8月13日15:00，首屆天津茱莉亞鋼琴藝術(shù)節(jié)將舉行閉幕音樂會(huì)。鋼琴節(jié)特別邀請(qǐng)指揮家陳琳、鋼琴家陳薩與蘇州交響樂團(tuán)，他們將合作呈現(xiàn)肖邦《E小調(diào)第一鋼琴協(xié)奏曲》。

同時(shí)，通過鋼琴節(jié)協(xié)奏曲排練選出的3位優(yōu)秀青少年學(xué)員江起帆、蔚倚諾、周芃呈，他們將分別與指揮家賴嘉靜及青心室內(nèi)樂團(tuán)合作，每人演出一首協(xié)奏曲的一個(gè)樂章。

本場(chǎng)音樂會(huì)對(duì)外售票，邀請(qǐng)觀眾走進(jìn)天津茱莉亞學(xué)院位于天津?yàn)I海的地標(biāo)性校園，藝術(shù)家們將使用學(xué)院最先進(jìn)的教學(xué)設(shè)施和表演場(chǎng)地帶來(lái)精彩的演出。

【購(gòu)票通道】

票價(jià)：480/380/280/180/80 元

本場(chǎng)演出為實(shí)名制電子票，無(wú)需兌換紙質(zhì)票。

購(gòu)票后可在公眾號(hào)內(nèi)回復(fù)“訂單”查詢訂單詳情。

此外，為了讓更多無(wú)法前來(lái)現(xiàn)場(chǎng)的觀眾有機(jī)會(huì)感受天津茱莉亞鋼琴藝術(shù)節(jié)，我們將通過下列平臺(tái)直播本場(chǎng)音樂會(huì)：天津茱莉亞學(xué)院官網(wǎng)、視頻號(hào)、微博、bilibili，今日音樂視頻號(hào)和庫(kù)客音樂視頻號(hào)。

演出曲目｜Program

約翰·塞巴斯蒂安·巴赫（1685-1750）

D小調(diào)第一協(xié)奏曲，BWV 1052

????????Ⅰ.?快板

賴嘉靜，指揮

江起帆，鋼琴

青心室內(nèi)樂團(tuán)

JOHANN SEBASTIAN BACH (1685-1750)

Concerto No. 1 in D Minor, BWV 1052

????????Ⅰ.?Allegro

Jiajing Lai, Conductor

Qifan Jiang, Piano

QingXin Ensemble

————

約瑟夫·海頓（1732-1809）

D大調(diào)第十一鋼琴協(xié)奏曲，Hob. XVIII/11

????????Ⅰ.?活潑生動(dòng)的

賴嘉靜，指揮

蔚倚諾，鋼琴

青心室內(nèi)樂團(tuán)

JOSEPH HAYDN (1732-1809)

Keyboard Concerto No. 11 in D Major, Hob. XVIII/11

????????Ⅰ.?Vivace

Jiajing Lai, Conductor

Yinuo Wei, Piano

QingXin Ensemble

————

沃爾夫?qū)ぐⅠR德烏斯·莫扎特（1756-1791）

A大調(diào)第十二鋼琴協(xié)奏曲，K. 414

????????Ⅰ.?快板

賴嘉靜，指揮

周芃呈，鋼琴

青心室內(nèi)樂團(tuán)

WOLFGANG AMADEUS MOZART (1756-1791)

Piano Concerto No. 12 in A Major, K. 414

????????Ⅰ.?Allegro

Jiajing Lai, Conductor

Pengcheng Zhou, Piano

QingXin Ensemble

————

弗雷德里克·肖邦（1810-1849）

E小調(diào)第一鋼琴協(xié)奏曲，作品11

????????Ⅰ.?莊嚴(yán)的快板

????????Ⅱ.?浪漫曲—小廣板

????????Ⅲ.?回旋曲—活潑的

陳琳，指揮

陳薩，鋼琴

蘇州交響樂團(tuán)

FRéDéRIC CHOPIN (1810-1849)

Concerto No. 1 in E Minor, Op. 11

????????Ⅰ.?Allegro maestoso

????????Ⅱ.?Romanze—Larghetto

????????Ⅲ.?Rondo—Vivace

Chen Lin, Conductor

Sa Chen, Piano

Suzhou Symphony Orchestra

本場(chǎng)演出曲目以現(xiàn)場(chǎng)演奏為準(zhǔn)。

The program is subject to the performance of the day.

