本文是同名視頻 BV13W4y1Z71n 的字幕，與正片中的略有差別。英文字幕使用了 ChatGPT 修改并添加標(biāo)點(diǎn)。

Let's be real, most people were probably pretty meh about the idea of Fontaine until the teaser dropped in. Oh mama, what do we have here? The head of the House of Hearth, collector of orphans, cultivator of Snezhnaya's military units, and curator of Snezzy suits. That's right, it's the fan favorite Arlecchino herself, and she's about to make a big splash in the nation of water. You know people are excited for it. Shockingly, I haven't talked about her possible presence in Fontaine at all yet, despite having already made two whole speculation videos. Mostly because I really didn't have anything to say about her that others haven't already said. We just don't know a whole lot. But that all changes today, because in this video, we will be discussing some rather obscure references for Arlecchino that I have not seen anyone else talk about yet. And of course, we're going to do a little theorizing about who or what she may be canonically. Time stamps and notes for further reading are in the description box below. And without further delay, let's dive into this obscure look at Arlecchino.

老實(shí)說(shuō)，大部分人對(duì)楓丹可能沒(méi)什么想法，直到——預(yù)告片發(fā)布。我的媽呀，是誰(shuí)來(lái)了？！壁爐之家的領(lǐng)導(dǎo)，孤兒的“收藏家”，至冬士兵的“慈母”，雪國(guó)制服的代言人。沒(méi)錯(cuò)，吸粉無(wú)數(shù)的阿蕾奇諾，將在水之國(guó)度掀起波濤。這也是大家非常期待的事情。但沒(méi)想到啊，我雖然做了兩期楓丹的視頻，卻依然沒(méi)有談到她在楓丹的活動(dòng)。主要是我確實(shí)沒(méi)什么可說(shuō)的，因?yàn)閯e人都說(shuō)過(guò)了。而且她的信息本來(lái)也沒(méi)多少。但現(xiàn)在不同了，在本視頻對(duì)阿蕾奇諾的研究中，我會(huì)提出一些別人沒(méi)有說(shuō)過(guò)的、比較隱晦的原型參考。自然，我會(huì)對(duì)她可能是“誰(shuí)”或者是“什么”做一些推測(cè)。時(shí)間節(jié)點(diǎn)和補(bǔ)充的官方信源放下面的簡(jiǎn)介里了。那么話不多說(shuō)，讓我們揭開阿蕾奇諾模糊的幻影吧。

Let's start with some very quick canonical background information on Arlecchino, because honestly, there really isn't that much. So why not? Arlecchino is either the 4th or 10th Harbinger, because those are the only two seats unaccounted for as of right now, unless you think Piero isn't ranked, in which case the first seat is also open. And her only known responsibility is running the House of the Hearth, an orphanage in Snezhnaya, which seems to take in orphans from all over Teyvat and raises them to be Fatui operatives. Lyney, Lynette, and Freminet are all likely three orphans from the House of the Hearth, given their talk of missions and their close ties to Arlecchino. This will be important for later, so keep it in mind.

我們從阿蕾奇諾的官方背景信息談起，因?yàn)樗男畔⒎浅：?jiǎn)單，真的沒(méi)有多少。阿蕾奇諾可能是執(zhí)行官第四席或第十席，因?yàn)槟壳爸挥羞@兩個(gè)位置尚未確定，除非你認(rèn)同皮耶羅不在其中，那么第一席也空著。她唯一已知的職責(zé)是管理至冬的孤兒院“壁爐之家”。那里似乎收容了提瓦特各地的孤兒，并將他們培養(yǎng)成為愚人眾的特工?？紤]到他們的任務(wù)以及與阿蕾奇諾的密切聯(lián)系，林尼、琳妮特和菲米尼很可能都出身壁爐之家。請(qǐng)記住這條信息，后面很重要。

Both Wanderer and Childe call Arlecchino crazy in the insane sort of way, with Childe going on to suggest that she's very self-centered and would betray anyone without a second thought if it suited her, even the Tsaritsa. Wanderer also says that she has a tendency to make people disappear, you know, like Assassin style. As far as canon goes, that is literally all we know for sure since the trailer didn't really tell us anything new. However, we did finally get a good look at her outfit that was hidden beneath her Fatui cloak last time, and there is one detail in particular that stood out to me and literally everyone else. Yep, I am talking about her hands because those sure as heck are not gloves. Her hands look like they've been stained with soot, a very fitting feature for the head of the House of the Hearth after all. And you really gotta wonder what could have possibly made them that way.

