個人簡介：

司徒惠霞，現(xiàn)為中國女書畫家聯(lián)盟常務(wù)理事畫家，子曰美術(shù)館藝術(shù)顧問，中國文化信息協(xié)會創(chuàng)新文化傳播專業(yè)委員會文化藝術(shù)首席專家，中國楹聯(lián)學(xué)會書法藝術(shù)研究會副秘書長。出生于廣東開平，一個融合中西文化風(fēng)格，具有濃郁藝術(shù)氛圍的碉樓之鄉(xiāng)——古鎮(zhèn)赤坎。自幼受到老一輩藝術(shù)家司徒喬，司徒杰等影響 ，酷愛繪畫造型藝術(shù)，尤其對油畫，水粉，水彩，白描，國畫人物畫癡迷，繪畫中講求結(jié)構(gòu) ，用色，用光，筆觸，國畫工意并用，旨在達到形神兼?zhèn)?，不斷嘗試創(chuàng)新。

司徒惠霞老師酷愛繪畫造型藝術(shù)，尤其對油畫，水粉，水彩，白描，國畫人物畫癡迷，繪畫中講求結(jié)構(gòu) ，用色，用光，筆觸，國畫工意并用，旨在達到形神兼?zhèn)?，不斷嘗試創(chuàng)新。自少年起就不斷參加各類藝術(shù)活動，畫展，注重全面藝術(shù)修養(yǎng)，用心觀摩中外繪畫名家作品，逐步進入個性創(chuàng)作狀態(tài)；近年積極參與各地大型藝術(shù)繪畫展覽的創(chuàng)作與活動 ，獲得好評。

2016年作品《花季年華》入選《紀(jì)念紅軍長征勝利八十周年》畫展。

2016年作品《惠安女》 參展《首屆中國當(dāng)代女書畫家代表作品展》。

2017年作品《苗家小妹》參展《第二屆中國當(dāng)代書畫名家代表作品展暨女書畫家代表作品展》。

2018年作品《豐年樂》參展《第三屆中國當(dāng)代書畫名家代表作品展暨女書畫家代表作品展》。

2019年作品《苗鄉(xiāng)小花》參展慶祝改革開放40周年暨北京紅森尚藝畫院成立十周年全國書畫展，作品被藏家永久收藏。

2019年作品《祈福萬家》入選第二屆中國佛教題材書畫名家代表作品慈善展 。

2020年《老戰(zhàn)友》《苗嶺姑娘》將參展第三屆中華之光（大千杯）全國書畫作品展。

2020年國畫《出征》速寫《鐘南山院士寫照》參與開平市，江門市抗疫美術(shù)作品線上展。

2020年作品《福聚》被中國美術(shù)館收藏。

2021年作品《出征》被中國國家博物館收藏。

2021年，作品征用于中國郵政發(fā)行的集郵冊、日本國郵政通用郵票和郵集、歐洲4國郵政通用郵票和郵集。

2021年特聘為中國楹聯(lián)學(xué)會書法藝術(shù)研究會第一屆副秘書長。

2021年作品《荷花別樣紅》被多哥大使館收藏。

2021年3月 北京

應(yīng)邀參加CCTV舉辦的《中國藝術(shù)家新春聯(lián)歡晚會》。

2021年10月 山東曲阜

應(yīng)邀參加CCTV舉辦《建國百年全國優(yōu)秀藝術(shù)名家頒獎盛會》。

2021年10月 入選北京地鐵《藝術(shù)中國》主題巡展活動，作為藝術(shù)家代表亮相地鐵1、2、3、5、8、10、13號線，八通線，穿越長安街，向祖國致敬。

2021年10月 作品被征用于歐洲等4國（荷蘭，新西蘭，芬蘭，盧森堡）通用郵票，為傳揚中華文化盡一份力。

2021年10月 深圳

作品《全力以赴，為生命而戰(zhàn)》參加深圳市“守護健康家園，共創(chuàng)無疫小區(qū)”線上展覽。

2021年11月 山東

作品《荔園樂》《回望長街》入選山東曲阜子曰美術(shù)館《水墨巨匠，當(dāng)代百位杰出藝術(shù)家邀請展》。

2021年12月 北京

作品《荔園樂》《回望長街》入選“北京新絲路美術(shù)館”的《百年輝煌 中國書畫名家迎新展》。

2021年12月 北京

入選《中華英才》半月刊社媒體中心舉辦的“是豐碑，也是新起點”人物風(fēng)采網(wǎng)絡(luò)媒體報道，展示藝術(shù)風(fēng)采。

2021年12月 北京

應(yīng)中國文聯(lián)和北京電視臺培訓(xùn)中心邀請，作品《一起向未來》《春風(fēng)佳韻》參加《冬奧冰雪藝術(shù)展》。

2021年12月 北京

應(yīng)《神州雜志》社邀請，入編神州雜志專刊《一代巨匠》。

Personal Profile:


