隨著春季學期教學工作的順利推進，天津茱莉亞學院將于近期重啟“直播音樂會”和“公開音樂會”，從線上到線下與更多觀眾分享充滿魅力的音樂現(xiàn)場。

本月，【TJS Live｜天津茱莉亞現(xiàn)場】將推出三場音樂會直播。2月17日（本周五）19:00，天津茱莉亞學院豎琴教師黃立雅與長笛教師蓋爾蓋伊·伊采什（Gergely Ittzés）將聯(lián)袂呈現(xiàn)一場難得一見的豎琴與長笛二重奏音樂會《風中的豎琴》，演繹柏遼茲、皮亞佐拉等作曲家的經典作品。大提琴教師金兗珍（Yeonjin Kim）也將作為特邀嘉賓與兩位藝術家合作演出三重奏。屆時，觀眾可通過天津茱莉亞學院【視頻號】觀看現(xiàn)場直播。

此外，2月19日（本周日）《水藍與天津茱莉亞管弦樂團音樂會》和2月24日（下周五）《天津茱莉亞室內樂團音樂會》也將在【TJS Live｜天津茱莉亞現(xiàn)場】進行直播。同時，《水藍與天津茱莉亞管弦樂團音樂會》還將免費向公眾開放，邀請大家走進音效極佳的天津茱莉亞音樂廳。具體索票方式和直播平臺，請關注微信公眾號近期的專題推送。

演出曲目｜Program

?？送小ぐ剡|茲（1803-1869）

三重奏，為兩把長笛和豎琴而作，作品25（選自《基督的童年》）

蓋爾蓋伊·伊采什，長笛

Dóra Szabó*，長笛

黃立雅，豎琴

HECTOR BERLIOZ (1803-1869)

Trio for 2 Flutes and Harp, Op. 25 (From “L'enfance Du Christ”)

Gergely Ittzés, Flute

Dóra Szabó*, Flute

Li-Ya Huang, Harp

——

拉維·香卡（1920-2012）

迷人的黎明

蓋爾蓋伊·伊采什，長笛

黃立雅，豎琴

RAVI SHANKAR (1920-2012)

L’aube Enchantée

Gergely Ittzés, Flute

Li-Ya Huang, Harp

——

阿斯托爾·皮亞佐拉（1921-1992）

探戈的歷史（1985）

????????紅燈區(qū)1900

????????咖啡館1930

????????夜店1960

? ? ????現(xiàn)代音樂會

蓋爾蓋伊·伊采什，長笛

黃立雅，豎琴

áSTOR PIAZZOLLA (1921-1992)

History of Tango (1985)

????????Bordel 1900

? ? ????Café 1930

? ? ????Night Club 1960

????????Modern Day Concert

Gergely Ittzés, Flute

Li-Ya Huang,?Harp

— 中場休息｜Intermission?—

萊文特·吉昂奧西（b. 1975）

田園牧歌

蓋爾蓋伊·伊采什，長笛

黃立雅，豎琴

LEVENTE GY?NGY?SI (b. 1975)

Pastorale

Gergely Ittzés, Flute

Li-Ya Huang, Harp

——

拉斯洛·拉吉塔（1892-1963）

第二號三重奏，作品47

????????不過分的快板

? ? ????更加的活躍

????????活潑地

蓋爾蓋伊·伊采什，長笛

黃立雅，豎琴
金兗珍，大提琴

LáSZLó LAJTHA (1892-1963)

Trio No. 2, Op. 47

????????Allegro ma non troppo

????????Piú mosso

????????Vivace

Gergely Ittzés, Flute

Li-Ya Huang, Harp

Yeonjin Kim, Cello

* 特邀藝術家｜Guest Artist

黃立雅，豎琴

Li-Ya Huang, Harp

黃立雅出生于中國臺灣，2011至2020年期間曾擔任中國國家大劇院管弦樂團豎琴首席，英國BBC交響樂團、香港管弦樂團和蒙特利爾交響樂團和多家知名樂團客座豎琴首席。