陳琳，指揮

Chen Lin, Conductor

陳琳，指揮家、中央音樂學(xué)院指揮專業(yè)教授、系主任、中國(guó)指揮學(xué)會(huì)副會(huì)長(zhǎng)。

作為當(dāng)下備受矚目的一線指揮家，陳琳活躍在世界的各個(gè)重要舞臺(tái)上，與國(guó)內(nèi)外眾多優(yōu)秀樂團(tuán)及歌劇院都有著成功的合作，如中國(guó)愛樂樂團(tuán)、中國(guó)交響樂團(tuán)、國(guó)家大劇院管弦樂團(tuán)、中央歌劇院、杭州愛樂樂團(tuán)、廣州交響樂團(tuán)、深圳交響樂團(tuán)、日本齋藤秀雄紀(jì)念音樂節(jié)、法國(guó)廣播愛樂樂團(tuán)、德國(guó)斯圖加特室內(nèi)樂團(tuán)等。

近年來(lái)，陳琳多次受邀參加國(guó)內(nèi)外重要藝術(shù)活動(dòng)，以過硬的業(yè)務(wù)能力與非凡的藝術(shù)造詣無(wú)可辯駁地證明了其在業(yè)內(nèi)突出的影響力。2021年執(zhí)棒國(guó)家大劇院管弦樂團(tuán)，代表中國(guó)的文藝工作者與全球上百位藝術(shù)家共同參與了達(dá)沃斯論壇開幕式的線上演出；2018年在紐約林肯表演藝術(shù)中心執(zhí)棒茱莉亞學(xué)院管弦樂團(tuán)演出諸多一流中國(guó)作曲家的作品；同年再度于紐約卡內(nèi)基音樂廳指揮中央音樂學(xué)院新作品音樂會(huì)。2019年與哥本哈根愛樂樂團(tuán)成功舉辦了“熊貓組曲”《璽徙喜》世界首演音樂會(huì)。

作為指揮專業(yè)教授，陳琳也著力于青年指揮的培養(yǎng)與教育，多位學(xué)生在國(guó)際賽事中獲獎(jiǎng)，包括本科生尹炯杰榮獲2019年波蘭卡羅·利平斯基國(guó)際指揮比賽第一名、布加勒斯特國(guó)際青年指揮比賽半決賽入圍獎(jiǎng)、2021年第57屆法國(guó)貝桑松國(guó)際青年指揮家比賽“特別提名獎(jiǎng)”、弗羅茨瓦夫·利平斯基國(guó)際音樂大賽指揮比賽第一名（金獎(jiǎng)）；賴嘉靜（現(xiàn)國(guó)家大劇院管弦樂團(tuán)助理指揮）榮獲2018年首屆OFUNAM國(guó)際指揮大賽第二名和“OFUNAM”特別獎(jiǎng)等。

2017年陳琳參與了中央音樂學(xué)院交響樂團(tuán)的創(chuàng)辦，該樂團(tuán)現(xiàn)已成為一支高質(zhì)量、國(guó)際化的職業(yè)樂團(tuán)。2016年創(chuàng)辦青年音樂家培養(yǎng)計(jì)劃并擔(dān)任藝術(shù)總監(jiān)。

Chen Lin is one of the most promising, talented female conductors that China has brought to the world. Born in Heilongjiang, China, in 1978. Chen Lin received her first piano lesson when she was five years old. At the age of thirteen, she won the grand prix in the young children category of the second Heilongjang Youth Piano Competition.

In 1993, when she was fifteen, Chen Lin was admitted to the junior high school affiliated with Beijing Central Conservatory of Music and started studying composition. In 1996, she entered the Central Conservatory of Music where she studied conducting under Yu Feng.

Chen Lin was a finalist in the Besan?on International Conductors' Competition in 1999, 2001 and 2003. She made her debut at theTanglewood Music Festival, USA, in 2000, at the recommendation of Seiji Ozawa.

Since 2003, Chen Lin has been participating in Seiji Ozawa Ongaku-juku as an associate conductor for opera performances of Die Fledermaus, La bohème and Il barbiere di Siviglia. The same year in 2003, recommended by Seiji Ozawa, Chen Lin made her successful debut in Japan by conducting the Osaka Century Symphony Orchestra at the Izumi Hall, a prestigious concert hall in Japan.

In 2004, Chen Lin was appointed Professor of Central Conservatory of Music, Beijing, immediately upon her graduation from the school as a Master’s student of Conducting. In the following year, she was appointed Assistant Field Service Professor of Ensembles and Conducting of the University of Cincinnati College-Conservatory of Music (CCM), and Music Director of CCM Concert Orchestra.

In 2006, she appeared at the Saito Kinen Festival in Japan and conducted operas for the Young People and Children's Concert. In 2007, she won the second prize of The 8th Grzegorz Fitelberg International Competition for Conductors. In 2009- 2010, she was invited to conduct Stuttgart Chamber Orchestra.

While the China National Opera House premiere of Die Fledermaus conducted by Chen Lin in 2011 is considered a milestone of her career, the Saito Kinen Orchestra debut of hers made on 6 September 2013 has marked yet another major success.

In 2015 Chen Lin was invited by China National Opera House again to conduct Puccini’s Tosca in Beijing. From 2014 to 2016, while the Taiwan Creation Opera Institute performances of Puccini’s La Bohème and Mozart’s Così Fan Tutte conducted by Chen Lin are instant successes.

Chen Lin has conducted Saito Kinen Orchestra, Stuttgart Chamber Orchestra, Orchestre de Picardie, Tanglewood Festival Orchestra, Cincinnati College-Conservatory of Music Philharmonic Orchestra,Seiji Ozawa Ongaku-juku Orchestra, Century Orchestra Osaka, China NCPA Orchestra, China National Oepra House, Shenzhen Symphony Orchestra, Beijing Symphony Orchestra, Hangzhou Philharmonic Orchestra and Shanghai philharmonic Orchestra.

