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Renewal-Zone:里斯本工場︱葡萄牙陸軍食品廠舊址上的創(chuàng)意集合工場

2023-08-14 11:35 作者:REARD銳地星設(shè)計  | 我要投稿



里斯本工場是對建造于1973年的葡萄牙軍方餅干面條廠的適應(yīng)性再利用項目。這座位列遺產(chǎn)保護名錄的建筑坐落在里斯本港口前方,所屬的歷史悠久的陸軍供應(yīng)綜合體,目前正經(jīng)歷從舊工業(yè)區(qū)向Hub Criativo de Beato創(chuàng)新區(qū)的轉(zhuǎn)變。


? Francisco Nogueira
? Francisco Nogueira


原建筑為了容納生產(chǎn)面條的大型機器,為長200m、寬11米的細長造型。


? Francisco Nogueira


為了緊急疏散,這種細長的建筑體量通常需要被引入幾個混凝土核心筒。為了避免類似的破壞性干預(yù),所有的動線都被附加在建筑外部,以輕型鋼走道和單向樓梯的形式沿立面蜿蜒,將歷史悠久的筒倉和建筑物中心的電梯井環(huán)繞其中。為了降低對結(jié)構(gòu)的影響,樓梯從天花板上懸垂下來。新的電梯井則以鏡面覆蓋,與頗具歷史性的色彩和特征融為一體。


? Francisco Nogueira


帶狀流線將創(chuàng)意工場獨特的功能集合和設(shè)計準則緊密聯(lián)系:兼容大型公司和初創(chuàng)企業(yè)的辦公區(qū)域與活動空間、當?shù)夭蛷d以及2000平方米的公共屋頂露臺相結(jié)合。在設(shè)計中,舊有材料和表層得到盡可能的保留,并與混凝土、鋼材、玻璃和木材等當代元素形成鮮明對比。


? Francisco Nogueira
? Francisco Nogueira


里斯本工場致力于為Beato當?shù)厣鐓^(qū)帶來多層次的細致影響。除了代表性的會務(wù)功能,建筑師在打造時,將場地重點置于面向本土和國際的多元化人群的開放性,當下已涵蓋科技、食品、性別、滑板、時尚、建筑和藝術(shù)領(lǐng)域的營利及非營利范疇。


? Francisco Nogueira
? Guillaume Bonn


建筑概念基于跨專業(yè)的協(xié)作努力而建立。讓大膽的建筑融入特定的環(huán)境肌理,是業(yè)主方Factory的創(chuàng)始人Simon Schaefer以及建筑師Julian Breinersdorfer、José Baganha和Angela Maurice的共同愿景。


? Francisco Nogueira
? Francisco Nogueira


依據(jù)這些設(shè)計準則,所有主要的干預(yù)措施都以白色鋼線表現(xiàn),新增或必要的修復(fù)措施都建立在保持歷史建筑主體的完整性和可見度的基礎(chǔ)上。


? Francisco Nogueira


除了走道外,十字結(jié)構(gòu)的安裝賦予了建筑抗震性。磚立面中的白框玻璃開口為室內(nèi)引入光線和流通動線,夾層地板的使用延伸至高處,使得空間更加高效。


? Francisco Nogueira


必要的技術(shù)裝置被視為重要脈絡(luò),毫不掩飾地在建筑物的主體中占據(jù)著一席之地,作為技術(shù)改造手段讓過去的食品生產(chǎn)設(shè)施適應(yīng)現(xiàn)代辦公和活動的功能。


? Francisco Nogueira


植物和木質(zhì)建筑元素帶來了非工業(yè)化的柔和氣息,同時不失20世紀70年代的色調(diào)。兩臺餅干機、黃色穿孔磚墻或損壞的大理石樓梯等歷史細節(jié)都得到了精心的修復(fù)和整合。


? Francisco Nogueira


所有的建筑材料、飾面和幾何形狀都經(jīng)過精心斟酌,與里斯本大西洋的神奇之光一起躍動。


? Francisco Nogueira
? Francisco Nogueira


Factory Lisbon is the adaptive reuse of a 1973 cookie and noodle factory of the Portuguese military. The heritage protected building sits on Lisbon's harbor front, in a historic army supply complex, currently being transformed into an innovation district, Hub Criativo de Beato.