她以獨奏家身份，定期與國家大劇院管弦樂團、臺北市立交響樂團、灣聲樂團（臺灣）、肯塔基交響樂團、CCM交響樂團、CCM現(xiàn)代音樂重奏團等合作。近期重要演出包括與國家大劇院管弦樂團合作的莫扎特的《長笛與豎琴協(xié)奏曲》、臺北市立交響樂團合作亨德爾的《降B大調豎琴協(xié)奏曲》，以及在國家大劇院五月音樂節(jié)開幕音樂會中演出《拉威爾：引子與快板——為豎琴，弦樂四重奏，長笛和黑管而作》。黃立雅在臺北、北京、上海、香港、澳門、舊金山、洛杉磯、辛辛那提及紐約等國際主要城市舉辦獨奏及室內音樂會，并受邀于第一、二屆臺灣國際豎琴藝術節(jié)，世界豎琴大會，上海國際豎琴藝術節(jié)及意大利斯波雷托藝術節(jié)擔任獨奏。

黃立雅曾取得臺北市立交響樂團音樂人才庫優(yōu)勝、香港世界豎琴大會多媒體新作品演繹大獎、臺灣古典音樂協(xié)會新星、第一屆臺灣國際豎琴大賽第一名等獎項。

她的首張個人專輯《豎研室-臺灣當代豎琴作品集》集合臺灣當代作曲家的重要豎琴作品，于2018年3月由臺灣好有感覺音樂事業(yè)有限公司發(fā)行。其他擔任樂團豎琴首席參與的重要錄音有：Jaap Van Zweden指揮香港管弦樂團錄制瓦格納《指環(huán)》：《女武神》，拿索斯唱片發(fā)行（2016）；以及Lorin Maazel指揮國家大劇院管弦樂團錄制瓦格納/馬澤爾《無詞指環(huán)》，索尼唱片發(fā)行（2013）。

黃立雅擁有辛辛那提學院音樂學院的豎琴博士學位，并在印地安那大學雅可布音樂學院取得豎琴碩士學位。她經常在中央音樂學院、中國音樂學院、國立臺灣藝術大學、辛辛那提音樂學院等舉辦講座和大師班，并且受邀擔任“交響少年”、北京中山音樂堂豎琴大師課以及夏季豎琴班等活動的豎琴導師。

Born in Taiwan, Li-Ya Huang was Principal Harp of the China National Centre for the Performing Arts Orchestra from 2011 to 2020, Guest Principal Harp of the BBC Symphony Orchestra, the Hong Kong Philharmonic Orchestra, Orchestre Symphonique de Montréal, and many other leading orchestras.

As a soloist, Huang performs regularly with the NCPA Orchestra, the Taipei Symphony Orchestra, Wan-Sheng Orchestra (Taiwan), the Kentucky Symphony Orchestra, the CCM Philharmonia Orchestra, and the Modern Music Ensemble, among others. Recent highlights of her performances include Mozart’s Concerto for Flute and Harp with the NCPA Orchestra, Handel’s Harp Concerto in Bb Major with the Taipei Symphony Orchestra, and Ravel’s Introduction et Allegro for String Quartet, Flute, Clarinet and Harp at the opening concert of NCPA May festival, as well as other recitals and chamber concerts in Taipei, Beijing, Shanghai, Hong Kong, Macau, San Francisco, Los Angeles, Cincinnati, and New York. She was invited as guest solo artist to the First and Second Taiwan International Harp Festival, the World Harp Congress, the Shanghai International Harp Festival, and the Spoleto Music Festival in Italy.

Huang’s multiple awards include the “Musical Talents Prize” presented by the Taipei Symphony, top prize of “Multi-Media New Music Competition” from the World Harp Congress in 2017, and the “Young Promising Artist” of the Taiwan Classical Music Association in 2010. She was the first prize winner of the Taiwan International Harp Competition.

Her first album - Harpy Lab - A Collection of Harp Compositions by Contemporary Taiwanese Composers -? was released in March 2018 under the music label “Feeling Good Music Co.” in Taiwan. Other significant recordings on which she appears as principal harpist include Richard Wagner’s Die Walküre with the Hong Kong Philharmonic Orchestra under the baton of Jaap Van Sweden (Naxos) in 2016, and Wagner/Maazel’s The Ring Without Words with the NCPA Orchestra, conducted by Lorin Maazel (Sony) in 2013.

