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KAAN建筑事務(wù)所在2016年舉辦的公開(kāi)競(jìng)賽中獲勝，負(fù)責(zé)羅宮博物館的更新與擴(kuò)建，項(xiàng)目借鑒了其巴洛克宮殿及其歷史環(huán)境的布局和比例。這一雄心壯志的項(xiàng)目包括增加5000多平方米的新設(shè)施和空間，精心修復(fù)宮殿并細(xì)致地清除石棉。如今，改造后的羅宮散發(fā)著與自身作為荷蘭最著名和最常參觀的博物館之一的地位相稱(chēng)的宏偉氣質(zhì)。

? Simon Menges

? Simon Menges

始建于1686年的荷蘭羅宮，曾是威廉三世國(guó)王和瑪麗皇后在阿珀?duì)柖鄠惤紖^(qū)狩獵所用的宮殿。當(dāng)?shù)刎S富的森林場(chǎng)地和必要的地下水壓，為巴洛克式的蔥郁花園和豐富水景結(jié)構(gòu)以及壯麗的宮殿基地創(chuàng)造了理想條件。KAAN建筑事務(wù)所的干預(yù)措施根植于建筑與景觀的緊密聯(lián)系。整個(gè)擴(kuò)建部分被置于地下，在不破壞歷史形象的情況下，延續(xù)了整體構(gòu)圖，新的水景則融為建筑的一部分。

Bassecour坐落在宮殿兩翼之間，曾是一座擁有草地花壇和馬匹飲水槽的庭院，如今已轉(zhuǎn)變成一處令人驚嘆的空間：由四個(gè)玻璃表層組成的中央噴泉，每個(gè)表層點(diǎn)綴以天然石材和流動(dòng)的輕薄水面，致敬歷史悠久的花園中的流動(dòng)水景。現(xiàn)在，Bassecour的角色已經(jīng)超越了宮殿的前院，成為了新擴(kuò)建部分的屋頂。四厘米深的淺水池倒映著宏偉的宮殿，日光穿透水面，在下方投射出絢麗的效果。

? Simon Menges

? Simon Menges

入口處均被布局在宮殿側(cè)翼的末端，而非打造醒目入口影響B(tài)assecour的開(kāi)放空間。墻壁上細(xì)膩的大理石鑲嵌物中依然可見(jiàn)歷史的印記，舊結(jié)構(gòu)以中空形式營(yíng)造出天窗般的入口亭。參觀者被引至光線充足的陽(yáng)臺(tái)，該處通往門(mén)廳并設(shè)以所有必備的游客設(shè)施。

? Simon Menges

? Simon Menges

大廳是地下擴(kuò)建部分的中心區(qū)域，沿著中軸線延伸，與原歷史建筑形成了雙重關(guān)聯(lián)。在物理空間上，由拱形樓梯相連的新舊部分共享一處場(chǎng)地；在視覺(jué)上，通過(guò)Bassecour噴泉的玻璃屋頂向上凝視，人們可以看到宮殿。大廳的中心位于噴泉的正下方，地板上的大型風(fēng)向標(biāo)指向擴(kuò)建區(qū)域的中心，邀請(qǐng)游客選擇一個(gè)方向，繼續(xù)前往中央大廳、進(jìn)入展廳、前往東翼或是回到入口陽(yáng)臺(tái)。

? Simon Menges

? Sebastian van Damme

地下擴(kuò)建部分延續(xù)了巴洛克式的對(duì)稱(chēng)構(gòu)圖，平面布局以宮殿的中央建筑作為基礎(chǔ)。原有布局中，前庭擁有一個(gè)中央樓梯及國(guó)王會(huì)面所用的相鄰房間。這一原則在擴(kuò)建部分得以保留，大廳兩側(cè)是展廳，與通往宮殿的樓梯相連。西側(cè)寬敞的方形大廳，擁有近5米的層高，用于舉辦臨時(shí)展覽。上方歷史悠久的西翼中設(shè)有專(zhuān)為兒童開(kāi)發(fā)的博物館，取名少年宮。東翼可由宏偉的樓梯大廳進(jìn)入，奧蘭治常設(shè)展覽館重點(diǎn)展示荷蘭王室的歷史和當(dāng)今活動(dòng)。

