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作為歷史悠久的砂巖區(qū)的一部分，這座被列為歷史保護(hù)建筑的前教育部大樓距悉尼港僅400米，現(xiàn)已作為五星級(jí)的悉尼嘉佩樂(lè)酒店重新面世，同時(shí)也是奢華酒店品牌嘉佩樂(lè)在澳大利亞開設(shè)的首家酒店。

? Tim Kaye

Make Architects受龐蒂亞克置地集團(tuán) (Pontiac Land Group) 委托，精心修復(fù)和改建了這座愛德華時(shí)期巴洛克風(fēng)格的前政府地標(biāo)，為其賦予了新的功能。建筑底層首次向公眾完全開放，具有標(biāo)志性意義。BAR Studio負(fù)責(zé)為整座酒店設(shè)計(jì)精致的室內(nèi)空間。

? Tim Kaye

設(shè)計(jì)團(tuán)隊(duì)與顧問(wèn)和利益相關(guān)者（包括新南威爾士州遺產(chǎn)中心和悉尼市）密切合作，彰顯這座歷史保護(hù)建筑的原始特征。原建筑由政府建筑師George McRae設(shè)計(jì)，可追溯至1912年。麥克雷設(shè)計(jì)的宏偉建筑擁有佛羅倫薩宮殿風(fēng)格的砂巖立面，以及覆有大理石的前廳，這里也將成為全世界最具影響力的酒店之一。

? Tim Kaye

悉尼嘉佩樂(lè)酒店擁有192間客房、活動(dòng)空間以及3間類型不同的酒吧和餐廳，是一座與都市生活緊密聯(lián)系的地標(biāo)性下榻場(chǎng)所。歸屬感是該項(xiàng)目整體設(shè)計(jì)愿景中不可或缺的一部分。

? Tim Kaye

原八層建筑始建于一個(gè)多世紀(jì)前，分為兩個(gè)部分，占據(jù)了整片街區(qū)。對(duì)建筑的重新布局是一項(xiàng)重大任務(wù)，尤其在經(jīng)歷了時(shí)代的更迭后，許多內(nèi)部空間的完整性因結(jié)構(gòu)的臨時(shí)改變而受損。

? Tim Kaye

項(xiàng)目盡可能恢復(fù)了McRae原始的建筑設(shè)計(jì)方案，包括位于底層的內(nèi)庭花園（現(xiàn)名為 Aperture）。周圍的空間以富有想象力的方式構(gòu)建為公共餐廳、酒吧以及會(huì)議室和多功能廳等各種全新功能區(qū)域。

? Tim Kaye

位于6層的前教育部美術(shù)館被保留并改造成屢獲殊榮的Auriga水療中心。這里設(shè)有20米的精美泳池、健身房和個(gè)人護(hù)理空間。這處空間頂部由銅襯的古董屋頂燈飾點(diǎn)亮，在經(jīng)過(guò)精心修復(fù)和重新設(shè)計(jì)后將日光引入灑向這個(gè)獨(dú)具特色的健康目的地。創(chuàng)新工程的采用將泳池植入了原有結(jié)構(gòu)。

? Tim Kaye

擴(kuò)建四層后，建筑總樓層達(dá)到了11層。這個(gè)現(xiàn)代化的增建結(jié)構(gòu)，具有定制的凹槽翅片和弧形玻璃角。增建部分沿建筑邊緣向內(nèi)退界，以體現(xiàn)對(duì)原有砂巖結(jié)構(gòu)的尊重。歷史建筑的樓層和擴(kuò)建樓層中均設(shè)計(jì)有多種客房。其中，歷史建筑中房間的設(shè)計(jì)旨在展示既有窗戶的比例，最大限度地減少對(duì)原始結(jié)構(gòu)的影響，同時(shí)融入了現(xiàn)代化的設(shè)施。