Situ Huixia, is the standing director of Chinese women calligraphers and painters Alliance painter, art consultant of Confucius Art Museum, chief expert of culture and art of Creative cultural communication professional Committee of Chinese Cultural Information Association, deputy secretary general of Chinese Couplet Society calligraphy Art Research Association. Born in Guangdong Kaiping, a fusion of Chinese and Western cultural styles, with a strong artistic atmosphere of the town of Diaolou -- the ancient town chikan. Since childhood by the older generation of artists Situqiao, Situjie and other influences, love painting plastic arts, especially oil painting, gouache, watercolor, line drawing, Chinese painting figure painting obsession, painting emphasizes structure, color, light, brush strokes, Chinese painting meaning, to achieve both form and spirit, constantly try to innovate.

Situ Huixia teacher loves painting plastic arts, especially oil painting, gouache, watercolor, line drawing, Chinese painting figure painting obsession, painting emphasizes structure, color, light, brush strokes, Chinese painting meaning, to achieve both form and spirit, constantly trying to innovate. Since he was young, he has been participating in all kinds of art activities and exhibitions, paying attention to comprehensive artistic accomplishment, carefully watching the works of Famous Chinese and foreign painting masters, and gradually entering the state of individual creation. In recent years, he has actively participated in the creation and activities of large art and painting exhibitions in various places, which has been well received.

In 2016, his work "Flower Years" was selected for the exhibition of "Commemorating the 80th Anniversary of the Victory of the Red Army's Long March".

In 2016, her work Huian Female was exhibited in the First Exhibition of Representative Works of Chinese Contemporary Female Calligraphers and Painters.

In 2017, miao Family Little Sister was exhibited in the second Chinese contemporary Painting and calligraphy Exhibition and Female painting and calligraphy Exhibition.

In 2018, his work fengnian Music was exhibited in the third Exhibition of representative works of Famous Contemporary Chinese painters and calligraphers and female painters.

2019 works "Small Flowers in Miao Township" exhibition to celebrate the 40th anniversary of reform and opening up and the 10th anniversary of the establishment of Beijing Hongsen Shang Art Academy national Calligraphy and Painting exhibition, works are permanent collection of collectors.

2019 work "Pray for Thousands of Thousands" was selected for the second Charity exhibition of representative works of Famous Chinese Buddhist painters and calligraphers.

In 2020, "old comrain-in-arms" and "Miaoling Girl" will be exhibited in the third China Light (Daqianmugs) National Painting and Calligraphy Exhibition.

In 2020, Chinese painting "Going to War" sketch "Portrayal of Academician Zhong Nanshan" participated in online exhibition of anti-epidemic fine arts works in Kaiping and Jiangmen.

In 2020, fu Ju was collected by National Art Museum of China.

In 2021, "Going to War" was collected by the National Museum of China


In 2021, the works will be used in stamp albums issued by China Post, definitive stamps and stamp albums of Japan, and definitive stamps and stamp albums of four European countries.

In 2021, he was specially appointed as the first deputy secretary general of Chinese Couplet Society calligraphy Art Seminar.

In 2021, lotus flower looks red was collected by the Embassy of Togo.

Beijing, March 2021

He was invited to participate in the Chinese Artists Spring Festival Gala held by CCTV.

October 2021 in Qufu, Shandong province

He was invited to participate in the Award Ceremony of National Outstanding Art Masters held by CCTV.

In October 2021, he was selected into the theme exhibition of Art China of Beijing Metro. As an artist representative, he appeared on Line 1, 2, 3, 5, 8, 10 and 13 of Beijing Metro, crossing Chang 'an Avenue to pay tribute to the motherland.

In October 2021, the work will be used in four European countries (Netherlands, New Zealand, Finland, Luxembourg) definitive stamps, to promote Chinese culture.

October 2021, Shenzhen

The work "Go all out, Fight for Life" was exhibited in the online exhibition of "Protect healthy home, Create Epidemic Free Community" in Shenzhen.

November 2021, Shandong province

His works "Music in the Li Garden" and "Looking back at the Long Street" were selected into the Invitational exhibition of Ink masters, One Hundred Outstanding Contemporary Artists by Shandong Qufuzi Art Museum.

