Goran ?por?i? (克羅地亞) 我叫Goran ?por?i?，今年49歲，住在克羅地亞的庫蒂納。我于1973年4月5日出生在庫蒂納。我的職業(yè)是工程師。我在克羅地亞的一所小學(xué)擔(dān)任技術(shù)教師。我作為一名視頻業(yè)余愛好者已經(jīng)工作了15年。我參加了一個關(guān)于攝影、剪輯和實驗電影的課程。我特別喜歡超現(xiàn)實主義藝術(shù)。 My name is Goran Sporcic. I am 49 years old and I live in Kutina, Croatia. I was born in Kutina on April 5, 1973. I am an engineer by profession. I work as a technical teacher in an elementary school in Croatia. I have been working as a video amateur for 15 years. I attended a course in camera, editing, and experimental film. I especially love surreal art.
《 Little Planet 7406》影片簡介： 在冰與火之間。這部電影講述了發(fā)生在我們每個人身上的心理斗爭?；鹋c冰之間的戰(zhàn)斗。這部電影探討了我們是誰，我們的目的是什么。我們的意識是什么，當(dāng)它完成它在這個世界上的使命時，它去了哪里。在這個物質(zhì)世界里，愛是唯一有價值的東西嗎? 電影被分成三個部分： 第一塊-第1節(jié):談?wù)撍劳?br/>第二部分-第2節(jié):談?wù)摼融H 第三部分-第3節(jié):談和解 這部電影質(zhì)疑電影傳統(tǒng)，探索傳統(tǒng)敘事的敘事形式和替代方案。這部電影提升了藝術(shù)家的個人視野，而不是娛樂。我的電影《 Little Planet 7406》，通過使用不同的抽象技巧，將觀眾置于一個更積極、更有思想的電影關(guān)系中。這部電影有一種印象主義的，有點詩意的結(jié)構(gòu)。 Between fire and ice. The film talks about the psychological struggle of man that takes
place in each of us. The battle that takes place between fire and ice.
The film deals with the questions of who we are, what is our purpose.
What is our consciousness and where does it go when it completes its
mission in this world. Is love the only valuable thing that really
exists in this material world? The film is divided into three blocks. First block – VERSES 1: Talks about death Second block – VERSES 2: Talks about redemption The third block – VERSES 3: Talks about reconciliation The film questions cinematic conventions and explores narrative
forms and alternatives to traditional narratives. The film promotes the
artist's personal vision, not entertainment. My film Little Planet 7406,
by using different techniques of abstraction, places the viewer in a
more active and thoughtful relationship to the film. The film has an
impressionistic, somewhat poetic construction.
英文版采訪： 劉紫夢：When did you become interested in making films and why?
Goran ?por?i?：I have been working as a video amateur for a long time. I developed my love for film as a child. I work as a teacher at a school and teach a technical group of subjects. In my school, I have been leading a student film group for 15 years. The film group has a lot of success with its films at festivals all over the world.I have also attended numerous workshops organized by the Croatian Film Association, such as workshops for camera, editing, and experimental film.Three years ago, I decided to make a film that I would like to see myself.My work was most influenced by surrealist film authors Wong Kar-wai, Leos Carax, Gaspar Noé.
劉紫夢：As for how "Little Planet 7406" was created, did you encounter some difficulties or gains during the shooting process?
Goran ?por?i?：In my case, the film making process develops metaphysically. The frames were not chosen by chance. They were carefully chosen. I have a personal connection with each of them. The frames are also mathematically precisely arranged. The shots I shot had to echo with the music of the philharmonic. This also applies to the process of editing and color correction. I had difficulties with music. Although I have a musical education, I play several instruments, sing acapella and I know exactly what kind of melody I want in my films, I don't have a music studio where I could realize ideas related to sound processing and melodies in my films.
劉紫夢：Compared to a narrative storyline, this film is more like a painting artwork, frame by frame about nature, why did you choose this form of expression
Goran ?por?i?：The frames are simple, beautiful and mathematically correct. But it was with such frames that I tried to disintegrate time, space, matter and tried to see what is hidden in other dimensions. It is this disintegration of the very material texture of reality that enables spiritual depths. With these elements, I affect the viewer more deeply, which is much more important for our experience of rising above material reality.In my films, everything is connected. The messages I send to the audience are deep and lasting. In "Little Planet 7406", the treatment of nature is reminiscent of Tarkovsky, while the dialogue is surprising and close to David Lynch's poetics. In films, I want to find a new form, a new shape. I don't want to be a slave to certain norms. I'm interested in what's outside the box. "Little Planet 7406" is a complex film, with many different, carefully and precisely incorporated aspects. The film is really like a painting. The function of the image in my films is almost hypnotic. Through the image, I draw the viewer into the oneiric experience of the film sensorially and visually. This is all the background for the dialogue that goes on in the background of the film. The dialogue of the film is strange and has elements of the surreal but embedded in it is a deep personal story that I want to tell the viewer. With shock therapy, I want to wake up the viewer from lethargy and revive him. The last note, the essence of the entire film that I convey to the viewer is emotion, content. The image and dialogue are deeply connected to me and extremely personal. What is most personal is also the most creative.
劉紫夢：The struggles in film reviews, about love, about the meaning and purpose of life, do you as a creator have your own answers to these questions?
Goran ?por?i?：Creation is God's germ in us. Through creation, I tirelessly search for answers, pieces of the mosaic of who I am. Because we all once had the opportunity to break against that metaphorical and real stone and rock, and since then we have been trying to gather the particles of our being anew and striving for unity, wholeness, content that still eludes us persistently. And this is exactly where the importance of the film in general lies. In collecting the parts of ourselves that stink in their ossification and which, in reality and totality, we are not ready to accept.
劉紫夢：What is the deepest feeling about shooting a film? Has it had a profound impact on your life?
Goran ?por?i?：When making films, my message is giving permission to the viewer as well as the right to think and breathe visually, unfettered by exploring their own subconscious. Through exploration, we become aware of the inestimable value not of what we are, but of what we can become.
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