https://second.wiki/wiki/anatoli_sergejewitsch_komarowski

https://www.biografija.ru/biography/komarovskij-anatolij-sergeevich.htm

Anatoly Sergejewitsch Komarowski?(?Russian?Анатолий Сергеевич Комаровский?; born?November 7,?1909?in?Moscow?, ??June 23,?1955?ibid) was a?Russian?musician?.

In 1929 he graduated from the Rachmaninov School of Music, specializing in?violin?.?From 1937 to 1941 he?studied?composition?with?Vissarion Yakovlevich Schebalin?at the?Moscow Conservatory?.?From 1931 to 1933 he was musical director, composer and conductor at the “Theater of Satire” and at the “Rote Fackel” theater in?Novosibirsk?, from 1933 to 1936 principal violinist and?concertmaster?at the Moscow theater “Romen” and from 1936 to 1939 musical director at Dramatic Theater in?Tula?.

In the war years between 1941 and 1945 he directed the dance and singing ensemble of the Kaliningrad Front.?From 1946 to 1947 Komarowski was musical director at the Moscow Guest Music Theater, from 1947 to 1948 musical director at the Moscow Dramatic Theater of the Dzershinsky-Raijons.

Works

• Musical comedy Golden Hearts (1940);

• For choir and symphony orchestra Joy everywhere;

• For symphony orchestras one symphony (1941), one march (1941) and three Romanian dances (1954);

• For violin and symphony orchestra Russian Variations (1938), Concerto No. 1 (1947) and Concerto No. 2 (1950);

• A concerto for clarinet and symphony orchestra (1948);

• A concert for French horn and symphony orchestra (1951, 2nd arrangement 1954);

• For the Small Symphony Orchestra Kolkhoz Suite (1941) and Protjashnaja i Pljasowaja (1948);

• An hymn for string orchestra (1950);

• For a Russian folk instrument orchestra, a fantasy on Russian themes (1940) and variations on a Russian theme (1949);

• For string quartet I (1938) and II (1939);

• For violin, violoncello and piano 8 pieces on folk themes (1950);

• For violin, double bass and piano variations (1951);

• For 2 violins and piano 4 duets on Udmurt themes (1954);

• For violin and piano a theme with variations (1950), Belarusian rapsody (1950), a sonata (1951), Russian song and folk dance (1951), Ukrainian lullaby and shepherd boy (1951), Suite Kolchostag (1951), Am festlichen Feuer und At Work (1951), Little Waltz (1951), Collection of Easy Pieces (1953), 4 Concerts (1954), a Theme with Variations (1954);

• For 2 violin duets (2 books 1952) and 43 studies (1952);

• A rondo for violoncello and piano (1936);

• A serenade for trombone and piano (1940);

• For piano a suite for little ones (1934) and a sonatina (1935);

• For violin 38 etudes (1950–1951);

• For a voice and piano romances;

• For the choir a hymn to work (1946), Song of the Strong (1946) and Harvest (1948);

• A Fantasy on Gypsy Folk Topics for an entertainment orchestra (1941);

• Music for dramatic performances (approx. 40);

• Arrangement of folk songs.