流浪者和公子都說(shuō)阿蕾奇諾“瘋狂”。公子還暗諷她非常以自我為中心，只要符合自己的利益，她會(huì)毫不猶豫地背叛任何人，包括冰之女皇。流浪者也暗示她會(huì)讓人肉身消失，作風(fēng)如同刺客。以上就是我們確切知道的所有官方設(shè)定，這次的預(yù)告片并沒(méi)有透露什么新的信息。不過(guò)，我們終于看到了她脫下愚人眾斗篷之后的樣子，其中的一個(gè)細(xì)節(jié)特別引人注目，不只是我，應(yīng)該每個(gè)人都注意到了。沒(méi)錯(cuò)，就是她的手，那絕不是手套。她的手仿佛被煤煙染黑了似的，這對(duì)于壁爐之家的領(lǐng)導(dǎo)來(lái)說(shuō)倒也非?！昂侠怼薄Ｎ覀儾唤胫?，到底是什么東西讓她的手變成了這副樣子。

按：

達(dá)達(dá)利亞對(duì)阿蕾奇諾的評(píng)價(jià)：我不討厭有自己打算的人。畢竟我加入愚人眾，也是為了獲得更多爭(zhēng)斗的機(jī)會(huì)。但這個(gè)人，我不喜歡。如果背叛能夠獲得收益，她會(huì)毫不留情地向女皇大人揮劍。她的眼里只有瘋狂。

流浪者對(duì)阿蕾奇諾的評(píng)價(jià)：道貌岸然的偽君子。她對(duì)人展露“優(yōu)雅”與“親切”都只是為了更好地“控制”罷了。而直面過(guò)她瘋狂一面的人，大多已經(jīng)…呼~。

And this is where we start to get really obscure because during my foray into Fontaine's historical inspirations, my buddy Rogo and I stumbled across something rather interesting that could be one of many sources of Arlecchino's inspiration and could give us some insight into her motivations and possible role in the overall story. I highly suggest that you check out my historical context for Fontaine video if you haven't already because I really think it helps with understanding kind of like what's going on. But if you don't want to, then here are some events and dates that may be meaningless to you and that I will grossly oversimplify.

Fontaine is based on 19th century France, along with a few other European countries like England and probably Italy. And during this time, Europe had just been through the Napoleonic Wars and was exhausted of its finances, manpower, and materials. No one really wanted to fight anymore, so a tenuous consensus among the European nations formed called the Concert of Europe. Now, I say tenuous because it faltered a few times, especially during the French 1848 revolutions and all of the revolutions that began to spark around Europe as a result of that one in particular. This, plus border disputes coupled with industrialization making great progress in the realm of military technology, basically had everyone on edge.

接下來(lái)，我們就要進(jìn)入比較隱晦的部分了。我在研究楓丹歷史原型的過(guò)程中，與朋友 Rogo 偶然發(fā)現(xiàn)了一條非常有趣的信息，這可能是阿蕾奇諾的原型之一，還為我們推測(cè)她的動(dòng)機(jī)和她在故事中的作用提供了線索。如果你還沒(méi)看我的楓丹原型考，那么我非常建議你看一下，因?yàn)槲艺J(rèn)為它有助于你理解楓丹發(fā)生的事情。不想看也沒(méi)事，只是我會(huì)大致提到一些事件和日期，你可能會(huì)覺(jué)得一頭霧水。

楓丹以十九世紀(jì)的法國(guó)為原型，同時(shí)融入了其他幾個(gè)歐洲國(guó)家，比如英國(guó)和意大利。彼時(shí)的歐洲剛剛經(jīng)歷了拿破侖戰(zhàn)爭(zhēng)，財(cái)力、人力和物力都消耗殆盡。沒(méi)有人想再打仗了，所以歐洲諸國(guó)形成了一個(gè)脆弱的共識(shí)，稱為“歐洲協(xié)調(diào)”。說(shuō)它脆弱，是因?yàn)樗鴶?shù)次處在崩潰邊緣，尤其是法國(guó) 1848 年革命以及由此引發(fā)的歐洲各地革命期間。革命運(yùn)動(dòng)加上邊境爭(zhēng)端以及工業(yè)化在軍事技術(shù)領(lǐng)域取得的巨大進(jìn)展，使幾乎每個(gè)人都緊張不安。

But I want to draw your attention to one event in particular, and that was when Austria-Hungary annexed Bosnia during one of these little border disputes, which by itself isn't really that big of an event in the grand scheme of things at the time, but it did really piss off their neighbor Serbia because Serbia wanted Bosnia instead, and there were a ton of Serbian nationalists within Bosnia who also wanted Bosnia to be part of Serbia.