Chen Lin is currently a professor in the conducting department of the Central Conservatory of Music, Beijing.

陳薩，鋼琴

Sa Chen, Piano

中國(guó)鋼琴家陳薩，被英國(guó)BBC譽(yù)為“當(dāng)今最具魅力的鋼琴家之一”，也是唯一一位曾在利茲、肖邦和范·克萊本三大國(guó)際鋼琴賽事中均獲大獎(jiǎng)的中國(guó)人，波蘭政府頒發(fā)的“肖邦藝術(shù)護(hù)照”獲得者，以及2021年波蘭肖邦國(guó)際大賽最年輕評(píng)委。越來(lái)越多的觀眾在傾心著屬于陳薩的聲音。她的演奏被音樂界譽(yù)為“既能柔情似水，又可以力拔山兮”；“讓你感受到美的同時(shí)展現(xiàn)著一股如同地下火山般的熱情”。

陳薩受邀與世界知名樂團(tuán)合作，其中包括以色列愛樂樂團(tuán)、日本NHK交響樂團(tuán)、舊金山交響樂團(tuán)、美國(guó)洛杉磯愛樂樂團(tuán)、倫敦愛樂樂團(tuán)、法國(guó)廣播交響樂團(tuán)、德國(guó)科隆西德廣播交響樂團(tuán)、意大利圣切契利亞管弦樂團(tuán)等。同樣熱愛室內(nèi)樂演奏的她，也在全球各地久負(fù)盛名的音樂節(jié)亮相：如奧地利的洛肯豪斯室內(nèi)樂音樂節(jié)、薩爾茨堡音樂節(jié)、波蘭杜齊尼基的肖邦音樂節(jié)、德國(guó)魯爾鋼琴節(jié)、俄羅斯圣彼得堡鋼琴藝術(shù)節(jié)等。

近兩年，陳薩世界巡演的高光時(shí)刻包括俄羅斯馬林斯基劇院亮相圣彼得堡鋼琴節(jié)、巴黎香榭麗舍劇院首秀、第26屆新加坡國(guó)際鋼琴節(jié)開幕演出以及在韓國(guó)首爾為紀(jì)念冬奧一周年的大型盛演。在2020不同尋常的一年也為了紀(jì)念偉大作曲家貝多芬，陳薩在復(fù)演之后率先在中國(guó)十多個(gè)城市舉辦了貝多芬奏鳴曲獨(dú)奏專場(chǎng)和協(xié)奏曲音樂會(huì)，其“深入錘煉后高度個(gè)性化的演繹”為大家?guī)?lái)了久違的感動(dòng)，并受到業(yè)內(nèi)和愛樂者的高度贊譽(yù)。

陳薩曾被列入東京著名的“二十一世紀(jì)百位偉大的鋼琴家”系列；同時(shí)也是《留聲機(jī)》雜志（中文版）創(chuàng)刊號(hào)的封面焦點(diǎn)人物。2010年，在肖邦誕辰200年之際，波蘭政府授予陳薩“肖邦藝術(shù)護(hù)照”，以褒獎(jiǎng)她在演奏肖邦音樂方面的卓越與貢獻(xiàn)。同時(shí)她也被法國(guó)《時(shí)裝》雜志評(píng)選為最受矚目的十大中國(guó)藝術(shù)家之一。

迄今陳薩擁有十張唱片全球發(fā)行。曾與日本的JVC和IMC廠牌、肖邦國(guó)際大賽和法國(guó)Harmonia Mundi公司、荷蘭的Pentatone唱片公司合作出版并發(fā)行多張專輯。其中《肖邦鋼琴協(xié)奏曲專輯》被英國(guó)古典調(diào)頻評(píng)選為當(dāng)月最佳唱片，并稱（她的演奏）是“發(fā)自靈魂深處的演繹”。另為瑞典唱片公司BIS錄制了和臺(tái)北國(guó)樂團(tuán)合作的中國(guó)作品專輯，被英國(guó)BBC音樂雜志稱“這是迄今聽過的最有意思、最成功的現(xiàn)代中國(guó)音樂專輯”。為了追求更多的創(chuàng)作自由和多元化探索，陳薩和她的工作室團(tuán)隊(duì)獨(dú)立出品發(fā)行了獨(dú)奏專輯《德彪西24首前奏曲》, 合作的錄音總監(jiān)是與慕尼黑愛樂樂團(tuán)、捷杰耶夫大師、小提琴家弗蘭克·彼得·齊默爾曼等一起工作的約翰·穆勒先生，視覺設(shè)計(jì)由建筑設(shè)計(jì)師胡如珊和她的如恩設(shè)計(jì)研究室呈現(xiàn)。2021年9月，陳薩與環(huán)球音樂Decca唱片合作發(fā)行最新獨(dú)奏專輯《肖邦夜曲全集》。

