個人簡介：

???????趙家松，安徽省巢湖市人。自幼愛好文藝。后在從事法律服務工作之余，潛心研習中國花鳥畫，尤喜文人畫。藝術(shù)人生其學畫伊始，以孫其峰的小寫意花鳥為藍本，細心揣摩，潛意精研。后又遍覽任伯年、吳昌碩，潘天壽諸大家，采拮其中適合于己的元素，終于有了一點點自己的心得和感悟，并將此訴諸毫墨，寫其眼中所見，抒其心中所向往，一意孤行而至于今!學畫至今，多次參加省內(nèi)多種畫展，并相繼加入安徽省青年美術(shù)家協(xié)會成為其會員、巢湖市美術(shù)家協(xié)會并選任理事、南京藝海潮書畫院、安徽省書畫研究會等專業(yè)美術(shù)組織。在其向往的美術(shù)領(lǐng)域取得了一定的發(fā)展和突破。2021年中國藝術(shù)家春晚形象大使，;全國兩會?？剌嬎囆g(shù)家;作品在人民日報華語版，歐洲版登載。

Personal profile:

Zhao Jiasong is from Chaohu City, Anhui Province. I like art since childhood. Later, while engaged in legal services, he devoted himself to the study of Chinese flower and bird paintings and You Xiwen paintings. At the beginning of the study of painting in the life of art, I took Sun Qifeng's small freehand flowers and birds as blueprints, carefully figured it out, and subconsciously studied it. Later, I visited Ren Bonian, Wu Changshuo, and Pan Tianshou. They picked up the elements that were suitable for them, and finally got a little bit of my own experience and insights. What he yearns for, he will go his own way! Since learning painting, he has participated in various painting exhibitions in the province many times, and successively joined the Anhui Young Artists Association as its member, Chaohu Artists Association and elected director, Nanjing Yihaichao Calligraphy and Painting Academy , Anhui Provincial Painting and Calligraphy Research Association and other professional art organizations. He has made certain developments and breakthroughs in the field of art he yearns for. The image ambassador of the Chinese Artists Spring Festival Gala in 2021; an artist in the special issue of the National Two Sessions; the works will be published in the Chinese and European editions of the People's Daily.

作品賞析：

趙先生的花鳥作品筆力鼎健，剛?cè)嵯酀h纖往來，八面有勢，必由衷感懷:傳統(tǒng)畫法之淵妙，精彩于筆法的法度，代不絕人!在用墨賦彩上，趙先生寫意花鳥也獨有匠心，深師傳統(tǒng)且心隨時代，有隨類賦彩氣韻生動的好意象。以水為道，以墨為器，知水性而不使與墨爭，水分調(diào)墨恰到好處，落墨和諧，鋪陳蒼潤。

與清代諸家的水墨煥神氣象一脈相傳，有吳昌碩設墨的浩莽質(zhì)感，有八大設墨的勁卓，亦有鄭板橋設墨時強烈的對比感。法效前賢，不失自我，濃淡干濕焦，可以皴積八層十層，不會一踏糊涂，仍舊是層次分明，氤氳悅目。也可以破墨。水破墨，墨破水，淡墨破濃墨，對水性、墨性、筆性、紙性皆是了若指掌，洇湮效果如夢如幻。

虛實相生，氣韻生動，令人感嘆此用墨之法，正是徑入畫道的玄妙!再輕賦胭脂淺絳，就生成了畫風當隨時代的時尚感。色不礙墨，墨不礙色，當代文人畫寫意天成，不畫呆板的形式美和氣韻美躍然紙上，雅俗共賞，極有當代審美的張力。

不恨今人不識我，只恨古人不見我，若把他的畫與八大的畫放在一起對照，可見師于古人而不拘泥其間的創(chuàng)新動能非常足。這種當代文人畫的文化卓建，恰是妙中增妙，新中更新的典范。

先生作畫有不求為佳反為最佳的可貴格局。主營法律服務，丹青為癡迷。所以入得丹青之門，無有刻意制作的念想，畫畫創(chuàng)作的機緣生于興趣，成于才華，超脫于畫性，是天然悟畫道的天質(zhì)自然。每每執(zhí)筆作墨無掛礙，寫意墨白非妄想，經(jīng)過寫生的視覺經(jīng)驗觸動，創(chuàng)作文人畫的生動，最有雅風，極見趣味。筆墨生趣，氣韻蕭逸。畫禪風，寫道一。畫里是技法的嫻熟，畫外是儒釋道的合成。每一件作品都可入得了廟堂，也可悅得了大眾，一派文人風吟的自然主義畫風。于是，他的文人畫盡可以成為助力丹青文化龍脈傳承的正能量!

——林智賢(科普作家、一級書畫評論家)