Which brings us to June of 1914. I promise there is a point to all of this, so June 1914, the heir to the Austro-Hungarian throne, Franz Ferdinand, made a trip to annex Bosnia, and that pissed off the nationalists there. Now, three members from the youth group known as Young Bosnia tried and failed to assassinate him with a bomb. Two of them were captured, and for safety's sake, Ferdinand's motor carriage decided to change their route, but they never told the driver, so the third assassin, Gavrilo Princip, was still nearby when they got back in the car, and so Princip successfully assassinated Ferdinand, and that shot was the shot heard round the world. Many historians attribute the start of World War I to this very specific event.

不過(guò)，我希望你注意其間的一次特別事件，那就是奧匈帝國(guó)在某次邊境爭(zhēng)端中吞并了波斯尼亞。以當(dāng)時(shí)的大局來(lái)看，這算不上什么重大事件，但著實(shí)惹怒了鄰國(guó)塞爾維亞，因?yàn)槿麪柧S亞打算控制波斯尼亞，而且波斯尼亞內(nèi)部也有大量的塞爾維亞民族主義者，他們希望波斯尼亞成為塞爾維亞的一部分。

于是我們來(lái)到了 1914 年 6 月——?jiǎng)e急，這些信息都有其意義?？傊?914 年 6 月，奧匈帝國(guó)的繼承人弗朗茨·斐迪南前往被吞并的波斯尼亞，這激怒了當(dāng)?shù)氐拿褡逯髁x者。于是，青年組織“波斯尼亞青年”的三個(gè)成員意圖用炸彈暗殺他，但失敗了，其中兩人被捕。為了安全起見(jiàn)，斐迪南的車隊(duì)決定改變行車路線，但司機(jī)沒(méi)有接到通知，所以第三個(gè)刺客加夫里洛·普林西普將大公逮了個(gè)正著，在他重新上車之時(shí)成功刺殺了他。這一槍響徹了全世界，許多歷史學(xué)家將這次事件視為一戰(zhàn)的肇始。

按：此處說(shuō)法有誤，暗殺小組共有六人（另有組織者一人），發(fā)動(dòng)了兩次行動(dòng)。第一次的前兩人沒(méi)有動(dòng)手，第三人炸中另一輛車，最終被捕。隨后，斐迪南所坐的第三輛車本該改變路線，但司機(jī)沒(méi)有收到通知，仍然跟隨前車行進(jìn)。之后發(fā)現(xiàn)錯(cuò)誤，在掉頭的時(shí)候被埋伏在一旁的普林西普刺殺成功，普林西普隨即被捕。

And while on the surface, these seemed to have nothing to do with Arlecchino... This is the scary thing, Young Bosnia was a youth group associated with the Serbian military secret society known at the time as Unification or Death, who commonly worked with youth groups for similar operations. But Unification or Death has another name, the Black Hand. And this is where it gets really interesting because Arlecchino, having black hands and leading three young agents into an undercover mission into Fontaine, and she's known for basically assassinating people, and the timeline matches up. Like, what kind of coincidence is that? It's not one. That's what type of coincidence it is. It just isn't one.

Plus, all of this was during the Concert of Europe, which I know isn't like a literal thing, but the way she talks about being actors on a stage feels like a nod to this somehow. And if you really sit down to think about it, all of the nations within Teyvat so far seem to align with most of the major players in World War I.

