《時代周刊》——跨國文化傳播視界國家藝術(shù)形象代表人物愛新覺羅毓駿
個人簡介:
???????愛新覺羅毓駿,曾用名金毓駿,滿族,1945年生于北京。世界華人華商華僑聯(lián)合總會文化顧問,中國建設(shè)文化研究會新農(nóng)村文化建設(shè)委員會高級藝術(shù)顧問,中國炎黃書畫院院長,北京圣蓮山書畫院院長,北京出版社特聘專家,北京市特級教師。
???????從小受家庭文化熏陶,喜愛書法,臨過顏真卿、歐陽詢、趙孟頫楷書,后習(xí)二王,亦學(xué)臨雍正、乾隆行書,逐漸形成了自己的書寫風(fēng)格。
???????筆力雄健,渾厚圓潤,既端莊秀偉,又法度嚴謹,有雍容華貴的氣韻,用筆豐腴而跌宕,迅疾而勁健。
???????曾經(jīng)在北京、山東舉辦個人書展。亦曾為甄嬛羋月傳等多部影視作品題寫片名,為多處寺廟和風(fēng)景區(qū)題寫碑文及匾額。
Individual Resume:
Aixinjue Luo Yujun, formerly named Jin Yujun, Manchu, was born in Beijing in 1945.Cultural consultant of World Chinese Joint Federation of Overseas Chinese, senior artistic consultant of New Rural Cultural Construction Committee of China Construction Culture Research Association, president of China Yanhuang Calligraphy and Painting Academy, president of Beijing Xianglian Mountain Calligraphy and Painting Academy, special expert of Beijing Press, and a special grade teacher in Beijing.
Influenced by family culture since childhood, I loved calligraphy. Before Yan Zhenqing's regular of Ouyang Xun and Zhao Meng, he learned the second Kings, also learned Yongzheng and Qianlong running , and gradually formed my own writing style.
The pen is vigorous, rich and round, dignified, and rigorous, elegant charm, pen plump and ups and downs, fast and vigorous.
Once held personal book fairs in Beijing and Shandong province.He has also inscribed the title of Zhen Huan films such as the Legend of Miyue and other works, and inscribed inions and plaques for many temples and scenic spots.
作品賞析:
???????書法是源于寫字而高于寫字,書法是寫字的藝術(shù)。藝術(shù)追求的是精神的自由與情感的交融。書法藝術(shù)主要是通過線條的變化以及空間分割變化來實現(xiàn)情緒的變化。愛新覺羅毓駿老師的作品就是如此,留白處有寬有窄,寬處給人以豁然開朗之感,窄處給人以柳暗花明的重逢,這就是他的作品迥乎于其他書法家的魅力所在之一,他的書法渾厚大氣,行筆迅捷,筆路清晰可循,平穩(wěn)端莊,在用筆上十分講究,特點也比較鮮明,善用濃墨,墨色相對重,很少有淡墨或者枯筆出現(xiàn),字跡大小相互錯落,布局嚴謹,這正是老師在繼承基礎(chǔ)上的創(chuàng)新。
???????浩瀚墨海,博大深邃,書道浪激,舟楫難濟,數(shù)千年來,泛舟蕩漿、爭流奮進者后繼不絕,期間有畏難而返、半途而廢者,有折戈沉沙、淪為沒跡淹蹤者。盡曾這是一條艱難的路,但卻有不少持恒誓者登堂入室,他們筆光閃耀,成了墨海的亮點、書壇的魁星,歷史證明,這既是先賢們走向藝術(shù)殿堂的成功之路,也是后學(xué)者唯一的必經(jīng)之路。愛新覺羅毓駿老師銳志持恒,在墨海激蕩幾十余載,他的筆光不僅耀映到藝術(shù)奧堂的宮闕,亦在奮力沖刺的歷程中留下不少輝煌。