? Tim Kaye

擴(kuò)建層為Make的設(shè)計(jì)團(tuán)隊(duì)提供了重新構(gòu)想屋頂景觀的機(jī)會(huì)。這里被設(shè)計(jì)為建筑的第五個(gè)立面，以積極的貢獻(xiàn)參與到城市景觀中，為酒店附近高層建筑的居民提供了優(yōu)美的視野。定制的穿孔幕墻和凹槽覆層將屋頂?shù)姆?wù)設(shè)備隱藏在后。BAR Studio的室內(nèi)設(shè)計(jì)沿用了已有的建筑結(jié)構(gòu)，與曾經(jīng)實(shí)用風(fēng)格的室內(nèi)空間形成了鮮明的對(duì)比。設(shè)計(jì)表達(dá)回應(yīng)了原始建筑的理性主義和功能性，同時(shí)融入了反映建筑起源時(shí)代的設(shè)計(jì)姿態(tài)，例如使用黑鋼和鋼框玻璃屏風(fēng)和門，巧妙地體現(xiàn)了當(dāng)時(shí)的工業(yè)時(shí)代風(fēng)格。反復(fù)出現(xiàn)的木材或金屬框架大門在界定空間、飾面、藝術(shù)和物品方面發(fā)揮著重要作用。

? Tim Kaye

暖灰色石材和深淺木材的中性配色靈感源自既有建筑及其設(shè)計(jì)元素，同時(shí)營(yíng)造出一種城市桃花源的舒緩氛圍。設(shè)計(jì)特色受到時(shí)代的啟發(fā)，黑白大理石地板、古董鏡子以及在整個(gè)用餐品酒空間引入的現(xiàn)代拱門，是對(duì)過(guò)去時(shí)代的優(yōu)雅魅力的現(xiàn)代詮釋。

? Tim Kaye

通過(guò)采用既有建筑的深色木材和金屬框架元素以及空間劃分元素，清晰的設(shè)計(jì)特征從入口延伸到客房空間中。由過(guò)去對(duì)靈活旅行物品的需求衍生出的活動(dòng)家具，為獨(dú)立式衣柜、迷你吧及集成皮革屏風(fēng)提供了靈感。

? Tim Kaye

從外部看，酒店在花拉廣場(chǎng)街道和悉尼嘉佩樂(lè)酒店的天窗內(nèi)院間建立了自然的聯(lián)系。設(shè)計(jì)團(tuán)隊(duì)規(guī)劃了一個(gè)到達(dá)序列，讓公眾從歷史邁向現(xiàn)在，這一旅程還通過(guò)公共藝術(shù)展覽和對(duì)遺產(chǎn)空間的詮釋得到進(jìn)一步加強(qiáng)。Freeman Ryan Design和The Artling的藝術(shù)策劃帶來(lái)了別樣的故事講述，精心布置的作品在酒店的公共空間展出，成為一種分享該地區(qū)豐富遺產(chǎn)的方式。

? Tim Kaye

后勤設(shè)施分布在新的地下三層空間，從而減少對(duì)地面遺產(chǎn)結(jié)構(gòu)的影響。經(jīng)過(guò)策略性規(guī)劃，這些地下設(shè)施層，致力為教育大樓和鄰近的土地大樓提供服務(wù)，并提高能源使用效率，同時(shí)最大限度地減少該區(qū)域的碳足跡。

? Tim Kaye

Make的項(xiàng)目建筑師米歇爾·埃文斯 (Michelle Evans) 談到：“我們很自豪能夠參與到這個(gè)城市中千載難逢的項(xiàng)目中。設(shè)計(jì)愿景的核心是將這座建筑向公眾開放。在底層，我們?cè)O(shè)計(jì)了到達(dá)序列，以發(fā)揮空間規(guī)模的作用，邀請(qǐng)公眾進(jìn)入過(guò)去無(wú)法進(jìn)入的建筑，將客人從花拉廣場(chǎng)、精心修復(fù)的建筑遺產(chǎn)入口引至雙層高的接待處，激活原始中庭的開放性。”

