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Convento do Beato建筑群涵蓋建造于不同歷史時(shí)期的十余座建筑，其中包括舊教堂、舊修道院的遺跡，以及19世紀(jì)末和20世紀(jì)初建成的幾座工業(yè)建筑。修道院原有的回廊、會(huì)議室、食堂、樓梯和圖書(shū)館都得到保留，之后多年一直作為活動(dòng)中心使用。

? Carolina Delgado

項(xiàng)目由LARFA地產(chǎn)集團(tuán)開(kāi)發(fā)，RISCO負(fù)責(zé)活動(dòng)中心的改造以及對(duì)既有建筑的功能改造更新，即舊教堂的服務(wù)設(shè)施和舊工業(yè)建筑中的住房空間。項(xiàng)目還打造了分別位于地上和地下的兩座停車(chē)場(chǎng)和多樣化的戶(hù)外空間。

? Carolina Delgado

項(xiàng)目2018年開(kāi)始，預(yù)計(jì)2024年全部完成?；顒?dòng)中心的改造在2022年3月完工，著重于提升空間的舒適度和安全性，更好地服務(wù)于每年前來(lái)參加聚會(huì)、公司會(huì)議和產(chǎn)品發(fā)布會(huì)的人群。

? Carolina Delgado

更新還涉及許多技術(shù)層面的內(nèi)容：更換通信設(shè)施、供能和安全系統(tǒng)、修復(fù)廚房以及更換門(mén)窗跨度和欄桿等。

? Carolina Delgado

在行政大樓、庭院、新衛(wèi)生設(shè)施和某些特殊元素的設(shè)計(jì)上，創(chuàng)新性得到了極大的發(fā)揮，例如圖書(shū)館緊急出口的走道，完美彰顯了團(tuán)隊(duì)在面對(duì)寶貴的建筑遺產(chǎn)時(shí)采用的設(shè)計(jì)方法：致力于充分利用新元素的視覺(jué)上的現(xiàn)代表現(xiàn)力，同時(shí)避免與現(xiàn)有建筑間的沖突。

? Carolina Delgado

圖書(shū)館、門(mén)廳、食堂和會(huì)議室也需要開(kāi)展“外科手術(shù)”，包括空調(diào)系統(tǒng)的安裝，將屋頂支撐桁架的數(shù)量增加一倍，以及門(mén)窗跨度的調(diào)整。設(shè)計(jì)團(tuán)隊(duì)對(duì)于這一類(lèi)工作相當(dāng)謹(jǐn)慎。

? Carolina Delgado

最顯著的轉(zhuǎn)變是舉辦大型活動(dòng)的修道院空間。這里自20世紀(jì)80年代以來(lái)，以丙烯酸面板的金字塔形屋頂覆蓋，無(wú)法為活動(dòng)提供所需的煙霧凈化或隔熱隔音的功能。缺乏空調(diào)系統(tǒng)也為炎熱天氣的使用帶來(lái)極大的不適。

? Carolina Delgado

新天花板的設(shè)計(jì)基于長(zhǎng)期對(duì)技術(shù)和形式的研究，確保了結(jié)構(gòu)輕巧和技術(shù)的高效，并在建筑形式上與回廊立面保持一致。

? Carolina Delgado

解決方案采用了正交排列的桁架系統(tǒng)，形成了一組由天窗從上方點(diǎn)亮的“蜂窩”。新的天窗隔熱隔音，能夠在火災(zāi)發(fā)生時(shí)自動(dòng)打開(kāi)。“蜂巢”外覆高效吸音材料，大大提高了內(nèi)部空間的舒適度和聲學(xué)效果。該結(jié)構(gòu)的外圍內(nèi)置了空調(diào)管道。

? Carolina Delgado

新的天花板尊重并突顯了回廊立面的比例感，同時(shí)呈現(xiàn)出清晰現(xiàn)代的建筑語(yǔ)言。加工過(guò)的垂直石質(zhì)表面與光滑的白色石膏天花板之間的對(duì)比增加了空間價(jià)值，引入了全新的肌理感。

? Carolina Delgado

與許多其他作品一樣，設(shè)計(jì)師沒(méi)有在項(xiàng)目中遵循單一的“配方”：在某些空間中將全新的技術(shù)裝置隱藏其中，在另一些空間中，則將新的元素融入整體構(gòu)圖。某些情況下，設(shè)計(jì)語(yǔ)言現(xiàn)代而清晰，在其他情況下，則以更保守的方法沿襲舊木工、磚石和金屬制品的設(shè)計(jì)。

? Carolina Delgado

項(xiàng)目?jī)?nèi)容豐富而復(fù)雜，需要隨著進(jìn)展持續(xù)不斷地進(jìn)行調(diào)整?；仡欗?xiàng)目效果時(shí)，設(shè)計(jì)團(tuán)隊(duì)發(fā)現(xiàn)在未破壞建筑和歷史價(jià)值的前提下，當(dāng)代活動(dòng)中心所需的一切已被整合呈現(xiàn)，這是非常難得的，也是更新工作的主要目標(biāo)。

