今天想聊聊寫彈琴對于手指機(jī)能的運(yùn)用，從我的視頻里大家應(yīng)該不難發(fā)現(xiàn)我就是科班老師交出來手指機(jī)能比較好的學(xué)生。但也是由于我太愛用手指的問題，造成我現(xiàn)在彈琴的“瓶頸期”，因此放假也要隨時(shí)待命上專業(yè)課，還有很多針對練習(xí)要練，可以說我和老師都是嘔心瀝血。

一直沒覺得手指獨(dú)立性好這件事有一天會(huì)成為一個(gè)障礙，直到兩個(gè)多月前跟老師說關(guān)節(jié)疼，他一下就知道問題所在，當(dāng)機(jī)立斷停了我所有噼里啪啦的曲子，我也意識(shí)到了問題的嚴(yán)重性就盡可能停掉了所有比賽上臺(tái)等壓力源一門心思地改問題。

只用手指是有弊端的，會(huì)發(fā)現(xiàn)聲音很單薄不飽滿，長時(shí)間彈一定會(huì)累，而且不斷給手指施加壓力對關(guān)節(jié)都是損傷，這也是我那段時(shí)間為什么會(huì)四指關(guān)節(jié)酸，并且好的音樂家是一定不只具備手指的技巧的，一定是有各方面的技巧支撐我們彈琴。因此我也下定決心跟它抗?fàn)幍降?，用手臂帶?dòng)手腕再帶動(dòng)手指觸鍵，手指有一些力量但不像以前那么緊繃，一開始會(huì)很不習(xí)慣，但后來就強(qiáng)迫自己慢動(dòng)作練每一個(gè)動(dòng)作銜接，一段時(shí)間之后明顯能聽到不同，3D環(huán)繞立體聲的感覺，到現(xiàn)在將近一個(gè)月的時(shí)間，雖說沒完全改掉但至少對比之前有明顯的差異了，也算是我這段時(shí)間來最有成就感的事了吧！

【ENG】As you can prob tell, I'm low-key good at? finger techniques. However, I never realized that's something needs to be improved until 2ish months ago I felt the muscular tension of my ring finger.? This ends up being the consequence of me overusing my fingers when playing. Most likely that we'll hurt our finger muscles and nerves. That being said, I've started to make a difference. It was werid at first coz I kept on using fingers unintentionally. As I practiced with slow motion and really fell the connection between notes to notes, I could hear that the sound became?fuller and richer. Let's keep on working and see how it goes??