完整版簡介如下：

【復(fù)原唐樂合奏】傾杯樂 -- [Reconstructed Tang-period Ensemble Music] Music of the Tilted Wine Cup

https://m.youtube.com/watch?v=Py98D2waAVA

原視頻于2023年6月25日發(fā)布

0:00 標(biāo)題 Title?

0:06 樂譜復(fù)原概要 Summary of the Restoration Process

?-- 復(fù)原樂曲演奏 Featured Performance 0:47 破 "Broaching" Section?

4:20 急 "Rapid" Section?

7:17 片末 End Credits?

Music of the Tilted Wine Cup (傾杯樂 or 傾盃樂; Qīng-bēi-yuè) was a Táng-period banquet music originated from a drinking song of the North & South Dynasties Period (南北朝; Nán-běi-cháo). By the early Táng Dynasty, it was rearranged and expanded in scale as a dà-qū (大曲). During the reign of Emperor Xuán-zōng (玄宗), this piece was used to accompany horse dances. Later, Emperor Xuān-zōng (宣宗) composed the New Music of the Tilted Wine Cup (新傾盃樂; Xīn Qīng-bēi Yuè) for the bìlì (篳篥; double-reed instrument related to/originated from the duduk). By the early Sòng Dynasty (宋朝), there were already 28 different versions of Music of the Tilted Wine Cup.?

The expanded version of Music of the Tilted Wine Cup, keyed in "Dà-shí-diào (大食調(diào))" or Mixolydian mode on E, was imported to Japan from Táng China. Its pípá (琵琶; 4-string lute) score, preserved in the Sango Yōroku (三五要錄) is the earliest known surviving score of this piece. Other surviving scores were notated for the zhēng (箏; 13-string zither) and wind instruments such as the shēng (笙; 17-pipe mouth organ), the héng-dí (橫笛; transverse bamboo flute) and the bìlì. This piece originally contained a "Prelude" section (序; xù) of 16 phrases, two "Broaching" sections (破; pò) of 16 phrases each and two "Rapid" sections (急; jí) also of 16 phrases each. Both the second section of "Broaching" and "Rapid" begin with an altered first phrase. However, the "Prelude" had been lost and only the "Broaching" and "Rapid" sections remain.?

The collection of 25 pípá scores known as the Dūn-huáng Pípá Pǔ (敦煌琵琶譜) contains two pieces that are also titled Music of the Tilted Wine Cup (傾盃樂). The late Professor Chén Yìng-shí (陳應(yīng)時(shí); 1933-2020) had previously analyzed the two scores and determined that they are of the same music but rendered in different keys/modes. Yet, when compared to the version from the Sango Yōroku, these two scores are clearly different with respect to musical structure, phrasing, key/mode and required tuning of the pípá. Furthermore, different pieces were titled “Music of the Tilted Wine Cup” at different periods. Thus, no clear relationship between the two versions can be established at the moment other than they share the title .?

This video features a rendition of Music of the Tilted Wine Cup based primarily on the surviving pípá and zhēng scores. Scores notated for the wind instruments were also consulted to reconstruct the music as close to its original form as possible.?

《傾杯樂》(又作《傾盃樂》)為唐代燕樂，源自南北朝時(shí)期之勸酒詞曲，至唐初改編成大曲，以太簇商、中呂商或黃鐘商為宮調(diào)，唐玄宗用之作馬舞伴樂。唐宣宗時(shí)又創(chuàng)《新傾盃樂》，以篳篥吹奏。至宋初時(shí)，《傾盃樂》已有二十八個(gè)不同版本。?

《傾杯樂》大曲在唐朝時(shí)傳入日本，其宮調(diào)為大食調(diào)（太簇商），現(xiàn)存樂譜以《三五要錄》所載的琵琶譜為最早，同時(shí)尚有箏譜(載於《仁智要錄》)、笙譜、橫笛譜、篳篥譜等流傳至今，樂曲保存相對完整。原曲有「序」一帖拍子十六、「破」兩帖有「換頭」拍子各十六、「急」兩帖也有「換頭」拍子亦各為十六，但「序」早已失傳，只餘「破」和「急」兩樂章。?

此外，《敦煌琵琶譜》亦收錄了《傾盃樂》兩首。已故學(xué)者陳應(yīng)時(shí)(1933-2020)曾為兩譜作譯析，發(fā)現(xiàn)兩首《傾盃樂》為同曲異調(diào)。但相對於《三五要錄》所載的《傾杯樂》琵琶譜而言，兩首《傾盃樂》在結(jié)構(gòu)、曲式、宮調(diào)、以至琵琶的定弦上皆與前者有差別，再而《傾杯(盃)樂》於不同時(shí)期亦為不同的樂曲，故未能證明《三五要錄》及《敦煌琵琶譜》的兩種《傾杯(盃)樂》有任何直接關(guān)聯(lián)。?

本片所錄《傾杯樂》以《三五要錄》的琵琶譜及《仁智要錄》的箏譜為基礎(chǔ)，再參考其餘聲部的存譜以補(bǔ)回其他樂器，從而復(fù)原樂曲全貌。?

Reference 參考資料:?

陳應(yīng)時(shí)，《敦煌樂譜解譯辨正》 (Dūnhuáng Yuèpǔ Jiěyì Biànzhèng; Interpretation and Correction of the Dunhuang Music Score, by Chen Yingshi) 上海音樂學(xué)院出版社 (Shanghai Conservatory of Music Press) 2005.6 ISBN 7-80692-147-8?

陳應(yīng)時(shí)，敦煌樂譜同名曲《傾盃樂》的旋律重合 (Dūnhuáng Yuèpǔ Tóng Míngqǔ “Qīng-bēi Yuè” De Xuánlǜ Chónghé; Coinciding Melodies of “Qīng-bēi Yuè”: Two Melodies of the Same Title in the Dunhuang Music Score, by Chen Yingshi) 音樂藝術(shù)(上海音樂學(xué)院學(xué)報(bào)) 2005年第4期 (Yīnyuè Yìshù [Shanghai Conservatory of Music Newspaper] 2005 4th Issue) 1000-4270(2005)04-0089-05