搬運(yùn)自：微信公眾號【評論搬一堆】（在原文基礎(chǔ)上添加了英語原文與排版調(diào)整）

原文鏈接：https://pitchfork.com/features/lists-and-guides/the-200-best-albums-of-the-2010s/

翻譯：Ryan-Chopin

校對：Lynn Liu

推送：Lynn Liu

On?Titanic Rising, Natalie Mering’s fourth album as Weyes Blood, she combats dread through empathetic songs that are propelled by a masterful understanding of lush, ’70s pop harmonics. Mering’s willowy voice gives her warnings about the most hellish aspects of life a graceful air, as best exemplified on?Titanic Rising’s penultimate track, “Picture Me Better,” a letter to a friend who died by suicide during the recording of the album. “Waiting for the call from beyond,” Mering lilts, as old-world Hollywood strings swell underneath her. “Waiting for something with meaning to come through soon.” –Noah Yoo

在Natalie Mering的第四張專輯《Titanic Rising》中，她已經(jīng)對70年代流行和聲的運(yùn)用嫻熟通透，創(chuàng)造出了能穿透人心的歌曲來對抗恐懼之感。從《Titanic Rising》的倒數(shù)第二首歌“Picture Me Better”中，我們可以清楚地發(fā)現(xiàn)，Mering用她柔弱的聲音警告著人們生活中的那些最可怕各方各面。這首歌算是她寫給朋友的一封信，她的這位朋友在這張專輯的錄制過程中自殺身亡?！暗却齺碜赃h(yuǎn)方的召喚，”一聲聲輕快的旋律在我們的耳邊響起，仿佛幾根老式好萊塢的琴弦在她撥弄下逐漸洪亮，“等待著有意義的東西，不久就到來。”