陳薩熱衷于支持中國(guó)原創(chuàng)新作品的演出，包括了2013年她受邀與巴塞爾室內(nèi)樂團(tuán)合作首演了中國(guó)作曲家王西麟的鋼琴協(xié)奏曲以及2016年與國(guó)家大劇院管弦樂團(tuán)合作首演了由澳籍華人作曲家于京君所創(chuàng)作的現(xiàn)代鋼琴協(xié)奏作品《新起板》。

除了日常演出的行程之外，陳薩也積極參與慈善公益事業(yè)。作為受邀藝術(shù)家，她曾受到世界銀行和挪威政府的邀請(qǐng)，加入到對(duì)其極為重要的環(huán)保項(xiàng)目之一，并與中國(guó)國(guó)家交響樂團(tuán)首演了《呼喚綠色——多媒體協(xié)奏曲》并在各地巡演；2015年4月，她再次受邀在美國(guó)華盛頓舉行的“全球公民地球日”活動(dòng)中擔(dān)任古典音樂嘉賓并為在場(chǎng)的上萬(wàn)觀眾現(xiàn)場(chǎng)演出并講演呼吁環(huán)保；同時(shí)她也曾造訪中國(guó)地區(qū)的特殊教育學(xué)校并為患有聽覺障礙且正在恢復(fù)聽力的學(xué)生們演奏；作為鵬瑞基金“瑞藝天使”導(dǎo)師團(tuán)成員，陳薩與懷抱音樂天分的盲童女孩同臺(tái)演出，共同聯(lián)手傳遞音樂的力量。2020年疫情期間，陳薩受邀出席了聯(lián)合國(guó)教科文組織“ResiliArt堅(jiān)韌藝術(shù)”全球首場(chǎng)線下論壇，分享對(duì)行業(yè)的反思與展望。

從2016年開始，陳薩在少量卻意義非凡的國(guó)際鋼琴賽事中出任評(píng)委，包括第11屆悉尼國(guó)際鋼琴比賽、第61屆意大利費(fèi)魯喬·布索尼鋼琴大賽、第19屆英國(guó)利茲鋼琴大賽，以及2021年在波蘭華沙舉行的第18屆肖邦國(guó)際鋼琴大賽。

Chinese pianist Chen Sa has established herself as “one of the most charismatic pianists of her generation”. She has started with earning critical acclaims at Leeds, Chopin and Van Cliburn since her early teens then began her professional performing career worldwide with? her evocative playing. Praised for her poetic sensitivity and intimacy of playing, her music was described as “makes you feel the lyrical beauty, but at the same time shows a volcanic underground and the enormous potential of desperation of the music.”

Sa performed with many prestigious orchestras, the Israel Philharmonic Orchestra, NHK Symphony Orchestra, San Francisco Symphony Orchestra, Los Angeles Philharmonic, London Philharmonic Orchestra, Orchestre Philharmonique de Radio France, WDR Symphony Orchestra, Orchestra dell’ Accademia Nazionale di Santa Cecilia, Royal Stockholm Symphony Orchestra, Moscow Philharmonic, China Philharmonic Orchestra, Shanghai Symphony Orchestra, National Symphony Orchestra and so on. The enthusiasm of chamber music has brought her to appear in some historical music festivals such as Lockenhaus Festival, Salzburg Festival, Dusznicki Festival, Ruhr Piano Festival, and St. Petersburg Piano Festival.

Highlights of Chen Sa’s recent seasons included the debut in Marinskii Theater in St. Petersburg, Champs Elysees Theater in Paris，the 26th Singapore International Piano Festival in Victoria Concert Hall, and Pyeong-Chang Winter Olympic Game 1st Anniversary Gala Concert.

Sa was nominated for the esteemed Tokyo series “The 100 Greatest Pianists” and as the cover artist of the launching issue of Gramophone magazine Chinese edition. She was also named by the French magazine “L’OFFICIEL” as one of the “Top ten Chinese Artists” and the Polish Government honored the Chopin Art Passport to Chen Sa in 2010, for her unique interpretation and achievement in Chopin’s music.

Up till now Sa has 10 audio albums. Three solo albums with JVC and IMC label in Japan, two live recordings from both Chopin and Cliburn competition were published by the Chopin Competition Warsaw and Harmonia Mundi, then three albums with Pentatone in Neatherland, of which two featured Chopin Piano Concerti, Grieg Piano Concerto and Rachmaninoff Concerto plus one Russian Solo Piano Works. Classical FM selected her Chopin Album as the “ Best CD of the Month” for her “soulful performance ”. She then recorded a Chinese Compositions album for BIS which she had experienced piano concerti with Chinese instruments instead, was described as “the most interesting and successful recording of new Chinese music so far” by BBC Music Magazine. In pursuance of wider comprehensive creativity freedom, Sa and her office ATELIERSA China came together with recording producer Johannes Mueller and Neri & Hu Design and Research Office, for her solo album of complete Preludes by Claude Debussy with a special graphic design. All albums are all published on Apple Music Global. The latest album of Chopin 21 Nocturnes was releasing in Sep.2021 with Decca lable.

Chen Sa continuously supports Chinese modern compositions and gave premiere performances of piano concertos “Xinqiban” (2016) by Australian based Chinese composer Julian Yu, and Piano Concerto (2006) by Wang Xilin, premiered it with Basel Chamber Orchestra in 2013.