表面上看，這個(gè)事件貌似與阿蕾奇諾無(wú)關(guān)。但下面的聯(lián)系肯定會(huì)讓你心里發(fā)毛：“波斯尼亞青年”與當(dāng)時(shí)一個(gè)叫做“不統(tǒng)一，毋寧死”的塞爾維亞軍事秘密社團(tuán)有關(guān)，后者經(jīng)常與青年團(tuán)體合作進(jìn)行類似的行動(dòng)。而“不統(tǒng)一，毋寧死”還有另一個(gè)名字，叫“黑手會(huì)”。這就很有意思了，因?yàn)榘⒗倨嬷Z的手也是黑色的，她帶著三個(gè)年輕特工潛入楓丹，又擅長(zhǎng)暗殺，時(shí)間線也吻合。這是一種什么樣的巧合？這就不是巧合。不是巧合也是一種巧合。巧沒(méi)巧？如巧！

此外，這一切也發(fā)生在歐洲協(xié)調(diào)期間，我知道不應(yīng)該按字面去理解，但她說(shuō)的“上了舞臺(tái)就是演員”啊什么的，感覺(jué)是一種暗示。靜心思考一下，目前為止，提瓦特大陸的各個(gè)國(guó)家與一戰(zhàn)主要的參戰(zhàn)大國(guó)似乎是吻合的。

But I do feel like I need to be very, very clear about something here because we can get into some very dodgy territory really quickly. In Teyvat, there will be no World War II. I know using this time period as a source of inspiration for a game that pulls a lot of direct references from history can tread some really, really sketchy waters, but I really don't think the game will go in that direction. Because see, remember, Khaenri'ah has already been destroyed, so Germany is kind of heated out of this picture. And even though there are survivors, all of them seem to agree that their enemy is Celestia more than anything else. Plus, Khaenri'ah's destruction seems to be what triggered Snezhnaya to also want to challenge Celestia, and so far, the Archons aren't exactly trying very hard to stop them, meaning they may agree with the goal but not the methods. Therefore, I think it's really unlikely that the nations will end up fighting each other and are far more likely to join together and take on Celestia instead.

但是，我覺(jué)得非常非常有必要說(shuō)清楚一件事，因?yàn)槲覀兒芸炀蜁?huì)碰到一些高風(fēng)險(xiǎn)問(wèn)題。這件事就是：提瓦特不會(huì)有“第二次世界大戰(zhàn)”。我知道，一個(gè)直接參照了許多歷史資料的游戲以這個(gè)時(shí)間段作為原型，可能會(huì)引發(fā)一些非常棘手的問(wèn)題，我認(rèn)為游戲不會(huì)朝這個(gè)方向發(fā)展。因?yàn)槟憧?，坎瑞亞已?jīng)毀滅了，所以這個(gè)位面的德國(guó)已經(jīng)被燒光。而且，他們雖然還有幸存者，但其中的所有人似乎都認(rèn)為敵人是天空島，而不是別人。此外，坎瑞亞的毀滅似乎是導(dǎo)致至冬也要挑戰(zhàn)天空島的起因。到目前為止，各個(gè)塵世執(zhí)政并沒(méi)有盡力去阻止至冬，這說(shuō)明他們大概也認(rèn)同這個(gè)目的，但不認(rèn)可做法。因此，我認(rèn)為各國(guó)最后不太可能相互攻伐，而更有可能團(tuán)結(jié)起來(lái)對(duì)抗天空島。

In fact, I kind of feel like Arlecchino can be used as a proof point for this. Hear me out. Many, many people have suggested that Columbina is likely a seelie, mostly because she likes to sing like an angel, which seems to be what seelies are based off of. And the six wings in her hair kind of remind folks of seraphim, who were known to sing "Holy, Holy, Holy" around the Throne of God while keeping their eyes completely covered. And yes, they did, in fact, have six wings, three sets.

Now, in the Commedia dell'Arte, Arlecchino and Columbina are usually lovers or at least co-conspirators, with Arlecchino usually working to thwart the plans of their master and overall just serving as a polar opposite to Piero. It's very easy to miss in the teaser because it's only on screen for like a split second, but Arlecchino has at least two crossed wings in her hair in a very similar style to Columbina. Now, each one is a different color, and that kind of matches her hair. Her eyes also have these crosses in them and a very similar pattern to the white lattice across Columbina's closed eyes. And since the two are lovers in the Commedia, you have to wonder if these two aren't connected in a bit more direct way to each other than the other harbingers are. Like, consider this possibility that they might both be seelies.