? Simon Menges

? Simon Menges

作為干預(yù)措施的一部分，這座歷史建筑經(jīng)過(guò)精心修復(fù)，技術(shù)和空調(diào)系統(tǒng)得到改進(jìn)，為游客提供了更便利的設(shè)施。一座新建的樓梯通往中央建筑屋頂，提供了前所未有的場(chǎng)地景觀。此外，宮殿翼樓進(jìn)行了重大翻新以容納新的展覽空間，與西翼相鄰的舊宴會(huì)廳則被改造為餐廳。

? Simon Menges

? Sebastian van Damme

盡管其建筑表現(xiàn)形式內(nèi)斂而優(yōu)雅，但這座新建筑呈現(xiàn)出與宮殿相得益彰的宏偉和創(chuàng)造力?！澳闼吹降?，你所感受到的，都為建筑的質(zhì)感增色良多，不僅體現(xiàn)在材料的質(zhì)地，還有制作精良的工藝上?！盞AAN建筑事務(wù)所的聯(lián)合創(chuàng)始人、建筑師Dikkie Scipio教授在談到從巴洛克式宮殿中汲取的靈感時(shí)，如此解釋道。

? Sebastian van Damme

樓梯、地板和墻壁飾面被給予了特別關(guān)注，將圖案和材料相融合。噴砂、打磨和拋光的大理石交替層疊出微妙的紋理，水面反射出的自然光線生動(dòng)而活潑。胡桃木門(mén)在大理石白色紋理的基礎(chǔ)上，帶來(lái)了木質(zhì)的溫暖，人們穿行于每一處都能感受到新的空間體驗(yàn)。木紋參考了花園及對(duì)稱(chēng)圖形，展現(xiàn)著單片橙花葉，或成倍增長(zhǎng)的花朵和蝴蝶。這種圖案也應(yīng)用在門(mén)把手、各種家具和餐廳的掛毯上。華麗的織物與金屬線條交織，為墻壁增添了淳美的光澤，以此致敬中央建筑的華麗大廳。

? Simon Menges

? Sebastian van Damme

“設(shè)計(jì)致力于實(shí)現(xiàn)新舊建筑間的平衡和統(tǒng)一，呈現(xiàn)出大于其總和的效果，”Scipio說(shuō)。乍一看，改造和擴(kuò)建幾乎不可見(jiàn)，而是通過(guò)一系列細(xì)致規(guī)劃的功能逐步顯現(xiàn)。每一個(gè)部分都沒(méi)有破壞具有紀(jì)念意義的建筑，而是增強(qiáng)了游客的體驗(yàn)，讓羅宮在未來(lái)仍然能夠發(fā)揮一個(gè)重要文化機(jī)構(gòu)的功能。

? Simon Menges

? Simon Menges

Kees Kaan ?Inga Powilleit

Vincent Panhuysen ?Inga Powilleit

Dikkie Scipio ?Marie Cecile Thijs

KAAN是一家總部位于鹿特丹，在圣保羅和巴黎擁有辦公室的國(guó)際建筑事務(wù)所，在全球范圍內(nèi)開(kāi)展實(shí)踐學(xué)術(shù)相結(jié)合的建筑、城市規(guī)劃和建筑環(huán)境研究的業(yè)務(wù)。

事務(wù)所由Kees Kaan、Vincent Panhuysen和Dikkie Scipio領(lǐng)銜，國(guó)際化的團(tuán)隊(duì)中擁有建筑師、景觀設(shè)計(jì)師、城市規(guī)劃師、工程師和平面設(shè)計(jì)師等專(zhuān)業(yè)人士。KAAN堅(jiān)信項(xiàng)目間的交叉及跨學(xué)科融合及是促進(jìn)公司內(nèi)部關(guān)鍵性交流的重要工具。