? Tim Kaye

BAR Studio聯(lián)合創(chuàng)始人兼創(chuàng)意總監(jiān)斯圖爾特·羅伯遜 (Stewart Robertson) 表示：“悉尼嘉佩樂(lè)酒店所在的遺產(chǎn)建筑是我們的室內(nèi)設(shè)計(jì)的根基和靈感來(lái)源。從底層空間的連續(xù)性演變而來(lái)，將花拉廣場(chǎng)的城市景觀與內(nèi)庭花園連接起來(lái)，我們使用框景細(xì)膩地連接和分隔公共空間。整個(gè)酒店的框架、拱門和門戶加之多層設(shè)計(jì)，致力創(chuàng)造一個(gè)仿佛會(huì)隨著時(shí)間的推移不斷演變的空間，同時(shí)又充滿了新鮮現(xiàn)代的氛圍。”

? Tim Kaye

悉尼嘉佩樂(lè)酒店總經(jīng)理Marc von Arnim表示：“嘉佩樂(lè)品牌是奢華、卓越的待客之道和沉浸式文化體驗(yàn)的代名詞。悉尼嘉佩樂(lè)酒店通過(guò)無(wú)可比擬的遺產(chǎn)工作、建筑和室內(nèi)設(shè)計(jì)、前沿的健康設(shè)施以及超越預(yù)期的變革性賓客體驗(yàn)，將這一理念提升到全新高度，世界一流的住宿和餐飲也是該處聞名的特色?！?/span>

悉尼嘉佩樂(lè)酒店已于2023年3月開幕。

? Tim Kaye

Make是一家多元化的建筑事務(wù)所，由Ken Shuttleworth成立于2004年。作為一家由員工100%持股的公司，Make的核心目標(biāo)是為世界打造最好的場(chǎng)所、空間和建筑。Make團(tuán)隊(duì)成員150人，分布在倫敦、香港和悉尼，提供從概念到竣工全流程的建筑、室內(nèi)和城市設(shè)計(jì)服務(wù)。

BAR Studio是一家國(guó)際精品酒店設(shè)計(jì)機(jī)構(gòu)，打造了眾多全球知名的酒店和度假村獲獎(jiǎng)作品。BAR Studio的設(shè)計(jì)立足于創(chuàng)造和諧的賓客體驗(yàn)，將舒適性和對(duì)場(chǎng)地的探索過(guò)程平衡融入其中。通過(guò)深思熟慮的空間敘事、感性的居住體驗(yàn)、細(xì)膩的分層設(shè)計(jì)片刻和簡(jiǎn)約的當(dāng)代美學(xué)，實(shí)現(xiàn)了輕松奢華的感覺。2003年，BAR Studio（Beck和 Robertson）由 Felicity Beck和Stewart Robertson在澳大利亞創(chuàng)立，團(tuán)隊(duì)匯集了杰出的國(guó)際化人才，在墨爾本和馬德里設(shè)有工作室。BAR Studio與全球領(lǐng)先的酒店運(yùn)營(yíng)方開展合作，打造了包括瑰麗酒店及度假村、柏悅酒店、君悅酒店、威斯汀酒店及度假村和華爾道夫酒店及度假村等作品，另外在亞太和歐洲的項(xiàng)目正在開展中。

? Tim Kaye

Located 400m from Sydney Harbour, the heritage-listed former Department of Education building, part of the historic Sandstone Precinct, has reopened as the 5-star Capella Sydney hotel, the first Australian property from luxury hospitality brand Capella Hotels and Resorts.

? Make Architects

Make Architects was appointed by Pontiac Land Group to sensitively restore and remodel this former Edwardian Baroque-style governmental landmark for new uses, significantly opening the ground floor to be fully accessible to the public for the first time, with BAR Studio designing the refined new interiors throughout the hotel.

? Make Architects

The design team worked closely with consultants and stakeholders, including Heritage NSW and the City of Sydney, to reveal the original character of the protected building, which dates from 1912 and was designed by government architect George McRae. The grandeur of McRae's architecture, with its Florentine-Palazzo style sandstone facade and marble-clad vestibules, lends itself to a future role as one of the world's leading hotels.

