個(gè)人簡(jiǎn)介：

???????張琦，字十足，號(hào)墨炎，觀魁堂主人，1965年出生于老子故里河南鹿邑，1992年畢業(yè)于河南大學(xué)美術(shù)系，同年被分配到中國(guó)人民武裝警察部隊(duì)從事美術(shù)創(chuàng)作，1995年被選派到中國(guó)人民解放軍藝術(shù)學(xué)院學(xué)習(xí)，1998年進(jìn)入中央美術(shù)學(xué)院深造。著名軍旅書畫家。中國(guó)美術(shù)家協(xié)會(huì)會(huì)員、中國(guó)書法家協(xié)會(huì)會(huì)員、國(guó)家一級(jí)美術(shù)師?，F(xiàn)為中南海紫光閣畫院主任、院士，鹿邑東方老子書畫院院長(zhǎng)。系中國(guó)人民解放軍藝術(shù)學(xué)院客座教授。

???????張琦“能書善畫，書畫兼修”，尤其擅長(zhǎng)于古代人物畫像，書畫以古為鏡，展時(shí)代筆墨。他的國(guó)畫“千年老子”形象，栩栩如生，仿佛老人家依然活在人們的生活當(dāng)中，繼續(xù)以先哲智慧引導(dǎo)未來。其鐘馗畫像別具一格，獨(dú)樹一幟，其中《鐘道神威》在國(guó)際大展中榮獲金獎(jiǎng)，“鐘道系列”也被作為國(guó)禮贈(zèng)送給外國(guó)政要首腦。并在翰海、保利、嘉德等著名拍賣行多次高價(jià)拍賣。

??????中央電視臺(tái)、北京電視臺(tái)、鳳凰電視臺(tái)、《美術(shù)報(bào)》、《中國(guó)書畫報(bào)》、香港《大公報(bào)》、《中國(guó)藝術(shù)家》、《環(huán)球游報(bào)》、深圳《消息報(bào)》、《深圳商報(bào)》等數(shù)十家新聞媒體多次報(bào)道過他和他的書畫作品。

???????2011年，作品入選“中國(guó)當(dāng)代藝術(shù)名家精品專題郵票”，由北京市郵政管理局監(jiān)制發(fā)行。同年秋，作品入選四川美術(shù)出版社出版發(fā)行的《當(dāng)代藝壇嬌子》、中國(guó)當(dāng)代美術(shù)出版社出版的《新中國(guó)藝壇百年追夢(mèng)人》和《大國(guó)外交——走向世界的人民藝術(shù)家》等等。《張琦鐘道畫集》也由榮寶齋出版社出版發(fā)行。“鐘馗張”之名亦即由此而來。

???????張琦在書法方面也是碩果累累，造詣?lì)H深，作品先后入展全國(guó)第七屆、第八屆書法展，全國(guó)第三屆正書大展和第四屆全國(guó)楹聯(lián)書法大展等等。代表作分別為國(guó)畫《鐘馗神威》，書法《惠風(fēng)和暢》。

Personal profile：

Zhang Qi, full of words, named Moyan, owner of GuanKui Hall, was born in 1965 in Luyi, Henan, the hometown of Laozi, and graduated from the Fine Arts Department of Henan University in 1992. In the same year, he was assigned to the Chinese People’s Armed Police Force to engage in art creation. Selected to study at the Chinese People's Liberation Army Academy of Art, and entered the Central Academy of Fine Arts in 1998 for further studies. Famous military calligrapher and painter. Member of the Chinese Artists Association, member of the Chinese Calligraphers Association, national first-class artist. He is currently the director and academician of Zhongnanhai Ziguangge Painting Academy, and the dean of Luyi Oriental Laozi Painting and Calligraphy Academy. He is a visiting professor at the Chinese People's Liberation Army Academy of Arts.

Zhang Qi "can be good at calligraphy and painting, and also master both calligraphy and calligraphy." He is especially good at portraits of ancient figures. Painting and calligraphy use ancient times as mirrors to show the pen and ink of the times. The image of his traditional Chinese painting "A Thousand-Year Laozi" is lifelike, as if the old man is still living in people's lives and continues to guide the future with the wisdom of sages. His portrait of Zhong Kui is unique and unique. Among them, "Zhong Dao Shenwei" won the gold medal in the international exhibition, and the "Zhong Dao Series" was also presented as a national gift to foreign political leaders. It has been auctioned at high prices for many times in famous auction houses such as Hanhai, Poly, Guardian and so on.

China Central Television, Beijing Television, Phoenix Television, "Art News", "China Painting and Calligraphy", Hong Kong "Ta Kung Pao", "Chinese Artists", "Global Travel News", Shenzhen "Izvestia", "Shenzhen Commercial Daily", etc. The news media reported on him and his paintings and calligraphy works many times.

In 2011, his work was selected as the "Special Topic Stamps of Famous Chinese Contemporary Art", which was produced and issued under the supervision of Beijing Post Administration. In the autumn of the same year, his work was selected as "A Jiaozi in Contemporary Art" published by Sichuan Fine Arts Publishing House, "A Hundred Years Dream Chaser in the New China Art Circle" published by China Contemporary Art Publishing House, and "Great Power Diplomacy-People's Artists Going to the World", etc. Wait. "Zhang Qi Zhongdao Painting Collection" was also published by Rong Baozhai Publishing House. This is where the name "Zhong Kui Zhang" comes from.