Aside from her regular performance schedule, Sa engages herself in charity work as well. She was invited as Classical Artist to be part of project that World Bank and the Norwegian government premiered the multimedia piano concerto ‘Green Call‘ and toured it in China; also appeared as the only classical artist at the “Global Citizen 2015 Earth Day” event in Washington D.C. joined to help promoting environmental protection program. In 2020, Chen Sa was invited to attend the world's first offline forum of the UNESCO "ResiliArt" in Beijing, China.

Since 2016 Chen Sa had invitations to be jury in prestigious competitions, Busoni Concourse Bolzano Italy, Sydney International Competition, Leeds International Piano Competition UK, and the 18th International Chopin Piano Competition in Warsaw.

賴嘉靜，指揮

Jiajing?Lai, Conductor

賴嘉靜自幼熱愛音樂并學(xué)習(xí)鋼琴，是中央音樂學(xué)院、美國(guó)辛辛那提大學(xué)音樂學(xué)院樂隊(duì)指揮雙碩士。她先后師從指揮家陳琳、指揮家馬克·吉布森，指揮家和鋼琴家P.V. 多布羅夫斯基，現(xiàn)于中央音樂學(xué)院指揮系攻讀博士學(xué)位。

2018年，賴嘉靜在墨西哥首屆OFUNAM國(guó)際指揮大賽中獲第二名及樂團(tuán)成員選出的OFUNAM特別獎(jiǎng)，由此開啟其作為指揮家的職業(yè)生涯。2018年至2021年，賴嘉靜任職于中央音樂學(xué)院交響樂團(tuán)。2021年起，她受聘于天津茱莉亞學(xué)院，擔(dān)任合唱、弦樂合奏、指揮選修等課程的大學(xué)預(yù)科教師。

2010年起，賴嘉靜兼任楊鴻年創(chuàng)立的北京愛樂合唱團(tuán)指揮及鋼琴藝術(shù)指導(dǎo)至今，曾在俄羅斯第九屆“尤·法力克-歌唱世界”國(guó)際合唱比賽中獲大賽唯一“最佳器樂伴奏獎(jiǎng)”。2013年，她從全球三百余名指揮中脫穎而出，作為最年輕的指揮受邀參與瑞士琉森音樂節(jié)“伯納德·海丁克大師班”。2014年，她與著名指揮家提爾澤·米科爾森合作，為挪威易卜生國(guó)際中心與挪威北極歌劇中心聯(lián)合制作的歌劇《NORA》擔(dān)任助理指揮及聲樂藝術(shù)指導(dǎo)。2015年，她受邀赴拉文納參加“里卡多·穆蒂”意大利歌劇學(xué)院，隨穆蒂大師學(xué)習(xí)威爾第歌劇《法斯塔夫》，同年在高雄與臺(tái)灣創(chuàng)世歌劇團(tuán)合作，指揮演出莫扎特歌劇《女人心》。2016年，她擔(dān)任國(guó)家大劇院原創(chuàng)兒童歌劇《阿凡提》首演及兩輪復(fù)排演出指揮。2017年，她入選瑞士梅紐因音樂節(jié)國(guó)際指揮大師班。2018年，她在美國(guó)辛辛那提音樂學(xué)院成功指揮演出普契尼歌劇《賈尼·斯基基》。2021年，她在中央音樂學(xué)院成功指揮演出普契尼歌劇《波希米亞人》。

自2016年起，賴嘉靜多次執(zhí)棒國(guó)家大劇院管弦樂團(tuán)、合唱團(tuán)，成功上演國(guó)家大劇院原創(chuàng)兒童歌劇《阿凡提》、《沒頭腦和不高興》，并多次攜樂團(tuán)呈現(xiàn)精彩的樂季音樂會(huì)。2022年，賴嘉靜正式加入國(guó)家大劇院管弦樂團(tuán)并出任助理指揮。

Jiajing Lai is a DMA student in orchestral conducting of Central Conservatory of Music, and also serves as assistant conductor of China National Center for the Performing Arts Orchestra. She recently won the 2nd prize and OFUNAM prize in the 1st OFUNAM International Conducting Competition, and premiered a NCPA production of a chamber opera?A Story About Growing Up.

Born in Hunan, China, Lai studied piano at the Middle School Affiliated to the Xinghai Conservatory of Music in Guangzhou. In 2009, she entered the Central Conservatory of Music in Beijing where she studied conducting under Chen Lin. Lai obtained her Master’s Degree in Orchestral Conducting at the University of Cincinnati College-Conservatory of Music in 2018.

In 2012, Jiajing Lai began to serve as an assistant conductor at China National Opera House. In December, the premiere of her Puccini's?La Bohème?was an instant success. The same year, as the youngest contestant, she was a semi-finalist at the 1st Li Delun National Conducting Competition. In March 2013, she had the honor to be selected by Maestro Bernard Haitink to participate in master class at Lucerne Festival in Switzerland. During 2014-2015, she was appointed as conductor of China Chamber Opera Composing Competition, and was also an assistant conductor and opera coach during the World Premiere of the opera?NORA?at the Tianjin Grand Theater. Other notable performances during the 2015-16 season included?La Traviata?with the China National Opera House in Beijing, and?Così Fan Tutte?with the Creation Opera Institue in Taiwan. In 2017, Lai was invited to participate in Gstaad Conducting Academy, under the direction of Maestro Jaap van Zweden, and made her debut with Gstaad Music Festival?Orchestra.