? Make Architects

With 192 guest rooms, event spaces, and 3 different bar and restaurant offerings, Capella Sydney forms a landmark home that is connected to the life of the city centre. This sense of belonging has been integral to the overall design vision for the project.

? Tim Kaye

Originally built in two halves over a century ago, the former 8-storey building occupies an entire city block. Its reconfiguration has been a major undertaking, especially as the integrity of many internal spaces has been compromised over the years by ad hoc changes made to the building's fabric.

? Make Architects

McRae's original design intent has been restored wherever possible, including the reinstatement of its internal garden courtyard, now named Aperture, on the ground floor. The surrounding spaces have been imaginatively repurposed for new uses, such as a variety of publicly accessible restaurants and bars and meeting and function rooms.

? Make Architects

The former Department of Education's gallery on level 6 has been preserved and transformed into the award-winning Auriga Spa, featuring a stunning 20m swimming pool, fitness suite and private treatment rooms. The space is top-lit with copper-lined heritage roof lanterns that have been carefully restored and reimagined to draw in and diffuse the daylight into this unique wellbeing destination. Innovative engineering was required to insert the pool into the existing structure.

? Tim Kaye

Four additional floors have also been added to the building, taking it to 11 storeys. This complementary modern extension, with bespoke fluted fins and curved glass corners, has been set back to respect the original sandstone structure. A variety of guestroom offerings have been designed across both the heritage and extension levels. In the existing building, rooms are designed to showcase the existing window proportions and minimise impact to the original structure while ensuring modern amenities are incorporated.

? Make Architects

The new extension levels have presented Make with an opportunity to reimagine the roofscape. Designed as a fifth elevation, it now makes a positive contribution to the cityscape for those occupying high-rise buildings neighbouring the hotel. Bespoke perforated screens and fluted cladding conceal the plant and services on the roof.

The interiors by BAR Studio embrace the existing built fabric and create a counterpoint to the once-utilitarian interiors. The design narrative responds to the rationalism and functionality of the original architecture while weaving in design gestures that speak to the buildings' era and origins, like the use of black steel and steel-framed glazed screens and doors that make a subtle reference to the Age of Industry. A recurring motif of timber or metal-framed portals plays an important role in the definition of spaces, finishes, art and objects.

? Make Architects

A neutral base palette of warm grey stone and dark and light timber takes its cue from the building's original architecture and design elements while creating a sense of a soothing urban sanctuary. Era-inspired design features, such as the black and white marble floor, antique mirrors, and introduction of contemporary arches throughout the drinking and dining spaces, are a modern take on the elegance and glamour of the time.

? Tim Kaye

The design signature of bold portals carries through to the guest rooms, with dark wood and metal framing elements of the existing building as well as 'zoning' the different areas of the rooms.

? Tim Kaye

Campaign furniture - rooted in the need for flexible travel pieces in bygone days - has inspired freestanding wardrobes and minibars, as well as an integrated leather screen.

? Make Architects

Externally, the hotel now creates a natural connection between the street at Farrer Place and Capella Sydney's skylit inner courtyard. The team has designed an arrival sequence that welcomes the public in through a journey from existing to new, further strengthened by the curation of public art and heritage interpretation between spaces. Art curation by Freeman Ryan Design and The Artling brings an extra layer of storytelling, with carefully curated works exhibited across the hotel's public spaces as a way to share the area's rich heritage.

Back of house facilities are accommodated across three new basement levels, thereby reducing the impact on the heritage fabric above ground. These underground service levels have been strategically planned to operate for both the Education Building and the neighbouring Lands Building, and provide efficiencies in energy use while minimising the precinct's carbon footprint.

? Make Architects

Make's Project Architect, Michelle Evans, says:?"We're proud to be involved in this once-in-a-generation project for the city. Opening the building up to the public was key to the design vision. On the ground floor, we designed the arrival sequence to play with scale and invite the public into the previously inaccessible building, taking guests from the beautifully restored heritage entrance at Farrer Place through to the double-height reception evoking the openness of the original atrium."