Huang received a DMA from the Cincinnati College Conservatory of Music and a Master’s degree from Indiana University’s Jacobs School of Music. She frequently gives master classes and lecture concerts in music conservatories including the Central Conservatory of Music and the China Conservatory of Music in Beijing, National Taiwan University of the Arts, and the Cincinnati College Conservatory of Music. She was invited as faculty at summer festivals and academies such as the Orchestra Kids, Forbidden City Harp Academy, and the Forbidden City Summer Harp Class.

蓋爾蓋伊·伊采什，長笛

Gergely Ittzés, Flute

蓋爾蓋伊·伊采什出生于匈牙利，是一名獨奏家和室內樂音樂家，在眾多音樂領域都很活躍。他是UMZE室內樂團的一員，也是TeTraVERSI長笛四重奏樂隊的創(chuàng)始人。2014年，伊采什在卡內基音樂廳舉辦音樂會，此后受邀參加全世界各大長笛音樂節(jié)，前往北京、巴西利亞、巴黎、紐約、曼徹斯特和弗萊堡等城市演出。他曾與瑪格德萊娜·考杰娜、馬庫·斯托克豪森、漢斯·霍利格、彼得·弗蘭考、丹尼斯·沃宏、阿瑪丁達打擊樂團、巴拿巴·克雷曼、基斯托夫·巴拉提合作，并曾以獨奏家的身份與弗朗茨·李斯特室內樂團、奧匈海頓管弦樂團、多倫多小交響樂團、卡托維茲愛樂樂團、紐約巴赫樂團和亨茨維爾交響樂團等樂團合作。

伊采什改編過很多長笛作品，并一直從事長笛出版物的編輯工作，并與Akkord、EMB、環(huán)球、比約多、普雷瑟和哥薩克等出版社開展過合作。他在自己的作品中積極運用現(xiàn)代演奏技巧，特別是他在自創(chuàng)的“弗拉波”軟件和DVD中所介紹的復音技巧。2018年，他出版了全面介紹長笛演奏方法論的著作《長笛演奏法》的匈牙利文版本，并錄制了超過20張唱片。

伊采什曾在李斯特音樂學院學習，后榮獲布拉格莫扎特音樂學院及班弗藝術中心獎學金。對他演奏影響最深的導師是伊斯特萬·穆圖斯和阿赫樂·尼科利，以及他的室內樂老師葛爾吉·庫塔和弗蘭克·魯?shù)浪埂?/p>

伊采什擁有李斯特音樂學院的博士學位。他曾榮獲許多大獎，其中包括第二屆亞歷山大·塔斯曼國際音樂比賽最高獎、弗朗茨·李斯特音樂獎和拉吉塔獎等國際大獎。2017年，他在波士頓大學擔任富布萊特客座教授。2018年，他獲得了匈牙利藝術學院三年的創(chuàng)作獎學金。在加入天津茱莉亞學院之前，伊采什一直在位于杰爾的塞切尼大學擔任教職并在世界各地教授大師課。

伊采什本場演出使用一把Sankyo品牌長笛。

Born in Hungary, Gergely Ittzés is active in many fields of music making. Ittzés is a member of the UMZE Chamber Ensemble and founder of the TeTraVERSI Flute Quartet. He debuted at Carnegie Hall in 2014 and performed at major flute festivals in Beijing, Brasília, Paris, New York, Manchester, Freiburg, and more. He has performed with Magdalena Ko?ena, Markus Stockhausen, Heinz Holliger, Peter Frankl, Miklós Perényi, Zoltán Kocsis, Péter E?tv?s, Dénes Várjon, Amadinda Percussion Group, Barnabás Kelemen, and Kristóf Baráti, and appeared as a soloist with the Franz Liszt Chamber Orchestra, Austrian-Hungarian Haydn Orchestra, Toronto Sinfonietta, Katowice Philharmonic, Bach Works New York, Huntsville Symphony, and other ensembles.

Ittzés has arranged many works for flute, has edited flute publications, and worked with publishers including Akkord, EMB, Universal, Billaudot, Presser and Kossack. In his compositions, he applies the latest up-to-date techniques, especially polyphonic flute playing which he introduces in Flouble, his software and DVD. He published the Hungarian version of his comprehensive flute methodology book Flautology in 2018 and has also recorded more than twenty CDs to date.