江起帆，鋼琴

Qifan Jiang, Piano

江起帆，2006年出生于湖北武漢，5歲隨母習(xí)琴，2018年考入武漢音樂學(xué)院附中，師從柴聰聰博士，2021年同時(shí)考入天津茱莉亞學(xué)院大學(xué)預(yù)科部，師從王笑寒教授。曾獲得第七屆亞洲肖邦國(guó)際鋼琴比賽冠軍，第九屆施坦威青少年鋼琴比賽總決賽第四名，2019年珠江·愷撒堡國(guó)際青少年鋼琴比賽總決賽三等獎(jiǎng)，第十屆深圳鋼琴公開賽第三名，第二屆Napolinova國(guó)際鋼琴比賽三等獎(jiǎng)，第十三屆中國(guó)音樂金鐘獎(jiǎng)鋼琴比賽總決賽復(fù)賽入圍證書等。

Qifan Jiang, born in Wuhan, Hubei in 2006, started studing piano with his mother at the age of 5. He was admitted to the affiliated middle school of Wuhan Conservatory of Music in 2018, studying with Dr. Congcong Chai and also began studying at the Tianjin Juilliard School Pre-College under the tutelage of Prof. Xiaohan Wang. Qifan has won the championship of the 7th Asian Chopin International Piano Competition, fourth place in the 9th Steinway Youth Piano Competition, third place in the 2019 Pearl River-Kayserburg International Youth Piano Competition, third place in the 10th Shenzhen Piano Open Competition, third place in the 2nd Napolinova International Piano Competition, and was a finalist of the China Golden Bell Award.

蔚倚諾，鋼琴

Yinuo Wei, Piano

蔚倚諾，2012年出生于杭州，5歲起開始學(xué)習(xí)鋼琴，師從浙江音樂學(xué)院鋼琴系副教授吳曉。他曾獲第十九屆星海杯全國(guó)鋼琴比賽杭州賽區(qū)兒童A組一等獎(jiǎng)，2023愷撒堡國(guó)際青少年鋼琴大賽杭州賽區(qū)一等獎(jiǎng)?，F(xiàn)師從天津茱莉亞學(xué)院李姝瑤老師，并于2023年6月考入天津茱莉亞學(xué)院大學(xué)預(yù)科部，即將隨邵丹教授學(xué)習(xí)。

Born in Hangzhou in 2012, Yino Wei began his piano studies at the age of 5 under the tutelage of Xiao Wu, Associate Professor of Piano of the Zhejiang Conservatory of Music. He was awarded first prize of the 19th Hsinghai Cup National Piano Competition (Hangzhou Region) Children's A Group, and first prize of the 2023 Pearl River-Kayserburg International Youth Piano Competition (Hangzhou Region). He currently studies under Ms. Siyao Li at the Tianjin Juilliard School. In June 2023, he was admitted to the Tianjin Juilliard School Pre-College as a piano major in the studio of Dan Shao.

周芃呈，鋼琴

Pengcheng Zhou, Piano

周芃呈，2009年出生于上海，4歲開始學(xué)習(xí)鋼琴，現(xiàn)就讀于上海音樂學(xué)院附中，師從著名鋼琴教育家、上海音樂學(xué)院鋼琴碩士生導(dǎo)師楊韻琳教授，多次獲得人民獎(jiǎng)學(xué)金和牛恩德獎(jiǎng)學(xué)金。她曾榮獲2021第二屆PRM環(huán)太平洋音樂大賽少年專業(yè)組特等獎(jiǎng)；2022第二十九屆肖邦國(guó)際青少年鋼琴比賽中國(guó)區(qū)總決賽暨國(guó)際選拔賽專業(yè)2組第一名；2023第七屆KAWAI亞洲鋼琴大賽（上海賽區(qū)）少年組一等獎(jiǎng)；2023第十二屆深圳鋼琴公開賽專業(yè)兒童組第二名。

Pengcheng Zhou, born in 2009 in Shanghai, began to learn piano at the age of 4. She is now studying in the Middle School Affiliated to Shanghai Conservatory of Music under the tutelage of Prof. Yunlin Yang. Pengcheng has been awarded the People's Scholarship and the Niu Ende Scholarship multiple times. She won the grand prize in the Junior Professional Group of the 2nd PRM Pacific Rim Music Competition in 2021, first prize in the Professional 2 Group of the 2022 International Fryderyk Chopin Piano Competition for Children and Youth in China, first prize in the Junior Group of the 7th KAWAI Asia Piano Competition (Shanghai Region) in 2023, and second prize in the Professional Children's Group of the 12th Shenzhen Piano Open Competition in 2023.