其實(shí)，我多少覺(jué)得阿蕾奇諾可以作為證據(jù)。且聽我說(shuō)。很多人認(rèn)為哥倫比婭很可能是仙靈，主要是因?yàn)樗裉焓挂粯映?，而天使是仙靈的原型。她發(fā)箍上的六只翅膀讓人想起撒拉弗，撒拉弗會(huì)在上帝的寶座四周詠唱“圣哉，圣哉，圣哉”，而且眼睛也是完全蓋住的。再就是，她們也有三對(duì)翅膀，也就是六只。

而在即興喜劇中，阿蕾奇諾和哥倫比婭通常是情侶，至少也是同謀。阿蕾奇諾常常阻撓主人的計(jì)劃，總體上是皮耶羅的對(duì)頭。有個(gè)細(xì)節(jié)在預(yù)告片中很容易錯(cuò)過(guò)，因?yàn)樗怀霈F(xiàn)了一瞬間?？梢钥吹剑⒗倨嬷Z的發(fā)箍至少有兩只交叉的翅膀，形制與哥倫比婭的非常相似。而且，每只翅膀的顏色也不同，與她的發(fā)色吻合。她的眼中有這樣的十字形，形式上與蓋住哥倫比婭閉著的眼睛的白色方格蕾絲非常相似。而且，由于兩人在即興喜劇中是情侶，我們不由得想知道她們之間是否有比其他執(zhí)行官更加直接的聯(lián)系。比如，也許她們都是仙靈。

按：見(jiàn)《以賽亞書》6:2-3：其上有撒拉弗侍立。各有六個(gè)翅膀。用兩個(gè)翅膀遮臉、兩個(gè)翅膀遮腳、兩個(gè)翅膀飛翔。彼此呼喊說(shuō)、圣哉、圣哉、圣哉、萬(wàn)軍之耶和華。他的榮光充滿全地。

See, Columbina is described as unsettling to the point where even Childe doesn't want to fight her, and Wanderer warns the Traveler against it as well. That kind of lines up with Arlecchino also being a bit unhinged and not to be trifled with. And I know everyone's been wondering about this really weird brooch on her chest. It kind of looks like it's been made up of four wings, and cherubim were known for having two sets of wings, for a total of four. And if that's all true, then Arlecchino must be, in my opinion, most likely ranked number four, since Columbina is ranked number three. And cherubim are usually of a lower choir than the seraphim, which makes her quite a frightening opponent indeed.

你看，哥倫比婭讓人敬而遠(yuǎn)之，連公子都不想與她戰(zhàn)斗，流浪者也警告旅行者不要與她作對(duì)。這與阿蕾奇諾那種有些癲狂、不可輕視的氣質(zhì)也相符。我知道，大家還非常好奇她胸前的那個(gè)奇怪的胸針?？瓷先ィ袷怯伤闹怀岚驑?gòu)成。四只就是兩對(duì)，而兩對(duì)翅膀的著名天使是基路伯。如果這些成立，那么在我看來(lái)，阿蕾奇諾最有可能是第四席，因?yàn)楦鐐惐葖I是第三席。基路伯通常比撒拉弗的級(jí)別低，所以她會(huì)是一個(gè)非?？膳碌膶?duì)手。

按：

見(jiàn)《以西結(jié)書》1:5-6：又從其中顯出四個(gè)活物的形像來(lái)。他們的形狀是這樣：有人的形像，各有四個(gè)臉面，四個(gè)翅膀。

達(dá)達(dá)利亞的說(shuō)法是：愚人眾執(zhí)行官的席位是按照實(shí)力劃分的，我不明白那個(gè)女孩為什么是“第三席”。有機(jī)會(huì)的話，我是想和排在我之前的執(zhí)行官都比試一遍啦，但總有種不太想和她交手的感覺(jué)…不管怎么說(shuō)，你也小心一點(diǎn)。

流浪者的說(shuō)法是：試問(wèn)：當(dāng)遇到一名“無(wú)論何時(shí)”都懵懂無(wú)知，“無(wú)論做什么”都麻木平淡的“少女”時(shí)，該作何反應(yīng)？我的話，尚可一戰(zhàn)；你的話…因?yàn)樘辛贾€是離她遠(yuǎn)些吧。