自成立以來(lái)，事務(wù)所完成并指導(dǎo)了眾多項(xiàng)目，積極與私營(yíng)和公共部門(mén)開(kāi)展合作。項(xiàng)目的團(tuán)隊(duì)組成更加綜合，充滿(mǎn)活力。KAAN保持著不斷發(fā)展的企業(yè)文化，這在瞬息萬(wàn)變的行業(yè)中至關(guān)重要，作為一家荷蘭設(shè)計(jì)企業(yè)，致力于和客戶(hù)、顧問(wèn)及合作伙伴保持長(zhǎng)期合作關(guān)系。

KAAN的作品超越了傳統(tǒng)的規(guī)模和類(lèi)型概念，從家具、室內(nèi)設(shè)計(jì)到城市開(kāi)發(fā)，從商業(yè)零售、辦公到博物館、康養(yǎng)和教育建筑。圣保羅和巴黎辦公室分別于2015 年和2019 年設(shè)立，擴(kuò)大了KAAN的國(guó)際影響力。兩個(gè)分公司均延續(xù)了荷蘭總部確立的多學(xué)科設(shè)計(jì)方法。

? Sebastian van Damme

? Simon Menges

After winning the commission through a public competition in 2016, KAAN Architecten undertook the renovation and extension of Museum Paleis Het Loo, taking cues from the layout and proportions of the baroque palace and its historic surroundings. The ambitious project involved the addition of over 5000 square metres of new facilities and spaces, a careful restoration of the palace, and a meticulous asbestos removal process. The newly transformed Paleis Het Loo now radiates the grandeur that befits one of the Netherlands' most renowned and frequented museums.

? Simon Menges

Paleis Het Loo was initially constructed in 1686 as a royal hunting palace for King William III and Queen Mary on the outskirts of Apeldoorn. The property's ample forest grounds and necessary underground water pressure created ideal conditions for a baroque composition of lush gardens punctuated with numerous water features and a monumental palace at its base. KAAN Architecten's intervention draws from this inextricable connection between architecture and the landscape. The entire extension is placed underground, and the new water feature is integrated as part of the architecture, continuing the tradition of the overall composition without disrupting the historical image.

Nestled between the palace wings lies the Bassecour, formerly a courtyard with grass parterres and a water trough for horses. Today, it has been transformed into a stunning space with a central fountain and four glass surfaces, each adorned with natural stone and a thin layer of running water, paying homage to the waterworks in the historic gardens. The Bassecour has evolved beyond just the palace forecourt, now serving as the roof of the new extension. The four-centimetre-deep ponds reflect the monumental palace while daylight permeates the water, casting a brilliant effect below.

? Simon Menges

? Simon Menges

Rather than creating a prominent entrance that could encroach on the open Bassecour, the entry points have been positioned at the ends of the palace wings. Traces of the past remain visible in the subtle marble inlays on the walls where the old structure was hollowed out to create the lantern-like entry pavilions. Visitors are guided down to the light-filled balcony, which hosts all necessary visitor facilities and leads into the Foyer.

? Simon Menges

? Simon Menges

The Grand Foyer is the central hub of the underground extension. Stretching along the central axis, it forges a twofold connection with the historic building. Physically, the old and new sections of the palace share a common foundation through a vaulted stairway. Visually, one can behold the palace by gazing upward through the glass roof of the Bassecour ponds. In the heart of the Foyer, directly beneath the fountain, a large wind rose in the floor indicates the centre of the extension and invites visitors to choose a direction - continue to the Corps de Logis, enter the exhibition halls, head towards the east wing, or return to the entrance balcony?