? Tim Kaye

Stewart Robertson, co-founder and Creative Director of BAR Studio, says:?"The heritage building that houses Capella Sydney provided us with the underpinning and inspiration for the interior design. Evolving from the continuity of space on the ground floor - linking the urban landscape of Farrer Place to the internal garden courtyard - we've used framing techniques to both connect and create a sensitive separation of public spaces. Throughout the whole hotel, frames, arches and portals, together with the layered design, aim to create a space that feels like it has always been here and evolved over time, but is at once fresh and modern."

? Tim Kaye

Marc von Arnim, Capella Sydney's General Manager, says:?"The Capella brand is synonymous with luxury, excellence in the craft of hospitality, and cultural immersion. Capella Sydney takes this to the next level through unparalleled heritage work, architecture and interior design, state-of-the-art wellness facilities, and transformative guest experiences that go above and beyond the expected, underscored by world-class accommodation and dining."

Capella Sydney opened in March 2023.

? Make Architects

Make is a different kind of architecture practice. Founded in 2004 by Ken Shuttleworth, we're a 100% employee-owned firm motivated by a single purpose: to design the best places, spaces and buildings in the world. We're a team of 150 in London, Hong Kong and Sydney providing architecture, interior and urban design services from concept to completion.

Website: www.makearchitects.com

Twitter: @makearchitects

Instagram: @make_architects

BAR Studio is an international boutique-scale hospitality design practice with an award-winning portfolio of globally recognised hotels and resorts. BAR Studio's design approach is grounded in creating a harmonious guest experience finely balanced between a sense of comfort and discovery of place. A feeling of relaxed luxury is realised through thoughtful spatial narratives, a residential-style sensibility, subtly layered design moments and a pared-back contemporary aesthetic. Established in Australia in 2003 by Felicity Beck and Stewart Robertson, BAR Studio (Beck and Robertson) brings together exceptional international talent, with studios in Melbourne and Madrid. Collaborations with leading hotel operators include Rosewood Hotels & Resorts, Park Hyatt, Grand Hyatt, Westin Hotels & Resorts and Waldorf Astoria Hotels & Resorts with projects across the Asia-Pacific and European initiatives in progress.

Building Area Gross Net:?18,524 ㎡

Procurement:?Design and Build

Team

Design Architect:?Make

Interior designer:?Bar Studio

Objets d'art and styling:?Simone Haag

Executive/ documentation architect:?Webber

Contractor:?Built

Heritage consultant:?Urbis

Structural and facade engineer:?Taylor Thomson Whitting (TTW)

MEH, ESD, fire services and acoustic engineers:?Stantec

Project manager:?Essence

Photography:?Timothy Kaye

Landscape architect:?Aspect Studios

Planning consultant:?Ethos Urban

Cost consultant:?Slattery

Heritage interpretation:?Freeman Ryan Design

Public art curation:?UAP

Accessibility consultant:?Morris Goding Access Consulting

BCA consultant:?McKenzie Group

Kitchen consultant:?Mack Group

Archaeologist:?Curio Projects

Vertical transport engineer:?WSP

Wayfinding and signage consultant:?Extrablack

External Lighting designer:?FPOV

Dates

Stage 1 DA approved:?August 2015

Design competition:?2015

Planning (DA) consent:?April 2018

Start on site:?August 2018

PC:?December 2022

Opened:?March 2023

Uses

-? ?5-star hotel with 4-storey extension.

-? ?192 guestrooms

-? ?Guestrooms across lower ground and levels 1–11. Wellness centre on level 6

-? ?Ground level is public. Connects to Farrer Place and courtyard. High-quality function spaces to the north– restaurant, bar and Capella lounge to the south.

-? ?Level 6 pool, gym and treatment rooms.

-? ?Three levels of basement to accommodate hotel BOH and plant spaces (designed in this way to reduce impact on heritage fabric).

·? END? ·