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【搬運】【譯】叉婊Pitchfork評Clario 2019年單曲《Bags》

2021-08-13 13:28 作者:GXgwenkiss  | 我要投稿

搬運自:微信公眾號【評論搬一堆】(在原文基礎上添加了英語原文與排版調整)?

翻譯:Whitney.L

校對;Emma.Z

排版:Simon Yelich

Clairo’s music is lackadaisical and charming, full of candid observations that feel plucked from a friend’s iPhone notes. Her viral hit “Pretty Girl” spread so quickly not because it is particularly obscure or bizarre, but because, accompanied by a lo-fi video filmed on her computer’s webcam, its sentiments are familiar to any woman who has sacrificed part of herself for a love interest. Since that song’s success, Clairo has released an?EP, as well as a handful of hazy pop singles that reference the mundane—Pepto Bismol, accidentally swallowed gum, Flamin’ Hot Cheetos—while articulating the frustrations and euphoria of blossoming romance.

Clairo的音樂慵懶而迷人,其中充斥了大膽直接的觀察,讓人感覺好像是從朋友的iPhone筆記中摘錄下來的。她的熱門單曲“Pretty Girl(漂亮女孩)”躥紅速度如此之快,并不是因為它十分晦澀或者怪異,而是因為有電腦攝像頭拍攝的低像素視頻,才使得那些為了感情而犧牲自我的女性倍感熟悉。這首歌成功之后,Clairo隨之發(fā)布了一張EP,同時還發(fā)行了一些舒緩的流行單曲,這其實暗指那些常見的玩意兒-當你不小心吞下了口香糖的時候,可以吃Pepto Bismol(譯者注:減輕腸胃不適,促消化)來緩解(譯者注:Clairo在歌曲“Bubble Gum”中歌詞提到自己咽了個口香糖),同時在歌曲“Flamin’ Hot Cheetos”中表達出了令人那沉淪的浪漫愛情所帶來的沮喪和快樂。

“Bags,” Clairo’s strongest song to date, ups the ante significantly. She delivers oblique, stream-of-consciousness lyricism about a deteriorating relationship, singing in a characteristic deadpan that seems to contradict the emotional weight of lines like, “Pardon my emotions, I should probably keep it all to myself,” and, “Can you see me using everything to hold back?” But the instrumentals tell a different story; unlike the gauzy, synth-heavy wash that usually cocoons her vocals, “Bags” is sonic splatter paint. Clairo and?Rostam’s production is a mishmash of choppy helicopter synth, chugging electric guitar, Danielle?Haim’s drums, and keys that sound as if they’re being banged by a kindergartener. Though it sounds busy on paper, it’s executed beautifully, each twinkling element bringing new vibrancy to the mix. With the dewy turbulence of a monsoon rain, “Bags” marks a new kind of Clairo energy.

Clairo迄今為止最強勁的歌曲“Bags(袋子)”,遠遠超出了大家的預期。她以一種含蓄內斂式的抒情,以及她特有的毫無情感波動的方式演唱,但是,這似乎與歌詞中所蘊涵的情感份量相矛盾,“Pardon my emotions, I should probably keep it all to myself(請原諒我的情緒,也許我應該把這一切都留給自己),”以及“Can you see me using everything to hold back?(你能看到我窮盡一切方法來抑制自己嗎?)”。然而,這次的背景音用了另一種方式,不像那種慣有的利用薄紗般或者重節(jié)奏的音符將她的本音籠罩。Clairo和Rostam的作品混合了雜亂無章的直升機嗡嗡的合成音、電子吉他的嘎吱嘎吱聲、Danielle Haim的鼓聲,以及聽起來像是幼兒園小朋友敲打的琴鍵音。雖然這么鋪敘在文章中,讓人聽起來很嘈雜,但事實上它配合的十分完美,這里面的每一個閃光點都給歌曲的混音帶來新鮮血液。伴隨著濕潤的季雨湍流,“Bags”標志著Clairo新的啟程。


【搬運】【譯】叉婊Pitchfork評Clario 2019年單曲《Bags》的評論 (共 條)

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