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Introduction:

Nonfiction stories based on realistic experiences offer readers a glimpse into the lives of others, providing valuable lessons and insights. As a beginner writer, you may find it challenging to craft such stories, but with practice and persistence, you'll get better over time. Here are some tips for starting your journey:

1. Choose a meaningful experience or event
Pick an experience that has had a significant impact on you or someone you know. It can be a personal event or a larger societal issue. Selecting a topic with emotional resonance will make your story more engaging.

2. Research and gather information
Learn as much as you can about the event or experience to provide accurate details and context. Conduct interviews, investigate primary sources, and consult relevant literature. Strong research forms a solid foundation for your story.

3. Develop your narrative arc
Organize your material into a coherent structure, which typically includes a beginning, middle, and end. Create tension by introducing conflict or obstacles, and resolve them with a satisfying conclusion. Use descriptive language to paint vivid scenes and bring your story to life.

4. Employ literary techniques
Use metaphors, similes, and other figurative languages to add depth and texture to your prose. Experiment with pacing and sentence structure to create atmosphere and mood. This will help your writing stand out and keep readers engaged.

5. Show, don't tell
Rather than simply stating what happened, show the reader through detailed descriptions and actions. Engage their senses and emotions to evoke a strong connection with your story.

6. Edit and revise
Once you've completed your first draft, revisit your work with fresh eyes. Look for inconsistencies, redundancies, and weak sentences. Ask for feedback from friends or writing groups to gain new perspectives on your work. Revise and polish your piece until it shines.

Writing nonfiction stories based on realistic experiences may seem daunting at first, but with the right approach and dedication, you'll develop the skills necessary to craft compelling narratives.

Remember to choose a significant event or experience, research thoroughly, employ literary techniques, and edit rigorously to create engaging stories that captivate readers.

The above content is generated by Utia AI. （點(diǎn)擊觀看視頻）

Then here comes:

Guo YangZhen's writings on writing:

I think I've always been intolerant, I don't have the bandwidth to record a very good episode of a blog, and I don't have the flexibility to read difficult papers, and then make a video that can be understood by a beginner student of that specific field. I don't think I'm composed enough, I don't sit on the cool bench.

I know what I want, but I can't seem to create what other people want.

I know I'm making some emotional expression, but again it seems I can only translate it into words and can't get it out to a wider audience, or into one of my pieces. What kind of creator and expresser does the world need?

I have thought about this question countless times, and I am certainly continuing to explore it. But I don't think the answer is really clear. It doesn't matter if you're a master or just a little transparent white guy. There is a delicate balance to be found between expressing yourself and listening to your audience.

Does the world exist because of expression?

Is it enriched by the expression of life itself?

I don't think I know.

I hope that what I can leave the world within a thousand years' time will be works that really reach out to the people, works in which they can discover themselves. Everyone wants to be seen and to find themselves in their work.

And not to say that everyone is narcissistic, the most basic self-love should be there, right? So what do we do in our daily lives? Do we feel sorry for ourselves, or do we complain and grumble? Do we turn to other people for help, or do we pass on the negative energy and spread the fire on others?

I think any good writer should think about what kind of relationship he or she has with others. Then do your best to present that conflict and tension in your work, not just the pull between the protagonist and the supporting characters, but more importantly what clever interactions you can have as a writer-expresser and audience.

Recording one's daily experiences, reflections, and stories in one's life is a good means of accumulating material. And we should take this every day with a sense of normalcy and a very calm and objective observer attitude.

It's like watching a film with someone else in it and then actively sitting on the sidewalk and applauding them.

We are the first audience for our own work, our own words, and our own films. If we can satisfy ourselves, then it's a natural thing to satisfy others immediately afterward.

The key is how should a writer, a director, an artist, an architect, or a designer reach the level and stage of satisfying himself.

I think it is a continuous lifelong practice because every human being has the will and expectation of self-fulfillment. And the realization of this will and expectation is like what a donkey is doing who wants to eat the dangling carrot and pull the mill.

Each of us wants to become better and better, and we all want to be able to bring something to others that others are not able to create. Because that's what makes us different from everyone else in this world.

I am what I am is a firework of a different color.

我就是我，是顏色不一樣的煙火。

This is not a lyric at all, but the true cry of everyone's heart.

All expressionists should be able to see through to the heart and point straight to the inside. You can pinpoint what others really want, and at the same time be incredibly clear and know how to help yourself get what others want.

It's a skill and an art, and it takes practice and discipline across decades.

So you see, if you want to write good work, good writing, to satisfy yourself, and to have a certain readership that finds it valuable, it's actually a very testing and challenging process.

It requires constant accumulation, it requires you to break it down into your own life script, and the story cases require a lot of interaction with other creators. More importantly, your work requires your heart and soul, and it doesn't matter who is satisfied at this point, because it will naturally flow out of you in the most beautiful way.