Zhang Qi has also made great achievements in calligraphy and has profound accomplishments. His works have been exhibited in the 7th and 8th National Calligraphy Exhibition, the 3rd National Original Book Exhibition, and the 4th National Couplet Calligraphy Exhibition, and so on. The representative works are Chinese painting "Zhong Kui Shenwei" and calligraphy "Hui Feng He Chang".

作品賞析：

???????元代著名書畫家趙孟頫說：“書法以用筆為上，而結(jié)字亦須用功，蓋結(jié)字因時(shí)相傳，用筆千古不易?！北娝苤?，國(guó)畫的用筆方法與書法的用筆大同小異，甚至可以說是異曲同工。國(guó)畫的用筆主要是用“線”，而“線”則是國(guó)畫中最根本的造型手段。

???????作為著名國(guó)畫家，張琦先生在“運(yùn)筆”的過程中，融入個(gè)人思想、感情、情緒、意趣，可謂“筆至意達(dá)”，使得其國(guó)畫中的線條產(chǎn)生了鮮明的個(gè)性特征，進(jìn)而也表現(xiàn)出了人的審美心靈、人格、氣質(zhì)和理想。為了達(dá)到“造形立意”之效果，他在運(yùn)筆時(shí)注重均勻用力，筆筆送到；在行筆時(shí)折轉(zhuǎn)而無角，圓潤(rùn)而有力?？芍^“含蓄而有回旋，沉穩(wěn)而有重量”。

???????清初著名畫家原濟(jì)和尚（亦即石濤）于《石濤畫語錄·變化章第三》中說：“至人無法，非無法也，無法而法，乃為至法，凡事有經(jīng)必有權(quán)，有法必有化，一知其經(jīng)，即變其權(quán)；一知其法，即功于化。”對(duì)于墨色的變化，古人既有所謂“五彩”之說（即焦、濃、重、淡、清”），又有“六色”之說（即“干、濕、濃、淡、黑、白”）。但不論是哪一種說法，無非就是講墨色的“變化多端”。

???????張琦先生在這方面的表現(xiàn)尤為突出。他的人物畫用墨首先是“厚重”，給人以厚重而不輕薄的感覺。其次就是“透明”，做到不渾濁，不僵滯，層次清楚。其三是“豐富”，力求墨色多變，層次豐富。張琦先生的人物畫作品《周室為官》就是這樣，用墨既有變化，又有韻味，并以巧妙的用墨，充分表現(xiàn)人物的立體感、質(zhì)感和遠(yuǎn)近的空間感。

???????張琦先生經(jīng)過多年來的實(shí)踐，對(duì)人物畫技法的相關(guān)體悟是：“以人為師；耕耘不輟，創(chuàng)新拓展；琢磨體悟，轉(zhuǎn)識(shí)成智”。故而，他的古代人物畫技法很多，也很熟稔，甚至可用“信手拈來”、“庖丁解?！比バ稳?。但是，不論他使用哪一種技法，無不是因人而異，因景而異，因畫而異，因時(shí)而異，并且能夠充分地表現(xiàn)出人物的“形”與“神”，且可充分表達(dá)出作者的“意”與“韻”。

??????氣韻豐碩”是張琦先生人物畫的最大特點(diǎn)。清代著名畫家唐志契曾經(jīng)這樣說過：“氣韻生動(dòng)，與煙潤(rùn)不同。‘氣’有‘筆氣’、‘墨氣’、‘色氣’，運(yùn)用活潑，自然生動(dòng)。”故而，張琦先生也認(rèn)為：人物畫與山水畫有著不少的相通之處。創(chuàng)作一幅人物畫，不但要有好的“構(gòu)圖”，而且還要有美的“意境”，因?yàn)椤耙饩场笔侨宋锂嫷摹办`魂”之所在。如果一幅人物畫不能給觀賞者留下聯(lián)想的余地，進(jìn)而讓觀賞者受到情緒感染，并引起一定共鳴，進(jìn)而感受到人物畫中的“言外之意”、“弦外之音”、“境外之味”，才算是有意境。

???????張琦先生的古代人物畫作品，“外師造化，中得心源”是也。所以，他畫作中的那些人物，從面部到體型，從眉眼到胡須，從衣服到鞋帽，個(gè)個(gè)都有講究，處處都合情理。這樣，自然就在有意無意中產(chǎn)生了“氣韻”。
????????張琦先生的古代人物畫“‘神’‘意’兼容”。首先，是“以‘神’勝之”——注重寫實(shí)，以真實(shí)感人的空間境象構(gòu)成意境，把理想和感情融入人物之中，主要是通過“神情”自身誘發(fā)讀者聯(lián)想。它類似于詩的“無我之境”。其次，是“以‘意’勝之”——注重情感表達(dá)，突出“個(gè)性”和“情致”，在“形”上要求“像與不像之間”。它類似于詩的“有我之境”。同時(shí)，張琦先生在實(shí)際創(chuàng)作中，還注重“形神結(jié)合”，做到了“感情”與“形象”的高度結(jié)合，進(jìn)而達(dá)到了“形神交融”、“天人合一”的“自然”境界。諸如，他的《老子出關(guān)》、《鐘馗神威》、《威震人間》等等一系列古代人物畫作品，無不如此。張琦先生的古代人物畫因?yàn)橛辛恕皻忭崱?，所以也就有了“靈性”。

???????縱觀張琦先生的古代人物畫作品，可謂之為“意韻深邃、詩意盎然、個(gè)性張揚(yáng)、獨(dú)樹一幟”。故而，受到了人們的普遍喜愛。