? Julian Breinersdorfer
? Julian Breinersdorfer


Shaped to house noodle machines, the building is 200m long and only 11m wide.


? Francisco Nogueira


This slender volume would normally require the introduction of several concrete cores for emergency circulation. In order to avoid such a disruptive intervention, all circulation has been attached externally. In the shape of lightweight steel walkways and single-flight stairs, it meanders along the fa?ades, and weaves around the historic silos and an elevator shaft in the centre of the building. Here, the stairs are suspended from the ceiling, to minimise their structural impact. The new elevator shaft is clad with mirrors, so it blends with the historic colours and features.


? Francisco Nogueira
? Francisco Nogueira


The ribbon-shaped circulation ties together Factory's unique blend of program and design principle: office spaces for large companies and start-ups are combined with event spaces, local restaurants and a 2,000m2 public access roof terrace. The design approach is to retain old materials and surfaces wherever possible, and contrast with contemporary elements of concrete, steel, glass and wood.


? Francisco Nogueira
? Francisco Nogueira


Factory Lisbon aims to make a multilayered and nuanced impact on Beato's local community. There is a strong focus on making the venue accessible to a diverse local and international public, beyond that of the typical conference business: current events cover tech, food, gender, skateboarding, fashion, architecture and art, on both a for- and non-profit basis.


? Francisco Nogueira
? Francisco Nogueira


Architecture and concept have been developed in an interdisciplinary and collaborative effort. Aligning bold architecture respectfully along it's given context is the shared Leitmotiv of Factory's founder Simon Schaefer, and the architects Julian Breinersdorfer, José Baganha and Angela Maurice.


? Francisco Nogueira
? Francisco Nogueira


In-line with these design principles, all major interventions are drawn as white steel lines. They add or fix what is necessary, while leaving the historic building body legible and intact.


? Guillaume Bonn
? Julian Breinersdorfer


In addition to the walkways, St. Andreas crosses have been attached to make the building earthquake resistant, brick fa?ade elements have been opened as white-framed glazing, to bring light in or allow for circulation, and mezzanine floors have been extended to use high spaces more efficiently.


? Francisco Nogueira
? Francisco Nogueira


The necessary technical installations are treated as veins, unashamedly taking their place in the building's body.? They are visible as technological transformations, adapting the functionality of an old food production facility to contemporary office and event uses.


? Julian Breinersdorfer
? Guillaume Bonn


Plants and wooden buildout elements bring a nonindustrial softness, without leaving the 1970's palette. Historic details like two cookie machines, the yellow perforated brick walls, or damaged marble staircases have been lovingly restored and integrated.


? Julian Breinersdorfer


All building materials, finishes and geometries have been selected to vibrate with Lisbon's magic atlantic light.


? Guillaume Bonn
? Guillaume Bonn

Project Name:?Factory Lisbon

Architects:?Julian Breinersdorfer Architekten

Office Website:?julianbreinersdorfer.com

Social Media Accounts:?instagram julian_breinersdorfer

Photographers:?Francisco Nogueira, Guillaume Bonn, Julian Breinersdorfer

?

Completion Year:?2022

Gross Built Area (m2/ ft2):?12.400m2

Project Location:?Lisboa, Portugal

Program / Use / Building Function:?Mixed Use

?

Design Architect:?Julian Breinersdorfer Architekten

Julian Breinersdorfer Architekten Team:?Lena Brandt, Alessandro Cugola, Corinna Studier, Gareth Hammond

Permit Architect:?José Baganha Arquitectos

Permit Architect Team:?Raquel Coutinho, Carolina Costa

Project Architect:?Angela Maurice Arquitectos

Project Architect Team:?Goncalo Soares

Client:?Factory





·? END? ·


Renewal-Zone:里斯本工場︱葡萄牙陸軍食品廠舊址上的創(chuàng)意集合工場的評論 (共 條)

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