his Super Boy days. This epithet attested to his distinct spiritual world and artistic flair. Notably, he wowed the competition's judges with Wordless Song, an original composition devoid of lyrics but brimming with profound emotion.

Inextricably linked with his dedicated fan base, Hua's fans have long been called "Martians" and the title, Mars Concert, has been used in all of his solo events.

"The term 'Mars' is a special bond between me and my supporters," he says.

Since his debut, the youthful singer-songwriter has been on a compositional voyage of innovation and exploration, resulting in the release of five albums.

"As soon as a fresh idea takes root, whether I'm by a piano or I'm walking the bustling city streets, I am impelled to give it life," he says. "If a piano is in front of me, I play; if none is in sight, I hum the melody, recording it on my phone."

Within the crucible of creative expression, Hua poetically likened his songwriting journey to a chess match against himself. In this metaphorical arena, he grapples with his own artistry, navigating a series of strategic pivots, echoes and breakthroughs.

Recent years have borne witness to a shift in his repertoire, as his compositions increasingly delve into poignant societal themes. For instance, his performance of I Really Want to Love This World at the Bird's Nest concert sought to inspire those grappling with depression to emerge from the shadow

"In my earlier years, my musical expression was a manifestation of personal fervor," he says, reflecting upon this transformative journey. "But now, as I enter my 30s, I've noticed my audience spans various age ranges, even including young children. This expanding influence has ignited a profound sense of societal responsibility in me. I find myself pondering whether my work can serve as a source of solace, an aid to others in navigating their emotional tempests and resolving their quandaries during times of adversity."

He openly acknowledged his own experience of depression.

Zhu Xiaozhu, who was in the audience at the concert on Sept 9, says that Hua's music has been a spiritual support.

"As an adult, I often found myself in moments of solitude and anxiety. During those times, I turned to Hua's music. It wasn't just any music that made me happy, but music that made me feel understood, that someone empathized with me," she says.

The singer, who achieved fame at a young age, expressed his gratitude for the affection of his diverse fan base, and for the honors bestowed upon him. In 2020, he secured the coveted title of the singing reality show Singer, emerging as the competition's youngest-ever victor.

The path of musical mastery remains an unending journey of learning, marked by yearly phases of rapid growth. Whether composing songs, arranging music, or orchestrating concerts, Hua adheres to the doctrine of "crazily thinking and then crazily learning" within compressed time frames.

In addition, he also pushes the envelope of innovation in the design of his concerts. In 2021, he unveiled a creative concert format in Haikou, Hainan province, a daylong extravaganza that mirrored the vibrancy of an amusement park, running from dawn until dusk. Fans reveled not only in his melodies but also enjoyed gastronomic delights, libations, and wholesome entertainment.

This year at the Bird's Nest, Hua discarded the conventional three-sided stage in favor of a four-sided configuration, intensifying the demands placed on the performer. Every gesture, every nuance, lay exposed to the audience's gaze, unprotected by blind spots. His concert also showcased a lighting setup anchored by a load-bearing roof capable of supporting nearly 200 metric tons.

But the insatiable artist has much still to achieve. He confesses that the concert he envisions in his mind has yet to materialize fully. "I will spare no effort to present the Mars Concert in my imagination. I firmly believe that there exists ample room for improvement," he says.

Yan Bingjie contributed to this story.

Contact the writer at xingwen@chinadaily.com.cn