? Simon Menges

The underground extension keeps the symmetrical logic of the baroque composition and the palace's Corps de Logis as the basic floor plan. In the original layout, the vestibule boasts a central staircase and adjoining rooms designated for an audience with the king. This principle is maintained in the extension, where the Grand Foyer, flanked by exhibition halls, connects with the stairway to the palace. To the west of the Grand Foyer, spacious square halls with almost 5-meter-high ceilings host temporary exhibitions. Above them, a museum in the historic west wing has been developed specifically for children called the Junior Palace. Meanwhile, the east wing is accessible through the magnificent staircase hall and highlights the history and present-day activities of the Dutch royal family in a permanent exhibition House of Orange.

? Simon Menges

? Simon Menges

As part of the intervention, the historic building was carefully restored to improve the technology and climate control systems and provide better amenities for visitors. A new staircase was added leading to the roof of the Corps de Logis and offering unprecedented views of the grounds. Additionally, the palace wings underwent significant renovations to accommodate new exhibition spaces, while the old ballroom adjacent to the west wing was transformed into a restaurant.

? Sebastian van Damme

Although its architectural expression is restrained and elegant, the new building befits the grandeur and imagination associated with the term palace. “It is not only what you see but also what you feel that adds to the quality of architecture. It is the texture of materials, the craftsmanship with which the details are made,” explains Prof. Dikkie Scipio, the architect and co-founder of KAAN Architecten, about drawing inspiration from the baroque palace.

? Sebastian van Damme

? Sebastian van Damme

Special focus was put on the finish of the stairs, floors and walls, which blend in pattern and material. Subtle textures are layered through alternating sandblasted, honed and polished marble, playfully brought to life by the reflection of natural light through the pond. Set against the white of the veined marble is the warmth of the walnut applied on the doors, wherever one makes the transition to a new spatial experience. The wood pattern represents a single orange blossom leaf, or flowers and butterflies when multiplied, in reference to the gardens and their symmetrical graphic. This pattern can also be found on the door handles, in various pieces of furniture and the wall tapestries of the restaurant. These opulent fabrics are interwoven with metallic threads, adding a shimmer to the walls as a nod to the ornate halls of the Corps de Logis.

? Simon Menges

? Simon Menges

“The aim of the design is to achieve a balance and unity between the old and new buildings, a result greater than the sum of its parts,” Scipio says. At first glance, the renovation and extension are invisible, then later revealed through a series of carefully considered features. Each of them enhances the visitor experience without detracting from the monument, positioning Paleis Het Loo to remain a vital cultural institution for years to come.

? Sebastian van Damme

? Sebastian van Damme

KAAN Architecten is a Rotterdam, S?o Paulo and Paris-based architectural firm that operates globally while merging practical and academic expertise in architecture, urbanism, and research on the built environment.

Led by Kees Kaan, Vincent Panhuysen and Dikkie Scipio, the studio consists of an international team of architects, landscape architects, urban planners, engineers, and graphic designers. KAAN Architecten believes in cross-pollination between projects and disciplines as an essential tool for fostering a critical debate within the firm.

Since its launch, the office has handled and supervised a wide range of projects, actively working within the private and the public sector with project teams that have become increasingly multidisciplinary and dynamic. KAAN Architecten maintains a culture of constant evolution, which is essential in a rapidly changing profession. The Dutch firm seeks to uphold long-term relationships with its clients, consultants and partners.

KAAN Architecten's projects transcend the traditional notions of scale and typology, ranging from furniture and interiors to urban development and from retail and offices to museums and buildings for health and education.

The firm expanded its international presence with satellite offices in S?o Paulo (2015) and Paris (2019). Both branches continue the multidisciplinary design approach set out by the Dutch headquarters.