But I do wonder who would be considered her master then. Is she rebelling against God or the Primordial One after possibly being cast aside like the goddess of flowers was? Or is she a double agent infiltrating the Fatui with plans to screw over Piero in the end? My money is actually on the former, but possibly both, because the idea that she may be using Lyney, Lynette, and Freminet to trigger an event that would paint Celestia as an indisputable enemy of Teyvat, uniting otherwise disparate nations in an all-out war against Heaven feels very likely, all things considered. And it would be hilarious if that is true, given her two best options in the Fatui constellation wheel. Her most likely constellation is out of the clawed hand with the flame, which is probably a Hand of Glory. If you don't know what that is, it's the severed hand of a traitor or a criminal that's been turned into a candle talisman thing with the supernatural ability to paralyze people. So, a symbol of a traitor given to someone who actively betrays their master seems like a pretty good fit for Arlecchino.

Alternatively, if you're a believer in Piero not being ranked as a Harbinger, then the crying mask is also a decent candidate. It is most likely the Melpomene mask, which when coupled with the laughing mask, is a sock and buskin symbol of the theater, another very strong theme in Arlecchino's handbasket. I can kind of make a case for the crossed nails too, seeing how the Blackhand Society used a special ritual cross wherein Jesus is held in place by three nails, but I won't. The argument isn't that compelling, but it exists.

Of course, the real question on everyone's mind is: will she be playable? I don't know, maybe I can make a case for both sides, really, but we'll just have to wait and see.

但我還想知道她的“主人”是誰(shuí)。她是否也曾反抗神明，也就是“原初的那一位”，然后像花神那樣被流放？又或者她是一個(gè)雙面間諜，滲透到愚人眾內(nèi)部，計(jì)劃除掉皮耶羅？我賭前者，但也可能兩者兼有，因?yàn)樗赡軙?huì)利用林尼、琳妮特和菲米尼挑起事端，將天空島化為提瓦特公敵，使每個(gè)國(guó)家團(tuán)結(jié)起來(lái)共同對(duì)抗。如果真是這樣，再考慮愚人眾圓盤里兩個(gè)最有可能是她的圖案，事情就好玩了。她最有可能的命之座圖案是火焰之爪，這很可能是“榮耀之手”。所謂“榮耀之手”，就是叛徒或罪犯的斷手，被做成了具有超自然力量，可以麻痹他人的蠟燭咒具。象征叛徒的符號(hào)授予了反復(fù)背主之人，這似乎非常符合阿蕾奇諾的情形。

另外，如果你認(rèn)為皮耶羅不屬于執(zhí)行官，那么哭泣面具也是個(gè)不錯(cuò)的候選。最有可能的是墨爾波墨涅面具，它與笑臉面具組合，便成了戲劇表演的象征，這種強(qiáng)烈對(duì)照也是阿蕾奇諾各種要素中的又一個(gè)主題。我還可以為三叉釘提供一個(gè)論據(jù)：黑手會(huì)使用了一種特殊的十字架禮器，耶穌被三枚釘子釘在上面，但我不認(rèn)同這個(gè)觀點(diǎn)。它說(shuō)服不了我，只是確實(shí)能這么想。

按：墨爾波墨涅是希臘神話的悲劇女神。

當(dāng)然，我們心中真正想知道的問(wèn)題是：她是可玩角色嗎？不知道，為雙方提出理由也不是不行，但我們還是拭目以待吧。

Well, that was a bit of a short video for me, so let me leave you with some speculations about Sandrone, while the names of my adorable little channel members roll by, now, during last year's Lantern Rite, we got to see what Guizhong looked like, and I was kinda surprised to see her have so many visual similarities to Sandrone and a shared love of Khaenri'ah Robotics. That I absolutely had to theorize that Sandrone was a revived, but also partly mechanized version of Guizhong. And I also made the case for Sandrone to be the creator of all the Catherines of the Adventurers Guild since they all dressed similarly and the Catherines are all also mechanical puppets of Snezhnaya.