Originally written by Guo Yangzhen aka Kongsen Young

2023.04.04 16:45:34

Writing is the journey of one person who finds a community of people

中文版：

我想我總是沒有耐心，我沒有耐心去錄制一期很好的博客，我也沒有耐心去閱讀，很難的論文，然后做出一期能夠讓小白也能聽懂的視頻。我覺得我不夠沉靜，我沒有坐下冷板凳。

我懂得我想要什么，但似乎我不能創(chuàng)造出其他人想要的東西。

我知道我在進(jìn)行一些情緒化的表達(dá)，但似乎我又只能將它轉(zhuǎn)換為文字，無法將它傳遞給更廣泛的人群，或者說融入到我的某個(gè)作品之中。

這個(gè)世界需要怎樣的創(chuàng)作者和表達(dá)者呢？我曾經(jīng)無數(shù)次思考這個(gè)問題，當(dāng)然也在持續(xù)的探索。但我想答案其實(shí)并不明朗。無論你是一個(gè)大師級(jí)別的人物，還只是一個(gè)小透明小白，都需要在表達(dá)自我傾聽觀眾的呼聲需求之間找到巧妙的平衡。

這個(gè)世界是因?yàn)楸磉_(dá)而存在的嗎？是因?yàn)樯Ρ旧淼恼宫F(xiàn)而變得豐富多彩的嗎？我想我不得而知。

我希望千百年后能夠留給這個(gè)世界的，是真正走入人心的作品，是讓他們?cè)谧髌分邪l(fā)現(xiàn)自我。

每一個(gè)人都希望自己被看見，也都希望能夠在作品中找到自己的影子。

且不說每個(gè)人都是自戀的，最基本的自愛都應(yīng)該有吧。那么我們?cè)谌粘Ｉ钪惺窃趺醋龅哪?？我們是自怨自艾，還是抱怨埋怨？我們是向其他人求助，還是說把負(fù)面的能量傳遞給了更多的人，把火撒在了其他人身上？

我覺得任何一個(gè)好的作家都應(yīng)該思考，自己和他人是什么樣的關(guān)系。然后盡自己的全力，在作品中呈現(xiàn)那種矛盾和張力，不僅僅是主角與配角之間的拉扯，更重要的是作為一個(gè)寫作者表達(dá)者和觀眾之間能有哪些巧妙的互動(dòng)。

在生活中記錄自己的日常經(jīng)歷，反思，還有故事，是很好的積累素材的手段。而我們應(yīng)該對(duì)這種日常帶有一種平常心和非常冷靜的客觀的旁觀者的態(tài)度。就像是我們看一場(chǎng)有別人來出演的電影，然后積極的坐在路邊為他鼓掌那樣。

我們是自己作品，自己文字，自己所出演的影片的第一個(gè)觀眾。如果我們能夠讓自己滿意了，那么緊接著讓其他人滿意，就是一件自然而然的事情。關(guān)鍵是一個(gè)寫作者，一個(gè)導(dǎo)演，一個(gè)藝術(shù)家，一個(gè)建筑師，一個(gè)設(shè)計(jì)者應(yīng)該如何達(dá)到讓自己滿意的水平和階段呢？

我覺得這是持續(xù)一生的修煉，因?yàn)槊恳粋€(gè)人都有自我實(shí)現(xiàn)的意愿和期待。而這種意愿和期待的實(shí)現(xiàn)就像是一頭想要吃到懸掛的胡蘿卜而拉磨的驢在做的事情。

我們每個(gè)人都希望自己變得越來越好，也都希望自己能夠給其他人帶來一些別人不能夠創(chuàng)造的東西。因?yàn)槟鞘俏覀兒瓦@個(gè)世界上的其他人不一樣的地方。

我就是我是顏色不一樣的煙火。這根本不是一句歌詞，而是每個(gè)人內(nèi)心真正的呼聲。所有的表達(dá)者都應(yīng)該能看透人心，直指內(nèi)在。你可以一針見血的指出，別人真正想要的是什么，同時(shí)無比清晰的，知道怎么樣幫助自己獲得他人想要的東西。

這是一種技術(shù)也是一門藝術(shù)，而且需要跨越幾十年的修煉和練習(xí)。

所以你看，如果你想寫作好的作品，好的文字，讓自己滿意，同時(shí)有一定的讀者認(rèn)為他有價(jià)值，其實(shí)是一個(gè)非常具備考驗(yàn)和挑戰(zhàn)的過程。

他需要你的不斷積累，需要你將它細(xì)分拆解為自己的人生腳本，故事案例需要你和其他的創(chuàng)作者有大量的交流。更重要的是，你的作品需要你用心來投入，這個(gè)時(shí)候讓誰(shuí)滿意根本就不重要，因?yàn)樗匀欢粫?huì)經(jīng)由你的內(nèi)在而流淌出最美好的樣態(tài)。

原創(chuàng)：郭陽(yáng)振

2023.04.04 16:45:34

《寫作是一個(gè)人找到一群人的旅程》

公眾號(hào)：享日辰

KongsenYoung: Startup Founder, Writer, and Programmer.

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