Location:?Koninklijk Park 16, 7315 JA Apeldoorn

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Architect:?KAAN Architecten (Kees Kaan, Vincent Panhuysen, Dikkie Scipio)

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Project team:?Valentina Bencic, Dennis Bruijn, Javier Cuartero, Sebastian van Damme, Katarzyna Ephraim, Paolo Faleschini, Christiaan Frankin, Michael Geensen, Aleksandra Gojnic, Julia Gousset, Narine Gyulkhasyan, Niels de Hart, Joost Harteveld, Walter Hoogerwerf, Martine Huijsmans, Antony Laurijsen, Nicki van Loon, Loes Martens, Marija Mateljan, Edyta Milczarek, Laura Ospina, Floris Sikkel, Christian Sluijmer, Niels Vernooij, Roel Wijmans, Samara Zukoski

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Client:?Stichting Paleis Het Loo Nationaal Museum, Apeldoorn

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Programme:?exhibition halls, offices, museum shop, restaurant, coffee bar

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Competition phase:?February 2016

Design phase:?September 2016 – September 2017

Construction phase:?March 2018 – April 2023

Completion:?April 2023

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GFA:?20.045 sqm (14.800 sqm renovation + 5.245 sqm extension)

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Restauration advisor:?Van Hoogevest Architecten, Amersfoort / KAAN Architecten, Rotterdam

Exhibition designer (House of Orange):?Kossmanndejong, Amsterdam

Exhibition concept & art direction (Junior palace):?GrobEnzo, Amsterdam

Interior architect (furniture):?KAAN Architecten, Rotterdam

Interior architect (restaurant):?Studio Linse, Amsterdam

Wall tapestries (restaurant):?TextielLab, Tilburg / KAAN Architecten, Rotterdam

Light fixtures (entry pavilions):?Atelier Rick Tegelaar, Arnhem

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General contractor:?Volker Staal en Funderingen, Dordrecht / Koninklijke Woudenberg, Ameide / BAM Bouw en Techniek - Integrale Projecten Oost, Apeldoorn / Heijmans Utiliteit/Infra, Apeldoorn / Draisma bouw, Apeldoorn / Bouwbedrijf Van Laar, Wapenveld

Construction manager:?Draaijer en partners, Utrecht

Structural engineer:?WSP Nederland, Breda

MEP engineer (mechanical, electrical, plumbing):?Valstar Simonis, The Hague

Sustainability advisor:?DGMR, The Hague

Quality manager:?KAAN Architecten, Rotterdam

Geotechnics advisor:?WSP Nederland, Breda

Building physics engineer:?DGMR, The Hague

Fire safety engineer:?DGMR, The Hague

Acoustics advisor:?DGMR, The Hague

Financial advisor:?IGG bouweconomie, The Hague / Basalt bouwadvies, Houten

Landscape designer:?Copijn, Utrecht

Lighting advisor:?Beersnielsen lichtontwerpers, Rotterdam

BIM support:?EGM architects, Dordrecht

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Glass roof:?IGS Interior Glass Solutions, Veenendaal

Waterproofing:?Oranjedak, Zwijndrecht

Exterior fixtures:?Zumtobel, Amsterdam

Metal works:?Ensel staalkonstrukties, Dokkum

Wooden doors and windows:?Harryvan, Hoogezand

Internal doors and windows:?Harryvan, Hoogezand / Zuid-Nederlandse Ramenfabriek, Rucphen

Wall tiling:?KOLEN Keramiek en Natuursteen, Eindhoven

Natural stone:?KOLEN Keramiek en Natuursteen, Eindhoven

Parquet floor:?Michels Parketvloeren, Wijchen

Interior walls:?Schuurmans Afbouwsystemen, Vught

Ceilings:?Schuurmans Afbouwsystemen, Vught

Climatized ceilings:?MAT Groep, Zaltbommel

Painting and wall coverings:?Schuurmans Afbouwsystemen, Vught

Elevators:?Lakeman Liften, Katwijk aan Zee / Euroliften, Aalsmeer
Signage:?Studio Staak, Amsterdam

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