不出意外的話，該專欄的內(nèi)容大部分將是下圖所示的文章的第三章的摘抄，和苯人一些無意義的話。

封面由Tommy出鏡, our?best IT manager。

該專欄的目的在于用記錄來監(jiān)督提醒自己看點書。

看這篇是因為最近抽煙很多，還是覺得應(yīng)該不抽煙的，于是決定重新慢慢學(xué)一下唱歌。我先看一些理論和解剖相關(guān)知識再決定要不要真學(xué)唱歌。

當(dāng)然看這篇的最主要原因是沒有找到另一本書（belting: a guide to healthy, powerful singing）的電子書，將就看一下。

明天和宇宇吃完火鍋真不抽煙了嗚嗚，不是很敢看體檢報告。

廢話結(jié)束，下面是少量摘抄。

chapter?3: application in the voice studio

back to basics:?some exercises and training methods

first steps:?classical singers modify vowels by lengthening the space in the mouth(long, tall vowels). belters modify vowels by widening that space.

breath and alignment:?

Belted vocal production is easier to achieve while maintaining an engaged posture. “Noble” posture for singing consisting of a lifted sternum and expanded rib cage. This allows for strong yet flexible interactions between the upper chest, intercostals, and abdominal muscles. Another example of an engaged posture is spreading the arms when approaching a high note.

Movement studies such as Alexander Technique can be helpful for correcting habitual poor posture, while more specifically addressing balance of the head on the Atlanto-Occipital (A-O) Joint. When belting, the head tends to jut out, contracting numerous neck muscles resulting in constricted tone and discomfort. Singers sometimes tuck the jaw down to achieve the feeling of an open throat. Practical experience involving the optimal function of the A-O Joint allows singers to free their neck and laryngeal muscles by slightly tilting the head up.

Flexible and elastic balance between inhalatory and exhalatory muscles of the ribcage and abdomen, or “balanced” breathing is optimal for belting.

vocalises for belting:?healthy belting requires smooth transitions between the registers.

1. calling-voice exercise

   - upper head register

   - a bright, clear tone at a high pitch level

   - "taxi"

2. siren exercise

   - initially, try to sing cross-register scales on a lip buzz or tongue trill

3. cross-register arpeggios

   -leap over breaks rather than pass directly through them

   -extending overlap between the registers

4. messa di voce excercise

   -?Choose one note in an easy, conversational register on the vowel [?] or [i], beginning with a?soft, balanced onset and increasing volume, with the apex of the crescendo becoming a belted vocal production.?

5. vocal études from repertoire