按我的標(biāo)準(zhǔn)，這期視頻有點(diǎn)短。所以，就在滾動(dòng)頻道成員名字的尾聲部分再加一個(gè)有關(guān)桑多涅的猜測(cè)吧。我們?cè)谏洗蔚暮艄?jié)看到了歸終的模樣，我有點(diǎn)驚訝地看到她與桑多涅有很多外觀上的相似之處，而且她們都喜歡坎瑞亞的機(jī)器。因此之前我認(rèn)為桑多涅可能是個(gè)經(jīng)過(guò)部分機(jī)械化的歸終。我還認(rèn)為桑多涅可能是冒險(xiǎn)家協(xié)會(huì)所有凱瑟琳的創(chuàng)造者，因?yàn)樗齻兌即┲愃频姆b，而且每個(gè)凱瑟琳也都是至冬國(guó)的機(jī)械人偶。

But now I have a new crack theory. Heavy emphasis on the crack, please. Prior to its adoption into the Commedia dell'Arte, Sandrone was a marionette from a puppet show where all the puppets were played by a single Puppeteer. And that made me wonder, what if instead of Sandrone being the girl here and being Guizhong, it's actually the robot that is Sandrone? The robot that was taken in by Guizhong, who tinkered with it a bunch, ultimately allowing it to gain a type of sentience over time while also growing fond of its little dust God. And then when she died, the robot was so distraught it began constructing new robots, new mechanical puppets, in an effort to remake her, kind of like Karkata. Then later on, it would have gotten picked up by the Fatui, and it would carry around its most precious creation, being the little talking puppet and the perfect likeness of Guizhong. And that means it wouldn't speak for itself because, after all, it's the Puppeteer, and she's its marionette. She's the one who's supposed to be on stage, and it's the one that's supposed to be behind the scenes, pulling the strings of every Catherine in Teyvat, until its marionette doesn't want to be controlled anymore.

但現(xiàn)在，我有了一個(gè)新的腦洞。注意是腦洞啊。“桑多涅”在被即興喜劇引入前，是一種木偶戲里的提線木偶，戲中的所有木偶都由一個(gè)木偶師操縱。于是我想到，假如桑多涅不是這個(gè)女孩也不是歸終，其實(shí)機(jī)器人才是桑多涅呢？這個(gè)機(jī)器人原先被歸終收留，由她做了一些調(diào)整。后來(lái)，它在漫長(zhǎng)的時(shí)光流逝中獲得了意識(shí)，對(duì)身旁的小塵神也產(chǎn)生了感情。歸終逝去之時(shí)，機(jī)器人非常傷心，于是開始制造新的機(jī)器人，新的機(jī)械木偶。它像卡卡塔那樣想要重塑她。再后來(lái)，它被愚人眾接走，隨身攜帶著它最珍貴的造物，也就是那個(gè)會(huì)說(shuō)話的小木偶、歸終完美的仿制品。也就是說(shuō)，它本身不會(huì)說(shuō)話，畢竟它是木偶師，她才是它的木偶。該上舞臺(tái)上的是她，它則在幕后牽引著提瓦特的每一個(gè)凱瑟琳，直到它的“木偶”不再想被控制。

Which would give us, you know, like an actual playable model of the little female. But then it would also kind of absolve her of any possible Fatui crimes in the way that Hoyo kind of likes to do. So that's, um, yeah, anyway, is it absolute crack? Of course, it is. It's extream crack, even for me. But that's what kind of makes it fun. And I'm also kind of like trying to coax my way into having Sandrone appear in Fontaine because it would be so cool for them to, like, pull off a quiet takeover of all the mechanical robots wandering around the city as a distraction for Arlecchino's sting operation. And I only have a few more weeks to sit with this idea, so just let me have this for now.

Anyway, that's all for me, guys. Thanks again to all my members for supporting this channel, and thanks to you for watching. Take care, guys, and I'll see you in the next one. Bye bye.

于是，我們便有了一個(gè)可玩的少女體型角色。同時(shí)，它也在某種程度上，按米哈游喜歡的做法規(guī)避了愚人眾的罪行。所以，嗯，是不是很大膽？當(dāng)然啦。連我都覺(jué)得這想法離譜。但這也正是它的有趣之處。我還想過(guò)讓桑多涅在楓丹現(xiàn)身，悄悄地接管城中四處游走的機(jī)器人，策應(yīng)阿蕾奇諾的行動(dòng)，那可真是太酷啦?？晌抑挥袔仔瞧诘臅r(shí)間來(lái)思考這個(gè)想法，所以就點(diǎn)到為止吧。

那么，小伙伴們，就先這樣了。感謝所有支持這個(gè)頻道的會(huì)員，也感謝各位的觀看。大家保重，我們下次再見(jiàn)。