Beijing, December 2021

His works "Music in the Li Garden" and "Looking back at the Long Street" were selected by "Beijing New Silk Road Art Museum" "One Hundred Years of Brilliant Chinese painting and calligraphy masters welcome new Exhibition".
Beijing, December 2021

It was selected into the network media report of "A Monument, a New Starting point" held by the media center of the semi-monthly agency of "Chinese Talents" to show artistic style.

Beijing, December 2021

At the invitation of China Federation of Literary and Art And Beijing TELEVISION Training Center, her works "Together towards the Future" and "Spring Breeze Charm" were exhibited in the "Winter Olympics Ice and snow Art Exhibition".

Beijing, December 2021

At the invitation of "China magazine", she was included in the special issue "A Giant" of China magazine.

作品賞析：

司徒惠霞老師的國畫人物畫，給人的感覺，風(fēng)神灑脫，姿致流麗，造詣顯見。形成了其清新雅逸的風(fēng)格，并且具有了一種比較個人化的藝術(shù)特色。司徒惠霞老師的繪畫題材以人物畫為主。人物畫畫不同于山水畫的講究意境，而重在情趣。然而就人物畫的情趣而言，其與筆墨的審美性，又少不了有著千絲萬縷的關(guān)系。在司徒惠霞的畫筆下，各式人物皆無不隱約著寓勁氣于婀娜的書法意味，而不同的人物描畫，則仿佛是中鋒運筆的草書，既充滿優(yōu)美的運動感，又給人以“游絲之力更堅利多鋒”的審美感受。所有這些，包括富于濃淡墨韻的潑灑，也皆服務(wù)于畫面的整體布局和細微之處的精心描畫，功力自然顯現(xiàn)。

在油畫創(chuàng)作上，司徒惠霞有著很深厚的造詣。她以濃厚的油彩，精微而細膩的筆觸，塑造了一幅幅感情真摯、純樸憨厚的人物畫面，雖沒有華麗色彩，也沒有宏大場景，但依然刻畫得嚴(yán)謹(jǐn)樸實、細膩豐澤，她的畫不僅給觀者帶來畫面視覺的賞心悅目，更是將復(fù)雜變?yōu)閱渭兣c簡潔。其油畫創(chuàng)作，在寫實造型基礎(chǔ)上注意廣泛吸收、大膽探索，明確提出“簡約、詩意”的創(chuàng)作主張，成功創(chuàng)作出一大批題材新穎、筆觸靈動、感染力極強的油畫新作。
司徒惠霞老師的素描更是給人眼前一亮的視覺沖擊，其素描作品中總是透著對藝術(shù)的從容與明慧。

單純簡潔但不枯燥，將各種物體簡化并具體到一些基本的視覺要素，諸如形、色、肌理、刮痕、筆觸等最低限度的視覺符號，同時萃取的物象精華又緊緊與觀賞者的各式各樣的人文背景相關(guān)聯(lián)，進而引起共鳴，在每一次創(chuàng)作中繁簡相依，又在每一次反復(fù)中達到新的境界。塑造了一種特別的表達方式，一種對安靜和諧的追求。

司徒惠霞老師在對自然生活的感悟中提煉出純美的色彩，不經(jīng)意間闡釋出與生俱來的自信與瀟灑。在司徒惠霞的畫面里是一個獨立的世界，體現(xiàn)的是詩人夢境般的自由。

司徒惠霞的人物畫，人物的動態(tài)生動有趣。運用灑脫而簡潔的筆法，生動地表現(xiàn)出人物的神韻，緊緊抓住有利于傳神的眼神、手勢、身姿、面部表情、手勢與步履等重要細節(jié)，每一幅人物的造型安排，筆法及線條處理，都凝聚著畫家對精神超越的理解和反思張力的注釋與回味，氣韻形似跌宕，形似和氣韻交融。
在司徒惠霞的畫中能看到很多不同特定的人物生活場景，精準(zhǔn)地再現(xiàn)了特定時期、特定地域的風(fēng)土人情和生活故事， 她油畫技法語言已經(jīng)形成自己的風(fēng)格。
整體來看，司徒惠霞的藝術(shù)情趣總體上是朝著清幽、雅逸、婉約方向發(fā)展。細品司徒惠霞的國畫作品，處處洋溢著恬靜。畫家在不同作品中的表現(xiàn)手法盡管不拘一格，但卻能在紛亂和迷離中尋找一種自我秩序，從而將人與自然完美地融合在一起。不僅如此，司徒惠霞在意境的塑造上還洋溢著濃濃的現(xiàn)實生活氣息，加之她本人的機趣靈敏和獨得自然的造化滋養(yǎng)，使得炫彩多姿的畫面又平添了幾分柔情。這樣的作品所給予人們的，是一種非常精致的感性享樂，同時也直接決定了她的市場。