蘇州交響樂團(tuán)

Suzhou Symphony Orchestra

2016年11月18日，由蘇州市和蘇州工業(yè)園區(qū)合力組建的蘇州交響樂團(tuán)正式成立。蘇交由來(lái)自18個(gè)國(guó)家和地區(qū)的近80位優(yōu)秀樂手組成，是一支年輕的職業(yè)交響樂團(tuán)。成立六年來(lái)，蘇交已經(jīng)發(fā)展成為了國(guó)內(nèi)外具有影響力的交響樂團(tuán)，“蘇交經(jīng)驗(yàn)”作為國(guó)內(nèi)院團(tuán)改革范例，被中宣部在全國(guó)推廣。

在音樂總監(jiān)陳燮陽(yáng)與首席指揮許忠的帶領(lǐng)下，蘇交策劃并完成了兼顧古典音樂藝術(shù)與普及推廣的音樂季。成立至今，蘇交已與眾多國(guó)內(nèi)外一流藝術(shù)家合作，如羅伯特·阿巴多、丹尼爾·歐倫、克里斯蒂安·阿明、艾森巴赫、安妮-索菲·穆特、譚盾、王健、劉詩(shī)昆、盛宗亮、和慧、楊光、夏維爾·梅賽特、呂思清、寧峰、秦立巍、楊雪霏等。

蘇交自成立以來(lái)，成功舉辦了大型音樂活動(dòng)及國(guó)際音樂賽事，架起了蘇州與世界文化的溝通橋梁。2017年至今，先后舉辦了兩屆金雞湖鋼琴比賽和金雞湖作曲比賽。2019年10月13日蘇交舉辦了“我和我的祖國(guó)—千人交響音樂會(huì)”。四大交響樂團(tuán)攜手六大合唱團(tuán)，以近千人的規(guī)模，共同奏響祝福祖國(guó)的華美樂章。

2017年蘇交首度走出國(guó)門，于法國(guó)迪耶于茲、德國(guó)薩爾布呂肯成功演出。此后分別前往上海大劇院、香港文化藝術(shù)中心、北京國(guó)家大劇院、北京音樂廳、新加坡濱海藝術(shù)中心、臺(tái)北兩廳院、東京三得利音樂廳、神戶國(guó)際會(huì)館、澳門文化中心等知名場(chǎng)館演出。2019年2月8日，應(yīng)中國(guó)常駐聯(lián)合國(guó)代表團(tuán)邀請(qǐng)，蘇交于紐約聯(lián)合國(guó)總部演出。這是聯(lián)合國(guó)首次在新春時(shí)節(jié)舉辦音樂會(huì)，也是年輕的蘇交憑借過硬綜合實(shí)力向世界發(fā)聲的體現(xiàn)。2019年7月，蘇交隨江蘇省原創(chuàng)歌劇《拉貝日記》前往柏林國(guó)家歌劇院、漢堡易北愛樂音樂廳和維也納羅納赫劇院演出。

2022年7月，蘇州文化投資發(fā)展集團(tuán)與蘇州市教育局合力組建蘇州青少年交響樂團(tuán)，蘇交為其提供專業(yè)指導(dǎo)。蘇青交是蘇州首支由職業(yè)樂團(tuán)管理的青少年交響樂團(tuán)，它的組建開啟了政企協(xié)同推進(jìn)美育高質(zhì)量發(fā)展的新篇章。2023年2月5日，蘇青交于蘇交2023新春音樂會(huì)首演亮相。

蘇州金雞湖音樂廳是蘇交的駐地，由當(dāng)今世界最富聲望的聲學(xué)設(shè)計(jì)大師豐田泰久先生擔(dān)綱聲學(xué)設(shè)計(jì)。金雞湖音樂廳不僅是蘇交樂季演出、藝術(shù)教育、重大活動(dòng)的絕佳場(chǎng)地，更是蘇州新增的重要文化地標(biāo)。

在促進(jìn)傳統(tǒng)蘇州文化與西方交響樂藝術(shù)交流融合的同時(shí)，蘇交將不忘服務(wù)大眾、普及高雅藝術(shù)的建團(tuán)初心，切實(shí)成為蘇州的文化大使和藝術(shù)領(lǐng)軍者。

Co-founded by the City of Suzhou and the Suzhou Industrial Park in 2016, the Suzhou Symphony Orchestra (SZS) has positioned itself as one of China’s most dynamic orchestras. Characterized by experience combined with youth, the musicians of the Suzhou Symphony Orchestra represent 18 countries/regions across four continents. The "Best Practice of SZS", as a model of the reform of domestic performing arts industry, was promoted by the Publicity Department of the CPC Central Committee

Under the stewardship of Music Director CHEN Xieyang and Chief Conductor XU Zhong, the Suzhou Symphony Orchestra has conceived challenging, illuminating and entertaining programs that encompass a broad range of repertoire with stylistic diversity and technical rigor. Since its inception the orchestra has enjoyed prestigious collaboration with such musical luminaries as Roberto Abbado, Daniel Oren, Christof Eschenbach, Christian Arming, Thomas R?sner, John Axelrod, Tan Dun, Bright Sheng, Anne-Sophie Mutter, Jian Wang, He Hui, Guang Yang, Xavier de Maistre, Liwei Qin, Siqing Lv, Feng Ning, Xuefei Yang, among others.?