? Carolina Delgado

? Carolina Delgado

RISCO是位于里斯本的建筑城市設(shè)計(jì)工作室，由Tomás Salgado、Nuno Louren?o、Carlos Cruz和Jorge Estriga領(lǐng)銜。1984年成立以來(lái)，RISCO已經(jīng)完成了超過(guò)200個(gè)項(xiàng)目，涉及各種不同的功能空間，其中許多業(yè)已投入使用。作品包括位于里斯本的Belém Centro Cultural、98世博公共空間、da Luz醫(yī)院及Lumnia大樓，以及位于波爾圖的Antas城市項(xiàng)目和龍?bào)w育場(chǎng)、位于亞速爾群島的新蓬塔德?tīng)柤舆_(dá)游輪碼頭、羅安達(dá)的天空建筑和奧埃拉斯的足球城。

? Carolina Delgado

The dozen or so buildings that make up the Convento do Beato complex date from a number of different eras. They include the old church, what remains of the old convent and several buildings constructed mainly for industrial use in the late nineteenth and early twentieth centuries. The convent's original cloister, chapter room, refectory, staircase and library have all survived and have been put to use as an Events Centre for a number of years now.

? Carolina Delgado

The project developed by RISCO, for LARFA Properties, includes the remodelling of the Events Centre and the renovation/refurbishment of the remaining buildings for new uses, namely, services in the old church and housing in the old industrial buildings. The project also includes the construction of two car parks, one above ground and one underground, and various outdoor spaces.

? Carolina Delgado

Work began in 2018 and is scheduled for completion in 2024. In March 2022, work on the Events Centre was completed. This had focused on improving the comfort and safety of the thousands of people who come here each year for parties, corporate meetings and product launches.

? Carolina Delgado

There was a a more technical side to the refurbishment, involving the replacement of the telecommunications, energy and security systems, a restoration of the kitchen and changes to window and door spans and railings, etc.

? Carolina Delgado

And then there was the more creative side to the work, which centred on the design of the administrative building, the courtyards, the new sanitary facilities and certain special elements, such as the walkways for the library's emergency exits. These walkways perfectly express our approach to design, when we are faced with valuable architectural heritage. We strive to make the most of the visual contemporaneity of the new elements, whilst avoiding clashing contrasts with the existing architecture.?

? Carolina Delgado

There were also the "surgical operations" that were required in the library, foyer, refectory and chapter room, to install the air-conditioning system, double the number of roof support trusses and alter window and door spans. For this kind of work, we tried to be as discreet as possible.

However, the most important transformation took place in the cloister, the space that hosts larger-scale events. Since the 1980s, this had been covered by a pyramid-shaped roof, covered with acrylic panels. This did not offer the smoke clearance or thermal and acoustic insulation required for this type of use. It also had no air-conditioning system, making it pretty uncomfortable on very hot days.

? Carolina Delgado

The design for the new ceiling resulted from a long process of technical and formal research, made necessary by the desire to ensure that it was structurally light, technically efficient and architecturally coherent with the cloister elevations.

? Carolina Delgado

The solution adopted consists of a system of orthogonally arranged trusses that form a set of "honeycombs" that are lit from above by skylights. The new skylights offer thermal and acoustic insulation from the outside and open mechanically in the event of fire. The "honeycombs" have been clad with highly efficient sound absorbent material, which has greatly increased interior comfort and sound quality. Air-conditioning ducts are built into the periphery of this structure.

? Carolina Delgado

The new ceiling respects and enhances the proportions of the cloister elevations, whilst also expressing a markedly contemporary language. The contrast between the vertical planes, of worked stone, and the ceiling, of smooth, white plaster, adds value to the space, introducing a complexity that did not exist before.

In this project, as in many others, we did not follow a single "recipe": in some spaces we hide the new technical installations, in others we accept them as elements that add to the composition as a whole. In some cases, our language is decidedly contemporary, in others we take a more conservative approach, by replicating the design of the old carpentry work, masonry and metalwork.

? Carolina Delgado

This was an extensive and complex job that required frequent and ongoing adaptations as the work progressed. When we look at the results of our labours, we find that we have managed to incorporate everything that is required to run a modern events centre and do so without disfiguring spaces that are quite remarkable for their architectural and heritage value. This was always the main aim of our work.

? Carolina Delgado

? Carolina Delgado

RISCO is a Lisbon-based architecture and urban design studio led by Tomás Salgado, Nuno Louren?o, Carlos Cruz and Jorge Estriga.

Since 1984, we have worked on over two hundred projects. These have had a wide variety of end uses and many of them are finished and up and running. They include the Belém Centro Cultural, the public spaces at EXPO’98, Hospital da Luz and the Lumnia building, in Lisbon; the Antas urban project and the Dragon Stadium, in Porto; the new Ponta Delgada cruise ship terminal, in the Azores; the Sky buildings, in Luanda; and Football City, in Oeiras.

? Carolina Delgado

Project:?Renovation of the Event Center of Convento do Beato

Location:?Lisboa – Portugal https://goo.gl/maps/ear2Acnk1xctxhBG6

Client:?LARFA Properties

Type:?Renovation of historic buildings

Status:?Built

Project start:?2019

Work finished in:?2022

Build Area:?5,574 ㎡

Architecture:?RISCO – Tomás Salgado, Jo?o Almeida, Francisco Lebreiro, Inês Reis, Inês Melo, Inês Fonseca, Margarida Pires, André Luís, Duarte Silva, Peter? Kornerup,? Tiago? Farinha,? Karolinne Alves? and Vítor Alves

Services provided:?Risco was responsible for the concept, scheme and detailed design, construction drawings, special projects coordination and technical site supervision

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