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Gutter House是巴西東北部薩吉 (Sagi) 的一座漁村是南美洲距歐洲最近的大陸點所在地，這里坐落著建筑師為兩位朋友設計的兩座海濱別墅，綿延了數(shù)個世紀的貿(mào)易風潮，帶來了葡萄牙帝國的船只，穿行于這片水域中進行貿(mào)易、捕魚，并建造城市和定居點。

Photographer: Maira Acayaba

Photographer: Maira Acayaba

令人驚訝的是，在這些城市中建造巴洛克式大教堂的未知建筑師正是造船者們。憑借代代相傳的木材建造知識，他們在城中建造了與附近奧林達教堂相媲美的作品，贏得了巨大的贊譽，建筑木質(zhì)結(jié)構(gòu)頂部有著雄偉的巴洛克式圓頂。

Photographer: Juan Gómez-Catalán

Photographer: Juan Gómez-Catalán

Photographer: Juan Gómez-Catalán

Photographer: Maira Acayaba

多個世紀之后，建筑師希望以詩意的方式紀念那些建筑師和水手們，并以靜謐的幾何形狀反映景觀的感性和海洋的神秘。

Photographer: Juan Gómez-Catalán

Photographer: Juan Gómez-Catalán

Photographer: Juan Gómez-Catalán

Photographer: Maira Acayaba

通過木材構(gòu)造出水陸兩棲的波浪，這座房子被嵌入優(yōu)雅的陶瓷傾斜房屋組成的城市景觀中。這些起伏與沙丘景觀展開對話，同時將屋頂?shù)乃畬?2米長的混凝土排水溝。以藍色瓷磚覆蓋的排水溝，將水引去灌溉后立面處的植物，綠色屏障用于抵擋傍晚強烈日光的照射。

Photographer: Maira Acayaba

Photographer: Juan Gómez-Catalán

Photographer: Maira Acayaba

Photographer: Maira Acayaba

Photographer: Juan Gómez-Catalán

在概念上這座房子被建造成一艘倒置的船，一系列層壓木結(jié)構(gòu)元件（船體的筋骨）固定在混凝土排水溝上，在房子內(nèi)部始終可見。

Photographer: Juan Gómez-Catalán

Photographer: Maira Acayaba

Photographer: Maira Acayaba

Photographer: Maira Acayaba

Photographer: Maira Acayaba

室內(nèi)以彎曲的木梁和竹梁組成，以喚起人們對軍艦內(nèi)飾的記憶，并與桅桿般的雕刻柱子、圓形窗戶、地板上的魚鱗圖案和藍色基調(diào)，一同致敬古代英雄水手建筑師的技藝知識。

Photographer: Maira Acayaba

Photographer: Maira Acayaba

Photographer: Maira Acayaba

Photographer: Maira Acayaba

Photographer: Maira Acayaba

建筑的前側(cè)立面均為雙層結(jié)構(gòu)，雙層屋頂鋪有木瓦，旨在以最小的生態(tài)影響悄然融入景觀中。

Photographer: Maira Acayaba

Gutter House is a project of two paired beach houses for two friends in a fishing village in Sagi, a village of northeastern Brazil, the closest South American continental point from Europe.

Photographer: Maira Acayaba

Photographer: Maira Acayaba

For centuries, the ships of the Portuguese Empire have sailed those waters swayed by the trade winds that they used for trading, fishing and building cities and settlements.

Curiously, the anonymous architects who had the knowledge to erect the baroque cathedrals of those cities were the shipbuilders. With their constructive knowledge of wood, transmitted for generations, they achieved great fame and prestige and erected the cathedrals of cities as important as the nearby Olinda, with its wooden structure crowned by majestic baroque domes.

Photographer: Juan Gómez-Catalán

Photographer: Juan Gómez-Catalán

Photographer: Maira Acayaba

Photographer: Maira Acayaba

The project, many centuries later, wants to poetically honor the memory of those architect and sailors and evoke the sensuality of the landscape and the mystery of the Ocean with its silent geometry.

Photographer: Maira Acayaba

Photographer: Maira Acayaba

Photographer: Maira Acayaba

The house is inserted into the urban landscape of elegant ceramic tilted houses, by drawing two amphibious waves of wood. These undulations, at the same time that they dialogue with the dunes of the landscape, pour the water from the roof into a 22m-long concrete gutter covered in blue ceramic tiles that conduct the water to irrigate the plants on the rear fa?ade creating a green protection against the strong sun of the evening.

Photographer: Maira Acayaba

Photographer: Juan Gómez-Catalán

Photographer: Maira Acayaba

Photographer: Maira Acayaba

Conceptually, the house is built as an inverted ship, with a succession of structural elements of laminated wood (ribs) fixed to a concrete gutter always visible inside the house.

Photographer: Juan Gómez-Catalán

Photographer: Juan Gómez-Catalán

Photographer: Maira Acayaba

Photographer: Maira Acayaba

The interior, conformed by a mantle of curved wooden and bamboo beams, evokes naval interiors with great sensuality and, together with the sculpted pillars like masts, the circular windows, the flooring fishing scales patterns and the blue colors honor the craft and knowledge of those ancient and heroic sailor-architects.

Photographer: Juan Gómez-Catalán

Photographer: Maira Acayaba

Photographer: Maira Acayaba

Photographer: Maira Acayaba

With a double fa?ade on both fronts and a double roof finished with wooden tiles, the project intends to insert itself silently into the landscape with minimal ecological impact.

Photographer: Maira Acayaba

Photographer: Maira Acayaba

DESIGN:?ATELIER DANIEL FLOREZ

CONSTRUCTION YEAR:?2021

STRUCTURAL ENGINEER:?MARCIO MEDEIROS, ENECOL

GLT:?REWOOD

MEP:?SERGIO CARDOSO DANTAS

GENERAL CONTRACTOR:?ATELIER DANIEL FLOREZ?

TEAM:?Daniel Florez, Luis F.Inglada , Stefan Kiellman ,Wendy Cruz

·? END? ·