After graduating at the Franz Liszt Academy of Music in Budapest, Ittzés was awarded scholarships to study at Prague Mozart Academy and Banff Centre for the Arts. His flute playing was highly influenced by István Matuz and Aurèle Nicolet. He studied chamber music with Gy?rgy Kurtág and Ferenc Rados.

He holds a doctorate from the Franz Liszt Academy. Ittzés won the Grand Prix of the 2nd Aleksander Tansman International Competition for Musical Personalities, Franz Liszt Award, and Lajtha Award. In 2017, he was a Fulbright guest professor at Boston University. In 2018, he was awarded a three-year grant from the Hungarian Academy of Arts for his creative work. Before joining the Tianjin Juilliard faculty, he taught flute at the Széchenyi University in Gy?r and gave master classes worldwide.

Gergely Ittzés plays a Sankyo flute.

金兗珍，大提琴

Yeonjin Kim, Cello

作為國際上極受歡迎的獨奏和室內樂演奏家，韓國大提琴家金兗珍在肯尼迪中心、柏林音樂廳、柏林愛樂樂團、首爾藝術中心、三得利音樂廳、中國國家大劇院演出。

金兗珍在包括索蘭汀國際大賽、博薩爾特大獎賽、迪希勒-薩托國際音樂比賽和維瓦音樂廳大賽在內的多項比賽中均獲得過獎項。她曾作為獨奏家在克利夫蘭、安娜堡、科羅拉多、漢城和馬尼拉與樂團合作。她的演出在美國、韓國及日本的電視臺和電臺播出。金兗珍是一名充滿激情的室內樂演奏家，她與多位世界知名藝術家合作，并與她的兩個姐妹組成“K鋼琴三重奏”組合，在美國和韓國多次舉辦演出。

加入天津茱莉亞學院之前，金兗珍曾擔任密歇根大學和奧伯林音樂學院的客座講師，同時也是福爾曼大學兼職教授。她曾在美國、韓國、中國、菲律賓和匈牙利的學校舉辦大師課，并曾受聘擔任阿比林音樂節(jié)、馬德蘭島音樂節(jié)和琉森音樂節(jié)藝術教員。她曾擔任西北印第安納交響樂團和亞洲青年交響樂團副首席，并曾在安娜堡交響樂團、迪爾伯恩交響樂團、韓國城南愛樂樂團、忠北愛樂樂團和國家劇團管弦樂隊擔任首席客座大提琴。

金兗珍先后在韓國國立首爾大學（音樂學士）、日本桐朋學園、美國克利夫蘭音樂學院（音樂碩士）和密歇根大學（音樂藝術博士）求學，師從Chung-Shim Baek、Dong-Oo Lee, Ji-sook Shin、Ko Iwasaki和理查德·亞倫。

Korean cellist Yeonjin Kim has received international acclaim as a soloist, recitalist, and chamber musician at venues such as the Kennedy Center, Konzerthaus Berlin, Berlin Philharmonie, Seoul Arts Center, Suntory Hall, China National Center for the Performing Arts, and others. ?

A top prize winner of the Sorantin International Competition (USA), Bossart Award (USA), Dichler-Sato International Competition (Austria), and Viva Hall Competition (Japan), Kim has appeared as soloist with orchestras in Cleveland, Ann Arbor, Colorado, Seoul, and Manila. Her performances were broadcasted on TV and radio in the U.S., Korea, and Japan. As an avid chamber musician, she has collaborated with world-renowned artists. Kim has also performed extensively in Korea and the US with her two sisters in a piano trio, Trio K.

Prior to joining The Tianjin Juilliard School, Kim served as a guest faculty at the University of Michigan and Oberlin Conservatory as well as an adjunct professor at Furman University. She has given master classes in schools in USA, Korea, China, the Philippines, and Hungary. Other artist faculty appointments include Abilene Music Festival, Madeline Island Music Festival, and Luzerne Music Festival. As an orchestral player, Kim also served as assistant principal of the Northwest Indiana Symphony and guest principal cellist of the Ann Arbor Symphony, Dearborn Symphony, and National Repertory Orchestra.?

Kim graduated from Seoul National University (BM) in Korea; Toho Gakuen in Japan; Cleveland Institute of Music (MM); and the University of Michigan (DMA) under the tutelage of Chung-Shim Baek, Dong-Oo Lee, Ji-sook Shin, Ko Iwasaki, and Richard Aaron.