In 2017 & 2021, the SZS presented the Jinji Lake International Piano Competition, and further pushed the boundaries of symphonic innovation by sponsoring the Jinji Lake International Composition Competition in 2018 & 2021. The “Symphony of a Thousand” concert presented at the Suzhou Olympic Center in 2019 added a milestone to the SZS’s impressive resume of hosting large-scale musical events of international calibre.?

2017 has taken the SZS to France and Germany, and to Hong Kong and Shanghai for a full agenda of opera and concerts. Then the Orchestra shared its music with audiences in the National Centre for the Performing Arts in Beijing, Beijing Concert Hall, Esplanade Concert Hall in Singapore, NTCH Concert Hall in Taipei, Suntory Hall in Tokyo, the Kobe International Hall and Macao Cultural Centre. At the invitation of the Chinese Ambassador to the UN, the SZS gave the first-ever concert celebrating Chinese New Year hosted at the United Nations General Assembly Hall in February 2019. In collaboration with the Jiangsu Grand Theatre in their production of “Diary of John Rabe”, the SZS performed at the Staatsoper Berlin Unter den Linden, Hamburg Elbphilharmonie and Ronarcher Theatre in Vienna.?

In July 2022, Suzhou Cultural Investment and Development Group Co., Ltd. and the Suzhou Municipal Education Bureau formally established the Suzhou Youth Symphony Orchestra (SYSO). The SZS provides professional instruction for the SYSO. As the first youth symphony orchestra managed by a professional orchestra in Suzhou, SYSO opens a new chapter of high-quality aesthetic education driven by the government and enterprises. On Feb 5, 2023, the SYSO debuted at the SZS's 2023 Chinese New Year Concert.

From its home base – the Jinji Lake Concert Hall designed by world-class acoustician Yasuhisa Toyota, the SZS has proven itself a leader in organizing premier musical events and spearheading the education of classical music in Suzhou with fully implemented chamber music series and community engagement programs.

Determined to develop the appreciation of music from the root, the Suzhou Symphony Orchestra remains committed as a culture ambassador and a champion of the arts for Suzhou.

青心室內(nèi)樂團(tuán)

QingXin Ensemble

“青心”——初心常在，藝術(shù)長(zhǎng)青。青心匯聚了一眾具有國(guó)際視野的年輕人，懷揣著對(duì)藝術(shù)的赤誠(chéng)之心，以合作藝術(shù)探索無(wú)邊音樂。

青心室內(nèi)樂團(tuán)成立于2021年，主要由紐約茱莉亞學(xué)院和天津茱莉亞學(xué)院的優(yōu)秀畢業(yè)生組成，期待深度挖掘音樂家的社會(huì)職能，傳遞新一代音樂家演奏理念。通過持續(xù)策劃并呈現(xiàn)高質(zhì)量且具有創(chuàng)新性的藝術(shù)演出，青心室內(nèi)樂團(tuán)不僅立志于打造國(guó)際一流室內(nèi)樂團(tuán)，更希望成為年輕音樂家的筑夢(mèng)基地。樂團(tuán)從樂季策劃到演出宣傳再到日常運(yùn)營(yíng)，均由樂團(tuán)成員獨(dú)立完成，希望這一有益嘗試逐步形成青心良好的生態(tài)與氛圍。

在年輕音樂家邁向職業(yè)生涯的過程中，青心將給予音樂家們大力支持，為他們提供不一樣的舞臺(tái)和視角，完善音樂家的社會(huì)職能。遵循藝術(shù)家引領(lǐng)社會(huì)的理念，樂團(tuán)鼓勵(lì)年輕藝術(shù)家走入社區(qū)，積極參與音樂普及及公共教育——搭建溝通橋梁，與各類教育院校展開合作，進(jìn)行藝術(shù)知識(shí)普及與音樂演奏分享；或深入社區(qū)，訪問當(dāng)?shù)貢^、社區(qū)老人院，讓樂音跨越時(shí)間及空間，實(shí)現(xiàn)“以音樂為媒，以空間會(huì)友”。

“QingXin” refers to Young Heart in Chinese. QingXin Ensemble (QXE) is a home for adventurous spirits to discover and fulfill their passion in music and arts. Founded in 2021, QingXin is a self-operated, professional chamber music ensemble in China comprised of some of the finest classical musicians of this generation.

As one of the pioneers in creatively reshaping the artistic landscape, QXE is a testing ground for young artists to experiment with the outworking of their artistic passions. Being a member of the ensemble, one will not only have opportunities to perform, but also to engage in artistic planning, community outreach, and administrative responsibilities.

QXE’s mission is to actively engage with the community and deliver the highest caliber performances. In 2022, QXE launches its inaugural concert season “Soundscape of History & Modernity” in collaboration with Tianjin Anglican Art Centre, featuring works from Baroque to contemporary periods. QXE will present the finest music in various forms which includes all manner of chamber music, ensemble works, orchestral arrangements, and collaborations with other art forms such as visual arts.