諾華園區(qū)的新展館環(huán)繞著有機光伏材料組成的媒體立面。嵌入式雙面LED燈，展示著特別策劃的數(shù)字藝術(shù)，所消耗的電量則由立面本身制造和供給。

諾華館位于瑞士巴塞爾諾華園區(qū)的一座公園中，由建筑師AMDL CIRCLE和Michele De Lucchi設(shè)計，是邂逅和了解生命科學(xué)的地方。這里舉辦永久性的多媒體展覽“醫(yī)學(xué)奇跡”，并擁有會議空間和咖啡館。iart與建筑師合作，為展館打造了一個能夠講述和交流的建筑表皮。

1萬個菱形太陽能電池板及3萬個嵌入式LED面板組成了諾華館的零能耗媒體立面。LED同時向外側(cè)和下方金屬外殼發(fā)光，光線通過半透明的太陽能板反射閃爍。

這種呈現(xiàn)出多層次視覺效果的立面膜片，用于展示三位國際藝術(shù)家Daniel Canogar、Esther Hunziker和Semiconductor與科學(xué)家合作的創(chuàng)作。藝術(shù)作品以細(xì)胞和分子的形狀及顏色為靈感，將可持續(xù)發(fā)展和藝術(shù)與科學(xué)的融合作為主題。每天日落之后，立面會展出這些作品；白天，則由建筑后立面的白色LED展示移動文本。

膜片將有機光伏發(fā)電和LED的結(jié)合，成為零能耗的媒體立面。這意味著立面全年消耗的能源總量（至少）與自身產(chǎn)生的能源量相當(dāng)。

零能耗多媒體立面成為了室內(nèi)與室外的媒介，讓建筑能夠與周圍的城市空間產(chǎn)生對話。由此，諾華館成為了在巴塞爾的許多區(qū)域都清晰可見的一個閃亮地標(biāo)。

作為一家位于瑞士巴塞爾的媒體建筑工作室，iart由Valentin Spiess創(chuàng)立于2001年，利用數(shù)字技術(shù)提升物理空間來呈現(xiàn)新穎的體驗。通過解決復(fù)雜的工程和場景挑戰(zhàn)，并應(yīng)用新興技術(shù)，iart在為建筑環(huán)境無縫融入數(shù)字化方面中樹立了聲譽。迄今為止，與國際知名的建筑師、藝術(shù)家和博物館展開合作，iart在全球已榮獲了眾多設(shè)計類獎項。

iart呈現(xiàn)的媒體建筑作品包括與Christ & Gantenbein合作的巴塞爾藝術(shù)博物館的燈光飾帶、為赫爾佐格和德梅隆設(shè)計的M+博物館打造的媒體立面、與Asif Khan合作為2014年索契奧運會打造的MegaFaces動態(tài)立面，以及2010年上海世博會瑞士館的太陽能科技建筑媒體表皮。

The new exhibition pavilion on the Novartis Campus is enveloped in a media facade comprised of organic photovoltaics. The double-sided embedded LEDs display specially curated digital art and consume only the electricity generated by the facade itself.

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The Novartis Pavillon is located within a park on the Novartis Campus in Basel, Switzerland. Designed by architects AMDL CIRCLE and Michele De Lucchi, the pavilion is a place of encounter and learning about life sciences, hosting "Wonders of Medicine", a permanent multimedia exhibition, as well as meeting spaces and a café. iart created a communicative building skin for the pavilion in collaboration with the architects.

The zero-energy media facade of the Novartis Pavillon consists of a total of 10'000 diamond-shaped solar modules with 30'000 embedded LEDs. The LEDs shine both outwards and in the direction of the metal shell beneath – causing their light to reflect and shimmer through the semi-transparent solar modules.

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This visually multi-layered membrane is used to screen the works of three international artists, Daniel Canogar, Esther Hunziker and Semiconductor. They collaborated with scientists to develop artworks inspired by the shapes and colours of cells and molecules, as well as the themes of sustainability and the convergence of art and science. Their works are shown on the facade every day after sunset. During daytime, the facade displays moving text, using only the white LEDs that face away from the building.

By combining organic photovoltaics and LEDs, the membrane becomes a zero-energy media facade.?This means that the total amount of energy consumed by the facade over a year is (at least) equal to the amount of energy it produces itself.

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The zero-energy media facade acts as an interface between the inside and the outside, allowing the building to enter into a dialogue with the surrounding urban space. It turns the Novartis Pavillon into a luminous icon that is visible from many locations in Basel.

iart is a studio for media architectures based in Basel, Switzerland. Founded in 2001 by Valentin Spiess, iart enhances physical spaces with digital technology, thus enabling novel experiences. By taking on complex engineering and scenographic challenges, and applying emergent technologies, the studio has built a reputation for seamlessly integrating the digital into the built environment. To date, it has collaborated with internationally renowned architects, artists, and museums, garnering numerous design awards around the globe.

Previous media architecture projects include the light frieze at the Kunstmuseum Basel in collaboration with Christ & Gantenbein; the media facade for the Herzog & de Meuron designed M+ Museum; the MegaFaces kinetic facade at the Sochi 2014 Olympic Games, created in partnership with Asif Khan; and a solar-tech infused media skin for the Swiss pavilion at the 2010 Expo in Shanghai.

Fa?ade area:?2,471 ㎡

Active organic photovoltaic area:?1,333 ㎡

10,680 OPV modules

15,120 double-sided LED lights,

30,240 LEDs in total

22,536 tubular elements on supporting structure

11,608 node elements

OPENING:?2022

LOCATION:?Basel

CLIENT:?Novartis

PARTNERS:?Michele de Lucchi – AMDL CIRCLEBlaser Architekten

SERVICES:

Technical Planning, Prototyping, System Development, Software Development, System Integration, Process Management, Requirements Management, Mechanics Development, Operation, Coordination, Electronics Development, Maintenance, Controlling, Media Technical Planning

German Design Award?– Gold

iF Design Award?– Gold

ADC Annual Awards?– Best of Discipline

Media Architecture Biennale Awards?– Winner

Eurobest Award?– Bronze

LIT Lighting Design Award?– Winner

Golden Award of Montreux?– Gold

ADC Annual Awards?– Gold

D&AD Awards?– Wood Pencil

ADC Awards Switzerland?– Silber

ADC Awards Switzerland?– Bronze

ADC Wettbewerb?– Gold

ADC Wettbewerb?– Gold

AZ Awards?– Winner

New York Festivals Advertising Awards?– Bronze

IES Illumination Awards?– Award of Excellence

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